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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2E27C it is the complementary color #3D1D83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2E27C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2E27C shade: #C7E277, #D8F48A, #E9FF9D, #FAFFB0 and #FFFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2E27C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2E27C shade: #C2E27C, #B1D069, #A0BE56, #8FAC43 and #7E9A30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2E27C shade: #C2E27D, #DEE27D, #E2CB7D, #E2B07D and #E2957D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2E27C shade: #C2E27D, #A7E27D, #8CE27D, #7DE289 and #7DE2A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2E27C shade matches the following richer shades: #C2E27D, #C7EF70 and #CCFC63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2E27C shade: #C2E27D, #BED58A, #B9C896, #B4BCA3 and #AFAFB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2E27C shade: #E2CA7D, #DFE27D, #C4E27D, #A9E27D and #8EE27D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2E27C shade: #A3D339, #B3DB5B, #C2E27D, #D2E99F and #E2F1C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2E27C shade: #C2E27C, #7DE2AF and #D87DE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2E27C shade: #C2E27C, #7DC4E2 and #E27DC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2E27C shade: #C2E27C, #7DE2AF, #9B7DE2 and #E27DAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2E27C shade: #C2E27C, #7DE2CE, #9B7DE2 and #E27D91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 45 / 11

HEX #C2E27C

RGB 194 226 124

HSL 78.82, 0.64%, 0.69%

LAB 85.66, -26.45, 46.21

 

Complementary color

CMYK 53 / 78 / 0 / 49

HEX #3D1D83

RGB 61 29 131

HSL 258.82, 0.64%, 0.31%

LAB 21.98, 40.35, -51.54

 

CMYK 12 / 0 / 47 / 11

HEX #C7E277

RGB 199 226 119

HSL 75.14, 0.65%, 0.68%

LAB 85.94, -25.08, 49.03

 

CMYK 11 / 0 / 43 / 4

HEX #D8F48A

RGB 216 244 138

HSL 75.85, 0.83%, 0.75%

LAB 92.19, -25.25, 47.9

 

CMYK 9 / 0 / 38 / 0

HEX #E9FF9D

RGB 233 255 157

HSL 73.47, 1%, 0.81%

LAB 96.52, -22.06, 44.44

 

CMYK 2 / 0 / 31 / 0

HEX #FAFFB0

RGB 250 255 176

HSL 63.8, 1%, 0.85%

LAB 98.02, -13.53, 37.28

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 14 / 0 / 45 / 11

HEX #C2E27C

RGB 194 226 124

HSL 78.82, 0.64%, 0.69%

LAB 85.66, -26.45, 46.21

 

CMYK 15 / 0 / 50 / 18

HEX #B1D069

RGB 177 208 105

HSL 78.06, 0.52%, 0.61%

LAB 79.32, -26.3, 47.35

 

CMYK 16 / 0 / 55 / 25

HEX #A0BE56

RGB 160 190 86

HSL 77.31, 0.44%, 0.54%

LAB 72.87, -26.1, 48.44

 

CMYK 17 / 0 / 61 / 33

HEX #8FAC43

RGB 143 172 67

HSL 76.57, 0.44%, 0.47%

LAB 66.33, -25.8, 49.41

 

CMYK 18 / 0 / 69 / 40

HEX #7E9A30

RGB 126 154 48

HSL 75.85, 0.52%, 0.4%

LAB 59.67, -25.38, 50.1

 

CMYK 14 / 0 / 45 / 11

HEX #C2E27D

RGB 194 226 125

HSL 79.01, 0.64%, 0.69%

LAB 85.68, -26.34, 45.74

 

CMYK 2 / 0 / 45 / 11

HEX #DEE27D

RGB 222 226 125

HSL 62.38, 0.64%, 0.69%

LAB 87.68, -15.56, 48.66

 

CMYK 0 / 10 / 45 / 11

HEX #E2CB7D

RGB 226 203 125

HSL 46.34, 0.64%, 0.69%

LAB 82.03, -2.35, 41.72

 

