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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2A78E it is the complementary color #3D5871. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2A78E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2A78E shade: #C7A789, #D8B99C, #E9CBAF, #FADDC2 and #FFEFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2A78E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2A78E shade: #C2A78E, #B1957B, #A08368, #8F7155 and #7E5F42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2A78E shade: #C2A78E, #C2998E and #C28E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2A78E shade: #C2A78E, #C2B58E, #C1C28E, #B3C28E and #A5C28E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2A78E shade matches the following richer shades: #C2A78E, #D0A680, #DEA672, #ECA564 and #FAA556

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2A78E shade: #C2A78E, #B4A79C, #A6A8AA, #98A8B8 and #8AA9C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2A78E shade: #C28E91, #C2988E, #C2A68E, #C2B48E and #C2C28E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2A78E shade: #A57D58, #B39273, #C2A78E, #D0BCA9 and #DFD1C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2A78E shade: #C2A78E, #9FC28E and #918EC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2A78E shade: #C2A78E, #8EC2A6 and #A68EC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2A78E shade: #C2A78E, #9FC28E, #8EAAC2 and #B08EC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2A78E shade: #C2A78E, #90C28E, #8EAAC2 and #C08EC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 27 / 24

HEX #C2A78E

RGB 194 167 142

HSL 28.85, 0.3%, 0.66%

LAB 70.22, 6.01, 16.57

 

Complementary color

CMYK 46 / 22 / 0 / 56

HEX #3D5871

RGB 61 88 113

HSL 208.85, 0.3%, 0.34%

LAB 36.3, -2.75, -17.42

 

CMYK 0 / 16 / 31 / 22

HEX #C7A789

RGB 199 167 137

HSL 29.03, 0.36%, 0.66%

LAB 70.58, 7.29, 19.89

 

CMYK 0 / 14 / 28 / 15

HEX #D8B99C

RGB 216 185 156

HSL 29, 0.43%, 0.73%

LAB 77.1, 6.78, 18.84

 

CMYK 0 / 13 / 25 / 9

HEX #E9CBAF

RGB 233 203 175

HSL 28.97, 0.57%, 0.8%

LAB 83.51, 6.33, 17.85

 

CMYK 0 / 12 / 22 / 2

HEX #FADDC2

RGB 250 221 194

HSL 28.93, 0.85%, 0.87%

LAB 89.83, 5.92, 16.92

 

CMYK 0 / 6 / 16 / 0

HEX #FFEFD5

RGB 255 239 213

HSL 37.14, 1%, 0.92%

LAB 95.08, 1.27, 14.52

 

CMYK 0 / 14 / 27 / 24

HEX #C2A78E

RGB 194 167 142

HSL 28.85, 0.3%, 0.66%

LAB 70.22, 6.01, 16.57

 

CMYK 0 / 16 / 31 / 31

HEX #B1957B

RGB 177 149 123

HSL 28.89, 0.26%, 0.59%

LAB 63.57, 6.51, 17.63

 

CMYK 0 / 18 / 35 / 37

HEX #A08368

RGB 160 131 104

HSL 28.93, 0.23%, 0.52%

LAB 56.79, 7.1, 18.78

 

CMYK 0 / 21 / 41 / 44

HEX #8F7155

RGB 143 113 85

HSL 28.97, 0.25%, 0.45%

LAB 49.86, 7.8, 20.04

 

CMYK 0 / 25 / 48 / 51

HEX #7E5F42

RGB 126 95 66

HSL 29, 0.31%, 0.38%

LAB 42.78, 8.65, 21.44

 

CMYK 0 / 14 / 27 / 24

HEX #C2A78E

RGB 194 167 142

HSL 28.85, 0.3%, 0.66%

LAB 70.22, 6.01, 16.57

 

CMYK 0 / 21 / 27 / 24

HEX #C2998E

RGB 194 153 142

HSL 12.69, 0.3%, 0.66%

LAB 66.68, 13.66, 11.61

 

