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Color name
HEX #C26FAA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C26FAA it is the complementary color #3D9055. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C26FAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C26FAA shade: #C76FA5, #D881B8, #E993CB, #FAA5DE and #FFB7F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C26FAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C26FAA shade: #C26FAA, #B15D97, #A04B84, #8F3971 and #7E275E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C26FAA shade: #C170AA, #C17094, #C1707E and #C17070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C26FAA shade: #C170AA, #C170C0, #AD70C1, #9770C1 and #8170C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C26FAA shade matches the following richer shades: #C170AA, #D25FB1, #E24FB8 and #F33EBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C26FAA shade: #C170AA, #B180A3, #A0919C, #90A195 and #7FB28E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C26FAA shade: #AD70C1, #C170C0, #C170AA, #C17094 and #C1707F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C26FAA shade: #9C4382, #B55399, #C170AA, #CE8DBB and #DAA9CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C26FAA shade: #C26FAA, #C19770 and #70C1B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C26FAA shade: #C26FAA, #AAC170 and #70AAC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C26FAA shade: #C26FAA, #C19770, #70C187 and #709AC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C26FAA shade: #C26FAA, #C1B070, #70C187 and #7081C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 12 / 24

HEX #C26FAA

RGB 194 111 170

HSL 317.35, 0.4%, 0.6%

LAB 57.79, 40.96, -17.37

 

Complementary color

CMYK 58 / 0 / 41 / 44

HEX #3D9055

RGB 61 144 85

HSL 137.35, 0.4%, 0.4%

LAB 53.59, -38.86, 23.97

 

CMYK 0 / 44 / 17 / 22

HEX #C76FA5

RGB 199 111 165

HSL 323.18, 0.44%, 0.61%

LAB 58.25, 41.81, -13.72

 

CMYK 0 / 40 / 15 / 15

HEX #D881B8

RGB 216 129 184

HSL 322.07, 0.53%, 0.68%

LAB 64.77, 41.03, -14.52

 

CMYK 0 / 37 / 13 / 9

HEX #E993CB

RGB 233 147 203

HSL 320.93, 0.66%, 0.75%

LAB 71.22, 40.26, -15.23

 

CMYK 0 / 34 / 11 / 2

HEX #FAA5DE

RGB 250 165 222

HSL 319.76, 0.89%, 0.81%

LAB 77.58, 39.53, -15.87

 

CMYK 0 / 28 / 5 / 0

HEX #FFB7F1

RGB 255 183 241

HSL 311.67, 1%, 0.86%

LAB 82.63, 34.93, -18.46

 

CMYK 0 / 43 / 12 / 24

HEX #C26FAA

RGB 194 111 170

HSL 317.35, 0.4%, 0.6%

LAB 57.79, 40.96, -17.37

 

CMYK 0 / 47 / 15 / 31

HEX #B15D97

RGB 177 93 151

HSL 318.57, 0.35%, 0.53%

LAB 51.16, 41.73, -16.57

 

CMYK 0 / 53 / 18 / 37

HEX #A04B84

RGB 160 75 132

HSL 319.76, 0.36%, 0.46%

LAB 44.48, 42.44, -15.61

 

CMYK 0 / 60 / 21 / 44

HEX #8F3971

RGB 143 57 113

HSL 320.93, 0.43%, 0.39%

LAB 37.77, 43, -14.38

 

CMYK 0 / 69 / 25 / 51

HEX #7E275E

RGB 126 39 94

HSL 322.07, 0.53%, 0.32%

LAB 31.1, 43.2, -12.73

 

CMYK 0 / 42 / 12 / 24

HEX #C170AA

RGB 193 112 170

HSL 317.04, 0.4%, 0.6%

LAB 57.87, 40.11, -17.25

 

CMYK 0 / 42 / 23 / 24

HEX #C17094

RGB 193 112 148

HSL 333.33, 0.4%, 0.6%

LAB 57.14, 36.64, -5.63

 

