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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C233B2 it is the complementary color #3DCC4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C233B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C233B2 shade: #C733AD, #D845C0, #E957D3, #FA69E6 and #FF7BF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C233B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C233B2 shade: #C233B2, #B1219F, #A00F8C, #8F0079 and #7E0066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C233B2 shade: #C133B1, #C1338B, #C13364, #C1333E and #C13333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C233B2 shade: #C133B1, #AA33C1, #8433C1, #5E33C1 and #3833C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C233B2 shade matches the following richer shades: #C133B1, #D51FC0 and #E90BD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C233B2 shade: #C133B1, #AD47A2, #995B92, #856E83 and #728274

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C233B2 shade: #8333C1, #A933C1, #C133B3, #C1338D and #C13367

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C233B2 shade: #802275, #A02A93, #C133B1, #CF4EC1 and #D86ECC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C233B2 shade: #C233B2, #C15E33 and #33C196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C233B2 shade: #C233B2, #B3C133 and #33B3C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C233B2 shade: #C233B2, #C15E33, #33C141 and #3396C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C233B2 shade: #C233B2, #C18833, #33C141 and #336CC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 8 / 24

HEX #C233B2

RGB 194 51 178

HSL 306.71, 0.58%, 0.48%

LAB 48.32, 68.64, -36.68

 

Complementary color

CMYK 70 / 0 / 62 / 20

HEX #3DCC4D

RGB 61 204 77

HSL 126.71, 0.58%, 0.52%

LAB 72.7, -62.59, 51.18

 

CMYK 0 / 74 / 13 / 22

HEX #C733AD

RGB 199 51 173

HSL 310.54, 0.59%, 0.49%

LAB 48.92, 69.03, -32.75

 

CMYK 0 / 68 / 11 / 15

HEX #D845C0

RGB 216 69 192

HSL 309.8, 0.65%, 0.56%

LAB 54.72, 69.74, -34.53

 

CMYK 0 / 63 / 9 / 9

HEX #E957D3

RGB 233 87 211

HSL 309.04, 0.77%, 0.63%

LAB 60.64, 69.93, -35.93

 

CMYK 0 / 58 / 8 / 2

HEX #FA69E6

RGB 250 105 230

HSL 308.28, 0.94%, 0.7%

LAB 66.63, 69.79, -37.06

 

CMYK 0 / 52 / 2 / 0

HEX #FF7BF9

RGB 255 123 249

HSL 302.73, 1%, 0.74%

LAB 71.05, 66.24, -40.57

 

CMYK 0 / 74 / 8 / 24

HEX #C233B2

RGB 194 51 178

HSL 306.71, 0.58%, 0.48%

LAB 48.32, 68.64, -36.68

 

CMYK 0 / 81 / 10 / 31

HEX #B1219F

RGB 177 33 159

HSL 307.5, 0.69%, 0.41%

LAB 42.67, 67.19, -34.51

 

CMYK 0 / 91 / 13 / 37

HEX #A00F8C

RGB 160 15 140

HSL 308.28, 0.83%, 0.34%

LAB 37.31, 64.6, -31.62

 

CMYK 0 / 100 / 15 / 44

HEX #8F0079

RGB 143 0 121

HSL 309.23, 1%, 0.28%

LAB 32.3, 60.67, -27.9

 

CMYK 0 / 100 / 19 / 51

HEX #7E0066

RGB 126 0 102

HSL 311.43, 1%, 0.25%

LAB 27.83, 54.75, -22.99

 

CMYK 0 / 74 / 8 / 24

HEX #C133B1

RGB 193 51 177

HSL 306.76, 0.58%, 0.48%

LAB 48.11, 68.26, -36.45

 

CMYK 0 / 74 / 28 / 24

HEX #C1338B

RGB 193 51 139

HSL 322.82, 0.58%, 0.48%

LAB 46.4, 63.06, -16.43

 

