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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2CE77 it is the complementary color #3D3188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2CE77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2CE77 shade: #C7CE72, #D8E085, #E9F298, #FAFFAB and #FFFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2CE77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2CE77 shade: #C2CE77, #B1BC64, #A0AA51, #8F983E and #7E862B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2CE77 shade: #C2CE78, #CEC278, #CEAB78, #CE9478 and #CE7D78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2CE77 shade: #C2CE78, #ABCE78, #93CE78, #7CCE78 and #78CE8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2CE77 shade matches the following richer shades: #C2CE78, #CDDD69, #D7EC5A and #E2FA4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2CE77 shade: #C2CE78, #B7BF86, #ACB095, #A2A1A4 and #9792B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2CE77 shade: #CEAB78, #CEC278, #C2CE78, #ABCE78 and #94CE78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2CE77 shade: #A3B340, #B4C359, #C2CE78, #D0D996 and #DDE4B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2CE77 shade: #C2CE77, #78CE94 and #B778CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2CE77 shade: #C2CE77, #78C2CE and #CE78C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2CE77 shade: #C2CE77, #78CE94, #8378CE and #CE78B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2CE77 shade: #C2CE77, #78CEAE, #8378CE and #CE7897

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 42 / 19

HEX #C2CE77

RGB 194 206 119

HSL 68.28, 0.47%, 0.64%

LAB 80.15, -17.23, 41.8

 

Complementary color

CMYK 55 / 64 / 0 / 47

HEX #3D3188

RGB 61 49 136

HSL 248.28, 0.47%, 0.36%

LAB 26.64, 30.35, -47.06

 

CMYK 3 / 0 / 45 / 19

HEX #C7CE72

RGB 199 206 114

HSL 64.57, 0.48%, 0.63%

LAB 80.46, -15.78, 44.74

 

CMYK 4 / 0 / 41 / 12

HEX #D8E085

RGB 216 224 133

HSL 65.27, 0.59%, 0.7%

LAB 86.8, -16.09, 43.58

 

CMYK 4 / 0 / 37 / 5

HEX #E9F298

RGB 233 242 152

HSL 66, 0.78%, 0.77%

LAB 93.06, -16.34, 42.44

 

CMYK 2 / 0 / 33 / 0

HEX #FAFFAB

RGB 250 255 171

HSL 63.57, 1%, 0.84%

LAB 97.95, -14.13, 39.66

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 6 / 0 / 42 / 19

HEX #C2CE77

RGB 194 206 119

HSL 68.28, 0.47%, 0.64%

LAB 80.15, -17.23, 41.8

 

CMYK 6 / 0 / 47 / 26

HEX #B1BC64

RGB 177 188 100

HSL 67.5, 0.4%, 0.56%

LAB 73.7, -16.95, 42.97

 

CMYK 6 / 0 / 52 / 33

HEX #A0AA51

RGB 160 170 81

HSL 66.74, 0.35%, 0.49%

LAB 67.14, -16.58, 44.13

 

CMYK 6 / 0 / 59 / 40

HEX #8F983E

RGB 143 152 62

HSL 66, 0.42%, 0.42%

LAB 60.47, -16.11, 45.2

 

CMYK 6 / 0 / 68 / 47

HEX #7E862B

RGB 126 134 43

HSL 65.27, 0.51%, 0.35%

LAB 53.66, -15.48, 46

 

CMYK 6 / 0 / 42 / 19

HEX #C2CE78

RGB 194 206 120

HSL 68.37, 0.47%, 0.64%

LAB 80.16, -17.12, 41.32

 

CMYK 0 / 6 / 42 / 19

HEX #CEC278

RGB 206 194 120

HSL 51.63, 0.47%, 0.64%

LAB 77.91, -6.24, 38.68

 

CMYK 0 / 17 / 42 / 19

HEX #CEAB78

RGB 206 171 120

HSL 35.58, 0.47%, 0.64%

LAB 71.96, 5.89, 31.02

 

