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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C236ED it is the complementary color #3DC912. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C236ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C236ED shade: #C736E8, #D848FB, #E95AFF, #FA6CFF and #FF7EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C236ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C236ED shade: #C236ED, #B124DA, #A012C7, #8F00B4 and #7E00A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C236ED shade: #C235ED, #ED35E7, #ED35B5, #ED3583 and #ED3552

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C236ED shade: #C235ED, #9035ED, #5E35ED and #3535ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C236ED shade matches the following richer shades: #C235ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C236ED shade: #C235ED, #B846DB, #AF58C9, #A56AB8 and #9C7CA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C236ED shade: #5D35ED, #8E35ED, #BF35ED, #ED35EA and #ED35B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C236ED shade: #9610BF, #B413E5, #C235ED, #CD5BF0 and #D981F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C236ED shade: #C236ED, #ED353E and #35ED75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C236ED shade: #C236ED, #EDBF35 and #35EDBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C236ED shade: #C236ED, #ED353E, #63ED35 and #35EDE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C236ED shade: #C236ED, #ED6335, #63ED35 and #35BFED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 77 / 0 / 7

HEX #C236ED

RGB 194 54 237

HSL 285.9, 0.84%, 0.57%

LAB 52.09, 77.6, -64.55

 

Complementary color

CMYK 70 / 0 / 91 / 21

HEX #3DC912

RGB 61 201 18

HSL 105.9, 0.84%, 0.43%

LAB 71.43, -65.62, 68.29

 

CMYK 14 / 77 / 0 / 9

HEX #C736E8

RGB 199 54 232

HSL 288.88, 0.79%, 0.56%

LAB 52.52, 77.6, -61.01

 

CMYK 14 / 71 / 0 / 2

HEX #D848FB

RGB 216 72 251

HSL 288.27, 0.96%, 0.63%

LAB 58.23, 78.37, -62.32

 

CMYK 9 / 65 / 0 / 0

HEX #E95AFF

RGB 233 90 255

HSL 292, 1%, 0.68%

LAB 63.22, 75.96, -56.4

 

CMYK 2 / 58 / 0 / 0

HEX #FA6CFF

RGB 250 108 255

HSL 297.96, 1%, 0.71%

LAB 68.22, 72.56, -48.34

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 18 / 77 / 0 / 7

HEX #C236ED

RGB 194 54 237

HSL 285.9, 0.84%, 0.57%

LAB 52.09, 77.6, -64.55

 

CMYK 19 / 83 / 0 / 15

HEX #B124DA

RGB 177 36 218

HSL 286.48, 0.72%, 0.5%

LAB 46.54, 76.14, -62.87

 

CMYK 20 / 91 / 0 / 22

HEX #A012C7

RGB 160 18 199

HSL 287.07, 0.83%, 0.43%

LAB 41.26, 73.63, -60.59

 

CMYK 21 / 100 / 0 / 29

HEX #8F00B4

RGB 143 0 180

HSL 287.67, 1%, 0.35%

LAB 36.24, 70.04, -57.69

 

CMYK 22 / 100 / 0 / 37

HEX #7E00A1

RGB 126 0 161

HSL 286.96, 1%, 0.32%

LAB 31.83, 64.27, -53.6

 

CMYK 18 / 78 / 0 / 7

HEX #C235ED

RGB 194 53 237

HSL 285.98, 0.84%, 0.57%

LAB 51.98, 77.9, -64.72

 

CMYK 0 / 78 / 3 / 7

HEX #ED35E7

RGB 237 53 231

HSL 301.96, 0.84%, 0.57%

LAB 58.34, 84.86, -50.79

 

CMYK 0 / 78 / 24 / 7

HEX #ED35B5

RGB 237 53 181

HSL 318.26, 0.84%, 0.57%

LAB 55.97, 78.13, -25.95

 

CMYK 0 / 78 / 45 / 7

HEX #ED3583

RGB 237 53 131

HSL 334.57, 0.84%, 0.57%

LAB 54.23, 72.91, 0.89

 

CMYK 0 / 78 / 65 / 7

HEX #ED3552

RGB 237 53 82

HSL 350.54, 0.84%, 0.57%

LAB 53.12, 69.49, 28.71

 

CMYK 18 / 78 / 0 / 7

HEX #C235ED

RGB 194 53 237

HSL 285.98, 0.84%, 0.57%

LAB 51.98, 77.9, -64.72

 

CMYK 39 / 78 / 0 / 7

HEX #9035ED

RGB 144 53 237

HSL 269.67, 0.84%, 0.57%

LAB 45.07, 69.71, -76.27

 

CMYK 60 / 78 / 0 / 7

HEX #5E35ED

RGB 94 53 237

HSL 253.37, 0.84%, 0.57%

LAB 39.65, 63.25, -85.38

 

CMYK 78 / 78 / 0 / 7

HEX #3535ED

RGB 53 53 237

HSL 240, 0.84%, 0.57%

LAB 36.78, 59.79, -90.22

 

CMYK 18 / 78 / 0 / 7

HEX #C235ED

RGB 194 53 237

HSL 285.98, 0.84%, 0.57%

LAB 51.98, 77.9, -64.72

 

CMYK 18 / 78 / 0 / 7

HEX #C235ED

RGB 194 53 237

HSL 285.98, 0.84%, 0.57%

LAB 51.98, 77.9, -64.72

 

CMYK 16 / 68 / 0 / 14

HEX #B846DB

RGB 184 70 219

HSL 285.91, 0.67%, 0.57%

LAB 51.48, 66.65, -55.43

 

