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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C228A7 it is the complementary color #3DD758. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C228A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C228A7 shade: #C728A2, #D83AB5, #E94CC8, #FA5EDB and #FF70EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C228A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C228A7 shade: #C228A7, #B11694, #A00481, #8F006E and #7E005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C228A7 shade: #C227A7, #C2277D, #C22754, #C2272A and #C22727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C228A7 shade: #C227A7, #B427C2, #8A27C2, #6027C2 and #3627C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C228A7 shade matches the following richer shades: #C227A7, #D514B3 and #E801C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C228A7 shade: #C227A7, #AF3A9B, #9C4D8E, #896082 and #767376

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C228A7 shade: #8927C2, #B327C2, #C227A8, #C2277F and #C22756

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C228A7 shade: #7E196C, #A0208A, #C227A7, #D73CBC and #DE5EC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C228A7 shade: #C228A7, #C26027 and #27C29E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C228A7 shade: #C228A7, #A8C227 and #27A8C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C228A7 shade: #C228A7, #C26027, #27C241 and #2789C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C228A7 shade: #C228A7, #C28F27, #27C241 and #275BC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 14 / 24

HEX #C228A7

RGB 194 40 167

HSL 310.52, 0.66%, 0.46%

LAB 46.68, 70.19, -32.77

 

Complementary color

CMYK 72 / 0 / 59 / 16

HEX #3DD758

RGB 61 215 88

HSL 130.52, 0.66%, 0.54%

LAB 76.25, -65, 50.39

 

CMYK 0 / 80 / 19 / 22

HEX #C728A2

RGB 199 40 162

HSL 313.96, 0.67%, 0.47%

LAB 47.32, 70.61, -28.73

 

CMYK 0 / 73 / 16 / 15

HEX #D83AB5

RGB 216 58 181

HSL 313.29, 0.67%, 0.54%

LAB 52.91, 71.89, -30.99

 

CMYK 0 / 67 / 14 / 9

HEX #E94CC8

RGB 233 76 200

HSL 312.61, 0.78%, 0.61%

LAB 58.66, 72.49, -32.78

 

CMYK 0 / 62 / 12 / 2

HEX #FA5EDB

RGB 250 94 219

HSL 311.92, 0.94%, 0.67%

LAB 64.52, 72.63, -34.21

 

CMYK 0 / 56 / 7 / 0

HEX #FF70EE

RGB 255 112 238

HSL 307.13, 1%, 0.72%

LAB 68.77, 69.34, -38.1

 

CMYK 0 / 79 / 14 / 24

HEX #C228A7

RGB 194 40 167

HSL 310.52, 0.66%, 0.46%

LAB 46.68, 70.19, -32.77

 

CMYK 0 / 88 / 16 / 31

HEX #B11694

RGB 177 22 148

HSL 311.23, 0.78%, 0.39%

LAB 41.31, 67.96, -30.01

 

CMYK 0 / 98 / 19 / 37

HEX #A00481

RGB 160 4 129

HSL 311.92, 0.95%, 0.32%

LAB 36.26, 64.51, -26.46

 

CMYK 0 / 100 / 23 / 44

HEX #8F006E

RGB 143 0 110

HSL 313.85, 1%, 0.28%

LAB 31.73, 59.22, -21.8

 

CMYK 0 / 100 / 28 / 51

HEX #7E005B

RGB 126 0 91

HSL 316.67, 1%, 0.25%

LAB 27.27, 53.34, -16.66

 

CMYK 0 / 80 / 14 / 24

HEX #C227A7

RGB 194 39 167

HSL 310.45, 0.67%, 0.46%

LAB 46.59, 70.44, -32.91

 

CMYK 0 / 80 / 36 / 24

HEX #C2277D

RGB 194 39 125

HSL 326.71, 0.67%, 0.46%

LAB 44.8, 65.28, -10.31

 

