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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1EA51 it is the complementary color #3E15AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1EA51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1EA51 shade: #C6EA4C, #D7FC5F, #E8FF72, #F9FF85 and #FFFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1EA51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1EA51 shade: #C1EA51, #B0D83E, #9FC62B, #8EB418 and #7DA205

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1EA51 shade: #C1E952, #E9E952, #E9C052, #E99752 and #E96F52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1EA51 shade: #C1E952, #98E952, #6FE952, #52E95E and #52E986

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1EA51 shade matches the following richer shades: #C1E952 and #C8F942

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1EA51 shade: #C1E952, #B9DA62, #B2CA71, #ABBA81 and #A4AA91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1EA51 shade: #E9C152, #E9E952, #C1E952, #99E952 and #70E952

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1EA51 shade: #9FCF19, #B4E52D, #C1E952, #CEEE77 and #DBF29B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1EA51 shade: #C1EA51, #52E999 and #D552E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1EA51 shade: #C1EA51, #52C1E9 and #E952C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1EA51 shade: #C1EA51, #52E999, #7A52E9 and #E952A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1EA51 shade: #C1EA51, #52E9C6, #7A52E9 and #E95275

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 65 / 8

HEX #C1EA51

RGB 193 234 81

HSL 76.08, 0.78%, 0.62%

LAB 87.38, -34.3, 67.15

 

Complementary color

CMYK 64 / 88 / 0 / 32

HEX #3E15AE

RGB 62 21 174

HSL 256.08, 0.78%, 0.38%

LAB 25.61, 55.85, -71.99

 

CMYK 15 / 0 / 68 / 8

HEX #C6EA4C

RGB 198 234 76

HSL 73.67, 0.79%, 0.61%

LAB 87.67, -32.68, 69.44

 

CMYK 15 / 0 / 62 / 1

HEX #D7FC5F

RGB 215 252 95

HSL 74.14, 0.96%, 0.68%

LAB 93.84, -33.15, 68.91

 

CMYK 9 / 0 / 55 / 0

HEX #E8FF72

RGB 232 255 114

HSL 69.79, 1%, 0.72%

LAB 95.95, -26.6, 63.65

 

CMYK 2 / 0 / 48 / 0

HEX #F9FF85

RGB 249 255 133

HSL 62.95, 1%, 0.76%

LAB 97.37, -18.44, 57.12

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 18 / 0 / 65 / 8

HEX #C1EA51

RGB 193 234 81

HSL 76.08, 0.78%, 0.62%

LAB 87.38, -34.3, 67.15

 

CMYK 19 / 0 / 71 / 15

HEX #B0D83E

RGB 176 216 62

HSL 75.58, 0.66%, 0.55%

LAB 81.12, -33.81, 67.47

 

CMYK 20 / 0 / 78 / 22

HEX #9FC62B

RGB 159 198 43

HSL 75.1, 0.64%, 0.47%

LAB 74.78, -33.17, 67.21

 

CMYK 21 / 0 / 87 / 29

HEX #8EB418

RGB 142 180 24

HSL 74.62, 0.76%, 0.4%

LAB 68.36, -32.34, 65.98

 

CMYK 23 / 0 / 97 / 36

HEX #7DA205

RGB 125 162 5

HSL 74.14, 0.94%, 0.33%

LAB 61.84, -31.3, 63.32

 

CMYK 17 / 0 / 65 / 9

HEX #C1E952

RGB 193 233 82

HSL 75.89, 0.77%, 0.62%

LAB 87.11, -33.78, 66.48

 

CMYK 0 / 0 / 65 / 9

HEX #E9E952

RGB 233 233 82

HSL 60, 0.77%, 0.62%

LAB 89.96, -17.86, 70.33

 

CMYK 0 / 18 / 65 / 9

HEX #E9C052

RGB 233 192 82

HSL 43.71, 0.77%, 0.62%

LAB 79.4, 2.83, 59.22

 

CMYK 0 / 35 / 65 / 9

HEX #E99752

RGB 233 151 82

HSL 27.42, 0.77%, 0.62%

LAB 69.52, 24.51, 48.25

 

CMYK 0 / 52 / 65 / 9

HEX #E96F52

RGB 233 111 82

HSL 11.52, 0.77%, 0.62%

LAB 61.05, 45.11, 38.34

 

CMYK 17 / 0 / 65 / 9

HEX #C1E952

RGB 193 233 82

HSL 75.89, 0.77%, 0.62%

LAB 87.11, -33.78, 66.48

 

CMYK 35 / 0 / 65 / 9

HEX #98E952

RGB 152 233 82

HSL 92.19, 0.77%, 0.62%

LAB 84.77, -48.72, 63.3

 

CMYK 52 / 0 / 65 / 9

HEX #6FE952

RGB 111 233 82

HSL 108.48, 0.77%, 0.62%

LAB 83.05, -61.16, 60.94

 

CMYK 65 / 0 / 60 / 9

HEX #52E95E

RGB 82 233 94

HSL 124.77, 0.77%, 0.62%

LAB 82.31, -66.62, 54.85

 

CMYK 65 / 0 / 42 / 9

HEX #52E986

RGB 82 233 134

HSL 140.66, 0.77%, 0.62%

LAB 82.8, -61.05, 36.64

 

CMYK 17 / 0 / 65 / 9

HEX #C1E952

RGB 193 233 82

HSL 75.89, 0.77%, 0.62%

LAB 87.11, -33.78, 66.48

 

CMYK 20 / 0 / 73 / 2

HEX #C8F942

RGB 200 249 66

HSL 76.07, 0.94%, 0.62%

LAB 91.87, -39.23, 77.08

 