CMYK 0 / 42 / 35 / 24

HEX #C1707E

RGB 193 112 126

HSL 349.63, 0.4%, 0.6%

LAB 56.52, 33.63, 6.28

 

CMYK 0 / 42 / 42 / 24

HEX #C17070

RGB 193 112 112

HSL 0, 0.4%, 0.6%

LAB 56.18, 31.97, 13.96

 

CMYK 0 / 42 / 12 / 24

HEX #C170AA

RGB 193 112 170

HSL 317.04, 0.4%, 0.6%

LAB 57.87, 40.11, -17.25

 

CMYK 0 / 42 / 1 / 24

HEX #C170C0

RGB 193 112 192

HSL 300.74, 0.4%, 0.6%

LAB 58.73, 43.98, -28.55

 

CMYK 10 / 42 / 0 / 24

HEX #AD70C1

RGB 173 112 193

HSL 285.19, 0.4%, 0.6%

LAB 56.41, 38.08, -32.9

 

CMYK 22 / 42 / 0 / 24

HEX #9770C1

RGB 151 112 193

HSL 268.89, 0.4%, 0.6%

LAB 54.05, 31.49, -36.77

 

CMYK 33 / 42 / 0 / 24

HEX #8170C1

RGB 129 112 193

HSL 252.59, 0.4%, 0.6%

LAB 51.96, 25.18, -40.2

 

CMYK 0 / 42 / 12 / 24

HEX #C170AA

RGB 193 112 170

HSL 317.04, 0.4%, 0.6%

LAB 57.87, 40.11, -17.25

 

CMYK 0 / 55 / 16 / 18

HEX #D25FB1

RGB 210 95 177

HSL 317.22, 0.56%, 0.6%

LAB 57.13, 55.06, -22.21

 

CMYK 0 / 65 / 19 / 11

HEX #E24FB8

RGB 226 79 184

HSL 317.14, 0.72%, 0.6%

LAB 57.29, 67.37, -25.81

 

CMYK 0 / 74 / 21 / 5

HEX #F33EBF

RGB 243 62 191

HSL 317.24, 0.88%, 0.6%

LAB 58.28, 78.23, -28.08

 

CMYK 0 / 42 / 12 / 24

HEX #C170AA

RGB 193 112 170

HSL 317.04, 0.4%, 0.6%

LAB 57.87, 40.11, -17.25

 

CMYK 0 / 28 / 8 / 31

HEX #B180A3

RGB 177 128 163

HSL 317.14, 0.24%, 0.6%

LAB 59.37, 24.63, -11.15

 

CMYK 0 / 9 / 2 / 37

HEX #A0919C

RGB 160 145 156

HSL 316, 0.07%, 0.6%

LAB 61.76, 7.59, -3.78

 

CMYK 11 / 0 / 7 / 37

HEX #90A195

RGB 144 161 149

HSL 137.65, 0.08%, 0.6%

LAB 64.63, -8.38, 4.21

 

CMYK 29 / 0 / 20 / 30

HEX #7FB28E

RGB 127 178 142

HSL 137.65, 0.25%, 0.6%

LAB 68.25, -24.38, 13.08

 

CMYK 10 / 42 / 0 / 24

HEX #AD70C1

RGB 173 112 193

HSL 285.19, 0.4%, 0.6%

LAB 56.41, 38.08, -32.9

 

CMYK 0 / 42 / 1 / 24

HEX #C170C0

RGB 193 112 192

HSL 300.74, 0.4%, 0.6%

LAB 58.73, 43.98, -28.55

 

CMYK 0 / 42 / 12 / 24

HEX #C170AA

RGB 193 112 170

HSL 317.04, 0.4%, 0.6%

LAB 57.87, 40.11, -17.25

 

CMYK 0 / 42 / 23 / 24

HEX #C17094

RGB 193 112 148

HSL 333.33, 0.4%, 0.6%

LAB 57.14, 36.64, -5.63

 

