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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2B1B1 it is the complementary color #3D4E4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2B1B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2B1B1 shade: #C7B1AC, #D8C3BF, #E9D5D2, #FAE7E5 and #FFF9F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2B1B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2B1B1 shade: #C2B1B1, #B19F9E, #A08D8B, #8F7B78 and #7E6965

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2B1B1 shade: #C2B1B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2B1B1 shade: #C2B1B1, #C2B6B1, #C2BAB1, #C2BFB1 and #C1C2B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2B1B1 shade matches the following richer shades: #C2B1B1, #CDA6A6, #D89B9B, #E39090 and #EE8585

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2B1B1 shade: #C2B1B1, #B7BDBD, #ACC8C8, #A0D3D3 and #95DEDE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2B1B1 shade: #C2B1BA, #C2B1B6, #C2B1B1, #C2B6B1 and #C2BAB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2B1B1 shade: #9E8383, #B09A9A, #C2B1B1, #D4C8C8 and #E6E0E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2B1B1 shade: #C2B1B1, #BFC2B1 and #B1B8C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2B1B1 shade: #C2B1B1, #B1C2B1 and #B1B1C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2B1B1 shade: #C2B1B1, #BFC2B1, #B1C2C2 and #B5B1C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2B1B1 shade: #C2B1B1, #BAC2B1, #B1C2C2 and #BAB1C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 9 / 24

HEX #C2B1B1

RGB 194 177 177

HSL 0, 0.12%, 0.73%

LAB 73.6, 6.08, 2.2

 

Complementary color

CMYK 22 / 0 / 0 / 69

HEX #3D4E4E

RGB 61 78 78

HSL 180, 0.12%, 0.27%

LAB 31.79, -6.62, -2.21

 

CMYK 0 / 11 / 14 / 22

HEX #C7B1AC

RGB 199 177 172

HSL 11.11, 0.19%, 0.73%

LAB 73.91, 7.06, 5.43

 

CMYK 0 / 10 / 12 / 15

HEX #D8C3BF

RGB 216 195 191

HSL 9.6, 0.24%, 0.8%

LAB 80.4, 6.72, 4.69

 

CMYK 0 / 9 / 10 / 9

HEX #E9D5D2

RGB 233 213 210

HSL 7.83, 0.34%, 0.87%

LAB 86.78, 6.41, 3.97

 

CMYK 0 / 8 / 8 / 2

HEX #FAE7E5

RGB 250 231 229

HSL 5.71, 0.68%, 0.94%

LAB 93.07, 6.12, 3.29

 

CMYK 0 / 2 / 3 / 0

HEX #FFF9F8

RGB 255 249 248

HSL 8.57, 1%, 0.99%

LAB 98.35, 1.82, 1.17

 

CMYK 0 / 9 / 9 / 24

HEX #C2B1B1

RGB 194 177 177

HSL 0, 0.12%, 0.73%

LAB 73.6, 6.08, 2.2

 

CMYK 0 / 10 / 11 / 31

HEX #B19F9E

RGB 177 159 158

HSL 3.16, 0.11%, 0.66%

LAB 66.98, 6.4, 2.91

 

CMYK 0 / 12 / 13 / 37

HEX #A08D8B

RGB 160 141 139

HSL 5.71, 0.1%, 0.59%

LAB 60.24, 6.76, 3.67

 

CMYK 0 / 14 / 16 / 44

HEX #8F7B78

RGB 143 123 120

HSL 7.83, 0.09%, 0.52%

LAB 53.34, 7.17, 4.48

 

CMYK 0 / 17 / 20 / 51

HEX #7E6965

RGB 126 105 101

HSL 9.6, 0.11%, 0.45%

LAB 46.28, 7.65, 5.35

 

CMYK 0 / 9 / 9 / 24

HEX #C2B1B1

RGB 194 177 177

HSL 0, 0.12%, 0.73%

LAB 73.6, 6.08, 2.2

 