CMYK 0 / 80 / 57 / 24

HEX #C22754

RGB 194 39 84

HSL 342.58, 0.67%, 0.46%

LAB 43.6, 61.65, 13.4

 

CMYK 0 / 80 / 78 / 24

HEX #C2272A

RGB 194 39 42

HSL 358.84, 0.67%, 0.46%

LAB 42.89, 59.48, 38.05

 

CMYK 0 / 80 / 80 / 24

HEX #C22727

RGB 194 39 39

HSL 0, 0.67%, 0.46%

LAB 42.86, 59.38, 39.7

 

CMYK 0 / 80 / 14 / 24

HEX #C227A7

RGB 194 39 167

HSL 310.45, 0.67%, 0.46%

LAB 46.59, 70.44, -32.91

 

CMYK 7 / 80 / 0 / 24

HEX #B427C2

RGB 180 39 194

HSL 294.58, 0.67%, 0.46%

LAB 45.7, 71.75, -50.35

 

CMYK 29 / 80 / 0 / 24

HEX #8A27C2

RGB 138 39 194

HSL 278.32, 0.67%, 0.46%

LAB 39.16, 64.27, -61.25

 

CMYK 51 / 80 / 0 / 24

HEX #6027C2

RGB 96 39 194

HSL 262.06, 0.67%, 0.46%

LAB 33.63, 57.98, -70.5

 

CMYK 72 / 80 / 0 / 24

HEX #3627C2

RGB 54 39 194

HSL 245.81, 0.67%, 0.46%

LAB 29.74, 53.57, -77.06

 

CMYK 0 / 80 / 14 / 24

HEX #C227A7

RGB 194 39 167

HSL 310.45, 0.67%, 0.46%

LAB 46.59, 70.44, -32.91

 

CMYK 0 / 91 / 16 / 16

HEX #D514B3

RGB 213 20 179

HSL 310.57, 0.83%, 0.46%

LAB 49.38, 79.39, -35.39

 

CMYK 0 / 100 / 17 / 9

HEX #E801C0

RGB 232 1 192

HSL 310.39, 0.99%, 0.46%

LAB 52.93, 86.14, -37.15

 

CMYK 0 / 80 / 14 / 24

HEX #C227A7

RGB 194 39 167

HSL 310.45, 0.67%, 0.46%

LAB 46.59, 70.44, -32.91

 

CMYK 0 / 67 / 11 / 31

HEX #AF3A9B

RGB 175 58 155

HSL 310.26, 0.5%, 0.46%

LAB 44.95, 58.1, -28.56

 

CMYK 0 / 51 / 9 / 39

HEX #9C4D8E

RGB 156 77 142

HSL 310.63, 0.34%, 0.46%

LAB 44.7, 41.81, -21.36

 

CMYK 0 / 30 / 5 / 46

HEX #896082

RGB 137 96 130

HSL 310.24, 0.18%, 0.46%

LAB 46.04, 22.52, -12.31

 

CMYK 0 / 3 / 0 / 54

HEX #767376

RGB 118 115 118

HSL 300, 0.01%, 0.46%

LAB 48.79, 1.75, -1.25

 

CMYK 29 / 80 / 0 / 24

HEX #8927C2

RGB 137 39 194

HSL 277.94, 0.67%, 0.46%

LAB 39.01, 64.1, -61.49

 

CMYK 8 / 80 / 0 / 24

HEX #B327C2

RGB 179 39 194

HSL 294.19, 0.67%, 0.46%

LAB 45.54, 71.56, -50.62

 

CMYK 0 / 80 / 13 / 24

HEX #C227A8

RGB 194 39 168

HSL 310.06, 0.67%, 0.46%

LAB 46.64, 70.58, -33.43

 

CMYK 0 / 80 / 35 / 24

HEX #C2277F

RGB 194 39 127

HSL 325.94, 0.67%, 0.46%

LAB 44.88, 65.5, -11.43

 

CMYK 0 / 80 / 56 / 24

HEX #C22756

RGB 194 39 86

HSL 341.81, 0.67%, 0.46%

LAB 43.64, 61.79, 12.21

 

