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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C27055 it is the complementary color #3D8FAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C27055. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C27055 shade: #C77050, #D88263, #E99476, #FAA689 and #FFB89C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C27055. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C27055 shade: #C27055, #B15E42, #A04C2F, #8F3A1C and #7E2809

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C27055 shade: #C27156 and #C25656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C27055 shade: #C27156, #C28E56, #C2AB56, #BCC256 and #9EC256

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C27055 shade matches the following richer shades: #C27156, #D46743, #E75E31 and #F9541E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C27055 shade: #C27156, #AF7A68, #9D837B, #8A8D8E and #7796A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C27055 shade: #C25676, #C25659, #C26F56, #C28C56 and #C2A956

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C27055 shade: #914B34, #AF5B3F, #C27156, #CD8A74 and #D8A492

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C27055 shade: #C27055, #93C256 and #5668C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C27055 shade: #C27055, #56C26F and #6F56C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C27055 shade: #C27055, #93C256, #56A9C2 and #8556C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C27055 shade: #C27055, #73C256, #56A9C2 and #A556C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 56 / 24

HEX #C27055

RGB 194 112 85

HSL 14.86, 0.47%, 0.55%

LAB 55.8, 29.74, 28.96

 

Complementary color

CMYK 64 / 16 / 0 / 33

HEX #3D8FAA

RGB 61 143 170

HSL 194.86, 0.47%, 0.45%

LAB 55.62, -16.36, -21.6

 

CMYK 0 / 44 / 60 / 22

HEX #C77050

RGB 199 112 80

HSL 16.13, 0.52%, 0.55%

LAB 56.4, 31.36, 32.65

 

CMYK 0 / 40 / 54 / 15

HEX #D88263

RGB 216 130 99

HSL 15.9, 0.6%, 0.62%

LAB 62.9, 30.04, 30.83

 

CMYK 0 / 36 / 49 / 9

HEX #E99476

RGB 233 148 118

HSL 15.65, 0.72%, 0.69%

LAB 69.34, 28.86, 29.2

 

CMYK 0 / 34 / 45 / 2

HEX #FAA689

RGB 250 166 137

HSL 15.4, 0.92%, 0.76%

LAB 75.7, 27.8, 27.72

 

CMYK 0 / 28 / 39 / 0

HEX #FFB89C

RGB 255 184 156

HSL 16.97, 1%, 0.81%

LAB 80.71, 22.28, 24.4

 

CMYK 0 / 42 / 56 / 24

HEX #C27055

RGB 194 112 85

HSL 14.86, 0.47%, 0.55%

LAB 55.8, 29.74, 28.96

 

CMYK 0 / 47 / 63 / 31

HEX #B15E42

RGB 177 94 66

HSL 15.14, 0.46%, 0.48%

LAB 49.19, 31.13, 30.92

 

CMYK 0 / 53 / 71 / 37

HEX #A04C2F

RGB 160 76 47

HSL 15.4, 0.55%, 0.41%

LAB 42.53, 32.66, 33.12

 

CMYK 0 / 59 / 80 / 44

HEX #8F3A1C

RGB 143 58 28

HSL 15.65, 0.67%, 0.34%

LAB 35.89, 34.3, 35.5

 

CMYK 0 / 68 / 93 / 51

HEX #7E2809

RGB 126 40 9

HSL 15.9, 0.87%, 0.26%

LAB 29.34, 35.88, 37.5

 

CMYK 0 / 42 / 56 / 24

HEX #C27156

RGB 194 113 86

HSL 15, 0.47%, 0.55%

LAB 56.04, 29.29, 28.7

 

CMYK 0 / 56 / 56 / 24

HEX #C25656

RGB 194 86 86

HSL 0, 0.47%, 0.55%

LAB 50.45, 43.3, 21.43

 

CMYK 0 / 42 / 56 / 24

HEX #C27156

RGB 194 113 86

HSL 15, 0.47%, 0.55%

LAB 56.04, 29.29, 28.7

 

CMYK 0 / 27 / 56 / 24

HEX #C28E56

RGB 194 142 86

HSL 31.11, 0.47%, 0.55%

LAB 62.92, 13.38, 37.3

 

CMYK 0 / 12 / 56 / 24

HEX #C2AB56

RGB 194 171 86

HSL 47.22, 0.47%, 0.55%

LAB 70.36, -2.33, 46.21

 

CMYK 3 / 0 / 56 / 24

HEX #BCC256

RGB 188 194 86

HSL 63.33, 0.47%, 0.55%

LAB 76.04, -16.75, 52.6

 

CMYK 19 / 0 / 56 / 24

HEX #9EC256

RGB 158 194 86

HSL 80, 0.47%, 0.55%

LAB 73.88, -28.81, 49.58

 

CMYK 0 / 42 / 56 / 24

HEX #C27156

RGB 194 113 86

HSL 15, 0.47%, 0.55%

LAB 56.04, 29.29, 28.7

 

CMYK 0 / 51 / 68 / 17

HEX #D46743

RGB 212 103 67

HSL 14.9, 0.63%, 0.55%

LAB 56.19, 40.31, 39.93

 

CMYK 0 / 59 / 79 / 9

HEX #E75E31

RGB 231 94 49

HSL 14.84, 0.79%, 0.55%

LAB 57.29, 50.87, 51.12

 

CMYK 0 / 66 / 88 / 2

HEX #F9541E

RGB 249 84 30

HSL 14.79, 0.95%, 0.55%

LAB 58.58, 60.8, 61.44

 

CMYK 0 / 42 / 56 / 24

HEX #C27156

RGB 194 113 86

HSL 15, 0.47%, 0.55%

LAB 56.04, 29.29, 28.7

 

