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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C280D8 it is the complementary color #3D7F27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C280D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C280D8 shade: #C780D3, #D892E6, #E9A4F9, #FAB6FF and #FFC8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C280D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C280D8 shade: #C280D8, #B16EC5, #A05CB2, #8F4A9F and #7E388C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C280D8 shade: #C17ED7, #D77ED5, #D77EBD, #D77EA5 and #D77E8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C280D8 shade: #C17ED7, #A97ED7, #917ED7 and #7E7ED7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C280D8 shade matches the following richer shades: #C17ED7, #C770E5 and #CE63F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C280D8 shade: #C17ED7, #BA8BC9, #B399BC, #ACA7AE and #A5B4A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C280D8 shade: #917ED7, #A97ED7, #C17ED7, #D77ED5 and #D77EBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C280D8 shade: #A23FC4, #B15ECD, #C17ED7, #D09DE1 and #DFBDEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C280D8 shade: #C280D8, #D77E82 and #7ED79D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C280D8 shade: #C280D8, #D7C17E and #7ED7C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C280D8 shade: #C280D8, #D77E82, #94D77E and #7ED7D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C280D8 shade: #C280D8, #D7947E, #94D77E and #7EC1D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 41 / 0 / 15

HEX #C280D8

RGB 194 128 216

HSL 285, 0.53%, 0.67%

LAB 63.23, 40.41, -35.09

 

Complementary color

CMYK 52 / 0 / 69 / 50

HEX #3D7F27

RGB 61 127 39

HSL 105, 0.53%, 0.33%

LAB 47.39, -38.13, 39.9

 

CMYK 6 / 39 / 0 / 17

HEX #C780D3

RGB 199 128 211

HSL 291.33, 0.49%, 0.66%

LAB 63.58, 40.92, -31.71

 

CMYK 6 / 37 / 0 / 10

HEX #D892E6

RGB 216 146 230

HSL 290, 0.63%, 0.74%

LAB 70.08, 40.18, -32.02

 

CMYK 6 / 34 / 0 / 2

HEX #E9A4F9

RGB 233 164 249

HSL 288.71, 0.88%, 0.81%

LAB 76.51, 39.47, -32.31

 

CMYK 2 / 29 / 0 / 0

HEX #FAB6FF

RGB 250 182 255

HSL 295.89, 1%, 0.86%

LAB 82.38, 36.35, -26.38

 

CMYK 0 / 22 / 0 / 0

HEX #FFC8FF

RGB 255 200 255

HSL 300, 1%, 0.89%

LAB 86.89, 28.47, -19.48

 

CMYK 10 / 41 / 0 / 15

HEX #C280D8

RGB 194 128 216

HSL 285, 0.53%, 0.67%

LAB 63.23, 40.41, -35.09

 

CMYK 10 / 44 / 0 / 23

HEX #B16EC5

RGB 177 110 197

HSL 286.21, 0.43%, 0.6%

LAB 56.61, 41.19, -34.83

 

CMYK 10 / 48 / 0 / 30

HEX #A05CB2

RGB 160 92 178

HSL 287.44, 0.36%, 0.53%

LAB 49.91, 41.98, -34.53

 

CMYK 10 / 53 / 0 / 38

HEX #8F4A9F

RGB 143 74 159

HSL 288.71, 0.36%, 0.46%

LAB 43.12, 42.72, -34.15

 

CMYK 10 / 60 / 0 / 45

HEX #7E388C

RGB 126 56 140

HSL 290, 0.43%, 0.38%

LAB 36.29, 43.33, -33.61

 

CMYK 10 / 41 / 0 / 16

HEX #C17ED7

RGB 193 126 215

HSL 285.17, 0.53%, 0.67%

LAB 62.65, 40.99, -35.45

 

CMYK 0 / 41 / 1 / 16

HEX #D77ED5

RGB 215 126 213

HSL 301.35, 0.53%, 0.67%

LAB 65.1, 47.21, -30.32

 