CMYK 0 / 27 / 27 / 24

HEX #C28E8E

RGB 194 142 142

HSL 0, 0.3%, 0.66%

LAB 63.97, 19.72, 7.78

 

CMYK 0 / 14 / 27 / 24

HEX #C2A78E

RGB 194 167 142

HSL 28.85, 0.3%, 0.66%

LAB 70.22, 6.01, 16.57

 

CMYK 0 / 7 / 27 / 24

HEX #C2B58E

RGB 194 181 142

HSL 45, 0.3%, 0.66%

LAB 73.85, -1.51, 21.58

 

CMYK 1 / 0 / 27 / 24

HEX #C1C28E

RGB 193 194 142

HSL 61.15, 0.3%, 0.66%

LAB 77.21, -8.71, 26.13

 

CMYK 8 / 0 / 27 / 24

HEX #B3C28E

RGB 179 194 142

HSL 77.31, 0.3%, 0.66%

LAB 76.14, -14.03, 24.51

 

CMYK 15 / 0 / 27 / 24

HEX #A5C28E

RGB 165 194 142

HSL 93.46, 0.3%, 0.66%

LAB 75.16, -19.21, 23.01

 

CMYK 0 / 14 / 27 / 24

HEX #C2A78E

RGB 194 167 142

HSL 28.85, 0.3%, 0.66%

LAB 70.22, 6.01, 16.57

 

CMYK 0 / 20 / 38 / 18

HEX #D0A680

RGB 208 166 128

HSL 28.5, 0.46%, 0.66%

LAB 71.04, 10.29, 25.54

 

CMYK 0 / 25 / 49 / 13

HEX #DEA672

RGB 222 166 114

HSL 28.89, 0.62%, 0.66%

LAB 72.24, 14.48, 34.87

 

CMYK 0 / 30 / 58 / 7

HEX #ECA564

RGB 236 165 100

HSL 28.68, 0.78%, 0.66%

LAB 73.33, 19.53, 43.81

 

CMYK 0 / 34 / 66 / 2

HEX #FAA556

RGB 250 165 86

HSL 28.9, 0.94%, 0.66%

LAB 74.77, 24.31, 52.8

 

CMYK 0 / 14 / 27 / 24

HEX #C2A78E

RGB 194 167 142

HSL 28.85, 0.3%, 0.66%

LAB 70.22, 6.01, 16.57

 

CMYK 0 / 7 / 13 / 29

HEX #B4A79C

RGB 180 167 156

HSL 27.5, 0.14%, 0.66%

LAB 69.28, 2.8, 7.37

 

CMYK 2 / 1 / 0 / 33

HEX #A6A8AA

RGB 166 168 170

HSL 210, 0.02%, 0.66%

LAB 68.76, -0.32, -1.29

 

CMYK 17 / 9 / 0 / 28

HEX #98A8B8

RGB 152 168 184

HSL 210, 0.18%, 0.66%

LAB 68.12, -2.18, -10.11

 

CMYK 30 / 15 / 0 / 22

HEX #8AA9C6

RGB 138 169 198

HSL 209, 0.34%, 0.66%

LAB 67.91, -3.79, -18.28

 

CMYK 0 / 27 / 25 / 24

HEX #C28E91

RGB 194 142 145

HSL 356.54, 0.3%, 0.66%

LAB 64.05, 20.16, 6.19

 

CMYK 0 / 22 / 27 / 24

HEX #C2988E

RGB 194 152 142

HSL 11.54, 0.3%, 0.66%

LAB 66.43, 14.21, 11.26

 

CMYK 0 / 14 / 27 / 24

HEX #C2A68E

RGB 194 166 142

HSL 27.69, 0.3%, 0.66%

LAB 69.96, 6.55, 16.22

 

CMYK 0 / 7 / 27 / 24

HEX #C2B48E

RGB 194 180 142

HSL 43.85, 0.3%, 0.66%

LAB 73.59, -0.98, 21.22

 

CMYK 0 / 0 / 27 / 24

HEX #C2C28E

RGB 194 194 142

HSL 60, 0.3%, 0.66%

LAB 77.28, -8.33, 26.24

 

