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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1E480 it is the complementary color #3E1B7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1E480. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1E480 shade: #C6E47B, #D7F68E, #E8FFA1, #F9FFB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1E480. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1E480 shade: #C1E480, #B0D26D, #9FC05A, #8EAE47 and #7D9C34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1E480 shade: #C1E480, #DCE480, #E4D180, #E4B680 and #E49B80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1E480 shade: #C1E480, #A6E480, #8BE480, #80E490 and #80E4AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1E480 shade matches the following richer shades: #C1E480, #C5F074 and #C8FC68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1E480 shade: #C1E480, #BDD78D, #B9CB99, #B6BFA5 and #B2B2B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1E480 shade: #E4D180, #DBE480, #C1E480, #A6E480 and #8CE480

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1E480 shade: #A0D53C, #B0DD5E, #C1E480, #D2EBA2 and #E2F2C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1E480 shade: #C1E480, #80E4B7 and #DF80E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1E480 shade: #C1E480, #80C1E4 and #E480C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1E480 shade: #C1E480, #80E4B7, #A380E4 and #E480AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1E480 shade: #C1E480, #80E4D5, #A380E4 and #E4808F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 44 / 11

HEX #C1E480

RGB 193 228 128

HSL 81, 0.65%, 0.7%

LAB 86.2, -27.33, 44.92

 

Complementary color

CMYK 51 / 79 / 0 / 50

HEX #3E1B7F

RGB 62 27 127

HSL 261, 0.65%, 0.3%

LAB 21.36, 40.35, -50.02

 

CMYK 13 / 0 / 46 / 11

HEX #C6E47B

RGB 198 228 123

HSL 77.14, 0.66%, 0.69%

LAB 86.47, -26, 47.74

 

CMYK 13 / 0 / 42 / 4

HEX #D7F68E

RGB 215 246 142

HSL 77.88, 0.85%, 0.76%

LAB 92.71, -26.13, 46.61

 

CMYK 9 / 0 / 37 / 0

HEX #E8FFA1

RGB 232 255 161

HSL 74.68, 1%, 0.82%

LAB 96.51, -21.96, 42.46

 

CMYK 2 / 0 / 29 / 0

HEX #F9FFB4

RGB 249 255 180

HSL 64.8, 1%, 0.85%

LAB 98.02, -13.41, 35.27

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 15 / 0 / 44 / 11

HEX #C1E480

RGB 193 228 128

HSL 81, 0.65%, 0.7%

LAB 86.2, -27.33, 44.92

 

CMYK 16 / 0 / 48 / 18

HEX #B0D26D

RGB 176 210 109

HSL 80.2, 0.53%, 0.63%

LAB 79.86, -27.23, 46.06

 

CMYK 17 / 0 / 53 / 25

HEX #9FC05A

RGB 159 192 90

HSL 79.41, 0.45%, 0.55%

LAB 73.42, -27.08, 47.18

 

CMYK 18 / 0 / 59 / 32

HEX #8EAE47

RGB 142 174 71

HSL 78.64, 0.42%, 0.48%

LAB 66.88, -26.84, 48.21

 

CMYK 20 / 0 / 67 / 39

HEX #7D9C34

RGB 125 156 52

HSL 77.88, 0.5%, 0.41%

LAB 60.23, -26.49, 49.01

 

CMYK 15 / 0 / 44 / 11

HEX #C1E480

RGB 193 228 128

HSL 81, 0.65%, 0.7%

LAB 86.2, -27.33, 44.92

 

CMYK 4 / 0 / 44 / 11

HEX #DCE480

RGB 220 228 128

HSL 64.8, 0.65%, 0.7%

LAB 88.09, -17.03, 47.69

 

CMYK 0 / 8 / 44 / 11

HEX #E4D180

RGB 228 209 128

HSL 48.6, 0.65%, 0.7%

LAB 83.78, -4.33, 42.46

 

