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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C24D98 it is the complementary color #3DB267. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C24D98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C24D98 shade: #C74D93, #D85FA6, #E971B9, #FA83CC and #FF95DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C24D98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C24D98 shade: #C24D98, #B13B85, #A02972, #8F175F and #7E054C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C24D98 shade: #C14C97, #C14C78, #C14C58 and #C14C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C24D98 shade: #C14C97, #C14CB7, #AC4CC1, #8D4CC1 and #6D4CC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C24D98 shade matches the following richer shades: #C14C97, #D5399D, #E825A2 and #FC12A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C24D98 shade: #C14C97, #AE5F92, #9B738C, #878687 and #749981

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C24D98 shade: #AC4CC1, #C14CB8, #C14C98, #C14C79 and #C14C5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C24D98 shade: #8B2F6A, #AA3A82, #C14C97, #CC6BA9 and #D689BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C24D98 shade: #C24D98, #C18D4C and #4CC1BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C24D98 shade: #C24D98, #98C14C and #4C98C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C24D98 shade: #C24D98, #C18D4C, #4CC175 and #4C81C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C24D98 shade: #C24D98, #C1B04C, #4CC175 and #4C5EC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 22 / 24

HEX #C24D98

RGB 194 77 152

HSL 321.54, 0.49%, 0.53%

LAB 50.74, 54.91, -17.59

 

Complementary color

CMYK 66 / 0 / 42 / 30

HEX #3DB267

RGB 61 178 103

HSL 141.54, 0.49%, 0.47%

LAB 64.81, -49.49, 28.98

 

CMYK 0 / 61 / 26 / 22

HEX #C74D93

RGB 199 77 147

HSL 325.57, 0.52%, 0.54%

LAB 51.33, 55.69, -13.65

 

CMYK 0 / 56 / 23 / 15

HEX #D85FA6

RGB 216 95 166

HSL 324.79, 0.61%, 0.61%

LAB 57.59, 55.26, -15.07

 

CMYK 0 / 52 / 21 / 9

HEX #E971B9

RGB 233 113 185

HSL 324, 0.73%, 0.68%

LAB 63.87, 54.66, -16.24

 

CMYK 0 / 48 / 18 / 2

HEX #FA83CC

RGB 250 131 204

HSL 323.19, 0.92%, 0.75%

LAB 70.12, 53.97, -17.24

 

CMYK 0 / 42 / 13 / 0

HEX #FF95DF

RGB 255 149 223

HSL 318.11, 1%, 0.79%

LAB 74.88, 49.5, -20.45

 

CMYK 0 / 60 / 22 / 24

HEX #C24D98

RGB 194 77 152

HSL 321.54, 0.49%, 0.53%

LAB 50.74, 54.91, -17.59

 

CMYK 0 / 67 / 25 / 31

HEX #B13B85

RGB 177 59 133

HSL 322.37, 0.5%, 0.46%

LAB 44.47, 55.06, -15.98

 

CMYK 0 / 74 / 29 / 37

HEX #A02972

RGB 160 41 114

HSL 323.19, 0.59%, 0.39%

LAB 38.33, 54.68, -13.89

 

CMYK 0 / 84 / 34 / 44

HEX #8F175F

RGB 143 23 95

HSL 324, 0.72%, 0.33%

LAB 32.43, 53.39, -11.06

 

CMYK 0 / 96 / 40 / 51

HEX #7E054C

RGB 126 5 76

HSL 324.79, 0.92%, 0.26%

LAB 26.92, 50.74, -7.21

 

CMYK 0 / 61 / 22 / 24

HEX #C14C97

RGB 193 76 151

HSL 321.54, 0.49%, 0.53%

LAB 50.38, 54.92, -17.55

 

CMYK 0 / 61 / 38 / 24

HEX #C14C78

RGB 193 76 120

HSL 337.44, 0.49%, 0.53%

LAB 49.33, 50.97, -0.56

 

