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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2F211 it is the complementary color #3D0DEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2F211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2F211 shade: #C7F20C, #D8FF1F, #E9FF32, #FAFF45 and #FFFF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2F211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2F211 shade: #C2F211, #B1E000, #A0CE00, #8FBC00 and #7EAA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2F211 shade: #C2F211, #F2E511, #F2A911, #F26C11 and #F22F11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2F211 shade: #C2F211, #85F211, #49F211, #11F216 and #11F253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2F211 shade matches the following richer shades: #C2F211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2F211 shade: #C2F211, #B6DE25, #ABCA3A, #9FB54E and #94A162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2F211 shade: #F2A711, #F2E311, #C5F211, #89F211 and #4DF211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2F211 shade: #86A808, #A5CF0A, #C2F211, #CCF438 and #D6F65F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2F211 shade: #C2F211, #11F26B and #C511F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2F211 shade: #C2F211, #11C5F2 and #F211C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2F211 shade: #C2F211, #11F26B, #3E11F2 and #F21198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2F211 shade: #C2F211, #11F2AF, #3E11F2 and #F21155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 93 / 5

HEX #C2F211

RGB 194 242 17

HSL 72.8, 0.9%, 0.51%

LAB 89.4, -39.93, 85.41

 

Complementary color

CMYK 74 / 95 / 0 / 7

HEX #3D0DEE

RGB 61 13 238

HSL 252.8, 0.9%, 0.49%

LAB 32.82, 74.04, -97.35

 

CMYK 18 / 0 / 95 / 5

HEX #C7F20C

RGB 199 242 12

HSL 71.22, 0.91%, 0.5%

LAB 89.71, -38.04, 86.27

 

CMYK 15 / 0 / 88 / 0

HEX #D8FF1F

RGB 216 255 31

HSL 70.45, 1%, 0.56%

LAB 94.41, -36.9, 88.11

 

CMYK 9 / 0 / 80 / 0

HEX #E9FF32

RGB 233 255 50

HSL 66.44, 1%, 0.6%

LAB 95.61, -29.68, 85.75

 

CMYK 2 / 0 / 73 / 0

HEX #FAFF45

RGB 250 255 69

HSL 61.61, 1%, 0.64%

LAB 96.93, -22.17, 82.13

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF58

RGB 255 255 88

HSL 60, 1%, 0.67%

LAB 97.42, -19.26, 76.23

 

CMYK 20 / 0 / 93 / 5

HEX #C2F211

RGB 194 242 17

HSL 72.8, 0.9%, 0.51%

LAB 89.4, -39.93, 85.41

 

CMYK 21 / 0 / 100 / 12

HEX #B1E000

RGB 177 224 0

HSL 72.59, 1%, 0.44%

LAB 83.26, -38.77, 81.71

 

CMYK 22 / 0 / 100 / 19

HEX #A0CE00

RGB 160 206 0

HSL 73.4, 1%, 0.4%

LAB 77.05, -37.42, 76.54

 

CMYK 24 / 0 / 100 / 26

HEX #8FBC00

RGB 143 188 0

HSL 74.36, 1%, 0.37%

LAB 70.74, -36.06, 71.28

 

CMYK 26 / 0 / 100 / 33

HEX #7EAA00

RGB 126 170 0

HSL 75.53, 1%, 0.33%

LAB 64.31, -34.68, 65.93

 

CMYK 20 / 0 / 93 / 5

HEX #C2F211

RGB 194 242 17

HSL 72.8, 0.9%, 0.51%

LAB 89.4, -39.93, 85.41

 

CMYK 0 / 5 / 93 / 5

HEX #F2E511

RGB 242 229 17

HSL 56.53, 0.9%, 0.51%

LAB 89.37, -14.27, 86.9

 

CMYK 0 / 30 / 93 / 5

HEX #F2A911

RGB 242 169 17

HSL 40.53, 0.9%, 0.51%

LAB 74.38, 16.5, 75.79

 

CMYK 0 / 55 / 93 / 5

HEX #F26C11

RGB 242 108 17

HSL 24.27, 0.9%, 0.51%

LAB 61.34, 47.7, 66.68

 

CMYK 0 / 81 / 93 / 5

HEX #F22F11

RGB 242 47 17

HSL 8, 0.9%, 0.51%

LAB 52.9, 70.52, 61.3

 

CMYK 20 / 0 / 93 / 5

HEX #C2F211

RGB 194 242 17

HSL 72.8, 0.9%, 0.51%

LAB 89.4, -39.93, 85.41

 

CMYK 45 / 0 / 93 / 5

HEX #85F211

RGB 133 242 17

HSL 89.07, 0.9%, 0.51%

LAB 86.27, -61.42, 81.6

 

CMYK 70 / 0 / 93 / 5

HEX #49F211

RGB 73 242 17

HSL 105.07, 0.9%, 0.51%

LAB 84.46, -76.02, 79.38

 

CMYK 93 / 0 / 91 / 5

HEX #11F216

RGB 17 242 22

HSL 121.33, 0.9%, 0.51%

LAB 83.8, -81.87, 77.92

 

CMYK 93 / 0 / 66 / 5

HEX #11F253

RGB 17 242 83

HSL 137.6, 0.9%, 0.51%

LAB 84.09, -78.1, 61.18

 

CMYK 20 / 0 / 93 / 5

HEX #C2F211

RGB 194 242 17

HSL 72.8, 0.9%, 0.51%

LAB 89.4, -39.93, 85.41

 

CMYK 20 / 0 / 93 / 5

HEX #C2F211

RGB 194 242 17

HSL 72.8, 0.9%, 0.51%

LAB 89.4, -39.93, 85.41

 