CMYK 0 / 22 / 45 / 11

HEX #E2B07D

RGB 226 176 125

HSL 30.3, 0.64%, 0.69%

LAB 75.26, 11.83, 33.06

 

CMYK 0 / 34 / 45 / 11

HEX #E2957D

RGB 226 149 125

HSL 14.26, 0.64%, 0.69%

LAB 68.86, 26.27, 24.59

 

CMYK 14 / 0 / 45 / 11

HEX #C2E27D

RGB 194 226 125

HSL 79.01, 0.64%, 0.69%

LAB 85.68, -26.34, 45.74

 

CMYK 26 / 0 / 45 / 11

HEX #A7E27D

RGB 167 226 125

HSL 95.05, 0.64%, 0.69%

LAB 84.01, -36.16, 43.31

 

CMYK 38 / 0 / 45 / 11

HEX #8CE27D

RGB 140 226 125

HSL 111.09, 0.64%, 0.69%

LAB 82.62, -45.11, 41.26

 

CMYK 45 / 0 / 39 / 11

HEX #7DE289

RGB 125 226 137

HSL 127.13, 0.64%, 0.69%

LAB 82.14, -47.8, 34.54

 

CMYK 45 / 0 / 27 / 11

HEX #7DE2A5

RGB 125 226 165

HSL 143.76, 0.64%, 0.69%

LAB 82.63, -42.95, 20.83

 

CMYK 14 / 0 / 45 / 11

HEX #C2E27D

RGB 194 226 125

HSL 79.01, 0.64%, 0.69%

LAB 85.68, -26.34, 45.74

 

CMYK 17 / 0 / 53 / 6

HEX #C7EF70

RGB 199 239 112

HSL 78.9, 0.8%, 0.69%

LAB 89.41, -31.88, 56.42

 

CMYK 19 / 0 / 61 / 1

HEX #CCFC63

RGB 204 252 99

HSL 78.82, 0.96%, 0.69%

LAB 93.17, -37.02, 66.37

 

CMYK 14 / 0 / 45 / 11

HEX #C2E27D

RGB 194 226 125

HSL 79.01, 0.64%, 0.69%

LAB 85.68, -26.34, 45.74

 

CMYK 11 / 0 / 35 / 16

HEX #BED58A

RGB 190 213 138

HSL 78.4, 0.47%, 0.69%

LAB 82.04, -19.99, 34.58

 

CMYK 8 / 0 / 25 / 22

HEX #B9C896

RGB 185 200 150

HSL 78, 0.31%, 0.69%

LAB 78.36, -13.68, 23.36

 

CMYK 4 / 0 / 13 / 26

HEX #B4BCA3

RGB 180 188 163

HSL 79.2, 0.16%, 0.69%

LAB 75.02, -7.27, 11.71

 

CMYK 1 / 1 / 0 / 31

HEX #AFAFB0

RGB 175 175 176

HSL 240, 0.01%, 0.69%

LAB 71.49, 0.19, -0.52

 

CMYK 0 / 11 / 45 / 11

HEX #E2CA7D

RGB 226 202 125

HSL 45.74, 0.64%, 0.69%

LAB 81.78, -1.83, 41.4

 

CMYK 1 / 0 / 45 / 11

HEX #DFE27D

RGB 223 226 125

HSL 61.78, 0.64%, 0.69%

LAB 87.76, -15.17, 48.78

 

CMYK 13 / 0 / 45 / 11

HEX #C4E27D

RGB 196 226 125

HSL 77.82, 0.64%, 0.69%

LAB 85.81, -25.59, 45.94

 

CMYK 25 / 0 / 45 / 11

HEX #A9E27D

RGB 169 226 125

HSL 93.86, 0.64%, 0.69%

LAB 84.13, -35.46, 43.47

 

CMYK 37 / 0 / 45 / 11

HEX #8EE27D

RGB 142 226 125

HSL 109.9, 0.64%, 0.69%

LAB 82.71, -44.49, 41.4

 

