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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3098E it is the complementary color #3CF671. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3098E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3098E shade: #C80989, #D91B9C, #EA2DAF, #FB3FC2 and #FF51D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3098E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3098E shade: #C3098E, #B2007B, #A10068, #900055 and #7F0042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3098E shade: #C2098D, #C2095B, #C20929 and #C20909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3098E shade: #C2098D, #C209BF, #9309C2, #6109C2 and #2F09C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3098E shade matches the following richer shades: #C2098D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3098E shade: #C2098D, #B21986, #A12A7F, #913A78 and #804B71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3098E shade: #9409C2, #C209BF, #C2098E, #C2095C and #C2092B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3098E shade: #740554, #9B0771, #C2098D, #EA0BAA and #F429BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3098E shade: #C3098E, #C26209 and #09C2AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3098E shade: #C3098E, #8EC209 and #098EC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3098E shade: #C3098E, #C26209, #09C23D and #0969C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3098E shade: #C3098E, #C29A09, #09C23D and #0931C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 27 / 24

HEX #C3098E

RGB 195 9 142

HSL 317.1, 0.91%, 0.4%

LAB 43.87, 72.57, -22.11

 

Complementary color

CMYK 76 / 0 / 54 / 4

HEX #3CF671

RGB 60 246 113

HSL 137.1, 0.91%, 0.6%

LAB 86.04, -72.13, 50.64

 

CMYK 0 / 96 / 32 / 22

HEX #C80989

RGB 200 9 137

HSL 319.79, 0.91%, 0.41%

LAB 44.63, 73.05, -17.81

 

CMYK 0 / 88 / 28 / 15

HEX #D91B9C

RGB 217 27 156

HSL 319.26, 0.78%, 0.48%

LAB 49.42, 76.43, -21.65

 

CMYK 0 / 81 / 25 / 8

HEX #EA2DAF

RGB 234 45 175

HSL 318.73, 0.82%, 0.55%

LAB 54.52, 78.72, -24.75

 

CMYK 0 / 75 / 23 / 2

HEX #FB3FC2

RGB 251 63 194

HSL 318.19, 0.96%, 0.62%

LAB 59.85, 80.14, -27.27

 

CMYK 0 / 68 / 16 / 0

HEX #FF51D5

RGB 255 81 213

HSL 314.48, 1%, 0.66%

LAB 63.3, 77.83, -32.67

 

CMYK 0 / 95 / 27 / 24

HEX #C3098E

RGB 195 9 142

HSL 317.1, 0.91%, 0.4%

LAB 43.87, 72.57, -22.11

 

CMYK 0 / 100 / 31 / 30

HEX #B2007B

RGB 178 0 123

HSL 318.54, 1%, 0.35%

LAB 39.4, 67.89, -17.57

 

CMYK 0 / 100 / 35 / 37

HEX #A10068

RGB 161 0 104

HSL 321.24, 1%, 0.32%

LAB 35.16, 62.3, -12.37

 

CMYK 0 / 100 / 41 / 44

HEX #900055

RGB 144 0 85

HSL 324.58, 1%, 0.28%

LAB 30.84, 56.63, -6.91

 

CMYK 0 / 100 / 48 / 50

HEX #7F0042

RGB 127 0 66

HSL 328.82, 1%, 0.25%

LAB 26.46, 50.91, -1.11

 

CMYK 0 / 95 / 27 / 24

HEX #C2098D

RGB 194 9 141

HSL 317.19, 0.91%, 0.4%

LAB 43.64, 72.25, -21.88

 

CMYK 0 / 95 / 53 / 24

HEX #C2095B

RGB 194 9 91

HSL 333.41, 0.91%, 0.4%

LAB 41.88, 67.59, 6.59

 

CMYK 0 / 95 / 79 / 24

HEX #C20929

RGB 194 9 41

HSL 349.62, 0.91%, 0.4%

LAB 40.94, 65.01, 36.57

 

CMYK 0 / 95 / 95 / 24

HEX #C20909

RGB 194 9 9

HSL 0, 0.91%, 0.4%

LAB 40.71, 64.38, 51.68

 

CMYK 0 / 95 / 27 / 24

HEX #C2098D

RGB 194 9 141

HSL 317.19, 0.91%, 0.4%

LAB 43.64, 72.25, -21.88

 

CMYK 0 / 95 / 2 / 24

HEX #C209BF

RGB 194 9 191

HSL 300.97, 0.91%, 0.4%

LAB 46.21, 78.77, -47.65

 

CMYK 24 / 95 / 0 / 24

HEX #9309C2

RGB 147 9 194

HSL 284.76, 0.91%, 0.4%

LAB 38.36, 72.05, -62.47

 

CMYK 50 / 95 / 0 / 24

HEX #6109C2

RGB 97 9 194

HSL 268.54, 0.91%, 0.4%

LAB 30.95, 66.4, -74.91

 

CMYK 76 / 95 / 0 / 24

HEX #2F09C2

RGB 47 9 194

HSL 252.32, 0.91%, 0.4%

LAB 25.85, 63.34, -83.54

 

CMYK 0 / 95 / 27 / 24

HEX #C2098D

RGB 194 9 141

HSL 317.19, 0.91%, 0.4%

LAB 43.64, 72.25, -21.88

 

CMYK 0 / 95 / 27 / 24

HEX #C2098D

RGB 194 9 141

HSL 317.19, 0.91%, 0.4%

LAB 43.64, 72.25, -21.88

 

