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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2DCA2 it is the complementary color #3D235D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2DCA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2DCA2 shade: #C7DC9D, #D8EEB0, #E9FFC3, #FAFFD6 and #FFFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2DCA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2DCA2 shade: #C2DCA2, #B1CA8F, #A0B87C, #8FA669 and #7E9456

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2DCA2 shade: #C2DBA2, #D1DBA2, #DBD6A2, #DBC7A2 and #DBB7A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2DCA2 shade: #C2DBA2, #B2DBA2, #A3DBA2, #A2DBB1 and #A2DBC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2DCA2 shade matches the following richer shades: #C2DBA2, #C3E698, #C4F08D and #C5FA83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2DCA2 shade: #C2DBA2, #C1D1AC, #C0C7B7, #BFBCC1 and #BDB2CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2DCA2 shade: #DBD6A2, #D2DBA2, #C3DBA2, #B3DBA2 and #A4DBA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2DCA2 shade: #9AC566, #AED084, #C2DBA2, #D5E7C0 and #E9F2DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2DCA2 shade: #C2DCA2, #A2DBC6 and #DBA2DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2DCA2 shade: #C2DCA2, #A2C3DB and #DBA2C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2DCA2 shade: #C2DCA2, #A2DBC6, #BBA2DB and #DBA2B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2DCA2 shade: #C2DCA2, #A2DBD8, #BBA2DB and #DBA2A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 26 / 14

HEX #C2DCA2

RGB 194 220 162

HSL 86.9, 0.45%, 0.75%

LAB 84.62, -18.66, 25.71

 

Complementary color

CMYK 34 / 62 / 0 / 64

HEX #3D235D

RGB 61 35 93

HSL 266.9, 0.45%, 0.25%

LAB 19.98, 25.81, -30.24

 

CMYK 10 / 0 / 29 / 14

HEX #C7DC9D

RGB 199 220 157

HSL 80, 0.47%, 0.74%

LAB 84.88, -17.57, 28.7

 

CMYK 9 / 0 / 26 / 7

HEX #D8EEB0

RGB 216 238 176

HSL 81.29, 0.65%, 0.81%

LAB 91.18, -17.6, 27.68

 

CMYK 9 / 0 / 24 / 0

HEX #E9FFC3

RGB 233 255 195

HSL 82, 1%, 0.88%

LAB 97.14, -17.14, 26.35

 

CMYK 2 / 0 / 16 / 0

HEX #FAFFD6

RGB 250 255 214

HSL 67.32, 1%, 0.92%

LAB 98.71, -8.37, 19.07

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 12 / 0 / 26 / 14

HEX #C2DCA2

RGB 194 220 162

HSL 86.9, 0.45%, 0.75%

LAB 84.62, -18.66, 25.71

 

CMYK 12 / 0 / 29 / 21

HEX #B1CA8F

RGB 177 202 143

HSL 85.42, 0.36%, 0.68%

LAB 78.21, -18.68, 26.75

 

CMYK 13 / 0 / 33 / 28

HEX #A0B87C

RGB 160 184 124

HSL 84, 0.3%, 0.6%

LAB 71.7, -18.68, 27.84

 

CMYK 14 / 0 / 37 / 35

HEX #8FA669

RGB 143 166 105

HSL 82.62, 0.26%, 0.53%

LAB 65.07, -18.67, 28.99

 

CMYK 15 / 0 / 42 / 42

HEX #7E9456

RGB 126 148 86

HSL 81.29, 0.26%, 0.46%

LAB 58.31, -18.63, 30.2

 

CMYK 11 / 0 / 26 / 14

HEX #C2DBA2

RGB 194 219 162

HSL 86.32, 0.44%, 0.75%

LAB 84.35, -18.17, 25.35

 

CMYK 5 / 0 / 26 / 14

HEX #D1DBA2

RGB 209 219 162

HSL 70.53, 0.44%, 0.75%

LAB 85.42, -12.68, 26.97

 

CMYK 0 / 2 / 26 / 14

HEX #DBD6A2

RGB 219 214 162

HSL 54.74, 0.44%, 0.75%

LAB 84.87, -6.41, 26.37

 