CMYK 13 / 56 / 0 / 21

HEX #AF58C9

RGB 175 88 201

HSL 286.19, 0.51%, 0.57%

LAB 52.19, 52.88, -44.1

 

CMYK 10 / 42 / 0 / 28

HEX #A56AB8

RGB 165 106 184

HSL 285.38, 0.35%, 0.57%

LAB 53.78, 37.08, -31.91

 

CMYK 6 / 25 / 0 / 35

HEX #9C7CA6

RGB 156 124 166

HSL 285.71, 0.19%, 0.57%

LAB 56.32, 20.16, -17.69

 

CMYK 61 / 78 / 0 / 7

HEX #5D35ED

RGB 93 53 237

HSL 253.04, 0.84%, 0.57%

LAB 39.56, 63.14, -85.52

 

CMYK 40 / 78 / 0 / 7

HEX #8E35ED

RGB 142 53 237

HSL 269.02, 0.84%, 0.57%

LAB 44.82, 69.41, -76.69

 

CMYK 19 / 78 / 0 / 7

HEX #BF35ED

RGB 191 53 237

HSL 285, 0.84%, 0.57%

LAB 51.54, 77.37, -65.46

 

CMYK 0 / 78 / 1 / 7

HEX #ED35EA

RGB 237 53 234

HSL 300.98, 0.84%, 0.57%

LAB 58.5, 85.31, -52.22

 

CMYK 0 / 78 / 22 / 7

HEX #ED35B9

RGB 237 53 185

HSL 316.96, 0.84%, 0.57%

LAB 56.14, 78.61, -28.02

 

CMYK 21 / 92 / 0 / 25

HEX #9610BF

RGB 150 16 191

HSL 285.94, 0.85%, 0.41%

LAB 38.93, 71.02, -59.78

 

CMYK 21 / 92 / 0 / 10

HEX #B413E5

RGB 180 19 229

HSL 286, 0.85%, 0.49%

LAB 46.75, 81.67, -68.79

 

CMYK 18 / 78 / 0 / 7

HEX #C235ED

RGB 194 53 237

HSL 285.98, 0.84%, 0.57%

LAB 51.98, 77.9, -64.72

 

CMYK 15 / 62 / 0 / 6

HEX #CD5BF0

RGB 205 91 240

HSL 285.91, 0.83%, 0.65%

LAB 58.74, 66.5, -55.46

 

CMYK 11 / 47 / 0 / 4

HEX #D981F4

RGB 217 129 244

HSL 285.91, 0.84%, 0.73%

LAB 67.26, 52.11, -44.1

 

CMYK 18 / 77 / 0 / 7

HEX #C236ED

RGB 194 54 237

HSL 285.9, 0.84%, 0.57%

LAB 52.09, 77.6, -64.55

 

CMYK 0 / 78 / 74 / 7

HEX #ED353E

RGB 237 53 62

HSL 357.07, 0.84%, 0.57%

LAB 52.84, 68.59, 39.97

 

CMYK 78 / 0 / 51 / 7

HEX #35ED75

RGB 53 237 117

HSL 140.87, 0.84%, 0.57%

LAB 83.24, -69.49, 45.34

 

CMYK 18 / 77 / 0 / 7

HEX #C236ED

RGB 194 54 237

HSL 285.9, 0.84%, 0.57%

LAB 52.09, 77.6, -64.55

 

CMYK 0 / 19 / 78 / 7

HEX #EDBF35

RGB 237 191 53

HSL 45, 0.84%, 0.57%

LAB 79.34, 3.67, 70.59

 

CMYK 78 / 0 / 19 / 7

HEX #35EDBF

RGB 53 237 191

HSL 165, 0.84%, 0.57%

LAB 84.53, -55.04, 9.64

 

CMYK 18 / 77 / 0 / 7

HEX #C236ED

RGB 194 54 237

HSL 285.9, 0.84%, 0.57%

LAB 52.09, 77.6, -64.55

 

CMYK 0 / 78 / 74 / 7

HEX #ED353E

RGB 237 53 62

HSL 357.07, 0.84%, 0.57%

LAB 52.84, 68.59, 39.97

 

CMYK 58 / 0 / 78 / 7

HEX #63ED35

RGB 99 237 53

HSL 105, 0.84%, 0.57%

LAB 83.69, -67.71, 71.62

 

CMYK 78 / 0 / 4 / 7

HEX #35EDE4

RGB 53 237 228

HSL 177.07, 0.84%, 0.57%

LAB 85.47, -45.49, -8.42

 

CMYK 18 / 77 / 0 / 7

HEX #C236ED

RGB 194 54 237

HSL 285.9, 0.84%, 0.57%

LAB 52.09, 77.6, -64.55

 

CMYK 0 / 58 / 78 / 7

HEX #ED6335

RGB 237 99 53

HSL 15, 0.84%, 0.57%

LAB 59.15, 50.88, 51.37

 

CMYK 58 / 0 / 78 / 7

HEX #63ED35

RGB 99 237 53

HSL 105, 0.84%, 0.57%

LAB 83.69, -67.71, 71.62

 

CMYK 78 / 19 / 0 / 7

HEX #35BFED

RGB 53 191 237

HSL 195, 0.84%, 0.57%

LAB 72.32, -20.99, -33.16

 

Description

Color code: HEX #C236ED | qconv.com Color code: HEX #C236ED | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 54 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 54 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 77 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 77% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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