CMYK 18 / 0 / 83 / 13

HEX #B6DE25

RGB 182 222 37

HSL 72.97, 0.74%, 0.51%

LAB 83.08, -35.24, 76.66

 

CMYK 15 / 0 / 71 / 21

HEX #ABCA3A

RGB 171 202 58

HSL 72.92, 0.58%, 0.51%

LAB 76.8, -29.49, 64.52

 

CMYK 12 / 0 / 57 / 29

HEX #9FB54E

RGB 159 181 78

HSL 72.82, 0.41%, 0.51%

LAB 70.15, -22.81, 49.01

 

CMYK 8 / 0 / 39 / 37

HEX #94A162

RGB 148 161 98

HSL 72.38, 0.25%, 0.51%

LAB 63.89, -15.02, 31.27

 

CMYK 0 / 31 / 93 / 5

HEX #F2A711

RGB 242 167 17

HSL 40, 0.9%, 0.51%

LAB 73.9, 17.55, 75.45

 

CMYK 0 / 6 / 93 / 5

HEX #F2E311

RGB 242 227 17

HSL 56, 0.9%, 0.51%

LAB 88.85, -13.28, 86.51

 

CMYK 19 / 0 / 93 / 5

HEX #C5F211

RGB 197 242 17

HSL 72, 0.9%, 0.51%

LAB 89.59, -38.77, 85.64

 

CMYK 43 / 0 / 93 / 5

HEX #89F211

RGB 137 242 17

HSL 88, 0.9%, 0.51%

LAB 86.44, -60.18, 81.8

 

CMYK 68 / 0 / 93 / 5

HEX #4DF211

RGB 77 242 17

HSL 104, 0.9%, 0.51%

LAB 84.55, -75.3, 79.48

 

CMYK 20 / 0 / 95 / 34

HEX #86A808

RGB 134 168 8

HSL 72.75, 0.91%, 0.35%

LAB 64.23, -30.35, 65.04

 

CMYK 20 / 0 / 95 / 19

HEX #A5CF0A

RGB 165 207 10

HSL 72.79, 0.91%, 0.43%

LAB 77.67, -35.76, 76.18

 

CMYK 20 / 0 / 93 / 5

HEX #C2F211

RGB 194 242 17

HSL 72.8, 0.9%, 0.51%

LAB 89.4, -39.93, 85.41

 

CMYK 16 / 0 / 77 / 4

HEX #CCF438

RGB 204 244 56

HSL 72.77, 0.9%, 0.59%

LAB 90.7, -35.9, 79.07

 

CMYK 13 / 0 / 61 / 4

HEX #D6F65F

RGB 214 246 95

HSL 72.72, 0.89%, 0.67%

LAB 92.15, -30.77, 67.07

 

CMYK 20 / 0 / 93 / 5

HEX #C2F211

RGB 194 242 17

HSL 72.8, 0.9%, 0.51%

LAB 89.4, -39.93, 85.41

 

CMYK 93 / 0 / 56 / 5

HEX #11F26B

RGB 17 242 107

HSL 144, 0.9%, 0.51%

LAB 84.32, -75.28, 51.21

 

CMYK 19 / 93 / 0 / 5

HEX #C511F2

RGB 197 17 242

HSL 288, 0.9%, 0.51%

LAB 50.31, 86.52, -70.21

 

CMYK 20 / 0 / 93 / 5

HEX #C2F211

RGB 194 242 17

HSL 72.8, 0.9%, 0.51%

LAB 89.4, -39.93, 85.41

 

CMYK 93 / 19 / 0 / 5

HEX #11C5F2

RGB 17 197 242

HSL 192, 0.9%, 0.51%

LAB 73.84, -24.75, -33.53

 

CMYK 0 / 93 / 19 / 5

HEX #F211C5

RGB 242 17 197

HSL 312, 0.9%, 0.51%

LAB 55.39, 87.38, -36.05

 

CMYK 20 / 0 / 93 / 5

HEX #C2F211

RGB 194 242 17

HSL 72.8, 0.9%, 0.51%

LAB 89.4, -39.93, 85.41

 

CMYK 93 / 0 / 56 / 5

HEX #11F26B

RGB 17 242 107

HSL 144, 0.9%, 0.51%

LAB 84.32, -75.28, 51.21

 

CMYK 74 / 93 / 0 / 5

HEX #3E11F2

RGB 62 17 242

HSL 252, 0.9%, 0.51%

LAB 33.64, 74.31, -98.25

 

CMYK 0 / 93 / 37 / 5

HEX #F21198

RGB 242 17 152

HSL 324, 0.9%, 0.51%

LAB 53.54, 82.56, -12.55

 

CMYK 20 / 0 / 93 / 5

HEX #C2F211

RGB 194 242 17

HSL 72.8, 0.9%, 0.51%

LAB 89.4, -39.93, 85.41

 

CMYK 93 / 0 / 28 / 5

HEX #11F2AF

RGB 17 242 175

HSL 162.13, 0.9%, 0.51%

LAB 85.36, -63.08, 19.09

 

CMYK 74 / 93 / 0 / 5

HEX #3E11F2

RGB 62 17 242

HSL 252, 0.9%, 0.51%

LAB 33.64, 74.31, -98.25

 

CMYK 0 / 93 / 65 / 5

HEX #F21155

RGB 242 17 85

HSL 341.87, 0.9%, 0.51%

LAB 51.76, 77.74, 25.37

 

Description

Color code: HEX #C2F211 | qconv.com Color code: HEX #C2F211 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 242 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 242 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 93 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 93% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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