CMYK 0 / 41 / 12 / 16

HEX #D77EBD

RGB 215 126 189

HSL 317.53, 0.53%, 0.67%

LAB 64.2, 43.07, -18.23

 

CMYK 0 / 41 / 23 / 16

HEX #D77EA5

RGB 215 126 165

HSL 333.71, 0.53%, 0.67%

LAB 63.41, 39.37, -5.8

 

CMYK 0 / 41 / 34 / 16

HEX #D77E8D

RGB 215 126 141

HSL 349.89, 0.53%, 0.67%

LAB 62.75, 36.15, 6.93

 

CMYK 10 / 41 / 0 / 16

HEX #C17ED7

RGB 193 126 215

HSL 285.17, 0.53%, 0.67%

LAB 62.65, 40.99, -35.45

 

CMYK 21 / 41 / 0 / 16

HEX #A97ED7

RGB 169 126 215

HSL 268.99, 0.53%, 0.67%

LAB 60.13, 33.93, -39.57

 

CMYK 33 / 41 / 0 / 16

HEX #917ED7

RGB 145 126 215

HSL 252.81, 0.53%, 0.67%

LAB 57.89, 27.16, -43.24

 

CMYK 41 / 41 / 0 / 16

HEX #7E7ED7

RGB 126 126 215

HSL 240, 0.53%, 0.67%

LAB 56.35, 22.14, -45.77

 

CMYK 10 / 41 / 0 / 16

HEX #C17ED7

RGB 193 126 215

HSL 285.17, 0.53%, 0.67%

LAB 62.65, 40.99, -35.45

 

CMYK 13 / 51 / 0 / 10

HEX #C770E5

RGB 199 112 229

HSL 284.62, 0.69%, 0.67%

LAB 61.12, 52.87, -45.61

 

CMYK 15 / 59 / 0 / 5

HEX #CE63F2

RGB 206 99 242

HSL 284.9, 0.85%, 0.67%

LAB 60.3, 63.53, -54.09

 

CMYK 10 / 41 / 0 / 16

HEX #C17ED7

RGB 193 126 215

HSL 285.17, 0.53%, 0.67%

LAB 62.65, 40.99, -35.45

 

CMYK 7 / 31 / 0 / 21

HEX #BA8BC9

RGB 186 139 201

HSL 285.48, 0.36%, 0.67%

LAB 64.26, 28.83, -25.17

 

CMYK 5 / 19 / 0 / 26

HEX #B399BC

RGB 179 153 188

HSL 284.57, 0.21%, 0.67%

LAB 66.52, 16.05, -14.53

 

CMYK 1 / 4 / 0 / 32

HEX #ACA7AE

RGB 172 167 174

HSL 282.86, 0.04%, 0.67%

LAB 69.09, 3.11, -2.97

 

CMYK 8 / 0 / 11 / 29

HEX #A5B4A0

RGB 165 180 160

HSL 105, 0.12%, 0.67%

LAB 71.68, -8.98, 8.43

 

CMYK 33 / 41 / 0 / 16

HEX #917ED7

RGB 145 126 215

HSL 252.81, 0.53%, 0.67%

LAB 57.89, 27.16, -43.24

 

CMYK 21 / 41 / 0 / 16

HEX #A97ED7

RGB 169 126 215

HSL 268.99, 0.53%, 0.67%

LAB 60.13, 33.93, -39.57

 

CMYK 10 / 41 / 0 / 16

HEX #C17ED7

RGB 193 126 215

HSL 285.17, 0.53%, 0.67%

LAB 62.65, 40.99, -35.45

 

CMYK 0 / 41 / 1 / 16

HEX #D77ED5

RGB 215 126 213

HSL 301.35, 0.53%, 0.67%

LAB 65.1, 47.21, -30.32

 

CMYK 0 / 41 / 12 / 16

HEX #D77EBE

RGB 215 126 190

HSL 316.85, 0.53%, 0.67%

LAB 64.23, 43.24, -18.74

 