CMYK 17 / 0 / 65 / 9

HEX #C1E952

RGB 193 233 82

HSL 75.89, 0.77%, 0.62%

LAB 87.11, -33.78, 66.48

 

CMYK 15 / 0 / 55 / 15

HEX #B9DA62

RGB 185 218 98

HSL 76.5, 0.62%, 0.62%

LAB 82.56, -28.65, 54.56

 

CMYK 12 / 0 / 44 / 21

HEX #B2CA71

RGB 178 202 113

HSL 76.18, 0.46%, 0.62%

LAB 77.81, -22.15, 41.62

 

CMYK 8 / 0 / 31 / 27

HEX #ABBA81

RGB 171 186 129

HSL 75.79, 0.29%, 0.62%

LAB 73.13, -14.82, 27.24

 

CMYK 4 / 0 / 15 / 33

HEX #A4AA91

RGB 164 170 145

HSL 74.4, 0.13%, 0.62%

LAB 68.52, -6.64, 12.18

 

CMYK 0 / 17 / 65 / 9

HEX #E9C152

RGB 233 193 82

HSL 44.11, 0.77%, 0.62%

LAB 79.66, 2.31, 59.49

 

CMYK 0 / 0 / 65 / 9

HEX #E9E952

RGB 233 233 82

HSL 60, 0.77%, 0.62%

LAB 89.96, -17.86, 70.33

 

CMYK 17 / 0 / 65 / 9

HEX #C1E952

RGB 193 233 82

HSL 75.89, 0.77%, 0.62%

LAB 87.11, -33.78, 66.48

 

CMYK 34 / 0 / 65 / 9

HEX #99E952

RGB 153 233 82

HSL 91.79, 0.77%, 0.62%

LAB 84.82, -48.38, 63.36

 

CMYK 52 / 0 / 65 / 9

HEX #70E952

RGB 112 233 82

HSL 108.08, 0.77%, 0.62%

LAB 83.09, -60.9, 60.99

 

CMYK 23 / 0 / 88 / 19

HEX #9FCF19

RGB 159 207 25

HSL 75.82, 0.78%, 0.45%

LAB 77.32, -37.87, 73.68

 

CMYK 21 / 0 / 80 / 10

HEX #B4E52D

RGB 180 229 45

HSL 75.98, 0.78%, 0.54%

LAB 84.96, -38.91, 76.31

 

CMYK 17 / 0 / 65 / 9

HEX #C1E952

RGB 193 233 82

HSL 75.89, 0.77%, 0.62%

LAB 87.11, -33.78, 66.48

 

CMYK 13 / 0 / 50 / 7

HEX #CEEE77

RGB 206 238 119

HSL 76.13, 0.78%, 0.7%

LAB 89.67, -28.11, 53.64

 

CMYK 10 / 0 / 36 / 5

HEX #DBF29B

RGB 219 242 155

HSL 75.86, 0.77%, 0.78%

LAB 92.1, -21.23, 39.53

 

CMYK 18 / 0 / 65 / 8

HEX #C1EA51

RGB 193 234 81

HSL 76.08, 0.78%, 0.62%

LAB 87.38, -34.3, 67.15

 

CMYK 65 / 0 / 34 / 9

HEX #52E999

RGB 82 233 153

HSL 148.21, 0.77%, 0.62%

LAB 83.11, -57.67, 27.46

 

CMYK 9 / 65 / 0 / 9

HEX #D552E9

RGB 213 82 233

HSL 292.05, 0.77%, 0.62%

LAB 58.1, 70.79, -52.52

 

CMYK 18 / 0 / 65 / 8

HEX #C1EA51

RGB 193 234 81

HSL 76.08, 0.78%, 0.62%

LAB 87.38, -34.3, 67.15

 

CMYK 65 / 17 / 0 / 9

HEX #52C1E9

RGB 82 193 233

HSL 195.89, 0.77%, 0.62%

LAB 73.43, -19.53, -29.22

 

CMYK 0 / 65 / 17 / 9

HEX #E952C1

RGB 233 82 193

HSL 315.89, 0.77%, 0.62%

LAB 59.17, 69.27, -27.99

 

CMYK 18 / 0 / 65 / 8

HEX #C1EA51

RGB 193 234 81

HSL 76.08, 0.78%, 0.62%

LAB 87.38, -34.3, 67.15

 

CMYK 65 / 0 / 34 / 9

HEX #52E999

RGB 82 233 153

HSL 148.21, 0.77%, 0.62%

LAB 83.11, -57.67, 27.46

 

CMYK 48 / 65 / 0 / 9

HEX #7A52E9

RGB 122 82 233

HSL 255.89, 0.77%, 0.62%

LAB 47.05, 51.78, -70.89

 

CMYK 0 / 65 / 30 / 9

HEX #E952A3

RGB 233 82 163

HSL 327.81, 0.77%, 0.62%

LAB 58.04, 65.39, -12.4

 

CMYK 18 / 0 / 65 / 8

HEX #C1EA51

RGB 193 234 81

HSL 76.08, 0.78%, 0.62%

LAB 87.38, -34.3, 67.15

 

CMYK 65 / 0 / 15 / 9

HEX #52E9C6

RGB 82 233 198

HSL 166.09, 0.77%, 0.62%

LAB 84.04, -47.95, 5.35

 

CMYK 48 / 65 / 0 / 9

HEX #7A52E9

RGB 122 82 233

HSL 255.89, 0.77%, 0.62%

LAB 47.05, 51.78, -70.89

 

CMYK 0 / 65 / 50 / 9

HEX #E95275

RGB 233 82 117

HSL 346.09, 0.77%, 0.62%

LAB 56.73, 60.7, 12.68

 

Description

Color code: HEX #C1EA51 | qconv.com Color code: HEX #C1EA51 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 234 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 234 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 65 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 65% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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