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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C27073 it is the complementary color #3D8F8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C27073. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C27073 shade: #C7706E, #D88281, #E99494, #FAA6A7 and #FFB8BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C27073. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C27073 shade: #C27073, #B15E60, #A04C4D, #8F3A3A and #7E2827

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C27073 shade: #C17073 and #C17070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C27073 shade: #C17073, #C17089, #C1709F, #C170B5 and #B870C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C27073 shade matches the following richer shades: #C17073, #D25F63, #E24F54 and #F33E45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C27073 shade: #C17073, #B18082, #A09191, #90A1A1 and #7FB2B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C27073 shade: #C1709F, #C1708A, #C17074, #C18170 and #C19770

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C27073 shade: #9C4346, #B55356, #C17073, #CE8D8F and #DAA9AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C27073 shade: #C27073, #B5C170 and #7094C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C27073 shade: #C27073, #74C170 and #7074C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C27073 shade: #C27073, #B5C170, #70C1BD and #7C70C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C27073 shade: #C27073, #9DC170, #70C1BD and #9470C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 41 / 24

HEX #C27073

RGB 194 112 115

HSL 357.8, 0.4%, 0.6%

LAB 56.38, 32.69, 12.51

 

Complementary color

CMYK 57 / 0 / 2 / 44

HEX #3D8F8C

RGB 61 143 140

HSL 177.8, 0.4%, 0.4%

LAB 54.59, -25.43, -5.92

 

CMYK 0 / 44 / 45 / 22

HEX #C7706E

RGB 199 112 110

HSL 1.35, 0.44%, 0.61%

LAB 56.94, 34.05, 16.28

 

CMYK 0 / 40 / 40 / 15

HEX #D88281

RGB 216 130 129

HSL 0.69, 0.53%, 0.68%

LAB 63.47, 32.99, 14.78

 

CMYK 0 / 36 / 36 / 9

HEX #E99494

RGB 233 148 148

HSL 0, 0.66%, 0.75%

LAB 69.92, 32.02, 13.46

 

CMYK 0 / 34 / 33 / 2

HEX #FAA6A7

RGB 250 166 167

HSL 359.29, 0.89%, 0.82%

LAB 76.31, 31.13, 12.28

 

CMYK 0 / 28 / 27 / 0

HEX #FFB8BA

RGB 255 184 186

HSL 358.31, 1%, 0.86%

LAB 81.34, 25.96, 9.21

 

CMYK 0 / 42 / 41 / 24

HEX #C27073

RGB 194 112 115

HSL 357.8, 0.4%, 0.6%

LAB 56.38, 32.69, 12.51

 

CMYK 0 / 47 / 46 / 31

HEX #B15E60

RGB 177 94 96

HSL 358.55, 0.35%, 0.53%

LAB 49.73, 33.77, 14.1

 

CMYK 0 / 53 / 52 / 37

HEX #A04C4D

RGB 160 76 77

HSL 359.29, 0.36%, 0.46%

LAB 43.03, 34.91, 15.99

 

CMYK 0 / 59 / 59 / 44

HEX #8F3A3A

RGB 143 58 58

HSL 0, 0.42%, 0.39%

LAB 36.31, 36.07, 18.31

 

CMYK 0 / 68 / 69 / 51

HEX #7E2827

RGB 126 40 39

HSL 0.69, 0.53%, 0.32%

LAB 29.66, 37.07, 21.25

 

CMYK 0 / 42 / 40 / 24

HEX #C17073

RGB 193 112 115

HSL 357.78, 0.4%, 0.6%

LAB 56.25, 32.31, 12.31

 

CMYK 0 / 42 / 42 / 24

HEX #C17070

RGB 193 112 112

HSL 0, 0.4%, 0.6%

LAB 56.18, 31.97, 13.96

 

CMYK 0 / 42 / 40 / 24

HEX #C17073

RGB 193 112 115

HSL 357.78, 0.4%, 0.6%

LAB 56.25, 32.31, 12.31

 

CMYK 0 / 42 / 29 / 24

HEX #C17089

RGB 193 112 137

HSL 341.48, 0.4%, 0.6%

LAB 56.81, 35.08, 0.3

 

CMYK 0 / 42 / 18 / 24

HEX #C1709F

RGB 193 112 159

HSL 325.19, 0.4%, 0.6%

LAB 57.49, 38.32, -11.48

 

CMYK 0 / 42 / 6 / 24

HEX #C170B5

RGB 193 112 181

HSL 308.89, 0.4%, 0.6%

LAB 58.28, 41.99, -22.95

 

CMYK 5 / 42 / 0 / 24

HEX #B870C1

RGB 184 112 193

HSL 293.33, 0.4%, 0.6%

LAB 57.68, 41.42, -30.82

 

CMYK 0 / 42 / 40 / 24

HEX #C17073

RGB 193 112 115

HSL 357.78, 0.4%, 0.6%

LAB 56.25, 32.31, 12.31

 

CMYK 0 / 55 / 53 / 18

HEX #D25F63

RGB 210 95 99

HSL 357.91, 0.56%, 0.6%

LAB 54.85, 45.75, 20.1

 

CMYK 0 / 65 / 63 / 11

HEX #E24F54

RGB 226 79 84

HSL 357.96, 0.72%, 0.6%

LAB 54.45, 57.3, 28.81

 

CMYK 0 / 74 / 72 / 5

HEX #F33E45

RGB 243 62 69

HSL 357.68, 0.88%, 0.6%

LAB 55, 67.91, 38.78

 

CMYK 0 / 42 / 40 / 24

HEX #C17073

RGB 193 112 115

HSL 357.78, 0.4%, 0.6%

LAB 56.25, 32.31, 12.31

 