CMYK 0 / 28 / 42 / 19

HEX #CE9478

RGB 206 148 120

HSL 19.53, 0.47%, 0.64%

LAB 66.26, 18.36, 23.45

 

CMYK 0 / 39 / 42 / 19

HEX #CE7D78

RGB 206 125 120

HSL 3.49, 0.47%, 0.64%

LAB 60.91, 30.85, 16.16

 

CMYK 6 / 0 / 42 / 19

HEX #C2CE78

RGB 194 206 120

HSL 68.37, 0.47%, 0.64%

LAB 80.16, -17.12, 41.32

 

CMYK 17 / 0 / 42 / 19

HEX #ABCE78

RGB 171 206 120

HSL 84.42, 0.47%, 0.64%

LAB 78.55, -25.95, 38.95

 

CMYK 29 / 0 / 42 / 19

HEX #93CE78

RGB 147 206 120

HSL 101.16, 0.47%, 0.64%

LAB 77.1, -34.6, 36.8

 

CMYK 40 / 0 / 42 / 19

HEX #7CCE78

RGB 124 206 120

HSL 117.21, 0.47%, 0.64%

LAB 75.94, -42.13, 35.07

 

CMYK 42 / 0 / 33 / 19

HEX #78CE8A

RGB 120 206 138

HSL 132.56, 0.47%, 0.64%

LAB 76.05, -40.43, 25.91

 

CMYK 6 / 0 / 42 / 19

HEX #C2CE78

RGB 194 206 120

HSL 68.37, 0.47%, 0.64%

LAB 80.16, -17.12, 41.32

 

CMYK 7 / 0 / 52 / 13

HEX #CDDD69

RGB 205 221 105

HSL 68.28, 0.63%, 0.64%

LAB 84.85, -21.65, 54.38

 

CMYK 9 / 0 / 62 / 7

HEX #D7EC5A

RGB 215 236 90

HSL 68.63, 0.79%, 0.64%

LAB 89.48, -26.04, 66.25

 

CMYK 10 / 0 / 70 / 2

HEX #E2FA4B

RGB 226 250 75

HSL 68.23, 0.95%, 0.64%

LAB 93.9, -29.13, 76.66

 

CMYK 6 / 0 / 42 / 19

HEX #C2CE78

RGB 194 206 120

HSL 68.37, 0.47%, 0.64%

LAB 80.16, -17.12, 41.32

 

CMYK 4 / 0 / 30 / 25

HEX #B7BF86

RGB 183 191 134

HSL 68.42, 0.31%, 0.64%

LAB 75.48, -12.09, 27.9

 

CMYK 2 / 0 / 15 / 31

HEX #ACB095

RGB 172 176 149

HSL 68.89, 0.15%, 0.64%

LAB 70.86, -6.19, 13.37

 

CMYK 1 / 2 / 0 / 36

HEX #A2A1A4

RGB 162 161 164

HSL 260, 0.02%, 0.64%

LAB 66.41, 0.94, -1.44

 

CMYK 16 / 18 / 0 / 30

HEX #9792B3

RGB 151 146 179

HSL 249.09, 0.18%, 0.64%

LAB 61.99, 8.66, -16.54

 

CMYK 0 / 17 / 42 / 19

HEX #CEAB78

RGB 206 171 120

HSL 35.58, 0.47%, 0.64%

LAB 71.96, 5.89, 31.02

 

CMYK 0 / 6 / 42 / 19

HEX #CEC278

RGB 206 194 120

HSL 51.63, 0.47%, 0.64%

LAB 77.91, -6.24, 38.68

 

CMYK 6 / 0 / 42 / 19

HEX #C2CE78

RGB 194 206 120

HSL 68.37, 0.47%, 0.64%

LAB 80.16, -17.12, 41.32

 

CMYK 17 / 0 / 42 / 19

HEX #ABCE78

RGB 171 206 120

HSL 84.42, 0.47%, 0.64%

LAB 78.55, -25.95, 38.95

 

