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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2B6B9 it is the complementary color #3D4946. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2B6B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2B6B9 shade: #C7B6B4, #D8C8C7, #E9DADA, #FAECED and #FFFEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2B6B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2B6B9 shade: #C2B6B9, #B1A4A6, #A09293, #8F8080 and #7E6E6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2B6B9 shade: #C2B6B9 and #C2B6B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2B6B9 shade: #C2B6B9, #C2B6BC, #C2B6C0, #C1B6C2 and #BEB6C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2B6B9 shade matches the following richer shades: #C2B6B9, #CDACB4, #D8A1AE, #E296A9 and #ED8BA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2B6B9 shade: #C2B6B9, #B7C1BF, #ADCCC4, #A2D6C9 and #97E1CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2B6B9 shade: #C2B6C0, #C2B6BC, #C2B6B9, #C2B6B6 and #C2BAB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2B6B9 shade: #9D898E, #AFA0A4, #C2B6B9, #D5CDCF and #E8E3E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2B6B9 shade: #C2B6B9, #C2C2B6 and #B6BEC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2B6B9 shade: #C2B6B9, #B9C2B6 and #B6B9C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2B6B9 shade: #C2B6B9, #C2C2B6, #B6C2BF and #B6B7C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2B6B9 shade: #C2B6B9, #BFC2B6, #B6C2BF and #B9B6C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 5 / 24

HEX #C2B6B9

RGB 194 182 185

HSL 345, 0.09%, 0.74%

LAB 75.09, 4.79, -0

 

Complementary color

CMYK 16 / 0 / 4 / 71

HEX #3D4946

RGB 61 73 70

HSL 165, 0.09%, 0.26%

LAB 29.91, -5.52, 0.17

 

CMYK 0 / 9 / 10 / 22

HEX #C7B6B4

RGB 199 182 180

HSL 6.32, 0.15%, 0.74%

LAB 75.38, 5.7, 3.2

 

CMYK 0 / 7 / 8 / 15

HEX #D8C8C7

RGB 216 200 199

HSL 3.53, 0.18%, 0.81%

LAB 81.86, 5.41, 2.5

 

CMYK 0 / 6 / 6 / 9

HEX #E9DADA

RGB 233 218 218

HSL 0, 0.25%, 0.88%

LAB 88.22, 5.14, 1.84

 

CMYK 0 / 6 / 5 / 2

HEX #FAECED

RGB 250 236 237

HSL 355.71, 0.58%, 0.95%

LAB 94.5, 4.89, 1.2

 

CMYK 0 / 0 / 0 / 0

HEX #FFFEFF

RGB 255 254 255

HSL 300, 1%, 1%

LAB 99.75, 0.51, -0.37

 

CMYK 0 / 6 / 5 / 24

HEX #C2B6B9

RGB 194 182 185

HSL 345, 0.09%, 0.74%

LAB 75.09, 4.79, -0

 

CMYK 0 / 7 / 6 / 31

HEX #B1A4A6

RGB 177 164 166

HSL 350.77, 0.08%, 0.67%

LAB 68.5, 5.06, 0.66

 

CMYK 0 / 9 / 8 / 37

HEX #A09293

RGB 160 146 147

HSL 355.71, 0.07%, 0.6%

LAB 61.77, 5.36, 1.34

 

CMYK 0 / 10 / 10 / 44

HEX #8F8080

RGB 143 128 128

HSL 0, 0.06%, 0.53%

LAB 54.9, 5.7, 2.07

 

CMYK 0 / 13 / 13 / 51

HEX #7E6E6D

RGB 126 110 109

HSL 3.53, 0.07%, 0.46%

LAB 47.87, 6.09, 2.86

 

CMYK 0 / 6 / 5 / 24

HEX #C2B6B9

RGB 194 182 185

HSL 345, 0.09%, 0.74%

LAB 75.09, 4.79, -0

 