CMYK 0 / 30 / 41 / 31

HEX #AF7A68

RGB 175 122 104

HSL 15.21, 0.31%, 0.55%

LAB 56.12, 18.38, 18.14

 

CMYK 0 / 17 / 22 / 38

HEX #9D837B

RGB 157 131 123

HSL 14.12, 0.15%, 0.55%

LAB 56.91, 8.62, 8.02

 

CMYK 3 / 1 / 0 / 44

HEX #8A8D8E

RGB 138 141 142

HSL 195, 0.02%, 0.55%

LAB 58.42, -0.9, -0.92

 

CMYK 26 / 6 / 0 / 37

HEX #7796A0

RGB 119 150 160

HSL 194.63, 0.18%, 0.55%

LAB 60.13, -8.41, -8.81

 

CMYK 0 / 56 / 39 / 24

HEX #C25676

RGB 194 86 118

HSL 342.22, 0.47%, 0.55%

LAB 51.19, 46.4, 3.36

 

CMYK 0 / 56 / 54 / 24

HEX #C25659

RGB 194 86 89

HSL 358.33, 0.47%, 0.55%

LAB 50.51, 43.55, 19.73

 

CMYK 0 / 43 / 56 / 24

HEX #C26F56

RGB 194 111 86

HSL 13.89, 0.47%, 0.55%

LAB 55.59, 30.37, 28.13

 

CMYK 0 / 28 / 56 / 24

HEX #C28C56

RGB 194 140 86

HSL 30, 0.47%, 0.55%

LAB 62.42, 14.48, 36.69

 

CMYK 0 / 13 / 56 / 24

HEX #C2A956

RGB 194 169 86

HSL 46.11, 0.47%, 0.55%

LAB 69.84, -1.27, 45.59

 

CMYK 0 / 48 / 64 / 43

HEX #914B34

RGB 145 75 52

HSL 14.84, 0.47%, 0.39%

LAB 40.08, 27.35, 26.79

 

CMYK 0 / 48 / 64 / 31

HEX #AF5B3F

RGB 175 91 63

HSL 15, 0.47%, 0.47%

LAB 48.2, 31.73, 31.35

 

CMYK 0 / 42 / 56 / 24

HEX #C27156

RGB 194 113 86

HSL 15, 0.47%, 0.55%

LAB 56.04, 29.29, 28.7

 

CMYK 0 / 33 / 43 / 20

HEX #CD8A74

RGB 205 138 116

HSL 14.83, 0.47%, 0.63%

LAB 63.69, 22.98, 22.19

 

CMYK 0 / 24 / 32 / 15

HEX #D8A492

RGB 216 164 146

HSL 15.43, 0.47%, 0.71%

LAB 71.71, 16.73, 16.78

 

CMYK 0 / 42 / 56 / 24

HEX #C27055

RGB 194 112 85

HSL 14.86, 0.47%, 0.55%

LAB 55.8, 29.74, 28.96

 

CMYK 24 / 0 / 56 / 24

HEX #93C256

RGB 147 194 86

HSL 86.11, 0.47%, 0.55%

LAB 73.19, -33.02, 48.6

 

CMYK 56 / 46 / 0 / 24

HEX #5668C2

RGB 86 104 194

HSL 230, 0.47%, 0.55%

LAB 46.68, 19.74, -49.37

 

CMYK 0 / 42 / 56 / 24

HEX #C27055

RGB 194 112 85

HSL 14.86, 0.47%, 0.55%

LAB 55.8, 29.74, 28.96

 

CMYK 56 / 0 / 43 / 24

HEX #56C26F

RGB 86 194 111

HSL 133.89, 0.47%, 0.55%

LAB 70.67, -49.01, 32.57

 

CMYK 43 / 56 / 0 / 24

HEX #6F56C2

RGB 111 86 194

HSL 253.89, 0.47%, 0.55%

LAB 44.13, 36.31, -53.35

 

CMYK 0 / 42 / 56 / 24

HEX #C27055

RGB 194 112 85

HSL 14.86, 0.47%, 0.55%

LAB 55.8, 29.74, 28.96

 

CMYK 24 / 0 / 56 / 24

HEX #93C256

RGB 147 194 86

HSL 86.11, 0.47%, 0.55%

LAB 73.19, -33.02, 48.6

 

CMYK 56 / 13 / 0 / 24

HEX #56A9C2

RGB 86 169 194

HSL 193.89, 0.47%, 0.55%

LAB 65.16, -18.08, -20.49

 

CMYK 31 / 56 / 0 / 24

HEX #8556C2

RGB 133 86 194

HSL 266.11, 0.47%, 0.55%

LAB 46.36, 41.59, -49.65

 

CMYK 0 / 42 / 56 / 24

HEX #C27055

RGB 194 112 85

HSL 14.86, 0.47%, 0.55%

LAB 55.8, 29.74, 28.96

 

CMYK 41 / 0 / 56 / 24

HEX #73C256

RGB 115 194 86

HSL 103.89, 0.47%, 0.55%

LAB 71.49, -44.24, 46.17

 

CMYK 56 / 13 / 0 / 24

HEX #56A9C2

RGB 86 169 194

HSL 193.89, 0.47%, 0.55%

LAB 65.16, -18.08, -20.49

 

CMYK 15 / 56 / 0 / 24

HEX #A556C2

RGB 165 86 194

HSL 283.89, 0.47%, 0.55%

LAB 50.16, 49.83, -43.38

 

Description

Color code: HEX #C27055 | qconv.com Color code: HEX #C27055 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 112 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 112 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 56 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 56% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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