CMYK 0 / 74 / 48 / 24

HEX #C13364

RGB 193 51 100

HSL 339.3, 0.58%, 0.48%

LAB 45.12, 58.95, 5.55

 

CMYK 0 / 74 / 68 / 24

HEX #C1333E

RGB 193 51 62

HSL 355.35, 0.58%, 0.48%

LAB 44.31, 56.28, 27.86

 

CMYK 0 / 74 / 74 / 24

HEX #C13333

RGB 193 51 51

HSL 0, 0.58%, 0.48%

LAB 44.15, 55.75, 34.2

 

CMYK 0 / 74 / 8 / 24

HEX #C133B1

RGB 193 51 177

HSL 306.76, 0.58%, 0.48%

LAB 48.11, 68.26, -36.45

 

CMYK 12 / 74 / 0 / 24

HEX #AA33C1

RGB 170 51 193

HSL 290.28, 0.58%, 0.48%

LAB 45.31, 65.98, -50.48

 

CMYK 32 / 74 / 0 / 24

HEX #8433C1

RGB 132 51 193

HSL 274.23, 0.58%, 0.48%

LAB 39.79, 58.53, -59.67

 

CMYK 51 / 74 / 0 / 24

HEX #5E33C1

RGB 94 51 193

HSL 258.17, 0.58%, 0.48%

LAB 35.2, 52.05, -67.35

 

CMYK 71 / 74 / 0 / 24

HEX #3833C1

RGB 56 51 193

HSL 242.11, 0.58%, 0.48%

LAB 31.94, 47.23, -72.83

 

CMYK 0 / 74 / 8 / 24

HEX #C133B1

RGB 193 51 177

HSL 306.76, 0.58%, 0.48%

LAB 48.11, 68.26, -36.45

 

CMYK 0 / 85 / 10 / 16

HEX #D51FC0

RGB 213 31 192

HSL 306.92, 0.75%, 0.48%

LAB 50.61, 79.44, -41.04

 

CMYK 0 / 95 / 11 / 9

HEX #E90BD0

RGB 233 11 208

HSL 306.76, 0.91%, 0.48%

LAB 54.15, 87.64, -44.43

 

CMYK 0 / 74 / 8 / 24

HEX #C133B1

RGB 193 51 177

HSL 306.76, 0.58%, 0.48%

LAB 48.11, 68.26, -36.45

 

CMYK 0 / 59 / 6 / 32

HEX #AD47A2

RGB 173 71 162

HSL 306.47, 0.42%, 0.48%

LAB 46.97, 53.17, -29.59

 

CMYK 0 / 41 / 5 / 40

HEX #995B92

RGB 153 91 146

HSL 306.77, 0.25%, 0.48%

LAB 47.4, 34.01, -19.63

 

CMYK 0 / 17 / 2 / 48

HEX #856E83

RGB 133 110 131

HSL 305.22, 0.09%, 0.48%

LAB 49.22, 12.97, -8.16

 

CMYK 12 / 0 / 11 / 49

HEX #728274

RGB 114 130 116

HSL 127.5, 0.07%, 0.48%

LAB 52.73, -8.74, 5.61

 

CMYK 32 / 74 / 0 / 24

HEX #8333C1

RGB 131 51 193

HSL 273.8, 0.58%, 0.48%

LAB 39.65, 58.35, -59.9

 

CMYK 12 / 74 / 0 / 24

HEX #A933C1

RGB 169 51 193

HSL 289.86, 0.58%, 0.48%

LAB 45.16, 65.78, -50.74

 

CMYK 0 / 74 / 7 / 24

HEX #C133B3

RGB 193 51 179

HSL 305.92, 0.58%, 0.48%

LAB 48.21, 68.56, -37.46

 

CMYK 0 / 74 / 27 / 24

HEX #C1338D

RGB 193 51 141

HSL 321.97, 0.58%, 0.48%

LAB 46.48, 63.31, -17.52

 

CMYK 0 / 74 / 47 / 24

HEX #C13367

RGB 193 51 103

HSL 338.03, 0.58%, 0.48%

LAB 45.2, 59.22, 3.82

 

