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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C28114 it is the complementary color #3D7EEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C28114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C28114 shade: #C7810F, #D89322, #E9A535, #FAB748 and #FFC95B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C28114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C28114 shade: #C28114, #B16F01, #A05D00, #8F4B00 and #7E3900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C28114 shade: #C18114, #C15214, #C12314 and #C11414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C28114 shade: #C18114, #C1AF14, #A5C114, #76C114 and #47C114

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C28114 shade matches the following richer shades: #C18114 and #D38503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C28114 shade: #C18114, #B07C25, #9F7837, #8D7348 and #7C6F59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C28114 shade: #C12214, #C15114, #C17F14, #C1AD14 and #A7C114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C28114 shade: #774F0C, #9C6810, #C18114, #E69918 and #EAAA3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C28114 shade: #C28114, #34C114 and #3914C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C28114 shade: #C28114, #14C17F and #7F14C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C28114 shade: #C28114, #34C114, #1456C1 and #A214C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C28114 shade: #C28114, #14C128, #1456C1 and #C114AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 90 / 24

HEX #C28114

RGB 194 129 20

HSL 37.59, 0.81%, 0.42%

LAB 59.18, 17.24, 61.39

 

Complementary color

CMYK 74 / 46 / 0 / 8

HEX #3D7EEB

RGB 61 126 235

HSL 217.59, 0.81%, 0.58%

LAB 53.93, 16.25, -61.05

 

CMYK 0 / 35 / 92 / 22

HEX #C7810F

RGB 199 129 15

HSL 37.17, 0.86%, 0.42%

LAB 59.78, 19.35, 63.22

 

CMYK 0 / 32 / 84 / 15

HEX #D89322

RGB 216 147 34

HSL 37.25, 0.73%, 0.49%

LAB 66.2, 17.37, 64.27

 

CMYK 0 / 29 / 77 / 9

HEX #E9A535

RGB 233 165 53

HSL 37.33, 0.8%, 0.56%

LAB 72.56, 15.64, 64.16

 

CMYK 0 / 27 / 71 / 2

HEX #FAB748

RGB 250 183 72

HSL 37.42, 0.95%, 0.63%

LAB 78.84, 14.13, 63.43

 

CMYK 0 / 21 / 64 / 0

HEX #FFC95B

RGB 255 201 91

HSL 40.24, 1%, 0.68%

LAB 83.86, 7.87, 60.73

 

CMYK 0 / 34 / 90 / 24

HEX #C28114

RGB 194 129 20

HSL 37.59, 0.81%, 0.42%

LAB 59.18, 17.24, 61.39

 

CMYK 0 / 37 / 99 / 31

HEX #B16F01

RGB 177 111 1

HSL 37.5, 0.99%, 0.35%

LAB 52.64, 19.38, 59.51

 

CMYK 0 / 42 / 100 / 37

HEX #A05D00

RGB 160 93 0

HSL 34.88, 1%, 0.31%

LAB 46.05, 21.87, 54.35

 

CMYK 0 / 48 / 100 / 44

HEX #8F4B00

RGB 143 75 0

HSL 31.47, 1%, 0.28%

LAB 39.36, 24.44, 48.95

 

CMYK 0 / 55 / 100 / 51

HEX #7E3900

RGB 126 57 0

HSL 27.14, 1%, 0.25%

LAB 32.62, 27.02, 43.5

 

CMYK 0 / 33 / 90 / 24

HEX #C18114

RGB 193 129 20

HSL 37.8, 0.81%, 0.42%

LAB 59.06, 16.8, 61.24

 

CMYK 0 / 58 / 90 / 24

HEX #C15214

RGB 193 82 20

HSL 21.5, 0.81%, 0.42%

LAB 48.79, 41.68, 53.38

 

CMYK 0 / 82 / 90 / 24

HEX #C12314

RGB 193 35 20

HSL 5.2, 0.81%, 0.42%

LAB 42.14, 59.71, 48.41

 

CMYK 0 / 90 / 90 / 24

HEX #C11414

RGB 193 20 20

HSL 0, 0.81%, 0.42%

LAB 41.04, 62.85, 47.61

 

CMYK 0 / 33 / 90 / 24

HEX #C18114

RGB 193 129 20

HSL 37.8, 0.81%, 0.42%

LAB 59.06, 16.8, 61.24

 

CMYK 0 / 9 / 90 / 24

HEX #C1AF14

RGB 193 175 20

HSL 53.76, 0.81%, 0.42%

LAB 70.9, -8.03, 70.47

 

CMYK 15 / 0 / 90 / 24

HEX #A5C114

RGB 165 193 20

HSL 69.71, 0.81%, 0.42%

LAB 73.67, -29.1, 71.72

 

CMYK 39 / 0 / 90 / 24

HEX #76C114

RGB 118 193 20

HSL 86.01, 0.81%, 0.42%

LAB 70.9, -47.24, 68.32

 

CMYK 63 / 0 / 90 / 24

HEX #47C114

RGB 71 193 20

HSL 102.31, 0.81%, 0.42%

LAB 69.13, -60.92, 66.12

 

CMYK 0 / 33 / 90 / 24

HEX #C18114

RGB 193 129 20

HSL 37.8, 0.81%, 0.42%

LAB 59.06, 16.8, 61.24

 

CMYK 0 / 37 / 99 / 17

HEX #D38503

RGB 211 133 3

HSL 37.5, 0.97%, 0.42%

LAB 62.19, 22.25, 67.57

 

CMYK 0 / 33 / 90 / 24

HEX #C18114

RGB 193 129 20

HSL 37.8, 0.81%, 0.42%

LAB 59.06, 16.8, 61.24

 

