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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2B437 it is the complementary color #3D4BC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2B437. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2B437 shade: #C7B432, #D8C645, #E9D858, #FAEA6B and #FFFC7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2B437. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2B437 shade: #C2B437, #B1A224, #A09011, #8F7E00 and #7E6C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2B437 shade: #C2B436, #C28F36, #C26936, #C24336 and #C23636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2B437 shade: #C2B436, #ABC236, #85C236, #5FC236 and #3AC236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2B437 shade matches the following richer shades: #C2B436, #D7C422 and #EBD50E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2B437 shade: #C2B436, #AEA44B, #9A945F, #868473 and #727487

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2B437 shade: #C26736, #C28D36, #C2B236, #ADC236 and #88C236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2B437 shade: #827924, #A2962D, #C2B436, #CEC254 and #D7CD74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2B437 shade: #C2B437, #36C242 and #7A36C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2B437 shade: #C2B437, #36C2B2 and #B236C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2B437 shade: #C2B437, #36C242, #3647C2 and #C236B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2B437 shade: #C2B437, #36C26C, #3647C2 and #C2368D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 72 / 24

HEX #C2B437

RGB 194 180 55

HSL 53.96, 0.56%, 0.49%

LAB 72.49, -9.04, 61.99

 

Complementary color

CMYK 70 / 63 / 0 / 22

HEX #3D4BC8

RGB 61 75 200

HSL 233.96, 0.56%, 0.51%

LAB 38.19, 35.82, -66.65

 

CMYK 0 / 10 / 75 / 22

HEX #C7B432

RGB 199 180 50

HSL 52.35, 0.6%, 0.49%

LAB 72.9, -7.1, 64.34

 

CMYK 0 / 8 / 68 / 15

HEX #D8C645

RGB 216 198 69

HSL 52.65, 0.65%, 0.56%

LAB 79.28, -8.18, 64.03

 

CMYK 0 / 7 / 62 / 9

HEX #E9D858

RGB 233 216 88

HSL 52.97, 0.77%, 0.63%

LAB 85.57, -9.09, 63.3

 

CMYK 0 / 6 / 57 / 2

HEX #FAEA6B

RGB 250 234 107

HSL 53.29, 0.93%, 0.7%

LAB 91.79, -9.87, 62.36

 

CMYK 0 / 1 / 51 / 0

HEX #FFFC7E

RGB 255 252 126

HSL 58.6, 1%, 0.75%

LAB 96.98, -15.25, 59.95

 

CMYK 0 / 7 / 72 / 24

HEX #C2B437

RGB 194 180 55

HSL 53.96, 0.56%, 0.49%

LAB 72.49, -9.04, 61.99

 

CMYK 0 / 8 / 80 / 31

HEX #B1A224

RGB 177 162 36

HSL 53.62, 0.66%, 0.42%

LAB 65.99, -7.88, 61.89

 

CMYK 0 / 10 / 89 / 37

HEX #A09011

RGB 160 144 17

HSL 53.29, 0.81%, 0.35%

LAB 59.4, -6.47, 60.67

 

CMYK 0 / 12 / 100 / 44

HEX #8F7E00

RGB 143 126 0

HSL 52.87, 1%, 0.28%

LAB 52.69, -4.8, 57.91

 

CMYK 0 / 14 / 100 / 51

HEX #7E6C00

RGB 126 108 0

HSL 51.43, 1%, 0.25%

LAB 45.85, -2.76, 52.25

 

CMYK 0 / 7 / 72 / 24

HEX #C2B436

RGB 194 180 54

HSL 54, 0.56%, 0.49%

LAB 72.48, -9.09, 62.35

 

CMYK 0 / 26 / 72 / 24

HEX #C28F36

RGB 194 143 54

HSL 38.14, 0.56%, 0.49%

LAB 62.83, 10.71, 52.77

 

