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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C25076 it is the complementary color #3DAF89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C25076. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C25076 shade: #C75071, #D86284, #E97497, #FA86AA and #FF98BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C25076. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C25076 shade: #C25076, #B13E63, #A02C50, #8F1A3D and #7E082A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C25076 shade: #C25176, #C25158 and #C25151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C25076 shade: #C25176, #C25195, #C251B3, #B151C2 and #9351C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C25076 shade matches the following richer shades: #C25176, #D43E70, #E72B6A and #FA1863

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C25076 shade: #C25176, #AF647D, #9C7783, #898A89 and #769D90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C25076 shade: #C251B2, #C25194, #C25176, #C25158 and #C26751

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C25076 shade: #8E3251, #AD3C62, #C25176, #CC6F8E and #D78EA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C25076 shade: #C25076, #C2B251 and #51A3C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C25076 shade: #C25076, #76C251 and #5176C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C25076 shade: #C25076, #C2B251, #51C29C and #5160C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C25076 shade: #C25076, #AFC251, #51C29C and #6451C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 39 / 24

HEX #C25076

RGB 194 80 118

HSL 340, 0.48%, 0.54%

LAB 50.11, 49.24, 1.8

 

Complementary color

CMYK 65 / 0 / 22 / 31

HEX #3DAF89

RGB 61 175 137

HSL 160, 0.48%, 0.46%

LAB 64.53, -41.19, 10.2

 

CMYK 0 / 60 / 43 / 22

HEX #C75071

RGB 199 80 113

HSL 343.36, 0.52%, 0.55%

LAB 50.77, 50.35, 5.86

 

CMYK 0 / 55 / 39 / 15

HEX #D86284

RGB 216 98 132

HSL 342.71, 0.6%, 0.62%

LAB 57.08, 49.61, 3.99

 

CMYK 0 / 50 / 35 / 9

HEX #E97497

RGB 233 116 151

HSL 342.05, 0.73%, 0.68%

LAB 63.38, 48.78, 2.43

 

CMYK 0 / 46 / 32 / 2

HEX #FA86AA

RGB 250 134 170

HSL 341.38, 0.92%, 0.75%

LAB 69.67, 47.92, 1.09

 

CMYK 0 / 40 / 26 / 0

HEX #FF98BD

RGB 255 152 189

HSL 338.45, 1%, 0.8%

LAB 74.44, 43, -2.42

 

CMYK 0 / 59 / 39 / 24

HEX #C25076

RGB 194 80 118

HSL 340, 0.48%, 0.54%

LAB 50.11, 49.24, 1.8

 

CMYK 0 / 65 / 44 / 31

HEX #B13E63

RGB 177 62 99

HSL 340.7, 0.48%, 0.47%

LAB 43.79, 49.77, 3.9

 

CMYK 0 / 73 / 50 / 37

HEX #A02C50

RGB 160 44 80

HSL 341.38, 0.57%, 0.4%

LAB 37.58, 49.91, 6.56

 

CMYK 0 / 82 / 57 / 44

HEX #8F1A3D

RGB 143 26 61

HSL 342.05, 0.69%, 0.33%

LAB 31.61, 49.31, 10.05

 

CMYK 0 / 94 / 67 / 51

HEX #7E082A

RGB 126 8 42

HSL 342.71, 0.88%, 0.26%

LAB 26.09, 47.4, 14.74

 

CMYK 0 / 58 / 39 / 24

HEX #C25176

RGB 194 81 118

HSL 340.35, 0.48%, 0.54%

LAB 50.29, 48.78, 2.06

 

CMYK 0 / 58 / 55 / 24

HEX #C25158

RGB 194 81 88

HSL 356.28, 0.48%, 0.54%

LAB 49.57, 45.87, 19.07

 

CMYK 0 / 58 / 58 / 24

HEX #C25151

RGB 194 81 81

HSL 0, 0.48%, 0.54%

LAB 49.43, 45.32, 23.06

 

CMYK 0 / 58 / 39 / 24

HEX #C25176

RGB 194 81 118

HSL 340.35, 0.48%, 0.54%

LAB 50.29, 48.78, 2.06

 

CMYK 0 / 58 / 23 / 24

HEX #C25195

RGB 194 81 149

HSL 323.89, 0.48%, 0.54%

LAB 51.29, 52.68, -14.96

 

CMYK 0 / 58 / 8 / 24

HEX #C251B3

RGB 194 81 179

HSL 307.96, 0.48%, 0.54%

LAB 52.52, 57.24, -30.7

 

CMYK 9 / 58 / 0 / 24

HEX #B151C2

RGB 177 81 194

HSL 290.97, 0.48%, 0.54%

LAB 50.84, 55.39, -42.2

 

CMYK 24 / 58 / 0 / 24

HEX #9351C2

RGB 147 81 194

HSL 275.04, 0.48%, 0.54%

LAB 46.95, 47.78, -48.61

 

CMYK 0 / 58 / 39 / 24

HEX #C25176

RGB 194 81 118

HSL 340.35, 0.48%, 0.54%

LAB 50.29, 48.78, 2.06

 

CMYK 0 / 71 / 47 / 17

HEX #D43E70

RGB 212 62 112

HSL 340, 0.64%, 0.54%

LAB 50.23, 61.63, 5.98

 

CMYK 0 / 81 / 54 / 9

HEX #E72B6A

RGB 231 43 106

HSL 339.89, 0.8%, 0.54%

LAB 51.56, 71.95, 11.99

 

CMYK 0 / 90 / 60 / 2

HEX #FA1863

RGB 250 24 99

HSL 340.09, 0.96%, 0.54%

LAB 53.9, 79.57, 20.02

 