CMYK 0 / 30 / 79 / 31

HEX #B07C25

RGB 176 124 37

HSL 37.55, 0.65%, 0.42%

LAB 55.87, 12.49, 52.29

 

CMYK 0 / 25 / 65 / 38

HEX #9F7837

RGB 159 120 55

HSL 37.5, 0.49%, 0.42%

LAB 53.04, 8.04, 40.71

 

CMYK 0 / 18 / 49 / 45

HEX #8D7348

RGB 141 115 72

HSL 37.39, 0.32%, 0.42%

LAB 49.97, 4.29, 27.54

 

CMYK 0 / 10 / 28 / 51

HEX #7C6F59

RGB 124 111 89

HSL 37.71, 0.16%, 0.42%

LAB 47.46, 1.37, 14.12

 

CMYK 0 / 82 / 90 / 24

HEX #C12214

RGB 193 34 20

HSL 4.86, 0.81%, 0.42%

LAB 42.05, 59.96, 48.35

 

CMYK 0 / 58 / 90 / 24

HEX #C15114

RGB 193 81 20

HSL 21.16, 0.81%, 0.42%

LAB 48.6, 42.16, 53.24

 

CMYK 0 / 34 / 90 / 24

HEX #C17F14

RGB 193 127 20

HSL 37.11, 0.81%, 0.42%

LAB 58.57, 17.9, 60.87

 

CMYK 0 / 10 / 90 / 24

HEX #C1AD14

RGB 193 173 20

HSL 53.06, 0.81%, 0.42%

LAB 70.37, -6.99, 70.05

 

CMYK 13 / 0 / 90 / 24

HEX #A7C114

RGB 167 193 20

HSL 69.02, 0.81%, 0.42%

LAB 73.81, -28.27, 71.89

 

CMYK 0 / 34 / 90 / 53

HEX #774F0C

RGB 119 79 12

HSL 37.57, 0.82%, 0.26%

LAB 37, 11.22, 42.02

 

CMYK 0 / 33 / 90 / 39

HEX #9C6810

RGB 156 104 16

HSL 37.71, 0.81%, 0.34%

LAB 48.27, 14.07, 51.88

 

CMYK 0 / 33 / 90 / 24

HEX #C18114

RGB 193 129 20

HSL 37.8, 0.81%, 0.42%

LAB 59.06, 16.8, 61.24

 

CMYK 0 / 33 / 90 / 10

HEX #E69918

RGB 230 153 24

HSL 37.57, 0.81%, 0.5%

LAB 69.23, 19.95, 70.04

 

CMYK 0 / 27 / 74 / 8

HEX #EAAA3D

RGB 234 170 61

HSL 37.8, 0.8%, 0.58%

LAB 73.92, 13.74, 62.41

 

CMYK 0 / 34 / 90 / 24

HEX #C28114

RGB 194 129 20

HSL 37.59, 0.81%, 0.42%

LAB 59.18, 17.24, 61.39

 

CMYK 73 / 0 / 90 / 24

HEX #34C114

RGB 52 193 20

HSL 108.9, 0.81%, 0.42%

LAB 68.69, -64.66, 65.57

 

CMYK 70 / 90 / 0 / 24

HEX #3914C1

RGB 57 20 193

HSL 252.83, 0.81%, 0.42%

LAB 27.35, 60.88, -80.42

 

CMYK 0 / 34 / 90 / 24

HEX #C28114

RGB 194 129 20

HSL 37.59, 0.81%, 0.42%

LAB 59.18, 17.24, 61.39

 

CMYK 90 / 0 / 34 / 24

HEX #14C17F

RGB 20 193 127

HSL 157.11, 0.81%, 0.42%

LAB 69.34, -55.42, 22.2

 

CMYK 34 / 90 / 0 / 24

HEX #7F14C1

RGB 127 20 193

HSL 277.11, 0.81%, 0.42%

LAB 35.72, 67.51, -66.34

 

CMYK 0 / 34 / 90 / 24

HEX #C28114

RGB 194 129 20

HSL 37.59, 0.81%, 0.42%

LAB 59.18, 17.24, 61.39

 

CMYK 73 / 0 / 90 / 24

HEX #34C114

RGB 52 193 20

HSL 108.9, 0.81%, 0.42%

LAB 68.69, -64.66, 65.57

 

CMYK 90 / 55 / 0 / 24

HEX #1456C1

RGB 20 86 193

HSL 217.11, 0.81%, 0.42%

LAB 38.99, 22.17, -61.33

 

CMYK 16 / 90 / 0 / 24

HEX #A214C1

RGB 162 20 193

HSL 289.25, 0.81%, 0.42%

LAB 41.27, 72.56, -57.06

 

CMYK 0 / 34 / 90 / 24

HEX #C28114

RGB 194 129 20

HSL 37.59, 0.81%, 0.42%

LAB 59.18, 17.24, 61.39

 

CMYK 90 / 0 / 79 / 24

HEX #14C128

RGB 20 193 40

HSL 126.94, 0.81%, 0.42%

LAB 68.35, -67.45, 60.33

 

CMYK 90 / 55 / 0 / 24

HEX #1456C1

RGB 20 86 193

HSL 217.11, 0.81%, 0.42%

LAB 38.99, 22.17, -61.33

 

CMYK 0 / 90 / 10 / 24

HEX #C114AD

RGB 193 20 173

HSL 306.94, 0.81%, 0.42%

LAB 45.43, 74.81, -38.3

 

Description

Color code: HEX #C28114 | qconv.com Color code: HEX #C28114 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 129 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 129 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 90 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 90% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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