CMYK 28 / 0 / 42 / 19

HEX #94CE78

RGB 148 206 120

HSL 100.47, 0.47%, 0.64%

LAB 77.16, -34.26, 36.89

 

CMYK 9 / 0 / 64 / 30

HEX #A3B340

RGB 163 179 64

HSL 68.35, 0.47%, 0.48%

LAB 69.75, -21.24, 54.83

 

CMYK 8 / 0 / 54 / 24

HEX #B4C359

RGB 180 195 89

HSL 68.49, 0.47%, 0.56%

LAB 75.73, -20.27, 50.72

 

CMYK 6 / 0 / 42 / 19

HEX #C2CE78

RGB 194 206 120

HSL 68.37, 0.47%, 0.64%

LAB 80.16, -17.12, 41.32

 

CMYK 4 / 0 / 31 / 15

HEX #D0D996

RGB 208 217 150

HSL 68.06, 0.47%, 0.72%

LAB 84.61, -13.66, 32.06

 

CMYK 3 / 0 / 21 / 11

HEX #DDE4B4

RGB 221 228 180

HSL 68.75, 0.47%, 0.8%

LAB 89, -10.25, 22.69

 

CMYK 6 / 0 / 42 / 19

HEX #C2CE77

RGB 194 206 119

HSL 68.28, 0.47%, 0.64%

LAB 80.15, -17.23, 41.8

 

CMYK 42 / 0 / 28 / 19

HEX #78CE94

RGB 120 206 148

HSL 139.53, 0.47%, 0.64%

LAB 76.24, -38.64, 20.9

 

CMYK 11 / 42 / 0 / 19

HEX #B778CE

RGB 183 120 206

HSL 283.95, 0.47%, 0.64%

LAB 59.85, 39.41, -34.83

 

CMYK 6 / 0 / 42 / 19

HEX #C2CE77

RGB 194 206 119

HSL 68.28, 0.47%, 0.64%

LAB 80.15, -17.23, 41.8

 

CMYK 42 / 6 / 0 / 19

HEX #78C2CE

RGB 120 194 206

HSL 188.37, 0.47%, 0.64%

LAB 74.21, -19.92, -13.26

 

CMYK 0 / 42 / 6 / 19

HEX #CE78C2

RGB 206 120 194

HSL 308.37, 0.47%, 0.64%

LAB 62.04, 44.18, -24.45

 

CMYK 6 / 0 / 42 / 19

HEX #C2CE77

RGB 194 206 119

HSL 68.28, 0.47%, 0.64%

LAB 80.15, -17.23, 41.8

 

CMYK 42 / 0 / 28 / 19

HEX #78CE94

RGB 120 206 148

HSL 139.53, 0.47%, 0.64%

LAB 76.24, -38.64, 20.9

 

CMYK 36 / 42 / 0 / 19

HEX #8378CE

RGB 131 120 206

HSL 247.67, 0.47%, 0.64%

LAB 54.78, 24.49, -43.15

 

CMYK 0 / 42 / 14 / 19

HEX #CE78B1

RGB 206 120 177

HSL 320.23, 0.47%, 0.64%

LAB 61.42, 41.32, -15.73

 

CMYK 6 / 0 / 42 / 19

HEX #C2CE77

RGB 194 206 119

HSL 68.28, 0.47%, 0.64%

LAB 80.15, -17.23, 41.8

 

CMYK 42 / 0 / 16 / 19

HEX #78CEAE

RGB 120 206 174

HSL 157.67, 0.47%, 0.64%

LAB 76.79, -33.4, 7.83

 

CMYK 36 / 42 / 0 / 19

HEX #8378CE

RGB 131 120 206

HSL 247.67, 0.47%, 0.64%

LAB 54.78, 24.49, -43.15

 

CMYK 0 / 42 / 27 / 19

HEX #CE7897

RGB 206 120 151

HSL 338.37, 0.47%, 0.64%

LAB 60.6, 37.4, -2.07

 

Description

Color code: HEX #C2CE77 | qconv.com Color code: HEX #C2CE77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 206 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 206 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 42 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 42% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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