CMYK 17 / 68 / 0 / 23

HEX #A23FC4

RGB 162 63 196

HSL 284.66, 0.53%, 0.51%

LAB 45.94, 60.25, -51.29

 

CMYK 14 / 54 / 0 / 20

HEX #B15ECD

RGB 177 94 205

HSL 284.86, 0.53%, 0.59%

LAB 53.77, 51.23, -43.86

 

CMYK 10 / 41 / 0 / 16

HEX #C17ED7

RGB 193 126 215

HSL 285.17, 0.53%, 0.67%

LAB 62.65, 40.99, -35.45

 

CMYK 8 / 30 / 0 / 12

HEX #D09DE1

RGB 208 157 225

HSL 285, 0.53%, 0.75%

LAB 71.53, 30.77, -27.12

 

CMYK 5 / 19 / 0 / 8

HEX #DFBDEA

RGB 223 189 234

HSL 285.33, 0.52%, 0.83%

LAB 80.75, 20.02, -17.84

 

CMYK 10 / 41 / 0 / 15

HEX #C280D8

RGB 194 128 216

HSL 285, 0.53%, 0.67%

LAB 63.23, 40.41, -35.09

 

CMYK 0 / 41 / 40 / 16

HEX #D77E82

RGB 215 126 130

HSL 357.3, 0.53%, 0.67%

LAB 62.49, 34.85, 12.83

 

CMYK 41 / 0 / 27 / 16

HEX #7ED79D

RGB 126 215 157

HSL 140.9, 0.53%, 0.67%

LAB 79.31, -39.31, 20.44

 

CMYK 10 / 41 / 0 / 15

HEX #C280D8

RGB 194 128 216

HSL 285, 0.53%, 0.67%

LAB 63.23, 40.41, -35.09

 

CMYK 0 / 10 / 41 / 16

HEX #D7C17E

RGB 215 193 126

HSL 45.17, 0.53%, 0.67%

LAB 78.52, -1.47, 36.54

 

CMYK 41 / 0 / 10 / 16

HEX #7ED7C1

RGB 126 215 193

HSL 165.17, 0.53%, 0.67%

LAB 80.12, -31.86, 2.49

 

CMYK 10 / 41 / 0 / 15

HEX #C280D8

RGB 194 128 216

HSL 285, 0.53%, 0.67%

LAB 63.23, 40.41, -35.09

 

CMYK 0 / 41 / 40 / 16

HEX #D77E82

RGB 215 126 130

HSL 357.3, 0.53%, 0.67%

LAB 62.49, 34.85, 12.83

 

CMYK 31 / 0 / 41 / 16

HEX #94D77E

RGB 148 215 126

HSL 105.17, 0.53%, 0.67%

LAB 79.84, -37.55, 37.31

 

CMYK 41 / 0 / 2 / 16

HEX #7ED7D2

RGB 126 215 210

HSL 176.63, 0.53%, 0.67%

LAB 80.57, -27.87, -5.92

 

CMYK 10 / 41 / 0 / 15

HEX #C280D8

RGB 194 128 216

HSL 285, 0.53%, 0.67%

LAB 63.23, 40.41, -35.09

 

CMYK 0 / 31 / 41 / 16

HEX #D7947E

RGB 215 148 126

HSL 14.83, 0.53%, 0.67%

LAB 67.38, 22.6, 21.82

 

CMYK 31 / 0 / 41 / 16

HEX #94D77E

RGB 148 215 126

HSL 105.17, 0.53%, 0.67%

LAB 79.84, -37.55, 37.31

 

CMYK 41 / 10 / 0 / 16

HEX #7EC1D7

RGB 126 193 215

HSL 194.83, 0.53%, 0.67%

LAB 74.5, -15.57, -17.69

 

Description

Color code: HEX #C280D8 | qconv.com Color code: HEX #C280D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 128 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 128 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 41 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 41% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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