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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2E480 it is the complementary color #3D1B7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2E480. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2E480 shade: #C7E47B, #D8F68E, #E9FFA1, #FAFFB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2E480. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2E480 shade: #C2E480, #B1D26D, #A0C05A, #8FAE47 and #7E9C34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2E480 shade: #C2E480, #DDE480, #E4D080, #E4B580 and #E49A80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2E480 shade: #C2E480, #A7E480, #8CE480, #80E48F and #80E4AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2E480 shade matches the following richer shades: #C2E480, #C6F074 and #CAFC68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2E480 shade: #C2E480, #BED78D, #BACB99, #B6BFA5 and #B2B2B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2E480 shade: #E4D080, #DDE480, #C3E480, #A8E480 and #8EE480

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2E480 shade: #A1D53C, #B2DD5E, #C2E480, #D2EBA2 and #E3F2C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2E480 shade: #C2E480, #80E4B5 and #DD80E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2E480 shade: #C2E480, #80C3E4 and #E480C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2E480 shade: #C2E480, #80E4B5, #A180E4 and #E480AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2E480 shade: #C2E480, #80E4D3, #A180E4 and #E48091

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 44 / 11

HEX #C2E480

RGB 194 228 128

HSL 80.4, 0.65%, 0.7%

LAB 86.26, -26.96, 45.02

 

Complementary color

CMYK 52 / 79 / 0 / 50

HEX #3D1B7F

RGB 61 27 127

HSL 260.4, 0.65%, 0.3%

LAB 21.24, 40.19, -50.23

 

CMYK 13 / 0 / 46 / 11

HEX #C7E47B

RGB 199 228 123

HSL 76.57, 0.66%, 0.69%

LAB 86.53, -25.62, 47.84

 

CMYK 12 / 0 / 42 / 4

HEX #D8F68E

RGB 216 246 142

HSL 77.31, 0.85%, 0.76%

LAB 92.78, -25.76, 46.71

 

CMYK 9 / 0 / 37 / 0

HEX #E9FFA1

RGB 233 255 161

HSL 74.04, 1%, 0.82%

LAB 96.58, -21.6, 42.56

 

CMYK 2 / 0 / 29 / 0

HEX #FAFFB4

RGB 250 255 180

HSL 64, 1%, 0.85%

LAB 98.09, -13.04, 35.38

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 15 / 0 / 44 / 11

HEX #C2E480

RGB 194 228 128

HSL 80.4, 0.65%, 0.7%

LAB 86.26, -26.96, 45.02

 

CMYK 16 / 0 / 48 / 18

HEX #B1D26D

RGB 177 210 109

HSL 79.6, 0.53%, 0.63%

LAB 79.92, -26.85, 46.16

 

CMYK 17 / 0 / 53 / 25

HEX #A0C05A

RGB 160 192 90

HSL 78.82, 0.45%, 0.55%

LAB 73.49, -26.69, 47.28

 

CMYK 18 / 0 / 59 / 32

HEX #8FAE47

RGB 143 174 71

HSL 78.06, 0.42%, 0.48%

LAB 66.95, -26.44, 48.3

 

CMYK 19 / 0 / 67 / 39

HEX #7E9C34

RGB 126 156 52

HSL 77.31, 0.5%, 0.41%

LAB 60.3, -26.08, 49.1

 

CMYK 15 / 0 / 44 / 11

HEX #C2E480

RGB 194 228 128

HSL 80.4, 0.65%, 0.7%

LAB 86.26, -26.96, 45.02

 

CMYK 3 / 0 / 44 / 11

HEX #DDE480

RGB 221 228 128

HSL 64.2, 0.65%, 0.7%

LAB 88.17, -16.64, 47.8

 

CMYK 0 / 9 / 44 / 11

HEX #E4D080

RGB 228 208 128

HSL 48, 0.65%, 0.7%

LAB 83.53, -3.82, 42.14

 

