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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C296AE it is the complementary color #3D6951. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C296AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C296AE shade: #C796A9, #D8A8BC, #E9BACF, #FACCE2 and #FFDEF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C296AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C296AE shade: #C296AE, #B1849B, #A07288, #8F6075 and #7E4E62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C296AE shade: #C194AC, #C194A0, #C19494 and #C19494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C296AE shade: #C194AC, #C194B9, #BD94C1, #B194C1 and #A594C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C296AE shade matches the following richer shades: #C194AC, #CF86AE, #DC78AF, #EA6BB0 and #F85DB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C296AE shade: #C194AC, #B3A1AB, #A6AFAA, #98BCA9 and #8BCAA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C296AE shade: #BD94C1, #C194B9, #C194AD, #C194A1 and #C19494

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C296AE shade: #A35F84, #B27998, #C194AC, #D0AEC1 and #DFC8D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C296AE shade: #C296AE, #C1B194 and #94BFC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C296AE shade: #C296AE, #ADC194 and #94ADC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C296AE shade: #C296AE, #C1B194, #94C1A8 and #94A4C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C296AE shade: #C296AE, #C1BF94, #94C1A8 and #9496C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 10 / 24

HEX #C296AE

RGB 194 150 174

HSL 327.27, 0.27%, 0.67%

LAB 66.78, 20.36, -6.15

 

Complementary color

CMYK 42 / 0 / 23 / 59

HEX #3D6951

RGB 61 105 81

HSL 147.27, 0.27%, 0.33%

LAB 40.72, -21.22, 8.79

 

CMYK 0 / 25 / 15 / 22

HEX #C796A9

RGB 199 150 169

HSL 336.73, 0.3%, 0.68%

LAB 67.14, 21.32, -2.76

 

CMYK 0 / 22 / 13 / 15

HEX #D8A8BC

RGB 216 168 188

HSL 335, 0.38%, 0.75%

LAB 73.7, 20.73, -3.46

 

CMYK 0 / 20 / 11 / 9

HEX #E9BACF

RGB 233 186 207

HSL 333.19, 0.52%, 0.82%

LAB 80.15, 20.18, -4.11

 

CMYK 0 / 18 / 10 / 2

HEX #FACCE2

RGB 250 204 226

HSL 331.3, 0.82%, 0.89%

LAB 86.5, 19.68, -4.73

 

CMYK 0 / 13 / 4 / 0

HEX #FFDEF5

RGB 255 222 245

HSL 318.18, 1%, 0.94%

LAB 91.73, 15.18, -6.99

 

CMYK 0 / 23 / 10 / 24

HEX #C296AE

RGB 194 150 174

HSL 327.27, 0.27%, 0.67%

LAB 66.78, 20.36, -6.15

 

CMYK 0 / 25 / 12 / 31

HEX #B1849B

RGB 177 132 155

HSL 329.33, 0.22%, 0.61%

LAB 60.08, 20.97, -5.5

 

CMYK 0 / 29 / 15 / 37

HEX #A07288

RGB 160 114 136

HSL 331.3, 0.19%, 0.54%

LAB 53.26, 21.64, -4.8

 

CMYK 0 / 33 / 18 / 44

HEX #8F6075

RGB 143 96 117

HSL 333.19, 0.2%, 0.47%

LAB 46.3, 22.39, -4.02

 

CMYK 0 / 38 / 22 / 51

HEX #7E4E62

RGB 126 78 98

HSL 335, 0.24%, 0.4%

LAB 39.18, 23.23, -3.14

 

CMYK 0 / 23 / 11 / 24

HEX #C194AC

RGB 193 148 172

HSL 328, 0.27%, 0.67%

LAB 66.13, 20.76, -6

 

CMYK 0 / 23 / 17 / 24

HEX #C194A0

RGB 193 148 160

HSL 344, 0.27%, 0.67%

LAB 65.79, 18.76, 0.24

 

CMYK 0 / 23 / 23 / 24

HEX #C19494

RGB 193 148 148

HSL 0, 0.27%, 0.67%

LAB 65.48, 16.9, 6.54

 

