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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C20B26 it is the complementary color #3DF4D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C20B26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C20B26 shade: #C70B21, #D81D34, #E92F47, #FA415A and #FF536D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C20B26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C20B26 shade: #C20B26, #B10013, #A00000, #8F0000 and #7E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C20B26 shade: #C00B26 and #C00B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C20B26 shade: #C00B26, #C00B56, #C00B87, #C00BB8 and #970BC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C20B26 shade matches the following richer shades: #C00B26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C20B26 shade: #C00B26, #B01B31, #9F2C3D, #8F3C48 and #7E4D54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C20B26 shade: #C00B87, #C00B56, #C00B26, #C0200B and #C0500B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C20B26 shade: #720616, #99081E, #C00B26, #E70D2D and #F22B49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C20B26 shade: #C20B26, #B7C00B and #0B6FC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C20B26 shade: #C20B26, #26C00B and #0B26C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C20B26 shade: #C20B26, #B7C00B, #0BC0A5 and #140BC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C20B26 shade: #C20B26, #81C00B, #0BC0A5 and #4A0BC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 80 / 24

HEX #C20B26

RGB 194 11 38

HSL 351.15, 0.89%, 0.4%

LAB 40.97, 64.72, 38.34

 

Complementary color

CMYK 75 / 0 / 11 / 4

HEX #3DF4D9

RGB 61 244 217

HSL 171.15, 0.89%, 0.6%

LAB 87.34, -50.61, 0.12

 

CMYK 0 / 94 / 83 / 22

HEX #C70B21

RGB 199 11 33

HSL 352.98, 0.9%, 0.41%

LAB 41.99, 65.86, 42.47

 

CMYK 0 / 87 / 76 / 15

HEX #D81D34

RGB 216 29 52

HSL 352.62, 0.76%, 0.48%

LAB 46.61, 68.18, 37.62

 

CMYK 0 / 80 / 70 / 9

HEX #E92F47

RGB 233 47 71

HSL 352.26, 0.81%, 0.55%

LAB 51.62, 69.47, 33.17

 

CMYK 0 / 74 / 64 / 2

HEX #FA415A

RGB 250 65 90

HSL 351.89, 0.95%, 0.62%

LAB 56.92, 69.99, 29.33

 

CMYK 0 / 67 / 57 / 0

HEX #FF536D

RGB 255 83 109

HSL 350.93, 1%, 0.66%

LAB 60.38, 66.41, 22.96

 

CMYK 0 / 94 / 80 / 24

HEX #C20B26

RGB 194 11 38

HSL 351.15, 0.89%, 0.4%

LAB 40.97, 64.72, 38.34

 

CMYK 0 / 100 / 89 / 31

HEX #B10013

RGB 177 0 19

HSL 353.56, 1%, 0.35%

LAB 36.73, 61.16, 43.32

 

CMYK 0 / 100 / 100 / 37

HEX #A00000

RGB 160 0 0

HSL 0, 1%, 0.31%

LAB 32.86, 56.54, 46.95

 

CMYK 0 / 100 / 100 / 44

HEX #8F0000

RGB 143 0 0

HSL 0, 1%, 0.28%

LAB 29, 52.07, 42.42

 

CMYK 0 / 100 / 100 / 51

HEX #7E0000

RGB 126 0 0

HSL 0, 1%, 0.25%

LAB 25.06, 47.51, 37.45

 

CMYK 0 / 94 / 80 / 25

HEX #C00B26

RGB 192 11 38

HSL 351.05, 0.89%, 0.4%

LAB 40.55, 64.21, 37.78

 

CMYK 0 / 94 / 94 / 25

HEX #C00B0B

RGB 192 11 11

HSL 0, 0.89%, 0.4%

LAB 40.36, 63.68, 50.6

 

CMYK 0 / 94 / 80 / 25

HEX #C00B26

RGB 192 11 38

HSL 351.05, 0.89%, 0.4%

LAB 40.55, 64.21, 37.78

 

CMYK 0 / 94 / 55 / 25

HEX #C00B56

RGB 192 11 86

HSL 335.14, 0.89%, 0.4%

LAB 41.4, 66.56, 9.03

 

CMYK 0 / 94 / 30 / 25

HEX #C00B87

RGB 192 11 135

HSL 318.9, 0.89%, 0.4%

LAB 43.06, 70.98, -19.14

 

CMYK 0 / 94 / 4 / 25

HEX #C00BB8

RGB 192 11 184

HSL 302.65, 0.89%, 0.4%

LAB 45.51, 77.24, -44.69

 

CMYK 21 / 94 / 0 / 25

HEX #970BC0

RGB 151 11 192

HSL 286.41, 0.89%, 0.4%

LAB 38.94, 72.02, -60.33

 

CMYK 0 / 94 / 80 / 25

HEX #C00B26

RGB 192 11 38

HSL 351.05, 0.89%, 0.4%

LAB 40.55, 64.21, 37.78

 

CMYK 0 / 94 / 80 / 25

HEX #C00B26

RGB 192 11 38

HSL 351.05, 0.89%, 0.4%

LAB 40.55, 64.21, 37.78

 

CMYK 0 / 85 / 72 / 31

HEX #B01B31

RGB 176 27 49

HSL 351.14, 0.73%, 0.4%

LAB 38.26, 57.7, 27.7

 