CMYK 0 / 24 / 47 / 35

HEX #A57D58

RGB 165 125 88

HSL 28.83, 0.3%, 0.5%

LAB 55.45, 10.71, 26.13

 

CMYK 0 / 18 / 36 / 30

HEX #B39273

RGB 179 146 115

HSL 29.06, 0.3%, 0.58%

LAB 62.83, 7.93, 21.11

 

CMYK 0 / 14 / 27 / 24

HEX #C2A78E

RGB 194 167 142

HSL 28.85, 0.3%, 0.66%

LAB 70.22, 6.01, 16.57

 

CMYK 0 / 10 / 19 / 18

HEX #D0BCA9

RGB 208 188 169

HSL 29.23, 0.29%, 0.74%

LAB 77.42, 4.02, 12.19

 

CMYK 0 / 6 / 13 / 13

HEX #DFD1C3

RGB 223 209 195

HSL 30, 0.3%, 0.82%

LAB 84.6, 2.51, 8.67

 

CMYK 0 / 14 / 27 / 24

HEX #C2A78E

RGB 194 167 142

HSL 28.85, 0.3%, 0.66%

LAB 70.22, 6.01, 16.57

 

CMYK 18 / 0 / 27 / 24

HEX #9FC28E

RGB 159 194 142

HSL 100.38, 0.3%, 0.66%

LAB 74.77, -21.37, 22.41

 

CMYK 25 / 27 / 0 / 24

HEX #918EC2

RGB 145 142 194

HSL 243.46, 0.3%, 0.66%

LAB 61.01, 12.55, -26.55

 

CMYK 0 / 14 / 27 / 24

HEX #C2A78E

RGB 194 167 142

HSL 28.85, 0.3%, 0.66%

LAB 70.22, 6.01, 16.57

 

CMYK 27 / 0 / 14 / 24

HEX #8EC2A6

RGB 142 194 166

HSL 147.69, 0.3%, 0.66%

LAB 74.25, -22.83, 8.64

 

CMYK 14 / 27 / 0 / 24

HEX #A68EC2

RGB 166 142 194

HSL 267.69, 0.3%, 0.66%

LAB 62.8, 19.19, -23.65

 

CMYK 0 / 14 / 27 / 24

HEX #C2A78E

RGB 194 167 142

HSL 28.85, 0.3%, 0.66%

LAB 70.22, 6.01, 16.57

 

CMYK 18 / 0 / 27 / 24

HEX #9FC28E

RGB 159 194 142

HSL 100.38, 0.3%, 0.66%

LAB 74.77, -21.37, 22.41

 

CMYK 27 / 12 / 0 / 24

HEX #8EAAC2

RGB 142 170 194

HSL 207.69, 0.3%, 0.66%

LAB 68.31, -4.12, -15.44

 

CMYK 9 / 27 / 0 / 24

HEX #B08EC2

RGB 176 142 194

HSL 279.23, 0.3%, 0.66%

LAB 63.73, 22.45, -22.14

 

CMYK 0 / 14 / 27 / 24

HEX #C2A78E

RGB 194 167 142

HSL 28.85, 0.3%, 0.66%

LAB 70.22, 6.01, 16.57

 

CMYK 26 / 0 / 27 / 24

HEX #90C28E

RGB 144 194 142

HSL 117.69, 0.3%, 0.66%

LAB 73.85, -26.6, 21

 

CMYK 27 / 12 / 0 / 24

HEX #8EAAC2

RGB 142 170 194

HSL 207.69, 0.3%, 0.66%

LAB 68.31, -4.12, -15.44

 

CMYK 1 / 27 / 0 / 24

HEX #C08EC2

RGB 192 142 194

HSL 297.69, 0.3%, 0.66%

LAB 65.32, 27.75, -19.58

 

Description

Color code: HEX #C2A78E | qconv.com Color code: HEX #C2A78E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 167 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 167 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 27 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 27% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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