CMYK 0 / 58 / 39 / 24

HEX #C25176

RGB 194 81 118

HSL 340.35, 0.48%, 0.54%

LAB 50.29, 48.78, 2.06

 

CMYK 0 / 43 / 29 / 31

HEX #AF647D

RGB 175 100 125

HSL 340, 0.32%, 0.54%

LAB 51.51, 33.34, -0.68

 

CMYK 0 / 24 / 16 / 39

HEX #9C7783

RGB 156 119 131

HSL 340.54, 0.16%, 0.54%

LAB 53.92, 16.41, -0.95

 

CMYK 1 / 0 / 1 / 46

HEX #898A89

RGB 137 138 137

HSL 120, 0%, 0.54%

LAB 57.37, -0.56, 0.4

 

CMYK 25 / 0 / 8 / 38

HEX #769D90

RGB 118 157 144

HSL 160, 0.17%, 0.54%

LAB 61.64, -16.16, 2.46

 

CMYK 0 / 58 / 8 / 24

HEX #C251B2

RGB 194 81 178

HSL 308.5, 0.48%, 0.54%

LAB 52.47, 57.08, -30.18

 

CMYK 0 / 58 / 24 / 24

HEX #C25194

RGB 194 81 148

HSL 324.42, 0.48%, 0.54%

LAB 51.26, 52.54, -14.42

 

CMYK 0 / 58 / 39 / 24

HEX #C25176

RGB 194 81 118

HSL 340.35, 0.48%, 0.54%

LAB 50.29, 48.78, 2.06

 

CMYK 0 / 58 / 55 / 24

HEX #C25158

RGB 194 81 88

HSL 356.28, 0.48%, 0.54%

LAB 49.57, 45.87, 19.07

 

CMYK 0 / 47 / 58 / 24

HEX #C26751

RGB 194 103 81

HSL 11.68, 0.48%, 0.54%

LAB 53.78, 34.23, 28.65

 

CMYK 0 / 65 / 43 / 44

HEX #8E3251

RGB 142 50 81

HSL 339.78, 0.48%, 0.38%

LAB 35.25, 41.75, 2.15

 

CMYK 0 / 65 / 43 / 32

HEX #AD3C62

RGB 173 60 98

HSL 339.82, 0.48%, 0.46%

LAB 42.76, 49.25, 2.94

 

CMYK 0 / 58 / 39 / 24

HEX #C25176

RGB 194 81 118

HSL 340.35, 0.48%, 0.54%

LAB 50.29, 48.78, 2.06

 

CMYK 0 / 46 / 30 / 20

HEX #CC6F8E

RGB 204 111 142

HSL 340, 0.48%, 0.62%

LAB 58.19, 40.2, -0.43

 

CMYK 0 / 34 / 23 / 16

HEX #D78EA6

RGB 215 142 166

HSL 340.27, 0.48%, 0.7%

LAB 66.94, 31, -1.17

 

CMYK 0 / 59 / 39 / 24

HEX #C25076

RGB 194 80 118

HSL 340, 0.48%, 0.54%

LAB 50.11, 49.24, 1.8

 

CMYK 0 / 8 / 58 / 24

HEX #C2B251

RGB 194 178 81

HSL 51.5, 0.48%, 0.54%

LAB 72.16, -6.41, 50.66

 

CMYK 58 / 16 / 0 / 24

HEX #51A3C2

RGB 81 163 194

HSL 196.46, 0.48%, 0.54%

LAB 63.21, -15.9, -23.48

 

CMYK 0 / 59 / 39 / 24

HEX #C25076

RGB 194 80 118

HSL 340, 0.48%, 0.54%

LAB 50.11, 49.24, 1.8

 

CMYK 39 / 0 / 58 / 24

HEX #76C251

RGB 118 194 81

HSL 100.35, 0.48%, 0.54%

LAB 71.57, -43.8, 48.62

 

CMYK 58 / 39 / 0 / 24

HEX #5176C2

RGB 81 118 194

HSL 220.35, 0.48%, 0.54%

LAB 50.22, 10.03, -43.75

 

CMYK 0 / 59 / 39 / 24

HEX #C25076

RGB 194 80 118

HSL 340, 0.48%, 0.54%

LAB 50.11, 49.24, 1.8

 

CMYK 0 / 8 / 58 / 24

HEX #C2B251

RGB 194 178 81

HSL 51.5, 0.48%, 0.54%

LAB 72.16, -6.41, 50.66

 

CMYK 58 / 0 / 20 / 24

HEX #51C29C

RGB 81 194 156

HSL 159.82, 0.48%, 0.54%

LAB 71.37, -41.22, 9.6

 

CMYK 58 / 51 / 0 / 24

HEX #5160C2

RGB 81 96 194

HSL 232.04, 0.48%, 0.54%

LAB 44.25, 23.75, -53.28

 

CMYK 0 / 59 / 39 / 24

HEX #C25076

RGB 194 80 118

HSL 340, 0.48%, 0.54%

LAB 50.11, 49.24, 1.8

 

CMYK 10 / 0 / 58 / 24

HEX #AFC251

RGB 175 194 81

HSL 70.09, 0.48%, 0.54%

LAB 75.01, -22.47, 53.44

 

CMYK 58 / 0 / 20 / 24

HEX #51C29C

RGB 81 194 156

HSL 159.82, 0.48%, 0.54%

LAB 71.37, -41.22, 9.6

 

CMYK 48 / 58 / 0 / 24

HEX #6451C2

RGB 100 81 194

HSL 250.09, 0.48%, 0.54%

LAB 41.98, 36.86, -56.86

 

Description

Color code: HEX #C25076 | qconv.com Color code: HEX #C25076 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 80 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 80 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 39 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 39% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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