CMYK 0 / 72 / 62 / 38

HEX #9F2C3D

RGB 159 44 61

HSL 351.13, 0.57%, 0.4%

LAB 36.95, 48.09, 17.78

 

CMYK 0 / 58 / 50 / 44

HEX #8F3C48

RGB 143 60 72

HSL 351.33, 0.41%, 0.4%

LAB 37, 36.31, 10.4

 

CMYK 0 / 39 / 33 / 51

HEX #7E4D54

RGB 126 77 84

HSL 351.43, 0.24%, 0.4%

LAB 38.52, 21.67, 4.64

 

CMYK 0 / 94 / 30 / 25

HEX #C00B87

RGB 192 11 135

HSL 318.9, 0.89%, 0.4%

LAB 43.06, 70.98, -19.14

 

CMYK 0 / 94 / 55 / 25

HEX #C00B56

RGB 192 11 86

HSL 335.14, 0.89%, 0.4%

LAB 41.4, 66.56, 9.03

 

CMYK 0 / 94 / 80 / 25

HEX #C00B26

RGB 192 11 38

HSL 351.05, 0.89%, 0.4%

LAB 40.55, 64.21, 37.78

 

CMYK 0 / 83 / 94 / 25

HEX #C0200B

RGB 192 32 11

HSL 6.96, 0.89%, 0.4%

LAB 41.63, 60.04, 51.34

 

CMYK 0 / 58 / 94 / 25

HEX #C0500B

RGB 192 80 11

HSL 22.87, 0.89%, 0.4%

LAB 48.22, 42.12, 55.5

 

CMYK 0 / 95 / 81 / 55

HEX #720616

RGB 114 6 22

HSL 351.11, 0.9%, 0.24%

LAB 22.88, 43.47, 23.68

 

CMYK 0 / 95 / 80 / 40

HEX #99081E

RGB 153 8 30

HSL 350.9, 0.9%, 0.32%

LAB 31.9, 54.15, 30.91

 

CMYK 0 / 94 / 80 / 25

HEX #C00B26

RGB 192 11 38

HSL 351.05, 0.89%, 0.4%

LAB 40.55, 64.21, 37.78

 

CMYK 0 / 94 / 81 / 9

HEX #E70D2D

RGB 231 13 45

HSL 351.19, 0.89%, 0.48%

LAB 48.84, 73.95, 44.85

 

CMYK 0 / 82 / 70 / 5

HEX #F22B49

RGB 242 43 73

HSL 350.95, 0.88%, 0.56%

LAB 53.04, 72.94, 34.12

 

CMYK 0 / 94 / 80 / 24

HEX #C20B26

RGB 194 11 38

HSL 351.15, 0.89%, 0.4%

LAB 40.97, 64.72, 38.34

 

CMYK 5 / 0 / 94 / 25

HEX #B7C00B

RGB 183 192 11

HSL 62.98, 0.89%, 0.4%

LAB 74.69, -21.16, 74.33

 

CMYK 94 / 42 / 0 / 25

HEX #0B6FC0

RGB 11 111 192

HSL 206.85, 0.89%, 0.4%

LAB 45.97, 5.1, -49.49

 

CMYK 0 / 94 / 80 / 24

HEX #C20B26

RGB 194 11 38

HSL 351.15, 0.89%, 0.4%

LAB 40.97, 64.72, 38.34

 

CMYK 80 / 0 / 94 / 25

HEX #26C00B

RGB 38 192 11

HSL 111.05, 0.89%, 0.4%

LAB 68.12, -66.64, 66.32

 

CMYK 94 / 80 / 0 / 25

HEX #0B26C0

RGB 11 38 192

HSL 231.05, 0.89%, 0.4%

LAB 27.47, 51.35, -79.7

 

CMYK 0 / 94 / 80 / 24

HEX #C20B26

RGB 194 11 38

HSL 351.15, 0.89%, 0.4%

LAB 40.97, 64.72, 38.34

 

CMYK 5 / 0 / 94 / 25

HEX #B7C00B

RGB 183 192 11

HSL 62.98, 0.89%, 0.4%

LAB 74.69, -21.16, 74.33

 

CMYK 94 / 0 / 14 / 25

HEX #0BC0A5

RGB 11 192 165

HSL 171.05, 0.89%, 0.4%

LAB 69.82, -46.24, 2.31

 

CMYK 90 / 94 / 0 / 25

HEX #140BC0

RGB 20 11 192

HSL 242.98, 0.89%, 0.4%

LAB 24.3, 61.72, -84.97

 

CMYK 0 / 94 / 80 / 24

HEX #C20B26

RGB 194 11 38

HSL 351.15, 0.89%, 0.4%

LAB 40.97, 64.72, 38.34

 

CMYK 33 / 0 / 94 / 25

HEX #81C00B

RGB 129 192 11

HSL 80.88, 0.89%, 0.4%

LAB 71.14, -43.05, 70.02

 

CMYK 94 / 0 / 14 / 25

HEX #0BC0A5

RGB 11 192 165

HSL 171.05, 0.89%, 0.4%

LAB 69.82, -46.24, 2.31

 

CMYK 61 / 94 / 0 / 25

HEX #4A0BC0

RGB 74 11 192

HSL 260.88, 0.89%, 0.4%

LAB 28.12, 63.83, -78.52

 

Description

Color code: HEX #C20B26 | qconv.com Color code: HEX #C20B26 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 11 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 11 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 80 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 80% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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