CMYK 0 / 73 / 9 / 50

HEX #802275

RGB 128 34 117

HSL 307.02, 0.58%, 0.32%

LAB 31.85, 49.28, -26.28

 

CMYK 0 / 74 / 8 / 37

HEX #A02A93

RGB 160 42 147

HSL 306.61, 0.58%, 0.4%

LAB 39.98, 59.03, -31.71

 

CMYK 0 / 74 / 8 / 24

HEX #C133B1

RGB 193 51 177

HSL 306.76, 0.58%, 0.48%

LAB 48.11, 68.26, -36.45

 

CMYK 0 / 62 / 7 / 19

HEX #CF4EC1

RGB 207 78 193

HSL 306.51, 0.57%, 0.56%

LAB 54.62, 64.21, -35.37

 

CMYK 0 / 49 / 6 / 15

HEX #D86ECC

RGB 216 110 204

HSL 306.79, 0.58%, 0.64%

LAB 61.75, 53.98, -30.44

 

CMYK 0 / 74 / 8 / 24

HEX #C233B2

RGB 194 51 178

HSL 306.71, 0.58%, 0.48%

LAB 48.32, 68.64, -36.68

 

CMYK 0 / 51 / 74 / 24

HEX #C15E33

RGB 193 94 51

HSL 18.17, 0.58%, 0.48%

LAB 51.36, 36.67, 42.16

 

CMYK 74 / 0 / 22 / 24

HEX #33C196

RGB 51 193 150

HSL 161.83, 0.58%, 0.48%

LAB 70.21, -47.26, 11.1

 

CMYK 0 / 74 / 8 / 24

HEX #C233B2

RGB 194 51 178

HSL 306.71, 0.58%, 0.48%

LAB 48.32, 68.64, -36.68

 

CMYK 7 / 0 / 74 / 24

HEX #B3C133

RGB 179 193 51

HSL 65.92, 0.58%, 0.48%

LAB 74.8, -22.21, 65.21

 

CMYK 74 / 7 / 0 / 24

HEX #33B3C1

RGB 51 179 193

HSL 185.92, 0.58%, 0.48%

LAB 67.12, -29.15, -17.05

 

CMYK 0 / 74 / 8 / 24

HEX #C233B2

RGB 194 51 178

HSL 306.71, 0.58%, 0.48%

LAB 48.32, 68.64, -36.68

 

CMYK 0 / 51 / 74 / 24

HEX #C15E33

RGB 193 94 51

HSL 18.17, 0.58%, 0.48%

LAB 51.36, 36.67, 42.16

 

CMYK 74 / 0 / 66 / 24

HEX #33C141

RGB 51 193 65

HSL 125.92, 0.58%, 0.48%

LAB 68.91, -61.88, 52.02

 

CMYK 74 / 22 / 0 / 24

HEX #3396C1

RGB 51 150 193

HSL 198.17, 0.58%, 0.48%

LAB 58.38, -14.1, -30.44

 

CMYK 0 / 74 / 8 / 24

HEX #C233B2

RGB 194 51 178

HSL 306.71, 0.58%, 0.48%

LAB 48.32, 68.64, -36.68

 

CMYK 0 / 30 / 74 / 24

HEX #C18833

RGB 193 136 51

HSL 35.92, 0.58%, 0.48%

LAB 60.94, 13.97, 52.12

 

CMYK 74 / 0 / 66 / 24

HEX #33C141

RGB 51 193 65

HSL 125.92, 0.58%, 0.48%

LAB 68.91, -61.88, 52.02

 

CMYK 74 / 44 / 0 / 24

HEX #336CC1

RGB 51 108 193

HSL 215.92, 0.58%, 0.48%

LAB 46.01, 10.79, -49.95

 

Description

Color code: HEX #C233B2 | qconv.com Color code: HEX #C233B2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 51 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 51 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 8 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 8% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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