CMYK 0 / 6 / 6 / 24

HEX #C2B6B6

RGB 194 182 182

HSL 0, 0.09%, 0.74%

LAB 75.02, 4.25, 1.52

HEX #C2B6B6

CMYK 0 / 6 / 5 / 24

HEX #C2B6B9

RGB 194 182 185

HSL 345, 0.09%, 0.74%

LAB 75.09, 4.79, -0

 

CMYK 0 / 6 / 3 / 24

HEX #C2B6BC

RGB 194 182 188

HSL 330, 0.09%, 0.74%

LAB 75.17, 5.33, -1.52

 

CMYK 0 / 6 / 1 / 24

HEX #C2B6C0

RGB 194 182 192

HSL 310, 0.09%, 0.74%

LAB 75.28, 6.06, -3.54

 

CMYK 1 / 6 / 0 / 24

HEX #C1B6C2

RGB 193 182 194

HSL 295, 0.09%, 0.74%

LAB 75.26, 6.08, -4.68

 

CMYK 2 / 6 / 0 / 24

HEX #BEB6C2

RGB 190 182 194

HSL 280, 0.09%, 0.74%

LAB 75.01, 5.05, -5.07

 

CMYK 0 / 6 / 5 / 24

HEX #C2B6B9

RGB 194 182 185

HSL 345, 0.09%, 0.74%

LAB 75.09, 4.79, -0

 

CMYK 0 / 16 / 12 / 20

HEX #CDACB4

RGB 205 172 180

HSL 345.45, 0.25%, 0.74%

LAB 73.4, 13.28, 0.38

 

CMYK 0 / 25 / 19 / 15

HEX #D8A1AE

RGB 216 161 174

HSL 345.82, 0.41%, 0.74%

LAB 71.65, 22.29, 1.27

 

CMYK 0 / 34 / 25 / 11

HEX #E296A9

RGB 226 150 169

HSL 345, 0.57%, 0.74%

LAB 70.07, 31.11, 1.87

 

CMYK 0 / 41 / 31 / 7

HEX #ED8BA4

RGB 237 139 164

HSL 344.69, 0.73%, 0.74%

LAB 68.86, 40.15, 3.07

 

CMYK 0 / 6 / 5 / 24

HEX #C2B6B9

RGB 194 182 185

HSL 345, 0.09%, 0.74%

LAB 75.09, 4.79, -0

 

CMYK 5 / 0 / 1 / 24

HEX #B7C1BF

RGB 183 193 191

HSL 168, 0.07%, 0.74%

LAB 77.26, -3.81, -0.19

 

CMYK 15 / 0 / 4 / 20

HEX #ADCCC4

RGB 173 204 196

HSL 164.52, 0.23%, 0.74%

LAB 79.65, -11.92, 0.51

 

CMYK 24 / 0 / 6 / 16

HEX #A2D6C9

RGB 162 214 201

HSL 165, 0.39%, 0.74%

LAB 81.83, -19.45, 0.94

 

CMYK 33 / 0 / 8 / 12

HEX #97E1CF

RGB 151 225 207

HSL 165.41, 0.55%, 0.74%

LAB 84.45, -26.81, 1.5

 

CMYK 0 / 6 / 1 / 24

HEX #C2B6C0

RGB 194 182 192

HSL 310, 0.09%, 0.74%

LAB 75.28, 6.06, -3.54

 

CMYK 0 / 6 / 3 / 24

HEX #C2B6BC

RGB 194 182 188

HSL 330, 0.09%, 0.74%

LAB 75.17, 5.33, -1.52

 

CMYK 0 / 6 / 5 / 24

HEX #C2B6B9

RGB 194 182 185

HSL 345, 0.09%, 0.74%

LAB 75.09, 4.79, -0

 