CMYK 0 / 61 / 54 / 24

HEX #C14C58

RGB 193 76 88

HSL 353.85, 0.49%, 0.53%

LAB 48.52, 47.85, 17.63

 

CMYK 0 / 61 / 61 / 24

HEX #C14C4C

RGB 193 76 76

HSL 0, 0.49%, 0.53%

LAB 48.3, 46.94, 24.51

 

CMYK 0 / 61 / 22 / 24

HEX #C14C97

RGB 193 76 151

HSL 321.54, 0.49%, 0.53%

LAB 50.38, 54.92, -17.55

 

CMYK 0 / 61 / 5 / 24

HEX #C14CB7

RGB 193 76 183

HSL 305.13, 0.49%, 0.53%

LAB 51.75, 59.82, -34.23

 

CMYK 11 / 61 / 0 / 24

HEX #AC4CC1

RGB 172 76 193

HSL 289.23, 0.49%, 0.53%

LAB 49.24, 56.26, -44.19

 

CMYK 27 / 61 / 0 / 24

HEX #8D4CC1

RGB 141 76 193

HSL 273.33, 0.49%, 0.53%

LAB 45.2, 48.68, -50.89

 

CMYK 44 / 61 / 0 / 24

HEX #6D4CC1

RGB 109 76 193

HSL 256.92, 0.49%, 0.53%

LAB 41.64, 41.39, -56.79

 

CMYK 0 / 61 / 22 / 24

HEX #C14C97

RGB 193 76 151

HSL 321.54, 0.49%, 0.53%

LAB 50.38, 54.92, -17.55

 

CMYK 0 / 73 / 26 / 16

HEX #D5399D

RGB 213 57 157

HSL 321.54, 0.65%, 0.53%

LAB 51.27, 68.37, -19.45

 

CMYK 0 / 84 / 30 / 9

HEX #E825A2

RGB 232 37 162

HSL 321.54, 0.81%, 0.53%

LAB 53.05, 78.52, -19.41

 

CMYK 0 / 93 / 33 / 1

HEX #FC12A8

RGB 252 18 168

HSL 321.54, 0.98%, 0.53%

LAB 56.04, 86.06, -18.03

 

CMYK 0 / 61 / 22 / 24

HEX #C14C97

RGB 193 76 151

HSL 321.54, 0.49%, 0.53%

LAB 50.38, 54.92, -17.55

 

CMYK 0 / 45 / 16 / 32

HEX #AE5F92

RGB 174 95 146

HSL 321.27, 0.33%, 0.53%

LAB 50.99, 38.87, -13.92

 

CMYK 0 / 26 / 10 / 39

HEX #9B738C

RGB 155 115 140

HSL 322.5, 0.17%, 0.53%

LAB 53.08, 19.92, -7.47

 

CMYK 0 / 1 / 0 / 47

HEX #878687

RGB 135 134 135

HSL 300, 0%, 0.53%

LAB 56.04, 0.57, -0.41

 

CMYK 24 / 0 / 16 / 40

HEX #749981

RGB 116 153 129

HSL 141.08, 0.15%, 0.53%

LAB 59.96, -17.86, 8.5

 

CMYK 11 / 61 / 0 / 24

HEX #AC4CC1

RGB 172 76 193

HSL 289.23, 0.49%, 0.53%

LAB 49.24, 56.26, -44.19

 

CMYK 0 / 61 / 5 / 24

HEX #C14CB8

RGB 193 76 184

HSL 304.62, 0.49%, 0.53%

LAB 51.8, 59.99, -34.73

 

CMYK 0 / 61 / 21 / 24

HEX #C14C98

RGB 193 76 152

HSL 321.03, 0.49%, 0.53%

LAB 50.42, 55.06, -18.09

 

CMYK 0 / 61 / 37 / 24

HEX #C14C79

RGB 193 76 121

HSL 336.92, 0.49%, 0.53%

LAB 49.36, 51.09, -1.12

 

CMYK 0 / 61 / 53 / 24

HEX #C14C5A

RGB 193 76 90

HSL 352.82, 0.49%, 0.53%

LAB 48.57, 48.02, 16.49

 