CMYK 0 / 9 / 9 / 24

HEX #C2B1B1

RGB 194 177 177

HSL 0, 0.12%, 0.73%

LAB 73.6, 6.08, 2.2

 

CMYK 0 / 6 / 9 / 24

HEX #C2B6B1

RGB 194 182 177

HSL 17.65, 0.12%, 0.73%

LAB 74.89, 3.38, 4.06

 

CMYK 0 / 4 / 9 / 24

HEX #C2BAB1

RGB 194 186 177

HSL 31.76, 0.12%, 0.73%

LAB 75.92, 1.24, 5.55

 

CMYK 0 / 2 / 9 / 24

HEX #C2BFB1

RGB 194 191 177

HSL 49.41, 0.12%, 0.73%

LAB 77.22, -1.42, 7.42

 

CMYK 1 / 0 / 9 / 24

HEX #C1C2B1

RGB 193 194 177

HSL 63.53, 0.12%, 0.73%

LAB 77.93, -3.36, 8.43

 

CMYK 0 / 9 / 9 / 24

HEX #C2B1B1

RGB 194 177 177

HSL 0, 0.12%, 0.73%

LAB 73.6, 6.08, 2.2

 

CMYK 0 / 19 / 19 / 20

HEX #CDA6A6

RGB 205 166 166

HSL 0, 0.28%, 0.73%

LAB 71.56, 14.29, 5.41

 

CMYK 0 / 28 / 28 / 15

HEX #D89B9B

RGB 216 155 155

HSL 0, 0.44%, 0.73%

LAB 69.76, 22.79, 9.07

 

CMYK 0 / 37 / 37 / 11

HEX #E39090

RGB 227 144 144

HSL 0, 0.6%, 0.73%

LAB 68.23, 31.42, 13.21

 

CMYK 0 / 44 / 44 / 7

HEX #EE8585

RGB 238 133 133

HSL 0, 0.76%, 0.73%

LAB 67.01, 40.04, 17.88

 

CMYK 0 / 9 / 9 / 24

HEX #C2B1B1

RGB 194 177 177

HSL 0, 0.12%, 0.73%

LAB 73.6, 6.08, 2.2

 

CMYK 3 / 0 / 0 / 26

HEX #B7BDBD

RGB 183 189 189

HSL 180, 0.04%, 0.73%

LAB 76.15, -2.07, -0.73

 

CMYK 14 / 0 / 0 / 22

HEX #ACC8C8

RGB 172 200 200

HSL 180, 0.2%, 0.73%

LAB 78.61, -9.36, -3.17

 

CMYK 24 / 0 / 0 / 17

HEX #A0D3D3

RGB 160 211 211

HSL 180, 0.37%, 0.73%

LAB 81.16, -16.39, -5.39

 

CMYK 33 / 0 / 0 / 13

HEX #95DEDE

RGB 149 222 222

HSL 180, 0.53%, 0.73%

LAB 83.92, -22.52, -7.23

 

CMYK 0 / 9 / 4 / 24

HEX #C2B1BA

RGB 194 177 186

HSL 328.24, 0.12%, 0.73%

LAB 73.84, 7.67, -2.38

 

CMYK 0 / 9 / 6 / 24

HEX #C2B1B6

RGB 194 177 182

HSL 342.35, 0.12%, 0.73%

LAB 73.73, 6.95, -0.35

 

CMYK 0 / 9 / 9 / 24

HEX #C2B1B1

RGB 194 177 177

HSL 0, 0.12%, 0.73%

LAB 73.6, 6.08, 2.2

 

CMYK 0 / 6 / 9 / 24

HEX #C2B6B1

RGB 194 182 177

HSL 17.65, 0.12%, 0.73%

LAB 74.89, 3.38, 4.06

 

CMYK 0 / 4 / 9 / 24

HEX #C2BAB1

RGB 194 186 177

HSL 31.76, 0.12%, 0.73%

LAB 75.92, 1.24, 5.55

 

