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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C23972 it is the complementary color #3DC68D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C23972. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C23972 shade: #C7396D, #D84B80, #E95D93, #FA6FA6 and #FF81B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C23972. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C23972 shade: #C23972, #B1275F, #A0154C, #8F0339 and #7E0026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C23972 shade: #C13871, #C1384C and #C13838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C23972 shade: #C13871, #C13896, #C138BB, #A238C1 and #7D38C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C23972 shade matches the following richer shades: #C13871, #D5246E and #EA0F6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C23972 shade: #C13871, #AD4C74, #996078, #85747B and #70897E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C23972 shade: #C138BA, #C13896, #C13871, #C1384C and #C14838

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C23972 shade: #81254B, #A12E5E, #C13871, #CD5587 and #D7759E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C23972 shade: #C23972, #C1A338 and #38A8C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C23972 shade: #C23972, #71C138 and #3871C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C23972 shade: #C23972, #C1A338, #38C188 and #3856C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C23972 shade: #C23972, #B6C138, #38C188 and #4338C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 41 / 24

HEX #C23972

RGB 194 57 114

HSL 335.04, 0.55%, 0.49%

LAB 46.46, 58.44, -1.1

 

Complementary color

CMYK 69 / 0 / 29 / 22

HEX #3DC68D

RGB 61 198 141

HSL 155.04, 0.55%, 0.51%

LAB 71.76, -49.89, 18.15

 

CMYK 0 / 71 / 45 / 22

HEX #C7396D

RGB 199 57 109

HSL 338.03, 0.56%, 0.5%

LAB 47.2, 59.39, 3.15

 

CMYK 0 / 65 / 41 / 15

HEX #D84B80

RGB 216 75 128

HSL 337.45, 0.64%, 0.57%

LAB 53.16, 59.37, 0.68

 

CMYK 0 / 60 / 37 / 9

HEX #E95D93

RGB 233 93 147

HSL 336.86, 0.76%, 0.64%

LAB 59.21, 59, -1.34

 

CMYK 0 / 56 / 34 / 2

HEX #FA6FA6

RGB 250 111 166

HSL 336.26, 0.93%, 0.71%

LAB 65.32, 58.42, -3.02

 

CMYK 0 / 49 / 27 / 0

HEX #FF81B9

RGB 255 129 185

HSL 333.33, 1%, 0.75%

LAB 69.8, 53.91, -7.05

 

CMYK 0 / 71 / 41 / 24

HEX #C23972

RGB 194 57 114

HSL 335.04, 0.55%, 0.49%

LAB 46.46, 58.44, -1.1

 

CMYK 0 / 78 / 46 / 31

HEX #B1275F

RGB 177 39 95

HSL 335.65, 0.64%, 0.42%

LAB 40.61, 57.88, 1.81

 

CMYK 0 / 87 / 53 / 37

HEX #A0154C

RGB 160 21 76

HSL 336.26, 0.77%, 0.35%

LAB 35.07, 56.36, 5.56

 

CMYK 0 / 98 / 60 / 44

HEX #8F0339

RGB 143 3 57

HSL 336.86, 0.96%, 0.29%

LAB 29.91, 53.62, 10.37

 

CMYK 0 / 100 / 70 / 51

HEX #7E0026

RGB 126 0 38

HSL 341.9, 1%, 0.25%

LAB 25.49, 48.67, 16.69

 

CMYK 0 / 71 / 41 / 24

HEX #C13871

RGB 193 56 113

HSL 335.04, 0.55%, 0.49%

LAB 46.12, 58.42, -1

 

CMYK 0 / 71 / 61 / 24

HEX #C1384C

RGB 193 56 76

HSL 351.24, 0.55%, 0.49%

LAB 45.2, 55.31, 20.48

 

CMYK 0 / 71 / 71 / 24

HEX #C13838

RGB 193 56 56

HSL 0, 0.55%, 0.49%

LAB 44.87, 54.17, 32.12

 

CMYK 0 / 71 / 41 / 24

HEX #C13871

RGB 193 56 113

HSL 335.04, 0.55%, 0.49%

LAB 46.12, 58.42, -1

 

CMYK 0 / 71 / 22 / 24

HEX #C13896

RGB 193 56 150

HSL 318.83, 0.55%, 0.49%

LAB 47.45, 62.76, -21.44

 

CMYK 0 / 71 / 3 / 24

HEX #C138BB

RGB 193 56 187

HSL 302.63, 0.55%, 0.49%

LAB 49.2, 68.18, -40.58

 

CMYK 16 / 71 / 0 / 24

HEX #A238C1

RGB 162 56 193

HSL 286.42, 0.55%, 0.49%

LAB 44.74, 62.49, -51.45

 

CMYK 35 / 71 / 0 / 24

HEX #7D38C1

RGB 125 56 193

HSL 270.22, 0.55%, 0.49%

LAB 39.65, 55.03, -59.94

 

CMYK 0 / 71 / 41 / 24

HEX #C13871

RGB 193 56 113

HSL 335.04, 0.55%, 0.49%

LAB 46.12, 58.42, -1

 

CMYK 0 / 83 / 48 / 16

HEX #D5246E

RGB 213 36 110

HSL 334.92, 0.71%, 0.49%

LAB 47.67, 69.32, 3.54

 

CMYK 0 / 94 / 55 / 8

HEX #EA0F6A

RGB 234 15 106

HSL 335.07, 0.88%, 0.49%

LAB 50.54, 77.3, 10.65

 

CMYK 0 / 71 / 41 / 24

HEX #C13871

RGB 193 56 113

HSL 335.04, 0.55%, 0.49%

LAB 46.12, 58.42, -1

 