CMYK 0 / 9 / 26 / 14

HEX #DBC7A2

RGB 219 199 162

HSL 38.95, 0.44%, 0.75%

LAB 81.02, 1.35, 21.1

 

CMYK 0 / 16 / 26 / 14

HEX #DBB7A2

RGB 219 183 162

HSL 22.11, 0.44%, 0.75%

LAB 77, 9.81, 15.51

 

CMYK 11 / 0 / 26 / 14

HEX #C2DBA2

RGB 194 219 162

HSL 86.32, 0.44%, 0.75%

LAB 84.35, -18.17, 25.35

 

CMYK 19 / 0 / 26 / 14

HEX #B2DBA2

RGB 178 219 162

HSL 103.16, 0.44%, 0.75%

LAB 83.3, -23.83, 23.75

 

CMYK 26 / 0 / 26 / 14

HEX #A3DBA2

RGB 163 219 162

HSL 118.95, 0.44%, 0.75%

LAB 82.41, -28.91, 22.38

 

CMYK 26 / 0 / 19 / 14

HEX #A2DBB1

RGB 162 219 177

HSL 135.79, 0.44%, 0.75%

LAB 82.66, -26.61, 14.85

 

CMYK 26 / 0 / 12 / 14

HEX #A2DBC0

RGB 162 219 192

HSL 151.58, 0.44%, 0.75%

LAB 82.99, -23.75, 7.4

 

CMYK 11 / 0 / 26 / 14

HEX #C2DBA2

RGB 194 219 162

HSL 86.32, 0.44%, 0.75%

LAB 84.35, -18.17, 25.35

 

CMYK 15 / 0 / 34 / 10

HEX #C3E698

RGB 195 230 152

HSL 86.92, 0.61%, 0.75%

LAB 87.22, -24.59, 34.34

 

CMYK 18 / 0 / 41 / 6

HEX #C4F08D

RGB 196 240 141

HSL 86.67, 0.77%, 0.75%

LAB 89.85, -30.37, 43.22

 

CMYK 21 / 0 / 48 / 2

HEX #C5FA83

RGB 197 250 131

HSL 86.72, 0.92%, 0.75%

LAB 92.52, -35.75, 51.36

 

CMYK 11 / 0 / 26 / 14

HEX #C2DBA2

RGB 194 219 162

HSL 86.32, 0.44%, 0.75%

LAB 84.35, -18.17, 25.35

 

CMYK 8 / 0 / 18 / 18

HEX #C1D1AC

RGB 193 209 172

HSL 85.95, 0.29%, 0.75%

LAB 81.79, -11.96, 16.56

 

CMYK 4 / 0 / 8 / 22

HEX #C0C7B7

RGB 192 199 183

HSL 86.25, 0.13%, 0.75%

LAB 79.31, -5.3, 7.17

 

CMYK 1 / 3 / 0 / 24

HEX #BFBCC1

RGB 191 188 193

HSL 276, 0.04%, 0.75%

LAB 76.61, 1.98, -2.15

 

CMYK 7 / 12 / 0 / 20

HEX #BDB2CB

RGB 189 178 203

HSL 266.4, 0.19%, 0.75%

LAB 74.17, 8.63, -11.24

 

CMYK 0 / 2 / 26 / 14

HEX #DBD6A2

RGB 219 214 162

HSL 54.74, 0.44%, 0.75%

LAB 84.87, -6.41, 26.37

 

CMYK 4 / 0 / 26 / 14

HEX #D2DBA2

RGB 210 219 162

HSL 69.47, 0.44%, 0.75%

LAB 85.49, -12.31, 27.09

 

CMYK 11 / 0 / 26 / 14

HEX #C3DBA2

RGB 195 219 162

HSL 85.26, 0.44%, 0.75%

LAB 84.42, -17.81, 25.45

 

CMYK 18 / 0 / 26 / 14

HEX #B3DBA2

RGB 179 219 162

HSL 102.11, 0.44%, 0.75%

LAB 83.37, -23.49, 23.84

 

