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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2844C it is the complementary color #3D7BB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2844C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2844C shade: #C78447, #D8965A, #E9A86D, #FABA80 and #FFCC93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2844C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2844C shade: #C2844C, #B17239, #A06026, #8F4E13 and #7E3C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2844C shade: #C1844C, #C1644C and #C14C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2844C shade: #C1844C, #C1A34C, #C0C14C, #A0C14C and #80C14C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2844C shade matches the following richer shades: #C1844C, #D58339, #E88225 and #FC8112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2844C shade: #C1844C, #AE855F, #9B8673, #878786 and #748899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2844C shade: #C14C54, #C1634C, #C1834C, #C1A24C and #C1C14C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2844C shade: #8B5B2F, #AA6F3A, #C1844C, #CC996B and #D6AE89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2844C shade: #C2844C, #73C14C and #544CC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2844C shade: #C2844C, #4CC183 and #834CC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2844C shade: #C2844C, #73C14C, #4C8BC1 and #9A4CC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2844C shade: #C2844C, #50C14C, #4C8BC1 and #BD4CC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 61 / 24

HEX #C2844C

RGB 194 132 76

HSL 28.47, 0.49%, 0.53%

LAB 60.33, 18.11, 39.43

 

Complementary color

CMYK 66 / 31 / 0 / 30

HEX #3D7BB3

RGB 61 123 179

HSL 208.47, 0.49%, 0.47%

LAB 49.99, -1.95, -35.52

 

CMYK 0 / 34 / 64 / 22

HEX #C78447

RGB 199 132 71

HSL 28.59, 0.53%, 0.53%

LAB 60.87, 19.88, 42.78

 

CMYK 0 / 31 / 58 / 15

HEX #D8965A

RGB 216 150 90

HSL 28.57, 0.62%, 0.6%

LAB 67.39, 18.57, 41.22

 

CMYK 0 / 28 / 53 / 9

HEX #E9A86D

RGB 233 168 109

HSL 28.55, 0.74%, 0.67%

LAB 73.83, 17.43, 39.73

 

CMYK 0 / 26 / 49 / 2

HEX #FABA80

RGB 250 186 128

HSL 28.52, 0.92%, 0.74%

LAB 80.18, 16.44, 38.32

 

CMYK 0 / 20 / 42 / 0

HEX #FFCC93

RGB 255 204 147

HSL 31.67, 1%, 0.79%

LAB 85.28, 10.87, 35.23

 

CMYK 0 / 32 / 61 / 24

HEX #C2844C

RGB 194 132 76

HSL 28.47, 0.49%, 0.53%

LAB 60.33, 18.11, 39.43

 

CMYK 0 / 36 / 68 / 31

HEX #B17239

RGB 177 114 57

HSL 28.5, 0.51%, 0.46%

LAB 53.68, 19.52, 41.01

 

CMYK 0 / 40 / 76 / 37

HEX #A06026

RGB 160 96 38

HSL 28.52, 0.62%, 0.39%

LAB 46.95, 21.18, 42.52

 

CMYK 0 / 45 / 87 / 44

HEX #8F4E13

RGB 143 78 19

HSL 28.55, 0.77%, 0.32%

LAB 40.14, 23.14, 43.52

 

CMYK 0 / 52 / 100 / 51

HEX #7E3C00

RGB 126 60 0

HSL 28.57, 1%, 0.25%

LAB 33.28, 25.35, 43.92

 

CMYK 0 / 32 / 61 / 24

HEX #C1844C

RGB 193 132 76

HSL 28.72, 0.49%, 0.53%

LAB 60.21, 17.68, 39.26

 

CMYK 0 / 48 / 61 / 24

HEX #C1644C

RGB 193 100 76

HSL 12.31, 0.49%, 0.53%

LAB 52.92, 35.04, 30.38

 

CMYK 0 / 61 / 61 / 24

HEX #C14C4C

RGB 193 76 76

HSL 0, 0.49%, 0.53%

LAB 48.3, 46.94, 24.51

 

CMYK 0 / 32 / 61 / 24

HEX #C1844C

RGB 193 132 76

HSL 28.72, 0.49%, 0.53%

LAB 60.21, 17.68, 39.26

 

CMYK 0 / 16 / 61 / 24

HEX #C1A34C

RGB 193 163 76

HSL 44.62, 0.49%, 0.53%

LAB 68.06, 0.75, 48.34

 

CMYK 1 / 0 / 61 / 24

HEX #C0C14C

RGB 192 193 76

HSL 60.51, 0.49%, 0.53%

LAB 75.99, -15.32, 57.07

 

CMYK 17 / 0 / 61 / 24

HEX #A0C14C

RGB 160 193 76

HSL 76.92, 0.49%, 0.53%

LAB 73.63, -28.41, 53.82

 

CMYK 34 / 0 / 61 / 24

HEX #80C14C

RGB 128 193 76

HSL 93.33, 0.49%, 0.53%

LAB 71.72, -40.45, 51.17

 

CMYK 0 / 32 / 61 / 24

HEX #C1844C

RGB 193 132 76

HSL 28.72, 0.49%, 0.53%

LAB 60.21, 17.68, 39.26

 

CMYK 0 / 38 / 73 / 16

HEX #D58339

RGB 213 131 57

HSL 28.46, 0.65%, 0.53%

LAB 62.23, 25.55, 51.54

 

CMYK 0 / 44 / 84 / 9

HEX #E88225

RGB 232 130 37

HSL 28.62, 0.81%, 0.53%

LAB 64.37, 33.2, 62.55

 

CMYK 0 / 49 / 93 / 1

HEX #FC8112

RGB 252 129 18

HSL 28.46, 0.98%, 0.53%

LAB 66.85, 41.33, 70.9

 