CMYK 0 / 20 / 44 / 11

HEX #E4B680

RGB 228 182 128

HSL 32.4, 0.65%, 0.7%

LAB 76.99, 9.75, 33.76

 

CMYK 0 / 32 / 44 / 11

HEX #E49B80

RGB 228 155 128

HSL 16.2, 0.65%, 0.7%

LAB 70.52, 24.16, 25.22

 

CMYK 15 / 0 / 44 / 11

HEX #C1E480

RGB 193 228 128

HSL 81, 0.65%, 0.7%

LAB 86.2, -27.33, 44.92

 

CMYK 27 / 0 / 44 / 11

HEX #A6E480

RGB 166 228 128

HSL 97.2, 0.65%, 0.7%

LAB 84.56, -37.05, 42.52

 

CMYK 39 / 0 / 44 / 11

HEX #8BE480

RGB 139 228 128

HSL 113.4, 0.65%, 0.7%

LAB 83.2, -45.87, 40.51

 

CMYK 44 / 0 / 37 / 11

HEX #80E490

RGB 128 228 144

HSL 129.6, 0.65%, 0.7%

LAB 82.96, -46.69, 32.1

 

CMYK 44 / 0 / 25 / 11

HEX #80E4AB

RGB 128 228 171

HSL 145.8, 0.65%, 0.7%

LAB 83.45, -41.89, 18.86

 

CMYK 15 / 0 / 44 / 11

HEX #C1E480

RGB 193 228 128

HSL 81, 0.65%, 0.7%

LAB 86.2, -27.33, 44.92

 

CMYK 18 / 0 / 52 / 6

HEX #C5F074

RGB 197 240 116

HSL 80.81, 0.81%, 0.7%

LAB 89.6, -32.71, 54.8

 

CMYK 21 / 0 / 59 / 1

HEX #C8FC68

RGB 200 252 104

HSL 81.08, 0.96%, 0.7%

LAB 92.97, -38.11, 64

 

CMYK 15 / 0 / 44 / 11

HEX #C1E480

RGB 193 228 128

HSL 81, 0.65%, 0.7%

LAB 86.2, -27.33, 44.92

 

CMYK 12 / 0 / 34 / 16

HEX #BDD78D

RGB 189 215 141

HSL 81.08, 0.48%, 0.7%

LAB 82.56, -20.96, 33.72

 

CMYK 9 / 0 / 25 / 20

HEX #B9CB99

RGB 185 203 153

HSL 81.6, 0.32%, 0.7%

LAB 79.23, -14.76, 22.97

 

CMYK 5 / 0 / 14 / 25

HEX #B6BFA5

RGB 182 191 165

HSL 80.77, 0.17%, 0.7%

LAB 76.02, -7.78, 12.06

 

CMYK 0 / 0 / 0 / 30

HEX #B2B2B2

RGB 178 178 178

HSL 0, 0%, 0.7%

LAB 72.57, 0, -0.01

 

CMYK 0 / 8 / 44 / 11

HEX #E4D180

RGB 228 209 128

HSL 48.6, 0.65%, 0.7%

LAB 83.78, -4.33, 42.46

 

CMYK 4 / 0 / 44 / 11

HEX #DBE480

RGB 219 228 128

HSL 65.4, 0.65%, 0.7%

LAB 88.02, -17.42, 47.58

 

CMYK 15 / 0 / 44 / 11

HEX #C1E480

RGB 193 228 128

HSL 81, 0.65%, 0.7%

LAB 86.2, -27.33, 44.92

 

CMYK 27 / 0 / 44 / 11

HEX #A6E480

RGB 166 228 128

HSL 97.2, 0.65%, 0.7%

LAB 84.56, -37.05, 42.52

 

CMYK 39 / 0 / 44 / 11

HEX #8CE480

RGB 140 228 128

HSL 112.8, 0.65%, 0.7%

LAB 83.24, -45.56, 40.57

 