CMYK 0 / 6 / 6 / 24

HEX #C2B6B6

RGB 194 182 182

HSL 0, 0.09%, 0.74%

LAB 75.02, 4.25, 1.52

HEX #C2B6B6

CMYK 0 / 4 / 6 / 24

HEX #C2BAB6

RGB 194 186 182

HSL 20, 0.09%, 0.74%

LAB 76.05, 2.11, 3.02

HEX #C2BAB6

CMYK 0 / 13 / 10 / 38

HEX #9D898E

RGB 157 137 142

HSL 345, 0.09%, 0.58%

LAB 58.99, 8.42, 0.1

 

CMYK 0 / 9 / 6 / 31

HEX #AFA0A4

RGB 175 160 164

HSL 344, 0.09%, 0.66%

LAB 67.23, 6.18, -0.1

 

CMYK 0 / 6 / 5 / 24

HEX #C2B6B9

RGB 194 182 185

HSL 345, 0.09%, 0.74%

LAB 75.09, 4.79, -0

 

CMYK 0 / 4 / 3 / 16

HEX #D5CDCF

RGB 213 205 207

HSL 345, 0.09%, 0.82%

LAB 83.08, 3.12, -0.02

 

CMYK 0 / 2 / 2 / 9

HEX #E8E3E4

RGB 232 227 228

HSL 348, 0.1%, 0.9%

LAB 90.64, 1.87, 0.1

 

CMYK 0 / 6 / 5 / 24

HEX #C2B6B9

RGB 194 182 185

HSL 345, 0.09%, 0.74%

LAB 75.09, 4.79, -0

 

CMYK 0 / 0 / 6 / 24

HEX #C2C2B6

RGB 194 194 182

HSL 60, 0.09%, 0.74%

LAB 78.13, -2.14, 6.03

 

CMYK 6 / 2 / 0 / 24

HEX #B6BEC2

RGB 182 190 194

HSL 200, 0.09%, 0.74%

LAB 76.48, -1.98, -2.98

 

CMYK 0 / 6 / 5 / 24

HEX #C2B6B9

RGB 194 182 185

HSL 345, 0.09%, 0.74%

LAB 75.09, 4.79, -0

 

CMYK 5 / 0 / 6 / 24

HEX #B9C2B6

RGB 185 194 182

HSL 105, 0.09%, 0.74%

LAB 77.45, -5.32, 4.95

 

CMYK 6 / 5 / 0 / 24

HEX #B6B9C2

RGB 182 185 194

HSL 225, 0.09%, 0.74%

LAB 75.16, 0.69, -4.91

 

CMYK 0 / 6 / 5 / 24

HEX #C2B6B9

RGB 194 182 185

HSL 345, 0.09%, 0.74%

LAB 75.09, 4.79, -0

 

CMYK 0 / 0 / 6 / 24

HEX #C2C2B6

RGB 194 194 182

HSL 60, 0.09%, 0.74%

LAB 78.13, -2.14, 6.03

 

CMYK 6 / 0 / 2 / 24

HEX #B6C2BF

RGB 182 194 191

HSL 165, 0.09%, 0.74%

LAB 77.45, -4.68, 0.08

 

CMYK 6 / 6 / 0 / 24

HEX #B6B7C2

RGB 182 183 194

HSL 235, 0.09%, 0.74%

LAB 74.64, 1.77, -5.69

 

CMYK 0 / 6 / 5 / 24

HEX #C2B6B9

RGB 194 182 185

HSL 345, 0.09%, 0.74%

LAB 75.09, 4.79, -0

 

CMYK 2 / 0 / 6 / 24

HEX #BFC2B6

RGB 191 194 182

HSL 75, 0.09%, 0.74%

LAB 77.9, -3.21, 5.66

 

CMYK 6 / 0 / 2 / 24

HEX #B6C2BF

RGB 182 194 191

HSL 165, 0.09%, 0.74%

LAB 77.45, -4.68, 0.08

 

CMYK 5 / 6 / 0 / 24

HEX #B9B6C2

RGB 185 182 194

HSL 255, 0.09%, 0.74%

LAB 74.61, 3.33, -5.7

 

Description

Color code: HEX #C2B6B9 | qconv.com Color code: HEX #C2B6B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 182 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 182 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 5 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 5% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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