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Color name
HEX #C25B16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C25B16 it is the complementary color #3DA4E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C25B16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C25B16 shade: #C75B11, #D86D24, #E97F37, #FA914A and #FFA35D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C25B16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C25B16 shade: #C25B16, #B14903, #A03700, #8F2500 and #7E1300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C25B16 shade: #C05A15, #C02B15 and #C01515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C25B16 shade: #C05A15, #C08815, #C0B615, #9CC015 and #6EC015

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C25B16 shade matches the following richer shades: #C05A15 and #D25604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C25B16 shade: #C05A15, #AF5D26, #9E6138, #8C6449 and #7B675A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C25B16 shade: #C0152C, #C02C15, #C05915, #C08715 and #C0B515

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C25B16 shade: #76370D, #9B4811, #C05A15, #E56B19 and #E9833F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C25B16 shade: #C25B16, #59C015 and #1515C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C25B16 shade: #C25B16, #15C059 and #5915C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C25B16 shade: #C25B16, #59C015, #157CC0 and #7C15C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C25B16 shade: #C25B16, #26C015, #157CC0 and #AF15C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 89 / 24

HEX #C25B16

RGB 194 91 22

HSL 24.07, 0.8%, 0.42%

LAB 50.7, 37.64, 54.25

 

Complementary color

CMYK 74 / 30 / 0 / 9

HEX #3DA4E9

RGB 61 164 233

HSL 204.07, 0.8%, 0.58%

LAB 64.5, -6.92, -43.14

 

CMYK 0 / 54 / 91 / 22

HEX #C75B11

RGB 199 91 17

HSL 24.4, 0.84%, 0.42%

LAB 51.46, 39.52, 56.7

 

CMYK 0 / 50 / 83 / 15

HEX #D86D24

RGB 216 109 36

HSL 24.33, 0.71%, 0.49%

LAB 57.72, 37.56, 56.32

 

CMYK 0 / 45 / 76 / 9

HEX #E97F37

RGB 233 127 55

HSL 24.27, 0.8%, 0.56%

LAB 63.98, 35.74, 55.07

 

CMYK 0 / 42 / 70 / 2

HEX #FA914A

RGB 250 145 74

HSL 24.2, 0.95%, 0.64%

LAB 70.22, 34.07, 53.5

 

CMYK 0 / 36 / 64 / 0

HEX #FFA35D

RGB 255 163 93

HSL 25.93, 1%, 0.68%

LAB 74.98, 27.8, 49.8

 

CMYK 0 / 53 / 89 / 24

HEX #C25B16

RGB 194 91 22

HSL 24.07, 0.8%, 0.42%

LAB 50.7, 37.64, 54.25

 

CMYK 0 / 59 / 98 / 31

HEX #B14903

RGB 177 73 3

HSL 24.14, 0.97%, 0.35%

LAB 44.4, 39.64, 53.87

 

CMYK 0 / 66 / 100 / 37

HEX #A03700

RGB 160 55 0

HSL 20.63, 1%, 0.31%

LAB 38.21, 41.63, 49.79

 

CMYK 0 / 74 / 100 / 44

HEX #8F2500

RGB 143 37 0

HSL 15.52, 1%, 0.28%

LAB 32.17, 43.11, 44.74

 

CMYK 0 / 85 / 100 / 51

HEX #7E1300

RGB 126 19 0

HSL 9.05, 1%, 0.25%

LAB 26.45, 43.53, 38.74

 

CMYK 0 / 53 / 89 / 25

HEX #C05A15

RGB 192 90 21

HSL 24.21, 0.8%, 0.42%

LAB 50.18, 37.33, 54.05

 

CMYK 0 / 78 / 89 / 25

HEX #C02B15

RGB 192 43 21

HSL 7.72, 0.8%, 0.42%

LAB 42.75, 57.17, 48.36

 

CMYK 0 / 89 / 89 / 25

HEX #C01515

RGB 192 21 21

HSL 0, 0.8%, 0.42%

LAB 40.89, 62.43, 46.96

 

CMYK 0 / 53 / 89 / 25

HEX #C05A15

RGB 192 90 21

HSL 24.21, 0.8%, 0.42%

LAB 50.18, 37.33, 54.05

 

CMYK 0 / 29 / 89 / 25

HEX #C08815

RGB 192 136 21

HSL 40.35, 0.8%, 0.42%

LAB 60.67, 12.52, 62.2

 

CMYK 0 / 5 / 89 / 25

HEX #C0B615

RGB 192 182 21

HSL 56.49, 0.8%, 0.42%

LAB 72.7, -12.07, 71.67

 

CMYK 19 / 0 / 89 / 25

HEX #9CC015

RGB 156 192 21

HSL 72.63, 0.8%, 0.42%

LAB 72.77, -32.31, 70.58

 

CMYK 43 / 0 / 89 / 25

HEX #6EC015

RGB 110 192 21

HSL 88.77, 0.8%, 0.42%

LAB 70.22, -49.53, 67.42

 

CMYK 0 / 53 / 89 / 25

HEX #C05A15

RGB 192 90 21

HSL 24.21, 0.8%, 0.42%

LAB 50.18, 37.33, 54.05

 

CMYK 0 / 59 / 98 / 18

HEX #D25604

RGB 210 86 4

HSL 23.88, 0.96%, 0.42%

LAB 52.25, 45.99, 61.06

 

CMYK 0 / 53 / 89 / 25

HEX #C05A15

RGB 192 90 21

HSL 24.21, 0.8%, 0.42%

LAB 50.18, 37.33, 54.05

 

