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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2039A it is the complementary color #3DFC65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2039A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2039A shade: #C70395, #D815A8, #E927BB, #FA39CE and #FF4BE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2039A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2039A shade: #C2039A, #B10087, #A00074, #8F0061 and #7E004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2039A shade: #C3029B, #C30267, #C30233 and #C30202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2039A shade: #C3029B, #B802C3, #8402C3, #5002C3 and #1C02C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2039A shade matches the following richer shades: #C3029B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2039A shade: #C3029B, #B31392, #A32388, #93337F and #834376

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2039A shade: #8302C3, #B702C3, #C3029D, #C30269 and #C30236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2039A shade: #72015A, #9B027B, #C3029B, #EC03BB and #FB1DCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2039A shade: #C2039A, #C35002 and #02C39D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2039A shade: #C2039A, #9DC302 and #029DC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2039A shade: #C2039A, #C35002, #02C329 and #0276C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2039A shade: #C2039A, #C38A02, #02C329 and #023CC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 21 / 24

HEX #C2039A

RGB 194 3 154

HSL 312.57, 0.97%, 0.39%

LAB 44.04, 74.34, -29.13

 

Complementary color

CMYK 76 / 0 / 60 / 1

HEX #3DFC65

RGB 61 252 101

HSL 132.57, 0.97%, 0.61%

LAB 87.75, -75.4, 57.97

 

CMYK 0 / 98 / 25 / 22

HEX #C70395

RGB 199 3 149

HSL 315.31, 0.97%, 0.4%

LAB 44.77, 74.71, -24.9

 

CMYK 0 / 90 / 22 / 15

HEX #D815A8

RGB 216 21 168

HSL 314.77, 0.82%, 0.46%

LAB 49.45, 78.49, -28.74

 

CMYK 0 / 83 / 20 / 9

HEX #E927BB

RGB 233 39 187

HSL 314.23, 0.82%, 0.53%

LAB 54.41, 81.24, -31.92

 

CMYK 0 / 77 / 18 / 2

HEX #FA39CE

RGB 250 57 206

HSL 313.68, 0.95%, 0.6%

LAB 59.62, 83.05, -34.49

 

CMYK 0 / 71 / 12 / 0

HEX #FF4BE1

RGB 255 75 225

HSL 310, 1%, 0.65%

LAB 63.12, 81.48, -39.7

 

CMYK 0 / 98 / 21 / 24

HEX #C2039A

RGB 194 3 154

HSL 312.57, 0.97%, 0.39%

LAB 44.04, 74.34, -29.13

 

CMYK 0 / 100 / 24 / 31

HEX #B10087

RGB 177 0 135

HSL 314.24, 1%, 0.35%

LAB 39.74, 69.06, -24.5

 

CMYK 0 / 100 / 28 / 37

HEX #A00074

RGB 160 0 116

HSL 316.5, 1%, 0.31%

LAB 35.47, 63.41, -19.54

 

CMYK 0 / 100 / 32 / 44

HEX #8F0061

RGB 143 0 97

HSL 319.3, 1%, 0.28%

LAB 31.12, 57.68, -14.36

 

CMYK 0 / 100 / 38 / 51

HEX #7E004E

RGB 126 0 78

HSL 322.86, 1%, 0.25%

LAB 26.69, 51.85, -8.9

 

CMYK 0 / 99 / 21 / 24

HEX #C3029B

RGB 195 2 155

HSL 312.44, 0.98%, 0.39%

LAB 44.25, 74.74, -29.39

 

CMYK 0 / 99 / 47 / 24

HEX #C30267

RGB 195 2 103

HSL 328.6, 0.98%, 0.39%

LAB 42.19, 69.43, -0.5

 

CMYK 0 / 99 / 74 / 24

HEX #C30233

RGB 195 2 51

HSL 344.77, 0.98%, 0.39%

LAB 41.03, 66.31, 30.72

 

CMYK 0 / 99 / 99 / 24

HEX #C30202

RGB 195 2 2

HSL 0, 0.98%, 0.39%

LAB 40.65, 65.28, 54.21

 

CMYK 0 / 99 / 21 / 24

HEX #C3029B

RGB 195 2 155

HSL 312.44, 0.98%, 0.39%

LAB 44.25, 74.74, -29.39

 

CMYK 6 / 99 / 0 / 24

HEX #B802C3

RGB 184 2 195

HSL 296.58, 0.98%, 0.39%

LAB 44.48, 78.37, -52.85

 

CMYK 32 / 99 / 0 / 24

HEX #8402C3

RGB 132 2 195

HSL 280.41, 0.98%, 0.39%

LAB 35.77, 71.18, -67.4

 

CMYK 59 / 99 / 0 / 24

HEX #5002C3

RGB 80 2 195

HSL 264.25, 0.98%, 0.39%

LAB 28.61, 66.5, -79.44

 

CMYK 86 / 99 / 0 / 24

HEX #1C02C3

RGB 28 2 195

HSL 248.08, 0.98%, 0.39%

LAB 24.42, 64.55, -86.54

 

CMYK 0 / 99 / 21 / 24

HEX #C3029B

RGB 195 2 155

HSL 312.44, 0.98%, 0.39%

LAB 44.25, 74.74, -29.39

 

CMYK 0 / 99 / 21 / 24

HEX #C3029B

RGB 195 2 155

HSL 312.44, 0.98%, 0.39%

LAB 44.25, 74.74, -29.39

 

