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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2EB75 it is the complementary color #3D148A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2EB75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2EB75 shade: #C7EB70, #D8FD83, #E9FF96, #FAFFA9 and #FFFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2EB75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2EB75 shade: #C2EB75, #B1D962, #A0C74F, #8FB53C and #7EA329

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2EB75 shade: #C2EB74, #E2EB74, #EBD474, #EBB474 and #EB9474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2EB75 shade: #C2EB74, #A2EB74, #82EB74, #74EB87 and #74EBA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2EB75 shade matches the following richer shades: #C2EB74 and #C5F867

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2EB75 shade: #C2EB74, #BEDE81, #BAD18E, #B6C49B and #B2B8A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2EB75 shade: #EBD374, #E3EB74, #C3EB74, #A4EB74 and #84EB74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2EB75 shade: #A2E02C, #B2E650, #C2EB74, #D1F098 and #E1F5BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2EB75 shade: #C2EB75, #74EBB3 and #E374EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2EB75 shade: #C2EB75, #74C3EB and #EB74C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2EB75 shade: #C2EB75, #74EBB3, #9C74EB and #EB74AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2EB75 shade: #C2EB75, #74EBD7, #9C74EB and #EB7488

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 50 / 8

HEX #C2EB75

RGB 194 235 117

HSL 80.85, 0.75%, 0.69%

LAB 88.05, -31.42, 52.44

 

Complementary color

CMYK 56 / 86 / 0 / 46

HEX #3D148A

RGB 61 20 138

HSL 260.85, 0.75%, 0.31%

LAB 21.31, 46.36, -57.04

 

CMYK 15 / 0 / 52 / 8

HEX #C7EB70

RGB 199 235 112

HSL 77.56, 0.75%, 0.68%

LAB 88.32, -30.02, 55.14

 

CMYK 15 / 0 / 48 / 1

HEX #D8FD83

RGB 216 253 131

HSL 78.2, 0.97%, 0.75%

LAB 94.52, -30.2, 54.06

 

CMYK 9 / 0 / 41 / 0

HEX #E9FF96

RGB 233 255 150

HSL 72.57, 1%, 0.79%

LAB 96.43, -22.84, 47.7

 

CMYK 2 / 0 / 34 / 0

HEX #FAFFA9

RGB 250 255 169

HSL 63.49, 1%, 0.83%

LAB 97.92, -14.37, 40.6

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 17 / 0 / 50 / 8

HEX #C2EB75

RGB 194 235 117

HSL 80.85, 0.75%, 0.69%

LAB 88.05, -31.42, 52.44

 

CMYK 18 / 0 / 55 / 15

HEX #B1D962

RGB 177 217 98

HSL 80.17, 0.61%, 0.62%

LAB 81.76, -31.25, 53.5

 

CMYK 20 / 0 / 60 / 22

HEX #A0C74F

RGB 160 199 79

HSL 79.5, 0.52%, 0.55%

LAB 75.38, -31.01, 54.45

 

CMYK 21 / 0 / 67 / 29

HEX #8FB53C

RGB 143 181 60

HSL 78.84, 0.5%, 0.47%

LAB 68.91, -30.66, 55.16

 

CMYK 23 / 0 / 75 / 36

HEX #7EA329

RGB 126 163 41

HSL 78.2, 0.6%, 0.4%

LAB 62.33, -30.16, 55.41

 

CMYK 17 / 0 / 51 / 8

HEX #C2EB74

RGB 194 235 116

HSL 80.67, 0.75%, 0.69%

LAB 88.04, -31.51, 52.89

 

CMYK 4 / 0 / 51 / 8

HEX #E2EB74

RGB 226 235 116

HSL 64.54, 0.75%, 0.69%

LAB 90.25, -19.22, 56.05

 

CMYK 0 / 10 / 51 / 8

HEX #EBD474

RGB 235 212 116

HSL 48.4, 0.75%, 0.69%

LAB 85, -4.17, 49.98

 