CMYK 0 / 42 / 34 / 24

HEX #C1707F

RGB 193 112 127

HSL 348.89, 0.4%, 0.6%

LAB 56.54, 33.76, 5.73

 

CMYK 0 / 57 / 17 / 39

HEX #9C4382

RGB 156 67 130

HSL 317.53, 0.4%, 0.44%

LAB 42.3, 44.85, -17.78

 

CMYK 0 / 54 / 15 / 29

HEX #B55399

RGB 181 83 153

HSL 317.14, 0.4%, 0.52%

LAB 49.87, 48.37, -19.68

 

CMYK 0 / 42 / 12 / 24

HEX #C170AA

RGB 193 112 170

HSL 317.04, 0.4%, 0.6%

LAB 57.87, 40.11, -17.25

 

CMYK 0 / 32 / 9 / 19

HEX #CE8DBB

RGB 206 141 187

HSL 317.54, 0.4%, 0.68%

LAB 66.34, 31.74, -13.97

 

CMYK 0 / 22 / 6 / 15

HEX #DAA9CC

RGB 218 169 204

HSL 317.14, 0.4%, 0.76%

LAB 74.6, 23.61, -10.87

 

CMYK 0 / 43 / 12 / 24

HEX #C26FAA

RGB 194 111 170

HSL 317.35, 0.4%, 0.6%

LAB 57.79, 40.96, -17.37

 

CMYK 0 / 22 / 42 / 24

HEX #C19770

RGB 193 151 112

HSL 28.89, 0.4%, 0.6%

LAB 65.47, 10.55, 26.55

 

CMYK 42 / 0 / 5 / 24

HEX #70C1B8

RGB 112 193 184

HSL 173.33, 0.4%, 0.6%

LAB 72.92, -26.95, -3.25

 

CMYK 0 / 43 / 12 / 24

HEX #C26FAA

RGB 194 111 170

HSL 317.35, 0.4%, 0.6%

LAB 57.79, 40.96, -17.37

 

CMYK 12 / 0 / 42 / 24

HEX #AAC170

RGB 170 193 112

HSL 77.04, 0.4%, 0.6%

LAB 74.73, -20.91, 38.14

 

CMYK 42 / 12 / 0 / 24

HEX #70AAC1

RGB 112 170 193

HSL 197.04, 0.4%, 0.6%

LAB 66.55, -12.84, -17.71

 

CMYK 0 / 43 / 12 / 24

HEX #C26FAA

RGB 194 111 170

HSL 317.35, 0.4%, 0.6%

LAB 57.79, 40.96, -17.37

 

CMYK 0 / 22 / 42 / 24

HEX #C19770

RGB 193 151 112

HSL 28.89, 0.4%, 0.6%

LAB 65.47, 10.55, 26.55

 

CMYK 42 / 0 / 30 / 24

HEX #70C187

RGB 112 193 135

HSL 137.04, 0.4%, 0.6%

LAB 71.78, -37.46, 21.64

 

CMYK 42 / 20 / 0 / 24

HEX #709AC1

RGB 112 154 193

HSL 208.89, 0.4%, 0.6%

LAB 62, -4.07, -24.65

 

CMYK 0 / 43 / 12 / 24

HEX #C26FAA

RGB 194 111 170

HSL 317.35, 0.4%, 0.6%

LAB 57.79, 40.96, -17.37

 

CMYK 0 / 9 / 42 / 24

HEX #C1B070

RGB 193 176 112

HSL 47.41, 0.4%, 0.6%

LAB 71.93, -2.95, 34.95

 

CMYK 42 / 0 / 30 / 24

HEX #70C187

RGB 112 193 135

HSL 137.04, 0.4%, 0.6%

LAB 71.78, -37.46, 21.64

 

CMYK 42 / 33 / 0 / 24

HEX #7081C1

RGB 112 129 193

HSL 227.41, 0.4%, 0.6%

LAB 55.07, 10.4, -35.4

 

Description

Color code: HEX #C26FAA | qconv.com Color code: HEX #C26FAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 111 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 111 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 12 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 12% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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