CMYK 0 / 47 / 78 / 31

HEX #AF5D26

RGB 175 93 38

HSL 24.09, 0.64%, 0.42%

LAB 48.36, 29.3, 44.63

 

CMYK 0 / 39 / 65 / 38

HEX #9E6138

RGB 158 97 56

HSL 24.12, 0.48%, 0.42%

LAB 47.11, 20.78, 33.37

 

CMYK 0 / 29 / 48 / 45

HEX #8C6449

RGB 140 100 73

HSL 24.18, 0.31%, 0.42%

LAB 45.87, 12.68, 21.67

 

CMYK 0 / 16 / 27 / 52

HEX #7B675A

RGB 123 103 90

HSL 23.64, 0.15%, 0.42%

LAB 45.15, 5.8, 10.3

 

CMYK 0 / 89 / 77 / 25

HEX #C0152C

RGB 192 21 44

HSL 351.93, 0.8%, 0.42%

LAB 41.1, 63.02, 34.85

 

CMYK 0 / 77 / 89 / 25

HEX #C02C15

RGB 192 44 21

HSL 8.07, 0.8%, 0.42%

LAB 42.86, 56.86, 48.44

 

CMYK 0 / 54 / 89 / 25

HEX #C05915

RGB 192 89 21

HSL 23.86, 0.8%, 0.42%

LAB 49.98, 37.84, 53.89

 

CMYK 0 / 30 / 89 / 25

HEX #C08715

RGB 192 135 21

HSL 40, 0.8%, 0.42%

LAB 60.42, 13.07, 62.01

 

CMYK 0 / 6 / 89 / 25

HEX #C0B515

RGB 192 181 21

HSL 56.14, 0.8%, 0.42%

LAB 72.43, -11.56, 71.45

 

CMYK 0 / 53 / 89 / 54

HEX #76370D

RGB 118 55 13

HSL 24, 0.8%, 0.26%

LAB 30.91, 24.94, 36.52

 

CMYK 0 / 54 / 89 / 39

HEX #9B4811

RGB 155 72 17

HSL 23.91, 0.8%, 0.34%

LAB 40.64, 31.55, 45.44

 

CMYK 0 / 53 / 89 / 25

HEX #C05A15

RGB 192 90 21

HSL 24.21, 0.8%, 0.42%

LAB 50.18, 37.33, 54.05

 

CMYK 0 / 53 / 89 / 10

HEX #E56B19

RGB 229 107 25

HSL 24.12, 0.8%, 0.5%

LAB 59.2, 43.39, 62.14

 

CMYK 0 / 44 / 73 / 9

HEX #E9833F

RGB 233 131 63

HSL 24, 0.79%, 0.58%

LAB 64.9, 34.01, 52.34

 

CMYK 0 / 53 / 89 / 24

HEX #C25B16

RGB 194 91 22

HSL 24.07, 0.8%, 0.42%

LAB 50.7, 37.64, 54.25

 

CMYK 54 / 0 / 89 / 25

HEX #59C015

RGB 89 192 21

HSL 96.14, 0.8%, 0.42%

LAB 69.38, -55.98, 66.38

 

CMYK 89 / 89 / 0 / 25

HEX #1515C0

RGB 21 21 192

HSL 240, 0.8%, 0.42%

LAB 25.26, 58.9, -83.37

 

CMYK 0 / 53 / 89 / 24

HEX #C25B16

RGB 194 91 22

HSL 24.07, 0.8%, 0.42%

LAB 50.7, 37.64, 54.25

 

CMYK 89 / 0 / 54 / 25

HEX #15C059

RGB 21 192 89

HSL 143.86, 0.8%, 0.42%

LAB 68.45, -61.9, 40.51

 

CMYK 54 / 89 / 0 / 25

HEX #5915C0

RGB 89 21 192

HSL 263.86, 0.8%, 0.42%

LAB 30.56, 62.76, -74.42

 

CMYK 0 / 53 / 89 / 24

HEX #C25B16

RGB 194 91 22

HSL 24.07, 0.8%, 0.42%

LAB 50.7, 37.64, 54.25

 

CMYK 54 / 0 / 89 / 25

HEX #59C015

RGB 89 192 21

HSL 96.14, 0.8%, 0.42%

LAB 69.38, -55.98, 66.38

 

CMYK 89 / 35 / 0 / 25

HEX #157CC0

RGB 21 124 192

HSL 203.86, 0.8%, 0.42%

LAB 49.95, -2.4, -43.13

 

CMYK 35 / 89 / 0 / 25

HEX #7C15C0

RGB 124 21 192

HSL 276.14, 0.8%, 0.42%

LAB 35.26, 66.7, -66.52

 

CMYK 0 / 53 / 89 / 24

HEX #C25B16

RGB 194 91 22

HSL 24.07, 0.8%, 0.42%

LAB 50.7, 37.64, 54.25

 

CMYK 80 / 0 / 89 / 25

HEX #26C015

RGB 38 192 21

HSL 114.04, 0.8%, 0.42%

LAB 68.14, -66.36, 64.83

 

CMYK 89 / 35 / 0 / 25

HEX #157CC0

RGB 21 124 192

HSL 203.86, 0.8%, 0.42%

LAB 49.95, -2.4, -43.13

 

CMYK 9 / 89 / 0 / 25

HEX #AF15C0

RGB 175 21 192

HSL 294.04, 0.8%, 0.42%

LAB 43.44, 74.33, -52.85

 

Description

Color code: HEX #C25B16 | qconv.com Color code: HEX #C25B16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 91 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 91 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 89 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 89% 24% C M Y K

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Provide designers and agencies with accurate color values.

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