CMYK 23 / 0 / 73 / 17

HEX #A3D339

RGB 163 211 57

HSL 78.7, 0.64%, 0.53%

LAB 78.85, -36.86, 66.7

 

CMYK 18 / 0 / 58 / 14

HEX #B3DB5B

RGB 179 219 91

HSL 78.75, 0.64%, 0.61%

LAB 82.38, -32.03, 57.36

 

CMYK 14 / 0 / 45 / 11

HEX #C2E27D

RGB 194 226 125

HSL 79.01, 0.64%, 0.69%

LAB 85.68, -26.34, 45.74

 

CMYK 10 / 0 / 32 / 9

HEX #D2E99F

RGB 210 233 159

HSL 78.65, 0.63%, 0.77%

LAB 89.15, -19.66, 33.53

 

CMYK 6 / 0 / 20 / 5

HEX #E2F1C1

RGB 226 241 193

HSL 78.75, 0.63%, 0.85%

LAB 92.98, -13.03, 21.56

 

CMYK 14 / 0 / 45 / 11

HEX #C2E27C

RGB 194 226 124

HSL 78.82, 0.64%, 0.69%

LAB 85.66, -26.45, 46.21

 

CMYK 45 / 0 / 23 / 11

HEX #7DE2AF

RGB 125 226 175

HSL 149.7, 0.64%, 0.69%

LAB 82.83, -41, 15.89

 

CMYK 4 / 45 / 0 / 11

HEX #D87DE2

RGB 216 125 226

HSL 294.06, 0.64%, 0.69%

LAB 65.56, 50.4, -36.84

 

CMYK 14 / 0 / 45 / 11

HEX #C2E27C

RGB 194 226 124

HSL 78.82, 0.64%, 0.69%

LAB 85.66, -26.45, 46.21

 

CMYK 45 / 13 / 0 / 11

HEX #7DC4E2

RGB 125 196 226

HSL 197.82, 0.64%, 0.69%

LAB 75.66, -14.46, -21.89

 

CMYK 0 / 45 / 13 / 11

HEX #E27DC4

RGB 226 125 196

HSL 317.82, 0.64%, 0.69%

LAB 65.61, 48.23, -19.9

 

CMYK 14 / 0 / 45 / 11

HEX #C2E27C

RGB 194 226 124

HSL 78.82, 0.64%, 0.69%

LAB 85.66, -26.45, 46.21

 

CMYK 45 / 0 / 23 / 11

HEX #7DE2AF

RGB 125 226 175

HSL 149.7, 0.64%, 0.69%

LAB 82.83, -41, 15.89

 

CMYK 31 / 45 / 0 / 11

HEX #9B7DE2

RGB 155 125 226

HSL 257.82, 0.64%, 0.69%

LAB 59.09, 33.27, -47.45

 

CMYK 0 / 45 / 23 / 11

HEX #E27DAF

RGB 226 125 175

HSL 330.3, 0.64%, 0.69%

LAB 64.91, 45.06, -9.1

 

CMYK 14 / 0 / 45 / 11

HEX #C2E27C

RGB 194 226 124

HSL 78.82, 0.64%, 0.69%

LAB 85.66, -26.45, 46.21

 

CMYK 45 / 0 / 9 / 11

HEX #7DE2CE

RGB 125 226 206

HSL 168.12, 0.64%, 0.69%

LAB 83.55, -34.29, 0.58

 

CMYK 31 / 45 / 0 / 11

HEX #9B7DE2

RGB 155 125 226

HSL 257.82, 0.64%, 0.69%

LAB 59.09, 33.27, -47.45

 

CMYK 0 / 45 / 36 / 11

HEX #E27D91

RGB 226 125 145

HSL 348.12, 0.64%, 0.69%

LAB 64.06, 41.12, 6.72

 

Description

Color code: HEX #C2E27C | qconv.com Color code: HEX #C2E27C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 226 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 226 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 45 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 45% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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