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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2FF04 it is the complementary color #3D00FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2FF04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2FF04 shade: #C7FF00, #D8FF12, #E9FF25, #FAFF38 and #FFFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2FF04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2FF04 shade: #C2FF04, #B1ED00, #A0DB00, #8FC900 and #7EB700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2FF04 shade: #C2FF05, #FFF805, #FFB405, #FF7105 and #FF2E05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2FF04 shade: #C2FF05, #7EFF05, #3BFF05, #05FF12 and #05FF55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2FF04 shade matches the following richer shades: #C2FF05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2FF04 shade: #C2FF05, #B7EA19, #ADD62D, #A3C241 and #98AE55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2FF04 shade: #FFB405, #FFF605, #C4FF05, #82FF05 and #3FFF05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2FF04 shade: #86B100, #A5DA00, #C2FF05, #CCFF2E and #D6FF57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2FF04 shade: #C2FF04, #05FF71 and #D505FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2FF04 shade: #C2FF04, #05C4FF and #FF05C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2FF04 shade: #C2FF04, #05FF71, #3F05FF and #FF0592

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2FF04 shade: #C2FF04, #05FFBC, #3F05FF and #FF0547

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 98 / 0

HEX #C2FF04

RGB 194 255 4

HSL 74.58, 1%, 0.51%

LAB 93.01, -45.71, 89.28

 

Complementary color

CMYK 76 / 100 / 0 / 2

HEX #3D00FB

RGB 61 0 251

HSL 254.58, 1%, 0.49%

LAB 33.89, 79.01, -102.91

 

CMYK 22 / 0 / 100 / 0

HEX #C7FF00

RGB 199 255 0

HSL 73.18, 1%, 0.5%

LAB 93.3, -43.86, 89.92

 

CMYK 15 / 0 / 93 / 0

HEX #D8FF12

RGB 216 255 18

HSL 69.87, 1%, 0.54%

LAB 94.38, -37.11, 89.8

 

CMYK 9 / 0 / 85 / 0

HEX #E9FF25

RGB 233 255 37

HSL 66.06, 1%, 0.57%

LAB 95.57, -30.03, 88.5

 

CMYK 2 / 0 / 78 / 0

HEX #FAFF38

RGB 250 255 56

HSL 61.51, 1%, 0.61%

LAB 96.87, -22.65, 85.82

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 24 / 0 / 98 / 0

HEX #C2FF04

RGB 194 255 4

HSL 74.58, 1%, 0.51%

LAB 93.01, -45.71, 89.28

 

CMYK 25 / 0 / 100 / 7

HEX #B1ED00

RGB 177 237 0

HSL 75.19, 1%, 0.46%

LAB 86.96, -44.46, 84.52

 

CMYK 27 / 0 / 100 / 14

HEX #A0DB00

RGB 160 219 0

HSL 76.16, 1%, 0.43%

LAB 80.81, -43.15, 79.41

 

CMYK 29 / 0 / 100 / 21

HEX #8FC900

RGB 143 201 0

HSL 77.31, 1%, 0.39%

LAB 74.58, -41.82, 74.22

 

CMYK 31 / 0 / 100 / 28

HEX #7EB700

RGB 126 183 0

HSL 78.69, 1%, 0.36%

LAB 68.24, -40.48, 68.94

 

CMYK 24 / 0 / 98 / 0

HEX #C2FF05

RGB 194 255 5

HSL 74.64, 1%, 0.51%

LAB 93.01, -45.71, 89.21

 

CMYK 0 / 3 / 98 / 0

HEX #FFF805

RGB 255 248 5

HSL 58.32, 1%, 0.51%

LAB 95.33, -18.18, 92.81

 

CMYK 0 / 29 / 98 / 0

HEX #FFB405

RGB 255 180 5

HSL 42, 1%, 0.51%

LAB 78.41, 16.15, 80.74

 

CMYK 0 / 56 / 98 / 0

HEX #FF7105

RGB 255 113 5

HSL 25.92, 1%, 0.51%

LAB 64.23, 50.07, 71.6

 

CMYK 0 / 82 / 98 / 0

HEX #FF2E05

RGB 255 46 5

HSL 9.84, 1%, 0.51%

LAB 55.3, 74.23, 66.86

 

CMYK 24 / 0 / 98 / 0

HEX #C2FF05

RGB 194 255 5

HSL 74.64, 1%, 0.51%

LAB 93.01, -45.71, 89.21

 

CMYK 51 / 0 / 98 / 0

HEX #7EFF05

RGB 126 255 5

HSL 90.96, 1%, 0.51%

LAB 89.84, -68.29, 85.37

 

CMYK 77 / 0 / 98 / 0

HEX #3BFF05

RGB 59 255 5

HSL 107.04, 1%, 0.51%

LAB 88.19, -82.08, 83.35

 

CMYK 98 / 0 / 93 / 0

HEX #05FF12

RGB 5 255 18

HSL 123.12, 1%, 0.51%

LAB 87.77, -85.77, 81.72

 

CMYK 98 / 0 / 67 / 0

HEX #05FF55

RGB 5 255 85

HSL 139.2, 1%, 0.51%

LAB 88.07, -81.98, 64.69

 

CMYK 24 / 0 / 98 / 0

HEX #C2FF05

RGB 194 255 5

HSL 74.64, 1%, 0.51%

LAB 93.01, -45.71, 89.21

 

CMYK 24 / 0 / 98 / 0

HEX #C2FF05

RGB 194 255 5

HSL 74.64, 1%, 0.51%

LAB 93.01, -45.71, 89.21

 