CMYK 0 / 66 / 24 / 45

HEX #8B2F6A

RGB 139 47 106

HSL 321.52, 0.49%, 0.36%

LAB 35.13, 45.34, -14.07

 

CMYK 0 / 66 / 24 / 33

HEX #AA3A82

RGB 170 58 130

HSL 321.43, 0.49%, 0.45%

LAB 43.04, 53.07, -16.45

 

CMYK 0 / 61 / 22 / 24

HEX #C14C97

RGB 193 76 151

HSL 321.54, 0.49%, 0.53%

LAB 50.38, 54.92, -17.55

 

CMYK 0 / 48 / 17 / 20

HEX #CC6BA9

RGB 204 107 169

HSL 321.65, 0.49%, 0.61%

LAB 58.24, 46.12, -15.98

 

CMYK 0 / 36 / 13 / 16

HEX #D689BB

RGB 214 137 187

HSL 321.04, 0.48%, 0.69%

LAB 66.35, 36.61, -13.86

 

CMYK 0 / 60 / 22 / 24

HEX #C24D98

RGB 194 77 152

HSL 321.54, 0.49%, 0.53%

LAB 50.74, 54.91, -17.59

 

CMYK 0 / 27 / 61 / 24

HEX #C18D4C

RGB 193 141 76

HSL 33.33, 0.49%, 0.53%

LAB 62.43, 12.72, 41.87

 

CMYK 61 / 0 / 3 / 24

HEX #4CC1BC

RGB 76 193 188

HSL 177.44, 0.49%, 0.53%

LAB 71.76, -33.64, -7.28

 

CMYK 0 / 60 / 22 / 24

HEX #C24D98

RGB 194 77 152

HSL 321.54, 0.49%, 0.53%

LAB 50.74, 54.91, -17.59

 

CMYK 21 / 0 / 61 / 24

HEX #98C14C

RGB 152 193 76

HSL 81.03, 0.49%, 0.53%

LAB 73.11, -31.54, 53.1

 

CMYK 61 / 21 / 0 / 24

HEX #4C98C1

RGB 76 152 193

HSL 201.03, 0.49%, 0.53%

LAB 59.75, -11.19, -28.27

 

CMYK 0 / 60 / 22 / 24

HEX #C24D98

RGB 194 77 152

HSL 321.54, 0.49%, 0.53%

LAB 50.74, 54.91, -17.59

 

CMYK 0 / 27 / 61 / 24

HEX #C18D4C

RGB 193 141 76

HSL 33.33, 0.49%, 0.53%

LAB 62.43, 12.72, 41.87

 

CMYK 61 / 0 / 39 / 24

HEX #4CC175

RGB 76 193 117

HSL 141.03, 0.49%, 0.53%

LAB 70.15, -49.86, 28.73

 

CMYK 61 / 33 / 0 / 24

HEX #4C81C1

RGB 76 129 193

HSL 212.82, 0.49%, 0.53%

LAB 53.04, 2.03, -38.72

 

CMYK 0 / 60 / 22 / 24

HEX #C24D98

RGB 194 77 152

HSL 321.54, 0.49%, 0.53%

LAB 50.74, 54.91, -17.59

 

CMYK 0 / 9 / 61 / 24

HEX #C1B04C

RGB 193 176 76

HSL 51.28, 0.49%, 0.53%

LAB 71.49, -6.15, 52.18

 

CMYK 61 / 0 / 39 / 24

HEX #4CC175

RGB 76 193 117

HSL 141.03, 0.49%, 0.53%

LAB 70.15, -49.86, 28.73

 

CMYK 61 / 51 / 0 / 24

HEX #4C5EC1

RGB 76 94 193

HSL 230.77, 0.49%, 0.53%

LAB 43.35, 23.72, -54.17

 

Description

Color code: HEX #C24D98 | qconv.com Color code: HEX #C24D98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 77 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 77 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 22 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 22% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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