CMYK 0 / 21 / 44 / 11

HEX #E4B580

RGB 228 181 128

HSL 31.8, 0.65%, 0.7%

LAB 76.74, 10.28, 33.44

 

CMYK 0 / 32 / 44 / 11

HEX #E49A80

RGB 228 154 128

HSL 15.6, 0.65%, 0.7%

LAB 70.29, 24.69, 24.91

 

CMYK 15 / 0 / 44 / 11

HEX #C2E480

RGB 194 228 128

HSL 80.4, 0.65%, 0.7%

LAB 86.26, -26.96, 45.02

 

CMYK 27 / 0 / 44 / 11

HEX #A7E480

RGB 167 228 128

HSL 96.6, 0.65%, 0.7%

LAB 84.62, -36.7, 42.6

 

CMYK 39 / 0 / 44 / 11

HEX #8CE480

RGB 140 228 128

HSL 112.8, 0.65%, 0.7%

LAB 83.24, -45.56, 40.57

 

CMYK 44 / 0 / 37 / 11

HEX #80E48F

RGB 128 228 143

HSL 129, 0.65%, 0.7%

LAB 82.94, -46.85, 32.59

 

CMYK 44 / 0 / 25 / 11

HEX #80E4AA

RGB 128 228 170

HSL 145.2, 0.65%, 0.7%

LAB 83.43, -42.08, 19.35

 

CMYK 15 / 0 / 44 / 11

HEX #C2E480

RGB 194 228 128

HSL 80.4, 0.65%, 0.7%

LAB 86.26, -26.96, 45.02

 

CMYK 18 / 0 / 52 / 6

HEX #C6F074

RGB 198 240 116

HSL 80.32, 0.81%, 0.7%

LAB 89.67, -32.34, 54.89

 

CMYK 20 / 0 / 59 / 1

HEX #CAFC68

RGB 202 252 104

HSL 80.27, 0.96%, 0.7%

LAB 93.09, -37.37, 64.17

 

CMYK 15 / 0 / 44 / 11

HEX #C2E480

RGB 194 228 128

HSL 80.4, 0.65%, 0.7%

LAB 86.26, -26.96, 45.02

 

CMYK 12 / 0 / 34 / 16

HEX #BED78D

RGB 190 215 141

HSL 80.27, 0.48%, 0.7%

LAB 82.63, -20.59, 33.82

 

CMYK 8 / 0 / 25 / 20

HEX #BACB99

RGB 186 203 153

HSL 80.4, 0.32%, 0.7%

LAB 79.3, -14.4, 23.08

 

CMYK 5 / 0 / 14 / 25

HEX #B6BFA5

RGB 182 191 165

HSL 80.77, 0.17%, 0.7%

LAB 76.02, -7.78, 12.06

 

CMYK 0 / 0 / 0 / 30

HEX #B2B2B2

RGB 178 178 178

HSL 0, 0%, 0.7%

LAB 72.57, 0, -0.01

 

CMYK 0 / 9 / 44 / 11

HEX #E4D080

RGB 228 208 128

HSL 48, 0.65%, 0.7%

LAB 83.53, -3.82, 42.14

 

CMYK 3 / 0 / 44 / 11

HEX #DDE480

RGB 221 228 128

HSL 64.2, 0.65%, 0.7%

LAB 88.17, -16.64, 47.8

 

CMYK 14 / 0 / 44 / 11

HEX #C3E480

RGB 195 228 128

HSL 79.8, 0.65%, 0.7%

LAB 86.33, -26.59, 45.11

 

CMYK 26 / 0 / 44 / 11

HEX #A8E480

RGB 168 228 128

HSL 96, 0.65%, 0.7%

LAB 84.67, -36.35, 42.69

 

CMYK 38 / 0 / 44 / 11

HEX #8EE480

RGB 142 228 128

HSL 111.6, 0.65%, 0.7%

LAB 83.33, -44.94, 40.71

 

