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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2F457 it is the complementary color #3D0BA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2F457. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2F457 shade: #C7F452, #D8FF65, #E9FF78, #FAFF8B and #FFFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2F457. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2F457 shade: #C2F457, #B1E244, #A0D031, #8FBE1E and #7EAC0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2F457 shade: #C2F457, #ECF457, #F4D157, #F4A757 and #F47C57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2F457 shade: #C2F457, #97F457, #6DF457, #57F46B and #57F495

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2F457 shade matches the following richer shades: #C2F457

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2F457 shade: #C2F457, #BDE565, #B7D774, #B2C882 and #ADBA90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2F457 shade: #F4D257, #ECF457, #C2F457, #98F457 and #6EF457

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2F457 shade: #A4EA0E, #B4F130, #C2F457, #D0F67D and #DEF9A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2F457 shade: #C2F457, #57F4A8 and #E757F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2F457 shade: #C2F457, #57C2F4 and #F457C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2F457 shade: #C2F457, #57F4A8, #8857F4 and #F457A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2F457 shade: #C2F457, #57F4D7, #8857F4 and #F45774

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 64 / 4

HEX #C2F457

RGB 194 244 87

HSL 79.11, 0.88%, 0.65%

LAB 90.26, -38.04, 67.86

 

Complementary color

CMYK 64 / 93 / 0 / 34

HEX #3D0BA8

RGB 61 11 168

HSL 259.11, 0.88%, 0.35%

LAB 23.86, 57.01, -71.27

 

CMYK 18 / 0 / 66 / 4

HEX #C7F452

RGB 199 244 82

HSL 76.67, 0.88%, 0.64%

LAB 90.53, -36.48, 70.16

 

CMYK 15 / 0 / 60 / 0

HEX #D8FF65

RGB 216 255 101

HSL 75.19, 1%, 0.7%

LAB 94.76, -33.71, 67.51

 

CMYK 9 / 0 / 53 / 0

HEX #E9FF78

RGB 233 255 120

HSL 69.78, 1%, 0.74%

LAB 96.08, -25.72, 61.18

 

CMYK 2 / 0 / 45 / 0

HEX #FAFF8B

RGB 250 255 139

HSL 62.59, 1%, 0.77%

LAB 97.51, -17.51, 54.53

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 20 / 0 / 64 / 4

HEX #C2F457

RGB 194 244 87

HSL 79.11, 0.88%, 0.65%

LAB 90.26, -38.04, 67.86

 

CMYK 22 / 0 / 70 / 11

HEX #B1E244

RGB 177 226 68

HSL 78.61, 0.73%, 0.58%

LAB 84.05, -37.62, 68.27

 

CMYK 23 / 0 / 76 / 18

HEX #A0D031

RGB 160 208 49

HSL 78.11, 0.63%, 0.5%

LAB 77.76, -37.07, 68.18

 

CMYK 25 / 0 / 84 / 25

HEX #8FBE1E

RGB 143 190 30

HSL 77.63, 0.73%, 0.43%

LAB 71.39, -36.35, 67.25

 

CMYK 27 / 0 / 94 / 33

HEX #7EAC0B

RGB 126 172 11

HSL 77.14, 0.88%, 0.36%

LAB 64.93, -35.41, 65

 

CMYK 20 / 0 / 64 / 4

HEX #C2F457

RGB 194 244 87

HSL 79.11, 0.88%, 0.65%

LAB 90.26, -38.04, 67.86

 

CMYK 3 / 0 / 64 / 4

HEX #ECF457

RGB 236 244 87

HSL 63.06, 0.88%, 0.65%

LAB 93.11, -21.67, 71.73

 

CMYK 0 / 14 / 64 / 4

HEX #F4D157

RGB 244 209 87

HSL 46.62, 0.88%, 0.65%

LAB 84.75, -1.04, 63.13

 

CMYK 0 / 32 / 64 / 4

HEX #F4A757

RGB 244 167 87

HSL 30.57, 0.88%, 0.65%

LAB 74.55, 20.86, 51.88

 

CMYK 0 / 49 / 64 / 4

HEX #F47C57

RGB 244 124 87

HSL 14.14, 0.88%, 0.65%

LAB 65.23, 43.11, 41.05

 

CMYK 20 / 0 / 64 / 4

HEX #C2F457

RGB 194 244 87

HSL 79.11, 0.88%, 0.65%

LAB 90.26, -38.04, 67.86

 

CMYK 38 / 0 / 64 / 4

HEX #97F457

RGB 151 244 87

HSL 95.54, 0.88%, 0.65%

LAB 87.95, -53.16, 64.71

 

CMYK 55 / 0 / 64 / 4

HEX #6DF457

RGB 109 244 87

HSL 111.59, 0.88%, 0.65%

LAB 86.33, -65.19, 62.47

 

CMYK 64 / 0 / 56 / 4

HEX #57F46B

RGB 87 244 107

HSL 127.64, 0.88%, 0.65%

LAB 85.9, -67.89, 53.32

 

CMYK 64 / 0 / 39 / 4

HEX #57F495

RGB 87 244 149

HSL 143.69, 0.88%, 0.65%

LAB 86.45, -61.66, 33.96

 

CMYK 20 / 0 / 64 / 4

HEX #C2F457

RGB 194 244 87

HSL 79.11, 0.88%, 0.65%

LAB 90.26, -38.04, 67.86

 

CMYK 20 / 0 / 64 / 4

HEX #C2F457

RGB 194 244 87

HSL 79.11, 0.88%, 0.65%

LAB 90.26, -38.04, 67.86

 