CMYK 0 / 23 / 23 / 24

HEX #C19494

RGB 193 148 148

HSL 0, 0.27%, 0.67%

LAB 65.48, 16.9, 6.54

 

CMYK 0 / 23 / 11 / 24

HEX #C194AC

RGB 193 148 172

HSL 328, 0.27%, 0.67%

LAB 66.13, 20.76, -6

 

CMYK 0 / 23 / 4 / 24

HEX #C194B9

RGB 193 148 185

HSL 310.67, 0.27%, 0.67%

LAB 66.54, 23.07, -12.69

 

CMYK 2 / 23 / 0 / 24

HEX #BD94C1

RGB 189 148 193

HSL 294.67, 0.27%, 0.67%

LAB 66.4, 23.22, -17.4

 

CMYK 8 / 23 / 0 / 24

HEX #B194C1

RGB 177 148 193

HSL 278.67, 0.27%, 0.67%

LAB 65.26, 19.2, -19.24

 

CMYK 15 / 23 / 0 / 24

HEX #A594C1

RGB 165 148 193

HSL 262.67, 0.27%, 0.67%

LAB 64.18, 15.24, -20.98

 

CMYK 0 / 23 / 11 / 24

HEX #C194AC

RGB 193 148 172

HSL 328, 0.27%, 0.67%

LAB 66.13, 20.76, -6

 

CMYK 0 / 35 / 16 / 19

HEX #CF86AE

RGB 207 134 174

HSL 327.12, 0.43%, 0.67%

LAB 64.46, 33.71, -9.45

 

CMYK 0 / 45 / 20 / 14

HEX #DC78AF

RGB 220 120 175

HSL 327, 0.59%, 0.67%

LAB 63.13, 45.62, -11.84

 

CMYK 0 / 54 / 25 / 8

HEX #EA6BB0

RGB 234 107 176

HSL 327.4, 0.75%, 0.67%

LAB 62.63, 56.55, -12.98

 

CMYK 0 / 63 / 29 / 3

HEX #F85DB1

RGB 248 93 177

HSL 327.48, 0.92%, 0.67%

LAB 62.47, 66.89, -13.57

 

CMYK 0 / 23 / 11 / 24

HEX #C194AC

RGB 193 148 172

HSL 328, 0.27%, 0.67%

LAB 66.13, 20.76, -6

 

CMYK 0 / 10 / 4 / 30

HEX #B3A1AB

RGB 179 161 171

HSL 326.67, 0.11%, 0.67%

LAB 68.03, 8.34, -2.79

 

CMYK 5 / 0 / 3 / 31

HEX #A6AFAA

RGB 166 175 170

HSL 146.67, 0.05%, 0.67%

LAB 70.64, -4.11, 1.46

 

CMYK 19 / 0 / 10 / 26

HEX #98BCA9

RGB 152 188 169

HSL 148.33, 0.21%, 0.67%

LAB 73.22, -15.94, 5.62

 

CMYK 31 / 0 / 17 / 21

HEX #8BCAA7

RGB 139 202 167

HSL 146.67, 0.37%, 0.67%

LAB 76.39, -27.49, 11.12

 

CMYK 2 / 23 / 0 / 24

HEX #BD94C1

RGB 189 148 193

HSL 294.67, 0.27%, 0.67%

LAB 66.4, 23.22, -17.4

 

CMYK 0 / 23 / 4 / 24

HEX #C194B9

RGB 193 148 185

HSL 310.67, 0.27%, 0.67%

LAB 66.54, 23.07, -12.69

 

CMYK 0 / 23 / 10 / 24

HEX #C194AD

RGB 193 148 173

HSL 326.67, 0.27%, 0.67%

LAB 66.16, 20.94, -6.52

 

CMYK 0 / 23 / 17 / 24

HEX #C194A1

RGB 193 148 161

HSL 342.67, 0.27%, 0.67%

LAB 65.82, 18.93, -0.28

 