CMYK 0 / 46 / 72 / 24

HEX #C26936

RGB 194 105 54

HSL 21.86, 0.56%, 0.49%

LAB 53.86, 31.45, 43.37

 

CMYK 0 / 65 / 72 / 24

HEX #C24336

RGB 194 67 54

HSL 5.57, 0.56%, 0.49%

LAB 46.64, 50, 35.37

 

CMYK 0 / 72 / 72 / 24

HEX #C23636

RGB 194 54 54

HSL 0, 0.56%, 0.49%

LAB 44.76, 55.13, 33.21

 

CMYK 0 / 7 / 72 / 24

HEX #C2B436

RGB 194 180 54

HSL 54, 0.56%, 0.49%

LAB 72.48, -9.09, 62.35

 

CMYK 12 / 0 / 72 / 24

HEX #ABC236

RGB 171 194 54

HSL 69.86, 0.56%, 0.49%

LAB 74.51, -25.88, 63.7

 

CMYK 31 / 0 / 72 / 24

HEX #85C236

RGB 133 194 54

HSL 86.14, 0.56%, 0.49%

LAB 72.12, -40.79, 60.54

 

CMYK 51 / 0 / 72 / 24

HEX #5FC236

RGB 95 194 54

HSL 102.43, 0.56%, 0.49%

LAB 70.37, -53.33, 58.21

 

CMYK 70 / 0 / 72 / 24

HEX #3AC236

RGB 58 194 54

HSL 118.29, 0.56%, 0.49%

LAB 69.29, -62.03, 56.76

 

CMYK 0 / 7 / 72 / 24

HEX #C2B436

RGB 194 180 54

HSL 54, 0.56%, 0.49%

LAB 72.48, -9.09, 62.35

 

CMYK 0 / 9 / 84 / 16

HEX #D7C422

RGB 215 196 34

HSL 53.7, 0.73%, 0.49%

LAB 78.49, -8.95, 74.48

 

CMYK 0 / 9 / 94 / 8

HEX #EBD50E

RGB 235 213 14

HSL 54.03, 0.89%, 0.49%

LAB 84.63, -9.32, 83.41

 

CMYK 0 / 7 / 72 / 24

HEX #C2B436

RGB 194 180 54

HSL 54, 0.56%, 0.49%

LAB 72.48, -9.09, 62.35

 

CMYK 0 / 6 / 57 / 32

HEX #AEA44B

RGB 174 164 75

HSL 53.94, 0.4%, 0.49%

LAB 66.56, -8.04, 46.65

 

CMYK 0 / 4 / 38 / 40

HEX #9A945F

RGB 154 148 95

HSL 53.9, 0.24%, 0.49%

LAB 60.67, -5.98, 28.83

 

CMYK 0 / 1 / 14 / 47

HEX #868473

RGB 134 132 115

HSL 53.68, 0.08%, 0.49%

LAB 54.87, -2.37, 9.45

 

CMYK 16 / 14 / 0 / 47

HEX #727487

RGB 114 116 135

HSL 234.29, 0.08%, 0.49%

LAB 49.27, 3.41, -10.63

 

CMYK 0 / 47 / 72 / 24

HEX #C26736

RGB 194 103 54

HSL 21, 0.56%, 0.49%

LAB 53.42, 32.52, 42.9

 

CMYK 0 / 27 / 72 / 24

HEX #C28D36

RGB 194 141 54

HSL 37.29, 0.56%, 0.49%

LAB 62.33, 11.81, 52.26

 

CMYK 0 / 8 / 72 / 24

HEX #C2B236

RGB 194 178 54

HSL 53.14, 0.56%, 0.49%

LAB 71.94, -8.05, 61.83

 

CMYK 11 / 0 / 72 / 24

HEX #ADC236

RGB 173 194 54

HSL 69, 0.56%, 0.49%

LAB 74.66, -25.05, 63.89

 

CMYK 30 / 0 / 72 / 24

HEX #88C236

RGB 136 194 54

HSL 84.86, 0.56%, 0.49%

LAB 72.28, -39.69, 60.76

 