CMYK 17 / 0 / 56 / 10

HEX #BDE565

RGB 189 229 101

HSL 78.75, 0.71%, 0.65%

LAB 85.9, -32.01, 57.12

 

CMYK 15 / 0 / 46 / 16

HEX #B7D774

RGB 183 215 116

HSL 79.39, 0.55%, 0.65%

LAB 81.8, -26.22, 45.16

 

CMYK 11 / 0 / 35 / 22

HEX #B2C882

RGB 178 200 130

HSL 78.86, 0.39%, 0.65%

LAB 77.51, -19.1, 32.6

 

CMYK 7 / 0 / 23 / 27

HEX #ADBA90

RGB 173 186 144

HSL 78.57, 0.23%, 0.65%

LAB 73.56, -11.86, 19.84

 

CMYK 0 / 14 / 64 / 4

HEX #F4D257

RGB 244 210 87

HSL 47.01, 0.88%, 0.65%

LAB 85, -1.55, 63.4

 

CMYK 3 / 0 / 64 / 4

HEX #ECF457

RGB 236 244 87

HSL 63.06, 0.88%, 0.65%

LAB 93.11, -21.67, 71.73

 

CMYK 20 / 0 / 64 / 4

HEX #C2F457

RGB 194 244 87

HSL 79.11, 0.88%, 0.65%

LAB 90.26, -38.04, 67.86

 

CMYK 38 / 0 / 64 / 4

HEX #98F457

RGB 152 244 87

HSL 95.16, 0.88%, 0.65%

LAB 88, -52.83, 64.78

 

CMYK 55 / 0 / 64 / 4

HEX #6EF457

RGB 110 244 87

HSL 111.21, 0.88%, 0.65%

LAB 86.36, -64.94, 62.52

 

CMYK 30 / 0 / 94 / 8

HEX #A4EA0E

RGB 164 234 14

HSL 79.09, 0.89%, 0.49%

LAB 85.39, -47.86, 81.82

 

CMYK 25 / 0 / 80 / 5

HEX #B4F130

RGB 180 241 48

HSL 78.96, 0.87%, 0.57%

LAB 88.37, -44.05, 78.58

 

CMYK 20 / 0 / 64 / 4

HEX #C2F457

RGB 194 244 87

HSL 79.11, 0.88%, 0.65%

LAB 90.26, -38.04, 67.86

 

CMYK 15 / 0 / 49 / 4

HEX #D0F67D

RGB 208 246 125

HSL 78.84, 0.87%, 0.73%

LAB 92.04, -30.52, 53.73

 

CMYK 11 / 0 / 34 / 2

HEX #DEF9A4

RGB 222 249 164

HSL 79.06, 0.88%, 0.81%

LAB 94.3, -22.38, 37.96

 

CMYK 20 / 0 / 64 / 4

HEX #C2F457

RGB 194 244 87

HSL 79.11, 0.88%, 0.65%

LAB 90.26, -38.04, 67.86

 

CMYK 64 / 0 / 31 / 4

HEX #57F4A8

RGB 87 244 168

HSL 150.96, 0.88%, 0.65%

LAB 86.78, -58.14, 24.79

 

CMYK 5 / 64 / 0 / 4

HEX #E757F4

RGB 231 87 244

HSL 295.03, 0.88%, 0.65%

LAB 61.94, 74.78, -52.38

 

CMYK 20 / 0 / 64 / 4

HEX #C2F457

RGB 194 244 87

HSL 79.11, 0.88%, 0.65%

LAB 90.26, -38.04, 67.86

 

CMYK 64 / 20 / 0 / 4

HEX #57C2F4

RGB 87 194 244

HSL 199.11, 0.88%, 0.65%

LAB 74.28, -15.85, -33.83

 

CMYK 0 / 64 / 20 / 4

HEX #F457C2

RGB 244 87 194

HSL 319.11, 0.88%, 0.65%

LAB 61.61, 70.34, -24.66

 

CMYK 20 / 0 / 64 / 4

HEX #C2F457

RGB 194 244 87

HSL 79.11, 0.88%, 0.65%

LAB 90.26, -38.04, 67.86

 

CMYK 64 / 0 / 31 / 4

HEX #57F4A8

RGB 87 244 168

HSL 150.96, 0.88%, 0.65%

LAB 86.78, -58.14, 24.79

 

CMYK 44 / 64 / 0 / 4

HEX #8857F4

RGB 136 87 244

HSL 258.73, 0.88%, 0.65%

LAB 50.19, 54.7, -71.88

 

CMYK 0 / 64 / 33 / 4

HEX #F457A3

RGB 244 87 163

HSL 330.96, 0.88%, 0.65%

LAB 60.51, 66.52, -8.52

 

CMYK 20 / 0 / 64 / 4

HEX #C2F457

RGB 194 244 87

HSL 79.11, 0.88%, 0.65%

LAB 90.26, -38.04, 67.86

 

CMYK 64 / 0 / 12 / 4

HEX #57F4D7

RGB 87 244 215

HSL 168.92, 0.88%, 0.65%

LAB 87.79, -47.7, 1.89

 

CMYK 44 / 64 / 0 / 4

HEX #8857F4

RGB 136 87 244

HSL 258.73, 0.88%, 0.65%

LAB 50.19, 54.7, -71.88

 

CMYK 0 / 64 / 52 / 4

HEX #F45774

RGB 244 87 116

HSL 348.92, 0.88%, 0.65%

LAB 59.26, 62.01, 17.06

 

Description

Color code: HEX #C2F457 | qconv.com Color code: HEX #C2F457 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 244 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 244 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 64 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 64% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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