CMYK 25 / 0 / 72 / 16

HEX #A0D53C

RGB 160 213 60

HSL 80.78, 0.65%, 0.54%

LAB 79.26, -38.74, 66.01

 

CMYK 20 / 0 / 57 / 13

HEX #B0DD5E

RGB 176 221 94

HSL 81.26, 0.65%, 0.62%

LAB 82.78, -33.84, 56.44

 

CMYK 15 / 0 / 44 / 11

HEX #C1E480

RGB 193 228 128

HSL 81, 0.65%, 0.7%

LAB 86.2, -27.33, 44.92

 

CMYK 11 / 0 / 31 / 8

HEX #D2EBA2

RGB 210 235 162

HSL 80.55, 0.65%, 0.78%

LAB 89.73, -20.24, 32.78

 

CMYK 7 / 0 / 19 / 5

HEX #E2F2C4

RGB 226 242 196

HSL 80.87, 0.64%, 0.86%

LAB 93.3, -13.07, 20.46

 

CMYK 15 / 0 / 44 / 11

HEX #C1E480

RGB 193 228 128

HSL 81, 0.65%, 0.7%

LAB 86.2, -27.33, 44.92

 

CMYK 44 / 0 / 20 / 11

HEX #80E4B7

RGB 128 228 183

HSL 153, 0.65%, 0.7%

LAB 83.7, -39.5, 12.93

 

CMYK 2 / 44 / 0 / 11

HEX #DF80E4

RGB 223 128 228

HSL 297, 0.65%, 0.7%

LAB 67.07, 51.27, -35.53

 

CMYK 15 / 0 / 44 / 11

HEX #C1E480

RGB 193 228 128

HSL 81, 0.65%, 0.7%

LAB 86.2, -27.33, 44.92

 

CMYK 44 / 15 / 0 / 11

HEX #80C1E4

RGB 128 193 228

HSL 201, 0.65%, 0.7%

LAB 75.03, -11.62, -23.9

 

CMYK 0 / 44 / 15 / 11

HEX #E480C1

RGB 228 128 193

HSL 321, 0.65%, 0.7%

LAB 66.35, 46.87, -17.06

 

CMYK 15 / 0 / 44 / 11

HEX #C1E480

RGB 193 228 128

HSL 81, 0.65%, 0.7%

LAB 86.2, -27.33, 44.92

 

CMYK 44 / 0 / 20 / 11

HEX #80E4B7

RGB 128 228 183

HSL 153, 0.65%, 0.7%

LAB 83.7, -39.5, 12.93

 

CMYK 29 / 44 / 0 / 11

HEX #A380E4

RGB 163 128 228

HSL 261, 0.65%, 0.7%

LAB 60.63, 34.22, -46.09

 

CMYK 0 / 44 / 24 / 11

HEX #E480AD

RGB 228 128 173

HSL 333, 0.65%, 0.7%

LAB 65.71, 43.91, -6.75

 

CMYK 15 / 0 / 44 / 11

HEX #C1E480

RGB 193 228 128

HSL 81, 0.65%, 0.7%

LAB 86.2, -27.33, 44.92

 

CMYK 44 / 0 / 7 / 11

HEX #80E4D5

RGB 128 228 213

HSL 171, 0.65%, 0.7%

LAB 84.42, -32.88, -1.83

 

CMYK 29 / 44 / 0 / 11

HEX #A380E4

RGB 163 128 228

HSL 261, 0.65%, 0.7%

LAB 60.63, 34.22, -46.09

 

CMYK 0 / 44 / 37 / 11

HEX #E4808F

RGB 228 128 143

HSL 351, 0.65%, 0.7%

LAB 64.9, 40.06, 9.08

 

Description

Color code: HEX #C1E480 | qconv.com Color code: HEX #C1E480 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 228 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 228 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 44 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 44% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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