CMYK 24 / 0 / 72 / 16

HEX #A1D53C

RGB 161 213 60

HSL 80.39, 0.65%, 0.54%

LAB 79.32, -38.36, 66.09

 

CMYK 19 / 0 / 57 / 13

HEX #B2DD5E

RGB 178 221 94

HSL 80.31, 0.65%, 0.62%

LAB 82.91, -33.08, 56.62

 

CMYK 15 / 0 / 44 / 11

HEX #C2E480

RGB 194 228 128

HSL 80.4, 0.65%, 0.7%

LAB 86.26, -26.96, 45.02

 

CMYK 11 / 0 / 31 / 8

HEX #D2EBA2

RGB 210 235 162

HSL 80.55, 0.65%, 0.78%

LAB 89.73, -20.24, 32.78

 

CMYK 6 / 0 / 19 / 5

HEX #E3F2C4

RGB 227 242 196

HSL 79.57, 0.64%, 0.86%

LAB 93.37, -12.72, 20.57

 

CMYK 15 / 0 / 44 / 11

HEX #C2E480

RGB 194 228 128

HSL 80.4, 0.65%, 0.7%

LAB 86.26, -26.96, 45.02

 

CMYK 44 / 0 / 21 / 11

HEX #80E4B5

RGB 128 228 181

HSL 151.8, 0.65%, 0.7%

LAB 83.66, -39.91, 13.92

 

CMYK 3 / 44 / 0 / 11

HEX #DD80E4

RGB 221 128 228

HSL 295.8, 0.65%, 0.7%

LAB 66.83, 50.69, -35.92

 

CMYK 15 / 0 / 44 / 11

HEX #C2E480

RGB 194 228 128

HSL 80.4, 0.65%, 0.7%

LAB 86.26, -26.96, 45.02

 

CMYK 44 / 14 / 0 / 11

HEX #80C3E4

RGB 128 195 228

HSL 199.8, 0.65%, 0.7%

LAB 75.59, -12.67, -23.06

 

CMYK 0 / 44 / 14 / 11

HEX #E480C3

RGB 228 128 195

HSL 319.8, 0.65%, 0.7%

LAB 66.42, 47.18, -18.08

 

CMYK 15 / 0 / 44 / 11

HEX #C2E480

RGB 194 228 128

HSL 80.4, 0.65%, 0.7%

LAB 86.26, -26.96, 45.02

 

CMYK 44 / 0 / 21 / 11

HEX #80E4B5

RGB 128 228 181

HSL 151.8, 0.65%, 0.7%

LAB 83.66, -39.91, 13.92

 

CMYK 29 / 44 / 0 / 11

HEX #A180E4

RGB 161 128 228

HSL 259.8, 0.65%, 0.7%

LAB 60.44, 33.68, -46.39

 

CMYK 0 / 44 / 23 / 11

HEX #E480AF

RGB 228 128 175

HSL 331.8, 0.65%, 0.7%

LAB 65.77, 44.19, -7.79

 

CMYK 15 / 0 / 44 / 11

HEX #C2E480

RGB 194 228 128

HSL 80.4, 0.65%, 0.7%

LAB 86.26, -26.96, 45.02

 

CMYK 44 / 0 / 7 / 11

HEX #80E4D3

RGB 128 228 211

HSL 169.8, 0.65%, 0.7%

LAB 84.37, -33.34, -0.85

 

CMYK 29 / 44 / 0 / 11

HEX #A180E4

RGB 161 128 228

HSL 259.8, 0.65%, 0.7%

LAB 60.44, 33.68, -46.39

 

CMYK 0 / 44 / 36 / 11

HEX #E48091

RGB 228 128 145

HSL 349.8, 0.65%, 0.7%

LAB 64.94, 40.3, 8.01

 

Description

Color code: HEX #C2E480 | qconv.com Color code: HEX #C2E480 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 228 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 228 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 44 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 44% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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