CMYK 0 / 56 / 33 / 32

HEX #AD4C74

RGB 173 76 116

HSL 335.26, 0.39%, 0.49%

LAB 46.06, 43.94, -3.31

 

CMYK 0 / 37 / 22 / 40

HEX #996078

RGB 153 96 120

HSL 334.74, 0.23%, 0.49%

LAB 47.62, 26.67, -3.74

 

CMYK 0 / 13 / 8 / 48

HEX #85747B

RGB 133 116 123

HSL 335.29, 0.07%, 0.49%

LAB 50.58, 7.89, -1.42

 

CMYK 18 / 0 / 8 / 46

HEX #70897E

RGB 112 137 126

HSL 153.6, 0.1%, 0.49%

LAB 54.91, -11.29, 2.93

 

CMYK 0 / 71 / 4 / 24

HEX #C138BA

RGB 193 56 186

HSL 303.07, 0.55%, 0.49%

LAB 49.14, 68.02, -40.08

 

CMYK 0 / 71 / 22 / 24

HEX #C13896

RGB 193 56 150

HSL 318.83, 0.55%, 0.49%

LAB 47.45, 62.76, -21.44

 

CMYK 0 / 71 / 41 / 24

HEX #C13871

RGB 193 56 113

HSL 335.04, 0.55%, 0.49%

LAB 46.12, 58.42, -1

 

CMYK 0 / 71 / 61 / 24

HEX #C1384C

RGB 193 56 76

HSL 351.24, 0.55%, 0.49%

LAB 45.2, 55.31, 20.48

 

CMYK 0 / 63 / 71 / 24

HEX #C14838

RGB 193 72 56

HSL 7.01, 0.55%, 0.49%

LAB 47.31, 47.57, 34.95

 

CMYK 0 / 71 / 42 / 49

HEX #81254B

RGB 129 37 75

HSL 335.22, 0.55%, 0.33%

LAB 30.64, 42.53, -0.96

 

CMYK 0 / 71 / 42 / 37

HEX #A12E5E

RGB 161 46 94

HSL 334.96, 0.56%, 0.41%

LAB 38.44, 50.83, -1.09

 

CMYK 0 / 71 / 41 / 24

HEX #C13871

RGB 193 56 113

HSL 335.04, 0.55%, 0.49%

LAB 46.12, 58.42, -1

 

CMYK 0 / 59 / 34 / 20

HEX #CD5587

RGB 205 85 135

HSL 335, 0.55%, 0.57%

LAB 53.2, 52.45, -3.64

 

CMYK 0 / 46 / 27 / 16

HEX #D7759E

RGB 215 117 158

HSL 334.9, 0.55%, 0.65%

LAB 61.34, 43.06, -4.86

 

CMYK 0 / 71 / 41 / 24

HEX #C23972

RGB 194 57 114

HSL 335.04, 0.55%, 0.49%

LAB 46.46, 58.44, -1.1

 

CMYK 0 / 16 / 71 / 24

HEX #C1A338

RGB 193 163 56

HSL 46.86, 0.55%, 0.49%

LAB 67.89, -0.47, 57.02

 

CMYK 71 / 13 / 0 / 24

HEX #38A8C1

RGB 56 168 193

HSL 190.95, 0.55%, 0.49%

LAB 63.91, -23, -21.91

 

CMYK 0 / 71 / 41 / 24

HEX #C23972

RGB 194 57 114

HSL 335.04, 0.55%, 0.49%

LAB 46.46, 58.44, -1.1

 

CMYK 41 / 0 / 71 / 24

HEX #71C138

RGB 113 193 56

HSL 95.04, 0.55%, 0.49%

LAB 70.83, -47.23, 58.18

 

CMYK 71 / 41 / 0 / 24

HEX #3871C1

RGB 56 113 193

HSL 215.04, 0.55%, 0.49%

LAB 47.63, 8.36, -47.36

 

CMYK 0 / 71 / 41 / 24

HEX #C23972

RGB 194 57 114

HSL 335.04, 0.55%, 0.49%

LAB 46.46, 58.44, -1.1

 

CMYK 0 / 16 / 71 / 24

HEX #C1A338

RGB 193 163 56

HSL 46.86, 0.55%, 0.49%

LAB 67.89, -0.47, 57.02

 

CMYK 71 / 0 / 30 / 24

HEX #38C188

RGB 56 193 136

HSL 155.04, 0.55%, 0.49%

LAB 70.01, -49.74, 18.38

 

CMYK 71 / 55 / 0 / 24

HEX #3856C1

RGB 56 86 193

HSL 226.86, 0.55%, 0.49%

LAB 40.16, 25.62, -59.38

 

CMYK 0 / 71 / 41 / 24

HEX #C23972

RGB 194 57 114

HSL 335.04, 0.55%, 0.49%

LAB 46.46, 58.44, -1.1

 

CMYK 6 / 0 / 71 / 24

HEX #B6C138

RGB 182 193 56

HSL 64.82, 0.55%, 0.49%

LAB 75.06, -20.71, 63.8

 

CMYK 71 / 0 / 30 / 24

HEX #38C188

RGB 56 193 136

HSL 155.04, 0.55%, 0.49%

LAB 70.01, -49.74, 18.38

 

CMYK 65 / 71 / 0 / 24

HEX #4338C1

RGB 67 56 193

HSL 244.82, 0.55%, 0.49%

LAB 33.71, 45.65, -69.88

 

Description

Color code: HEX #C23972 | qconv.com Color code: HEX #C23972 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 57 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 57 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 41 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 41% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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