CMYK 0 / 7 / 72 / 49

HEX #827924

RGB 130 121 36

HSL 54.26, 0.57%, 0.33%

LAB 50.15, -7, 45.5

 

CMYK 0 / 7 / 72 / 36

HEX #A2962D

RGB 162 150 45

HSL 53.85, 0.57%, 0.41%

LAB 61.38, -7.8, 53.96

 

CMYK 0 / 7 / 72 / 24

HEX #C2B436

RGB 194 180 54

HSL 54, 0.56%, 0.49%

LAB 72.48, -9.09, 62.35

 

CMYK 0 / 6 / 59 / 19

HEX #CEC254

RGB 206 194 84

HSL 54.1, 0.55%, 0.57%

LAB 77.49, -9.42, 55.54

 

CMYK 0 / 5 / 46 / 16

HEX #D7CD74

RGB 215 205 116

HSL 53.94, 0.55%, 0.65%

LAB 81.49, -8.67, 45.32

 

CMYK 0 / 7 / 72 / 24

HEX #C2B437

RGB 194 180 55

HSL 53.96, 0.56%, 0.49%

LAB 72.49, -9.04, 61.99

 

CMYK 72 / 0 / 66 / 24

HEX #36C242

RGB 54 194 66

HSL 125.14, 0.56%, 0.49%

LAB 69.3, -61.62, 52.04

 

CMYK 37 / 72 / 0 / 24

HEX #7A36C2

RGB 122 54 194

HSL 269.14, 0.56%, 0.49%

LAB 39.02, 55.62, -61.56

 

CMYK 0 / 7 / 72 / 24

HEX #C2B437

RGB 194 180 55

HSL 53.96, 0.56%, 0.49%

LAB 72.49, -9.04, 61.99

 

CMYK 72 / 0 / 8 / 24

HEX #36C2B2

RGB 54 194 178

HSL 173.14, 0.56%, 0.49%

LAB 71.27, -40.14, -2.61

 

CMYK 8 / 72 / 0 / 24

HEX #B236C2

RGB 178 54 194

HSL 293.14, 0.56%, 0.49%

LAB 46.97, 66.78, -48.33

 

CMYK 0 / 7 / 72 / 24

HEX #C2B437

RGB 194 180 55

HSL 53.96, 0.56%, 0.49%

LAB 72.49, -9.04, 61.99

 

CMYK 72 / 0 / 66 / 24

HEX #36C242

RGB 54 194 66

HSL 125.14, 0.56%, 0.49%

LAB 69.3, -61.62, 52.04

 

CMYK 72 / 63 / 0 / 24

HEX #3647C2

RGB 54 71 194

HSL 232.71, 0.56%, 0.49%

LAB 36.34, 35.35, -66.19

 

CMYK 0 / 72 / 6 / 24

HEX #C236B7

RGB 194 54 183

HSL 304.71, 0.56%, 0.49%

LAB 48.92, 68.44, -38.68

 

CMYK 0 / 7 / 72 / 24

HEX #C2B437

RGB 194 180 55

HSL 53.96, 0.56%, 0.49%

LAB 72.49, -9.04, 61.99

 

CMYK 72 / 0 / 44 / 24

HEX #36C26C

RGB 54 194 108

HSL 143.14, 0.56%, 0.49%

LAB 69.79, -55.87, 32.81

 

CMYK 72 / 63 / 0 / 24

HEX #3647C2

RGB 54 71 194

HSL 232.71, 0.56%, 0.49%

LAB 36.34, 35.35, -66.19

 

CMYK 0 / 72 / 27 / 24

HEX #C2368D

RGB 194 54 141

HSL 322.71, 0.56%, 0.49%

LAB 47.01, 62.56, -16.69

 

Description

Color code: HEX #C2B437 | qconv.com Color code: HEX #C2B437 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 180 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 180 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 72 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 72% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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