CMYK 0 / 23 / 23 / 24

HEX #C19494

RGB 193 148 148

HSL 0, 0.27%, 0.67%

LAB 65.48, 16.9, 6.54

 

CMYK 0 / 42 / 19 / 36

HEX #A35F84

RGB 163 95 132

HSL 327.35, 0.27%, 0.51%

LAB 49.05, 32.8, -8.66

 

CMYK 0 / 32 / 15 / 30

HEX #B27998

RGB 178 121 152

HSL 327.37, 0.27%, 0.59%

LAB 57.47, 26.99, -7.65

 

CMYK 0 / 23 / 11 / 24

HEX #C194AC

RGB 193 148 172

HSL 328, 0.27%, 0.67%

LAB 66.13, 20.76, -6

 

CMYK 0 / 16 / 7 / 18

HEX #D0AEC1

RGB 208 174 193

HSL 326.47, 0.27%, 0.75%

LAB 74.53, 15.49, -5.06

 

CMYK 0 / 10 / 4 / 13

HEX #DFC8D5

RGB 223 200 213

HSL 326.09, 0.26%, 0.83%

LAB 82.81, 10.28, -3.52

 

CMYK 0 / 23 / 10 / 24

HEX #C296AE

RGB 194 150 174

HSL 327.27, 0.27%, 0.67%

LAB 66.78, 20.36, -6.15

 

CMYK 0 / 8 / 23 / 24

HEX #C1B194

RGB 193 177 148

HSL 38.67, 0.27%, 0.67%

LAB 72.84, 1.09, 16.93

 

CMYK 23 / 1 / 0 / 24

HEX #94BFC1

RGB 148 191 193

HSL 182.67, 0.27%, 0.67%

LAB 74.45, -13.72, -5.68

 

CMYK 0 / 23 / 10 / 24

HEX #C296AE

RGB 194 150 174

HSL 327.27, 0.27%, 0.67%

LAB 66.78, 20.36, -6.15

 

CMYK 10 / 0 / 23 / 24

HEX #ADC194

RGB 173 193 148

HSL 86.67, 0.27%, 0.67%

LAB 75.55, -14.85, 20.44

 

CMYK 23 / 10 / 0 / 24

HEX #94ADC1

RGB 148 173 193

HSL 206.67, 0.27%, 0.67%

LAB 69.49, -4.14, -13.07

 

CMYK 0 / 23 / 10 / 24

HEX #C296AE

RGB 194 150 174

HSL 327.27, 0.27%, 0.67%

LAB 66.78, 20.36, -6.15

 

CMYK 0 / 8 / 23 / 24

HEX #C1B194

RGB 193 177 148

HSL 38.67, 0.27%, 0.67%

LAB 72.84, 1.09, 16.93

 

CMYK 23 / 0 / 13 / 24

HEX #94C1A8

RGB 148 193 168

HSL 146.67, 0.27%, 0.67%

LAB 74.36, -20, 7.76

 

CMYK 23 / 15 / 0 / 24

HEX #94A4C1

RGB 148 164 193

HSL 218.67, 0.27%, 0.67%

LAB 67.05, 0.8, -16.75

 

CMYK 0 / 23 / 10 / 24

HEX #C296AE

RGB 194 150 174

HSL 327.27, 0.27%, 0.67%

LAB 66.78, 20.36, -6.15

 

CMYK 0 / 1 / 23 / 24

HEX #C1BF94

RGB 193 191 148

HSL 57.33, 0.27%, 0.67%

LAB 76.52, -6.32, 22.01

 

CMYK 23 / 0 / 13 / 24

HEX #94C1A8

RGB 148 193 168

HSL 146.67, 0.27%, 0.67%

LAB 74.36, -20, 7.76

 

CMYK 23 / 22 / 0 / 24

HEX #9496C1

RGB 148 150 193

HSL 237.33, 0.27%, 0.67%

LAB 63.31, 8.66, -22.44

 

Description

Color code: HEX #C296AE | qconv.com Color code: HEX #C296AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 150 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 150 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 10 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 10% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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