CMYK 0 / 32 / 61 / 24

HEX #C1844C

RGB 193 132 76

HSL 28.72, 0.49%, 0.53%

LAB 60.21, 17.68, 39.26

 

CMYK 0 / 24 / 45 / 32

HEX #AE855F

RGB 174 133 95

HSL 28.86, 0.33%, 0.53%

LAB 58.6, 10.77, 26.52

 

CMYK 0 / 14 / 26 / 39

HEX #9B8673

RGB 155 134 115

HSL 28.5, 0.17%, 0.53%

LAB 57.32, 4.89, 13.17

 

CMYK 0 / 0 / 1 / 47

HEX #878786

RGB 135 135 134

HSL 60, 0%, 0.53%

LAB 56.29, -0.19, 0.53

 

CMYK 24 / 11 / 0 / 40

HEX #748899

RGB 116 136 153

HSL 207.57, 0.15%, 0.53%

LAB 55.71, -3.22, -11.45

 

CMYK 0 / 61 / 56 / 24

HEX #C14C54

RGB 193 76 84

HSL 355.9, 0.49%, 0.53%

LAB 48.44, 47.53, 19.93

 

CMYK 0 / 49 / 61 / 24

HEX #C1634C

RGB 193 99 76

HSL 11.79, 0.49%, 0.53%

LAB 52.71, 35.57, 30.12

 

CMYK 0 / 32 / 61 / 24

HEX #C1834C

RGB 193 131 76

HSL 28.21, 0.49%, 0.53%

LAB 59.97, 18.23, 38.97

 

CMYK 0 / 16 / 61 / 24

HEX #C1A24C

RGB 193 162 76

HSL 44.1, 0.49%, 0.53%

LAB 67.8, 1.29, 48.05

 

CMYK 0 / 0 / 61 / 24

HEX #C1C14C

RGB 193 193 76

HSL 60, 0.49%, 0.53%

LAB 76.07, -14.9, 57.18

 

CMYK 0 / 35 / 66 / 45

HEX #8B5B2F

RGB 139 91 47

HSL 28.7, 0.49%, 0.36%

LAB 43.03, 15.18, 32.9

 

CMYK 0 / 35 / 66 / 33

HEX #AA6F3A

RGB 170 111 58

HSL 28.39, 0.49%, 0.45%

LAB 52.09, 18.22, 38.46

 

CMYK 0 / 32 / 61 / 24

HEX #C1844C

RGB 193 132 76

HSL 28.72, 0.49%, 0.53%

LAB 60.21, 17.68, 39.26

 

CMYK 0 / 25 / 48 / 20

HEX #CC996B

RGB 204 153 107

HSL 28.45, 0.49%, 0.61%

LAB 67.04, 13.46, 31.53

 

CMYK 0 / 19 / 36 / 16

HEX #D6AE89

RGB 214 174 137

HSL 28.83, 0.48%, 0.69%

LAB 73.79, 9.44, 24.49

 

CMYK 0 / 32 / 61 / 24

HEX #C2844C

RGB 194 132 76

HSL 28.47, 0.49%, 0.53%

LAB 60.33, 18.11, 39.43

 

CMYK 40 / 0 / 61 / 24

HEX #73C14C

RGB 115 193 76

HSL 100, 0.49%, 0.53%

LAB 71.08, -44.87, 50.27

 

CMYK 56 / 61 / 0 / 24

HEX #544CC1

RGB 84 76 193

HSL 244.1, 0.49%, 0.53%

LAB 39.42, 36.43, -60.5

 

CMYK 0 / 32 / 61 / 24

HEX #C2844C

RGB 194 132 76

HSL 28.47, 0.49%, 0.53%

LAB 60.33, 18.11, 39.43

 

CMYK 61 / 0 / 32 / 24

HEX #4CC183

RGB 76 193 131

HSL 148.21, 0.49%, 0.53%

LAB 70.4, -47.21, 21.67

 

CMYK 32 / 61 / 0 / 24

HEX #834CC1

RGB 131 76 193

HSL 268.21, 0.49%, 0.53%

LAB 44.01, 46.32, -52.85

 

CMYK 0 / 32 / 61 / 24

HEX #C2844C

RGB 194 132 76

HSL 28.47, 0.49%, 0.53%

LAB 60.33, 18.11, 39.43

 

CMYK 40 / 0 / 61 / 24

HEX #73C14C

RGB 115 193 76

HSL 100, 0.49%, 0.53%

LAB 71.08, -44.87, 50.27

 

CMYK 61 / 28 / 0 / 24

HEX #4C8BC1

RGB 76 139 193

HSL 207.69, 0.49%, 0.53%

LAB 55.94, -3.84, -34.18

 

CMYK 20 / 61 / 0 / 24

HEX #9A4CC1

RGB 154 76 193

HSL 280, 0.49%, 0.53%

LAB 46.83, 51.82, -48.18

 

CMYK 0 / 32 / 61 / 24

HEX #C2844C

RGB 194 132 76

HSL 28.47, 0.49%, 0.53%

LAB 60.33, 18.11, 39.43

 

CMYK 59 / 0 / 61 / 24

HEX #50C14C

RGB 80 193 76

HSL 117.95, 0.49%, 0.53%

LAB 69.73, -54.9, 48.38

 

CMYK 61 / 28 / 0 / 24

HEX #4C8BC1

RGB 76 139 193

HSL 207.69, 0.49%, 0.53%

LAB 55.94, -3.84, -34.18

 

CMYK 2 / 61 / 0 / 24

HEX #BD4CC1

RGB 189 76 193

HSL 297.95, 0.49%, 0.53%

LAB 51.65, 60.51, -40.22

 

Description

Color code: HEX #C2844C | qconv.com Color code: HEX #C2844C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 132 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 132 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 61 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 61% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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