CMYK 0 / 23 / 51 / 8

HEX #EBB474

RGB 235 180 116

HSL 32.27, 0.75%, 0.69%

LAB 77.02, 12.49, 40.17

 

CMYK 0 / 37 / 51 / 8

HEX #EB9474

RGB 235 148 116

HSL 16.13, 0.75%, 0.69%

LAB 69.54, 29.46, 30.6

 

CMYK 17 / 0 / 51 / 8

HEX #C2EB74

RGB 194 235 116

HSL 80.67, 0.75%, 0.69%

LAB 88.04, -31.51, 52.89

 

CMYK 31 / 0 / 51 / 8

HEX #A2EB74

RGB 162 235 116

HSL 96.81, 0.75%, 0.69%

LAB 86.19, -42.95, 50.22

 

CMYK 45 / 0 / 51 / 8

HEX #82EB74

RGB 130 235 116

HSL 112.94, 0.75%, 0.69%

LAB 84.7, -53.02, 48.08

 

CMYK 51 / 0 / 43 / 8

HEX #74EB87

RGB 116 235 135

HSL 129.58, 0.75%, 0.69%

LAB 84.42, -54.19, 38.43

 

CMYK 51 / 0 / 29 / 8

HEX #74EBA7

RGB 116 235 167

HSL 145.71, 0.75%, 0.69%

LAB 84.96, -48.7, 22.94

 

CMYK 17 / 0 / 51 / 8

HEX #C2EB74

RGB 194 235 116

HSL 80.67, 0.75%, 0.69%

LAB 88.04, -31.51, 52.89

 

CMYK 21 / 0 / 58 / 3

HEX #C5F867

RGB 197 248 103

HSL 81.1, 0.91%, 0.69%

LAB 91.68, -37.51, 62.92

 

CMYK 17 / 0 / 51 / 8

HEX #C2EB74

RGB 194 235 116

HSL 80.67, 0.75%, 0.69%

LAB 88.04, -31.51, 52.89

 

CMYK 14 / 0 / 42 / 13

HEX #BEDE81

RGB 190 222 129

HSL 80.65, 0.58%, 0.69%

LAB 84.37, -25.47, 42.09

 

CMYK 11 / 0 / 32 / 18

HEX #BAD18E

RGB 186 209 142

HSL 80.6, 0.42%, 0.69%

LAB 80.73, -18.97, 30.75

 

CMYK 7 / 0 / 21 / 23

HEX #B6C49B

RGB 182 196 155

HSL 80.49, 0.26%, 0.69%

LAB 77.16, -11.99, 19.02

 

CMYK 3 / 0 / 9 / 28

HEX #B2B8A7

RGB 178 184 167

HSL 81.18, 0.11%, 0.69%

LAB 73.89, -5.2, 7.91

 

CMYK 0 / 10 / 51 / 8

HEX #EBD374

RGB 235 211 116

HSL 47.9, 0.75%, 0.69%

LAB 84.75, -3.66, 49.67

 

CMYK 3 / 0 / 51 / 8

HEX #E3EB74

RGB 227 235 116

HSL 64.03, 0.75%, 0.69%

LAB 90.33, -18.83, 56.16

 

CMYK 17 / 0 / 51 / 8

HEX #C3EB74

RGB 195 235 116

HSL 80.17, 0.75%, 0.69%

LAB 88.1, -31.14, 52.98

 

CMYK 30 / 0 / 51 / 8

HEX #A4EB74

RGB 164 235 116

HSL 95.8, 0.75%, 0.69%

LAB 86.29, -42.27, 50.37

 

CMYK 44 / 0 / 51 / 8

HEX #84EB74

RGB 132 235 116

HSL 111.93, 0.75%, 0.69%

LAB 84.78, -52.44, 48.19

 