CMYK 0 / 28 / 27 / 31

HEX #B18082

RGB 177 128 130

HSL 357.55, 0.24%, 0.6%

LAB 58.41, 19.24, 6.42

 

CMYK 0 / 9 / 9 / 37

HEX #A09191

RGB 160 145 145

HSL 0, 0.07%, 0.6%

LAB 61.45, 5.57, 2.02

 

CMYK 11 / 0 / 0 / 37

HEX #90A1A1

RGB 144 161 161

HSL 180, 0.08%, 0.6%

LAB 64.96, -5.97, -2.04

 

CMYK 29 / 0 / 1 / 30

HEX #7FB2B0

RGB 127 178 176

HSL 177.65, 0.25%, 0.6%

LAB 69.1, -17.15, -4.4

 

CMYK 0 / 42 / 18 / 24

HEX #C1709F

RGB 193 112 159

HSL 325.19, 0.4%, 0.6%

LAB 57.49, 38.32, -11.48

 

CMYK 0 / 42 / 28 / 24

HEX #C1708A

RGB 193 112 138

HSL 340.74, 0.4%, 0.6%

LAB 56.84, 35.21, -0.24

 

CMYK 0 / 42 / 40 / 24

HEX #C17074

RGB 193 112 116

HSL 357.04, 0.4%, 0.6%

LAB 56.27, 32.42, 11.76

 

CMYK 0 / 33 / 42 / 24

HEX #C18170

RGB 193 129 112

HSL 12.59, 0.4%, 0.6%

LAB 60.08, 22.68, 19.31

 

CMYK 0 / 22 / 42 / 24

HEX #C19770

RGB 193 151 112

HSL 28.89, 0.4%, 0.6%

LAB 65.47, 10.55, 26.55

 

CMYK 0 / 57 / 55 / 39

HEX #9C4346

RGB 156 67 70

HSL 357.98, 0.4%, 0.44%

LAB 40.45, 37.41, 16.71

 

CMYK 0 / 54 / 52 / 29

HEX #B55356

RGB 181 83 86

HSL 358.16, 0.4%, 0.52%

LAB 47.86, 40.03, 17.61

 

CMYK 0 / 42 / 40 / 24

HEX #C17073

RGB 193 112 115

HSL 357.78, 0.4%, 0.6%

LAB 56.25, 32.31, 12.31

 

CMYK 0 / 32 / 31 / 19

HEX #CE8D8F

RGB 206 141 143

HSL 358.15, 0.4%, 0.68%

LAB 65.09, 24.99, 8.98

 

CMYK 0 / 22 / 22 / 15

HEX #DAA9AB

RGB 218 169 171

HSL 357.55, 0.4%, 0.76%

LAB 73.69, 18.25, 5.89

 

CMYK 0 / 42 / 41 / 24

HEX #C27073

RGB 194 112 115

HSL 357.8, 0.4%, 0.6%

LAB 56.38, 32.69, 12.51

 

CMYK 6 / 0 / 42 / 24

HEX #B5C170

RGB 181 193 112

HSL 68.89, 0.4%, 0.6%

LAB 75.53, -16.6, 39.32

 

CMYK 42 / 23 / 0 / 24

HEX #7094C1

RGB 112 148 193

HSL 213.33, 0.4%, 0.6%

LAB 60.32, -0.68, -27.25

 

CMYK 0 / 42 / 41 / 24

HEX #C27073

RGB 194 112 115

HSL 357.8, 0.4%, 0.6%

LAB 56.38, 32.69, 12.51

 

CMYK 40 / 0 / 42 / 24

HEX #74C170

RGB 116 193 112

HSL 117.04, 0.4%, 0.6%

LAB 71.57, -40.09, 33.46

 

CMYK 42 / 40 / 0 / 24

HEX #7074C1

RGB 112 116 193

HSL 237.04, 0.4%, 0.6%

LAB 51.59, 18.19, -40.87

 

CMYK 0 / 42 / 41 / 24

HEX #C27073

RGB 194 112 115

HSL 357.8, 0.4%, 0.6%

LAB 56.38, 32.69, 12.51

 

CMYK 6 / 0 / 42 / 24

HEX #B5C170

RGB 181 193 112

HSL 68.89, 0.4%, 0.6%

LAB 75.53, -16.6, 39.32

 

CMYK 42 / 0 / 2 / 24

HEX #70C1BD

RGB 112 193 189

HSL 177.04, 0.4%, 0.6%

LAB 73.06, -25.72, -5.76

 

CMYK 36 / 42 / 0 / 24

HEX #7C70C1

RGB 124 112 193

HSL 248.89, 0.4%, 0.6%

LAB 51.52, 23.8, -40.92

 

CMYK 0 / 42 / 41 / 24

HEX #C27073

RGB 194 112 115

HSL 357.8, 0.4%, 0.6%

LAB 56.38, 32.69, 12.51

 

CMYK 19 / 0 / 42 / 24

HEX #9DC170

RGB 157 193 112

HSL 86.67, 0.4%, 0.6%

LAB 73.85, -25.88, 36.84

 

CMYK 42 / 0 / 2 / 24

HEX #70C1BD

RGB 112 193 189

HSL 177.04, 0.4%, 0.6%

LAB 73.06, -25.72, -5.76

 

CMYK 23 / 42 / 0 / 24

HEX #9470C1

RGB 148 112 193

HSL 266.67, 0.4%, 0.6%

LAB 53.74, 30.61, -37.27

 

Description

Color code: HEX #C27073 | qconv.com Color code: HEX #C27073 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 112 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 112 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 41 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 41% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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