CMYK 25 / 0 / 26 / 14

HEX #A4DBA2

RGB 164 219 162

HSL 117.89, 0.44%, 0.75%

LAB 82.47, -28.58, 22.47

 

CMYK 22 / 0 / 48 / 23

HEX #9AC566

RGB 154 197 102

HSL 87.16, 0.45%, 0.59%

LAB 74.67, -30.11, 42.82

 

CMYK 16 / 0 / 37 / 18

HEX #AED084

RGB 174 208 132

HSL 86.84, 0.45%, 0.67%

LAB 79.49, -24.27, 34.1

 

CMYK 11 / 0 / 26 / 14

HEX #C2DBA2

RGB 194 219 162

HSL 86.32, 0.44%, 0.75%

LAB 84.35, -18.17, 25.35

 

CMYK 8 / 0 / 17 / 9

HEX #D5E7C0

RGB 213 231 192

HSL 87.69, 0.45%, 0.83%

LAB 89.44, -12.78, 17

 

CMYK 4 / 0 / 8 / 5

HEX #E9F2DE

RGB 233 242 222

HSL 87, 0.43%, 0.91%

LAB 94.36, -6.47, 8.61

 

CMYK 12 / 0 / 26 / 14

HEX #C2DCA2

RGB 194 220 162

HSL 86.9, 0.45%, 0.75%

LAB 84.62, -18.66, 25.71

 

CMYK 26 / 0 / 10 / 14

HEX #A2DBC6

RGB 162 219 198

HSL 157.89, 0.44%, 0.75%

LAB 83.14, -22.55, 4.43

 

CMYK 0 / 26 / 0 / 14

HEX #DBA2DA

RGB 219 162 218

HSL 301.05, 0.44%, 0.75%

LAB 73.52, 30.25, -20.15

 

CMYK 12 / 0 / 26 / 14

HEX #C2DCA2

RGB 194 220 162

HSL 86.9, 0.45%, 0.75%

LAB 84.62, -18.66, 25.71

 

CMYK 26 / 11 / 0 / 14

HEX #A2C3DB

RGB 162 195 219

HSL 205.26, 0.44%, 0.75%

LAB 77.18, -5.67, -15.61

 

CMYK 0 / 26 / 11 / 14

HEX #DBA2C3

RGB 219 162 195

HSL 325.26, 0.44%, 0.75%

LAB 72.79, 26.19, -8.62

 

CMYK 12 / 0 / 26 / 14

HEX #C2DCA2

RGB 194 220 162

HSL 86.9, 0.45%, 0.75%

LAB 84.62, -18.66, 25.71

 

CMYK 26 / 0 / 10 / 14

HEX #A2DBC6

RGB 162 219 198

HSL 157.89, 0.44%, 0.75%

LAB 83.14, -22.55, 4.43

 

CMYK 15 / 26 / 0 / 14

HEX #BBA2DB

RGB 187 162 219

HSL 266.32, 0.44%, 0.75%

LAB 70.54, 20.12, -25.52

 

CMYK 0 / 26 / 16 / 14

HEX #DBA2B7

RGB 219 162 183

HSL 337.89, 0.44%, 0.75%

LAB 72.44, 24.24, -2.51

 

CMYK 12 / 0 / 26 / 14

HEX #C2DCA2

RGB 194 220 162

HSL 86.9, 0.45%, 0.75%

LAB 84.62, -18.66, 25.71

 

CMYK 26 / 0 / 1 / 14

HEX #A2DBD8

RGB 162 219 216

HSL 176.84, 0.44%, 0.75%

LAB 83.6, -18.74, -4.44

 

CMYK 15 / 26 / 0 / 14

HEX #BBA2DB

RGB 187 162 219

HSL 266.32, 0.44%, 0.75%

LAB 70.54, 20.12, -25.52

 

CMYK 0 / 26 / 24 / 14

HEX #DBA2A6

RGB 219 162 166

HSL 355.79, 0.44%, 0.75%

LAB 72, 21.67, 6.22

 

Description

Color code: HEX #C2DCA2 | qconv.com Color code: HEX #C2DCA2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 220 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 220 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 26 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 26% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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