CMYK 0 / 17 / 17 / 38

HEX #9E8383

RGB 158 131 131

HSL 0, 0.12%, 0.57%

LAB 57.21, 10.31, 3.86

 

CMYK 0 / 13 / 13 / 31

HEX #B09A9A

RGB 176 154 154

HSL 0, 0.12%, 0.65%

LAB 65.49, 8.11, 2.98

 

CMYK 0 / 9 / 9 / 24

HEX #C2B1B1

RGB 194 177 177

HSL 0, 0.12%, 0.73%

LAB 73.6, 6.08, 2.2

 

CMYK 0 / 6 / 6 / 17

HEX #D4C8C8

RGB 212 200 200

HSL 0, 0.12%, 0.81%

LAB 81.55, 4.18, 1.49

 

CMYK 0 / 3 / 3 / 10

HEX #E6E0E0

RGB 230 224 224

HSL 0, 0.11%, 0.89%

LAB 89.63, 2.04, 0.71

 

CMYK 0 / 9 / 9 / 24

HEX #C2B1B1

RGB 194 177 177

HSL 0, 0.12%, 0.73%

LAB 73.6, 6.08, 2.2

 

CMYK 2 / 0 / 9 / 24

HEX #BFC2B1

RGB 191 194 177

HSL 70.59, 0.12%, 0.73%

LAB 77.78, -4.08, 8.19

 

CMYK 9 / 5 / 0 / 24

HEX #B1B8C2

RGB 177 184 194

HSL 215.29, 0.12%, 0.73%

LAB 74.52, -0.46, -5.9

 

CMYK 0 / 9 / 9 / 24

HEX #C2B1B1

RGB 194 177 177

HSL 0, 0.12%, 0.73%

LAB 73.6, 6.08, 2.2

 

CMYK 9 / 0 / 9 / 24

HEX #B1C2B1

RGB 177 194 177

HSL 120, 0.12%, 0.73%

LAB 76.74, -9.02, 6.56

 

CMYK 9 / 9 / 0 / 24

HEX #B1B1C2

RGB 177 177 194

HSL 240, 0.12%, 0.73%

LAB 72.68, 3.33, -8.63

 

CMYK 0 / 9 / 9 / 24

HEX #C2B1B1

RGB 194 177 177

HSL 0, 0.12%, 0.73%

LAB 73.6, 6.08, 2.2

 

CMYK 2 / 0 / 9 / 24

HEX #BFC2B1

RGB 191 194 177

HSL 70.59, 0.12%, 0.73%

LAB 77.78, -4.08, 8.19

 

CMYK 9 / 0 / 0 / 24

HEX #B1C2C2

RGB 177 194 194

HSL 180, 0.12%, 0.73%

LAB 77.18, -5.78, -1.99

 

CMYK 7 / 9 / 0 / 24

HEX #B5B1C2

RGB 181 177 194

HSL 254.12, 0.12%, 0.73%

LAB 73, 4.68, -8.13

 

CMYK 0 / 9 / 9 / 24

HEX #C2B1B1

RGB 194 177 177

HSL 0, 0.12%, 0.73%

LAB 73.6, 6.08, 2.2

 

CMYK 4 / 0 / 9 / 24

HEX #BAC2B1

RGB 186 194 177

HSL 88.24, 0.12%, 0.73%

LAB 77.4, -5.86, 7.59

 

CMYK 9 / 0 / 0 / 24

HEX #B1C2C2

RGB 177 194 194

HSL 180, 0.12%, 0.73%

LAB 77.18, -5.78, -1.99

 

CMYK 4 / 9 / 0 / 24

HEX #BAB1C2

RGB 186 177 194

HSL 271.76, 0.12%, 0.73%

LAB 73.4, 6.38, -7.49

 

Description

Color code: HEX #C2B1B1 | qconv.com Color code: HEX #C2B1B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 177 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 177 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 9 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 9% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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