CMYK 0 / 89 / 18 / 30

HEX #B31392

RGB 179 19 146

HSL 312.38, 0.81%, 0.39%

LAB 41.41, 68.61, -28.6

 

CMYK 0 / 79 / 17 / 36

HEX #A32388

RGB 163 35 136

HSL 312.66, 0.65%, 0.39%

LAB 39.18, 60.27, -26.18

 

CMYK 0 / 65 / 14 / 42

HEX #93337F

RGB 147 51 127

HSL 312.5, 0.48%, 0.39%

LAB 38.03, 49.1, -22.64

 

CMYK 0 / 49 / 10 / 49

HEX #834376

RGB 131 67 118

HSL 312.19, 0.32%, 0.39%

LAB 38.11, 34.79, -17.14

 

CMYK 33 / 99 / 0 / 24

HEX #8302C3

RGB 131 2 195

HSL 280.1, 0.98%, 0.39%

LAB 35.61, 71.07, -67.66

 

CMYK 6 / 99 / 0 / 24

HEX #B702C3

RGB 183 2 195

HSL 296.27, 0.98%, 0.39%

LAB 44.31, 78.21, -53.15

 

CMYK 0 / 99 / 19 / 24

HEX #C3029D

RGB 195 2 157

HSL 311.81, 0.98%, 0.39%

LAB 44.35, 74.99, -30.44

 

CMYK 0 / 99 / 46 / 24

HEX #C30269

RGB 195 2 105

HSL 327.98, 0.98%, 0.39%

LAB 42.25, 69.59, -1.66

 

CMYK 0 / 99 / 72 / 24

HEX #C30236

RGB 195 2 54

HSL 343.83, 0.98%, 0.39%

LAB 41.08, 66.43, 28.92

 

CMYK 0 / 99 / 21 / 55

HEX #72015A

RGB 114 1 90

HSL 312.74, 0.98%, 0.23%

LAB 24.76, 50.48, -20.1

 

CMYK 0 / 99 / 21 / 39

HEX #9B027B

RGB 155 2 123

HSL 312.55, 0.97%, 0.31%

LAB 34.89, 63, -24.93

 

CMYK 0 / 99 / 21 / 24

HEX #C3029B

RGB 195 2 155

HSL 312.44, 0.98%, 0.39%

LAB 44.25, 74.74, -29.39

 

CMYK 0 / 99 / 21 / 7

HEX #EC03BB

RGB 236 3 187

HSL 312.62, 0.97%, 0.47%

LAB 53.48, 86.13, -33.33

 

CMYK 0 / 88 / 18 / 2

HEX #FB1DCD

RGB 251 29 205

HSL 312.43, 0.97%, 0.55%

LAB 57.84, 88.66, -36.69

 

CMYK 0 / 98 / 21 / 24

HEX #C2039A

RGB 194 3 154

HSL 312.57, 0.97%, 0.39%

LAB 44.04, 74.34, -29.13

 

CMYK 0 / 59 / 99 / 24

HEX #C35002

RGB 195 80 2

HSL 24.25, 0.98%, 0.39%

LAB 48.69, 43.16, 58.18

 

CMYK 99 / 0 / 19 / 24

HEX #02C39D

RGB 2 195 157

HSL 168.19, 0.98%, 0.39%

LAB 70.51, -49.87, 7.66

 

CMYK 0 / 98 / 21 / 24

HEX #C2039A

RGB 194 3 154

HSL 312.57, 0.97%, 0.39%

LAB 44.04, 74.34, -29.13

 

CMYK 19 / 0 / 99 / 24

HEX #9DC302

RGB 157 195 2

HSL 71.81, 0.98%, 0.39%

LAB 73.68, -33.59, 73.69

 

CMYK 99 / 19 / 0 / 24

HEX #029DC3

RGB 2 157 195

HSL 191.81, 0.98%, 0.39%

LAB 59.95, -20.69, -29.19

 

CMYK 0 / 98 / 21 / 24

HEX #C2039A

RGB 194 3 154

HSL 312.57, 0.97%, 0.39%

LAB 44.04, 74.34, -29.13

 

CMYK 0 / 59 / 99 / 24

HEX #C35002

RGB 195 80 2

HSL 24.25, 0.98%, 0.39%

LAB 48.69, 43.16, 58.18

 

CMYK 99 / 0 / 79 / 24

HEX #02C329

RGB 2 195 41

HSL 132.12, 0.98%, 0.39%

LAB 68.9, -68.84, 60.52

 

CMYK 99 / 39 / 0 / 24

HEX #0276C3

RGB 2 118 195

HSL 203.94, 0.98%, 0.39%

LAB 48.15, 1.6, -47.74

 

CMYK 0 / 98 / 21 / 24

HEX #C2039A

RGB 194 3 154

HSL 312.57, 0.97%, 0.39%

LAB 44.04, 74.34, -29.13

 

CMYK 0 / 29 / 99 / 24

HEX #C38A02

RGB 195 138 2

HSL 42.28, 0.98%, 0.39%

LAB 61.47, 12.49, 66.31

 

CMYK 99 / 0 / 79 / 24

HEX #02C329

RGB 2 195 41

HSL 132.12, 0.98%, 0.39%

LAB 68.9, -68.84, 60.52

 

CMYK 99 / 69 / 0 / 24

HEX #023CC3

RGB 2 60 195

HSL 221.97, 0.98%, 0.39%

LAB 32.22, 39.38, -73.6

 

Description

Color code: HEX #C2039A | qconv.com Color code: HEX #C2039A | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 3 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 3 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 21 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 21% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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