CMYK 0 / 80 / 14 / 51

HEX #7E196C

RGB 126 25 108

HSL 310.69, 0.67%, 0.3%

LAB 29.95, 50.39, -23.55

 

CMYK 0 / 80 / 14 / 37

HEX #A0208A

RGB 160 32 138

HSL 310.31, 0.67%, 0.38%

LAB 38.45, 60.71, -28.6

 

CMYK 0 / 80 / 14 / 24

HEX #C227A7

RGB 194 39 167

HSL 310.45, 0.67%, 0.46%

LAB 46.59, 70.44, -32.91

 

CMYK 0 / 72 / 13 / 16

HEX #D73CBC

RGB 215 60 188

HSL 310.45, 0.66%, 0.54%

LAB 53.29, 72, -34.48

 

CMYK 0 / 58 / 10 / 13

HEX #DE5EC7

RGB 222 94 199

HSL 310.78, 0.66%, 0.62%

LAB 59.58, 62.29, -30.91

 

CMYK 0 / 79 / 14 / 24

HEX #C228A7

RGB 194 40 167

HSL 310.52, 0.66%, 0.46%

LAB 46.68, 70.19, -32.77

 

CMYK 0 / 51 / 80 / 24

HEX #C26027

RGB 194 96 39

HSL 22.06, 0.67%, 0.46%

LAB 51.82, 35.55, 48.48

 

CMYK 80 / 0 / 19 / 24

HEX #27C29E

RGB 39 194 158

HSL 166.06, 0.67%, 0.46%

LAB 70.51, -47.08, 7.16

 

CMYK 0 / 79 / 14 / 24

HEX #C228A7

RGB 194 40 167

HSL 310.52, 0.66%, 0.46%

LAB 46.68, 70.19, -32.77

 

CMYK 13 / 0 / 80 / 24

HEX #A8C227

RGB 168 194 39

HSL 70.06, 0.67%, 0.46%

LAB 74.22, -27.79, 68.07

 

CMYK 80 / 13 / 0 / 24

HEX #27A8C2

RGB 39 168 194

HSL 190.06, 0.67%, 0.46%

LAB 63.62, -24.63, -22.96

 

CMYK 0 / 79 / 14 / 24

HEX #C228A7

RGB 194 40 167

HSL 310.52, 0.66%, 0.46%

LAB 46.68, 70.19, -32.77

 

CMYK 0 / 51 / 80 / 24

HEX #C26027

RGB 194 96 39

HSL 22.06, 0.67%, 0.46%

LAB 51.82, 35.55, 48.48

 

CMYK 80 / 0 / 66 / 24

HEX #27C241

RGB 39 194 65

HSL 130.06, 0.67%, 0.46%

LAB 69.04, -63.87, 52.09

 

CMYK 80 / 29 / 0 / 24

HEX #2789C2

RGB 39 137 194

HSL 202.06, 0.67%, 0.46%

LAB 54.26, -7.84, -37.47

 

CMYK 0 / 79 / 14 / 24

HEX #C228A7

RGB 194 40 167

HSL 310.52, 0.66%, 0.46%

LAB 46.68, 70.19, -32.77

 

CMYK 0 / 26 / 80 / 24

HEX #C28F27

RGB 194 143 39

HSL 40.26, 0.67%, 0.46%

LAB 62.73, 10.07, 58.61

 

CMYK 80 / 0 / 66 / 24

HEX #27C241

RGB 39 194 65

HSL 130.06, 0.67%, 0.46%

LAB 69.04, -63.87, 52.09

 

CMYK 80 / 53 / 0 / 24

HEX #275BC2

RGB 39 91 194

HSL 219.87, 0.67%, 0.46%

LAB 40.91, 20.72, -58.77

 

Description

Color code: HEX #C228A7 | qconv.com Color code: HEX #C228A7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 40 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 40 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 14 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 14% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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