CMYK 0 / 86 / 25 / 30

HEX #B21986

RGB 178 25 134

HSL 317.25, 0.75%, 0.4%

LAB 41.03, 65.82, -21.87

 

CMYK 0 / 74 / 21 / 37

HEX #A12A7F

RGB 161 42 127

HSL 317.14, 0.59%, 0.4%

LAB 39.18, 56.32, -20.66

 

CMYK 0 / 60 / 17 / 43

HEX #913A78

RGB 145 58 120

HSL 317.24, 0.43%, 0.4%

LAB 38.55, 44.23, -17.51

 

CMYK 0 / 41 / 12 / 50

HEX #804B71

RGB 128 75 113

HSL 316.98, 0.26%, 0.4%

LAB 39.26, 28.33, -12.31

 

CMYK 24 / 95 / 0 / 24

HEX #9409C2

RGB 148 9 194

HSL 285.08, 0.91%, 0.4%

LAB 38.53, 72.19, -62.2

 

CMYK 0 / 95 / 2 / 24

HEX #C209BF

RGB 194 9 191

HSL 300.97, 0.91%, 0.4%

LAB 46.21, 78.77, -47.65

 

CMYK 0 / 95 / 27 / 24

HEX #C2098E

RGB 194 9 142

HSL 316.86, 0.91%, 0.4%

LAB 43.68, 72.37, -22.42

 

CMYK 0 / 95 / 53 / 24

HEX #C2095C

RGB 194 9 92

HSL 333.08, 0.91%, 0.4%

LAB 41.9, 67.66, 5.99

 

CMYK 0 / 95 / 78 / 24

HEX #C2092B

RGB 194 9 43

HSL 348.97, 0.91%, 0.4%

LAB 40.96, 65.08, 35.41

 

CMYK 0 / 96 / 28 / 55

HEX #740554

RGB 116 5 84

HSL 317.3, 0.92%, 0.24%

LAB 25.14, 49.35, -15.48

 

CMYK 0 / 95 / 27 / 39

HEX #9B0771

RGB 155 7 113

HSL 317.03, 0.91%, 0.32%

LAB 34.63, 61.13, -19.03

 

CMYK 0 / 95 / 27 / 24

HEX #C2098D

RGB 194 9 141

HSL 317.19, 0.91%, 0.4%

LAB 43.64, 72.25, -21.88

 

CMYK 0 / 95 / 27 / 8

HEX #EA0BAA

RGB 234 11 170

HSL 317.22, 0.91%, 0.48%

LAB 52.55, 83.27, -24.86

 

CMYK 0 / 83 / 24 / 4

HEX #F429BA

RGB 244 41 186

HSL 317.14, 0.9%, 0.56%

LAB 56.45, 83, -28.02

 

CMYK 0 / 95 / 27 / 24

HEX #C3098E

RGB 195 9 142

HSL 317.1, 0.91%, 0.4%

LAB 43.87, 72.57, -22.11

 

CMYK 0 / 49 / 95 / 24

HEX #C26209

RGB 194 98 9

HSL 28.86, 0.91%, 0.4%

LAB 52.09, 33.83, 58.67

 

CMYK 95 / 0 / 11 / 24

HEX #09C2AD

RGB 9 194 173

HSL 173.19, 0.91%, 0.4%

LAB 70.64, -44.96, -0.87

 

CMYK 0 / 95 / 27 / 24

HEX #C3098E

RGB 195 9 142

HSL 317.1, 0.91%, 0.4%

LAB 43.87, 72.57, -22.11

 

CMYK 27 / 0 / 95 / 24

HEX #8EC209

RGB 142 194 9

HSL 76.86, 0.91%, 0.4%

LAB 72.46, -39.01, 71.6

 

CMYK 95 / 27 / 0 / 24

HEX #098EC2

RGB 9 142 194

HSL 196.86, 0.91%, 0.4%

LAB 55.38, -12.66, -35.74

 

CMYK 0 / 95 / 27 / 24

HEX #C3098E

RGB 195 9 142

HSL 317.1, 0.91%, 0.4%

LAB 43.87, 72.57, -22.11

 

CMYK 0 / 49 / 95 / 24

HEX #C26209

RGB 194 98 9

HSL 28.86, 0.91%, 0.4%

LAB 52.09, 33.83, 58.67

 

CMYK 95 / 0 / 69 / 24

HEX #09C23D

RGB 9 194 61

HSL 136.86, 0.91%, 0.4%

LAB 68.74, -66.63, 53.31

 

CMYK 95 / 46 / 0 / 24

HEX #0969C2

RGB 9 105 194

HSL 208.86, 0.91%, 0.4%

LAB 44.31, 9.64, -53.3

 

CMYK 0 / 95 / 27 / 24

HEX #C3098E

RGB 195 9 142

HSL 317.1, 0.91%, 0.4%

LAB 43.87, 72.57, -22.11

 

CMYK 0 / 21 / 95 / 24

HEX #C29A09

RGB 194 154 9

HSL 47.03, 0.91%, 0.4%

LAB 65.44, 3.41, 68.07

 

CMYK 95 / 0 / 69 / 24

HEX #09C23D

RGB 9 194 61

HSL 136.86, 0.91%, 0.4%

LAB 68.74, -66.63, 53.31

 

CMYK 95 / 75 / 0 / 24

HEX #0931C2

RGB 9 49 194

HSL 227.03, 0.91%, 0.4%

LAB 29.79, 45.92, -77.03

 

Description

Color code: HEX #C3098E | qconv.com Color code: HEX #C3098E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 9 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 9 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 27 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 27% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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