CMYK 22 / 0 / 89 / 8

HEX #B7EA19

RGB 183 234 25

HSL 74.64, 0.83%, 0.51%

LAB 86.5, -40.53, 81.78

 

CMYK 19 / 0 / 79 / 16

HEX #ADD62D

RGB 173 214 45

HSL 74.56, 0.67%, 0.51%

LAB 80.27, -34.88, 71.96

 

CMYK 16 / 0 / 66 / 24

HEX #A3C241

RGB 163 194 65

HSL 74.42, 0.51%, 0.51%

LAB 74.03, -28.49, 58.91

 

CMYK 13 / 0 / 51 / 32

HEX #98AE55

RGB 152 174 85

HSL 74.83, 0.35%, 0.51%

LAB 67.73, -21.51, 42.73

 

CMYK 0 / 29 / 98 / 0

HEX #FFB405

RGB 255 180 5

HSL 42, 1%, 0.51%

LAB 78.41, 16.15, 80.74

 

CMYK 0 / 4 / 98 / 0

HEX #FFF605

RGB 255 246 5

HSL 57.84, 1%, 0.51%

LAB 94.82, -17.22, 92.43

 

CMYK 23 / 0 / 98 / 0

HEX #C4FF05

RGB 196 255 5

HSL 74.16, 1%, 0.51%

LAB 93.13, -44.95, 89.35

 

CMYK 49 / 0 / 98 / 0

HEX #82FF05

RGB 130 255 5

HSL 90, 1%, 0.51%

LAB 89.99, -67.16, 85.55

 

CMYK 75 / 0 / 98 / 0

HEX #3FFF05

RGB 63 255 5

HSL 106.08, 1%, 0.51%

LAB 88.25, -81.54, 83.43

 

CMYK 24 / 0 / 100 / 31

HEX #86B100

RGB 134 177 0

HSL 74.58, 1%, 0.35%

LAB 66.91, -34.66, 68.13

 

CMYK 24 / 0 / 100 / 15

HEX #A5DA00

RGB 165 218 0

HSL 74.59, 1%, 0.43%

LAB 80.82, -40.8, 79.54

 

CMYK 24 / 0 / 98 / 0

HEX #C2FF05

RGB 194 255 5

HSL 74.64, 1%, 0.51%

LAB 93.01, -45.71, 89.21

 

CMYK 20 / 0 / 82 / 0

HEX #CCFF2E

RGB 204 255 46

HSL 74.64, 1%, 0.59%

LAB 93.69, -41.15, 84.29

 

CMYK 16 / 0 / 66 / 0

HEX #D6FF57

RGB 214 255 87

HSL 74.64, 1%, 0.67%

LAB 94.53, -35.42, 72.72

 

CMYK 24 / 0 / 98 / 0

HEX #C2FF04

RGB 194 255 4

HSL 74.58, 1%, 0.51%

LAB 93.01, -45.71, 89.28

 

CMYK 98 / 0 / 56 / 0

HEX #05FF71

RGB 5 255 113

HSL 145.92, 1%, 0.51%

LAB 88.33, -78.76, 53.27

 

CMYK 16 / 98 / 0 / 0

HEX #D505FF

RGB 213 5 255

HSL 289.92, 1%, 0.51%

LAB 53.47, 91.85, -72.25

 

CMYK 24 / 0 / 98 / 0

HEX #C2FF04

RGB 194 255 4

HSL 74.58, 1%, 0.51%

LAB 93.01, -45.71, 89.28

 

CMYK 98 / 23 / 0 / 0

HEX #05C4FF

RGB 5 196 255

HSL 194.16, 1%, 0.51%

LAB 74.02, -20.14, -40.25

 

CMYK 0 / 98 / 23 / 0

HEX #FF05C4

RGB 255 5 196

HSL 314.16, 1%, 0.51%

LAB 57.42, 90.52, -32.13

 

CMYK 24 / 0 / 98 / 0

HEX #C2FF04

RGB 194 255 4

HSL 74.58, 1%, 0.51%

LAB 93.01, -45.71, 89.28

 

CMYK 98 / 0 / 56 / 0

HEX #05FF71

RGB 5 255 113

HSL 145.92, 1%, 0.51%

LAB 88.33, -78.76, 53.27

 

CMYK 75 / 98 / 0 / 0

HEX #3F05FF

RGB 63 5 255

HSL 253.92, 1%, 0.51%

LAB 34.77, 79.31, -103.68

 

CMYK 0 / 98 / 43 / 0

HEX #FF0592

RGB 255 5 146

HSL 326.16, 1%, 0.51%

LAB 55.53, 85.63, -5.75

 

CMYK 24 / 0 / 98 / 0

HEX #C2FF04

RGB 194 255 4

HSL 74.58, 1%, 0.51%

LAB 93.01, -45.71, 89.28

 

CMYK 98 / 0 / 26 / 0

HEX #05FFBC

RGB 5 255 188

HSL 163.92, 1%, 0.51%

LAB 89.48, -65.24, 18.14

 

CMYK 75 / 98 / 0 / 0

HEX #3F05FF

RGB 63 5 255

HSL 253.92, 1%, 0.51%

LAB 34.77, 79.31, -103.68

 

CMYK 0 / 98 / 72 / 0

HEX #FF0547

RGB 255 5 71

HSL 344.16, 1%, 0.51%

LAB 53.84, 81.11, 36.87

 

Description

Color code: HEX #C2FF04 | qconv.com Color code: HEX #C2FF04 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 255 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 255 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 98 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 98% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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