CMYK 28 / 0 / 80 / 12

HEX #A2E02C

RGB 162 224 44

HSL 80.67, 0.74%, 0.53%

LAB 82.47, -43.58, 73.95

 

CMYK 23 / 0 / 65 / 10

HEX #B2E650

RGB 178 230 80

HSL 80.8, 0.75%, 0.61%

LAB 85.32, -38.27, 65.1

 

CMYK 17 / 0 / 51 / 8

HEX #C2EB74

RGB 194 235 116

HSL 80.67, 0.75%, 0.69%

LAB 88.04, -31.51, 52.89

 

CMYK 13 / 0 / 37 / 6

HEX #D1F098

RGB 209 240 152

HSL 81.14, 0.75%, 0.77%

LAB 90.84, -24.31, 39.25

 

CMYK 8 / 0 / 23 / 4

HEX #E1F5BC

RGB 225 245 188

HSL 81.05, 0.74%, 0.85%

LAB 93.86, -16.09, 25.32

 

CMYK 17 / 0 / 50 / 8

HEX #C2EB75

RGB 194 235 117

HSL 80.85, 0.75%, 0.69%

LAB 88.05, -31.42, 52.44

 

CMYK 51 / 0 / 24 / 8

HEX #74EBB3

RGB 116 235 179

HSL 151.76, 0.75%, 0.69%

LAB 85.19, -46.34, 17.06

 

CMYK 3 / 51 / 0 / 8

HEX #E374EB

RGB 227 116 235

HSL 295.97, 0.75%, 0.69%

LAB 65.61, 59.58, -41.65

 

CMYK 17 / 0 / 50 / 8

HEX #C2EB75

RGB 194 235 117

HSL 80.85, 0.75%, 0.69%

LAB 88.05, -31.42, 52.44

 

CMYK 51 / 17 / 0 / 8

HEX #74C3EB

RGB 116 195 235

HSL 200.17, 0.75%, 0.69%

LAB 75.29, -13.52, -27.34

 

CMYK 0 / 51 / 17 / 8

HEX #EB74C3

RGB 235 116 195

HSL 320.17, 0.75%, 0.69%

LAB 65.04, 55.29, -20.1

 

CMYK 17 / 0 / 50 / 8

HEX #C2EB75

RGB 194 235 117

HSL 80.85, 0.75%, 0.69%

LAB 88.05, -31.42, 52.44

 

CMYK 51 / 0 / 24 / 8

HEX #74EBB3

RGB 116 235 179

HSL 151.76, 0.75%, 0.69%

LAB 85.19, -46.34, 17.06

 

CMYK 34 / 51 / 0 / 8

HEX #9C74EB

RGB 156 116 235

HSL 260.17, 0.75%, 0.69%

LAB 57.61, 40.91, -54.81

 

CMYK 0 / 51 / 27 / 8

HEX #EB74AB

RGB 235 116 171

HSL 332.27, 0.75%, 0.69%

LAB 64.24, 51.93, -7.7

 

CMYK 17 / 0 / 50 / 8

HEX #C2EB75

RGB 194 235 117

HSL 80.85, 0.75%, 0.69%

LAB 88.05, -31.42, 52.44

 

CMYK 51 / 0 / 9 / 8

HEX #74EBD7

RGB 116 235 215

HSL 169.92, 0.75%, 0.69%

LAB 86.02, -38.36, -0.59

 

CMYK 34 / 51 / 0 / 8

HEX #9C74EB

RGB 156 116 235

HSL 260.17, 0.75%, 0.69%

LAB 57.61, 40.91, -54.81

 

CMYK 0 / 51 / 42 / 8

HEX #EB7488

RGB 235 116 136

HSL 349.92, 0.75%, 0.69%

LAB 63.29, 47.81, 10.91

 

Description

Color code: HEX #C2EB75 | qconv.com Color code: HEX #C2EB75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 235 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 235 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 50 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 50% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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