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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1DCAD it is the complementary color #3E2352. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1DCAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1DCAD shade: #C6DCA8, #D7EEBB, #E8FFCE, #F9FFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1DCAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1DCAD shade: #C1DCAD, #B0CA9A, #9FB887, #8EA674 and #7D9461

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1DCAD shade: #C0DBAC, #CDDBAC, #DADBAC, #DBD0AC and #DBC4AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1DCAD shade: #C0DBAC, #B4DBAC, #ACDBB2, #ACDBBE and #ACDBCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1DCAD shade matches the following richer shades: #C0DBAC, #BFE5A3, #BEEE99 and #BCF890

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1DCAD shade: #C0DBAC, #C2D2B6, #C3C8BF, #C5BFC9 and #C6B5D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1DCAD shade: #DADBAC, #CDDBAC, #C1DBAC, #B4DBAC and #ACDBB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1DCAD shade: #95C373, #AACF90, #C0DBAC, #D6E8C9 and #ECF4E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1DCAD shade: #C1DCAD, #ACDBD0 and #DBACD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1DCAD shade: #C1DCAD, #ACC1DB and #DBACC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1DCAD shade: #C1DCAD, #ACDBD0, #C7ACDB and #DBACB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1DCAD shade: #C1DCAD, #ACD8DB, #C7ACDB and #DBB0AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 21 / 14

HEX #C1DCAD

RGB 193 220 173

HSL 94.47, 0.4%, 0.77%

LAB 84.76, -17.34, 20.17

 

Complementary color

CMYK 24 / 57 / 0 / 68

HEX #3E2352

RGB 62 35 82

HSL 274.47, 0.4%, 0.23%

LAB 19.37, 23.04, -23.86

 

CMYK 10 / 0 / 24 / 14

HEX #C6DCA8

RGB 198 220 168

HSL 85.38, 0.43%, 0.76%

LAB 85.01, -16.33, 23.17

 

CMYK 10 / 0 / 21 / 7

HEX #D7EEBB

RGB 215 238 187

HSL 87.06, 0.6%, 0.83%

LAB 91.32, -16.33, 22.22

 

CMYK 9 / 0 / 19 / 0

HEX #E8FFCE

RGB 232 255 206

HSL 88.16, 1%, 0.9%

LAB 97.28, -15.84, 20.95

 

CMYK 2 / 0 / 12 / 0

HEX #F9FFE1

RGB 249 255 225

HSL 72, 1%, 0.94%

LAB 98.87, -7.02, 13.66

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 12 / 0 / 21 / 14

HEX #C1DCAD

RGB 193 220 173

HSL 94.47, 0.4%, 0.77%

LAB 84.76, -17.34, 20.17

 

CMYK 13 / 0 / 24 / 21

HEX #B0CA9A

RGB 176 202 154

HSL 92.5, 0.31%, 0.7%

LAB 78.35, -17.38, 21.13

 

CMYK 14 / 0 / 27 / 28

HEX #9FB887

RGB 159 184 135

HSL 90.61, 0.26%, 0.63%

LAB 71.83, -17.43, 22.14

 

CMYK 14 / 0 / 30 / 35

HEX #8EA674

RGB 142 166 116

HSL 88.8, 0.22%, 0.55%

LAB 65.19, -17.48, 23.21

 

CMYK 16 / 0 / 34 / 42

HEX #7D9461

RGB 125 148 97

HSL 87.06, 0.21%, 0.48%

LAB 58.42, -17.51, 24.36

 

CMYK 12 / 0 / 21 / 14

HEX #C0DBAC

RGB 192 219 172

HSL 94.47, 0.39%, 0.77%

LAB 84.41, -17.35, 20.19

 

CMYK 6 / 0 / 21 / 14

HEX #CDDBAC

RGB 205 219 172

HSL 77.87, 0.39%, 0.77%

LAB 85.31, -12.7, 21.58

 

CMYK 0 / 0 / 21 / 14

HEX #DADBAC

RGB 218 219 172

HSL 61.28, 0.39%, 0.77%

LAB 86.28, -7.95, 23.07

 

CMYK 0 / 5 / 21 / 14

HEX #DBD0AC

RGB 219 208 172

HSL 45.96, 0.39%, 0.77%

LAB 83.52, -1.93, 19.27

 

CMYK 0 / 11 / 21 / 14

HEX #DBC4AC

RGB 219 196 172

HSL 30.64, 0.39%, 0.77%

LAB 80.47, 4.34, 15.01

 

CMYK 12 / 0 / 21 / 14

HEX #C0DBAC

RGB 192 219 172

HSL 94.47, 0.39%, 0.77%

LAB 84.41, -17.35, 20.19

 

CMYK 18 / 0 / 21 / 14

HEX #B4DBAC

RGB 180 219 172

HSL 109.79, 0.39%, 0.77%

LAB 83.62, -21.52, 18.98

 

CMYK 21 / 0 / 19 / 14

HEX #ACDBB2

RGB 172 219 178

HSL 127.66, 0.39%, 0.77%

LAB 83.26, -23.18, 15.25

 

CMYK 21 / 0 / 13 / 14

HEX #ACDBBE

RGB 172 219 190

HSL 142.98, 0.39%, 0.77%

LAB 83.52, -20.98, 9.29

 

CMYK 21 / 0 / 7 / 14

HEX #ACDBCB

RGB 172 219 203

HSL 159.57, 0.39%, 0.77%

LAB 83.83, -18.45, 2.86

 

CMYK 12 / 0 / 21 / 14

HEX #C0DBAC

RGB 192 219 172

HSL 94.47, 0.39%, 0.77%

LAB 84.41, -17.35, 20.19

 

CMYK 17 / 0 / 29 / 10

HEX #BFE5A3

RGB 191 229 163

HSL 94.55, 0.56%, 0.77%

LAB 86.88, -23.99, 28.23

 

CMYK 20 / 0 / 36 / 7

HEX #BEEE99

RGB 190 238 153

HSL 93.88, 0.71%, 0.77%

LAB 89.11, -30.04, 36.26

 

CMYK 24 / 0 / 42 / 3

HEX #BCF890

RGB 188 248 144

HSL 94.62, 0.88%, 0.77%

LAB 91.61, -36.51, 43.91

 

CMYK 12 / 0 / 21 / 14

HEX #C0DBAC

RGB 192 219 172

HSL 94.47, 0.39%, 0.77%

LAB 84.41, -17.35, 20.19

 

CMYK 8 / 0 / 13 / 18

HEX #C2D2B6

RGB 194 210 182

HSL 94.29, 0.24%, 0.77%

LAB 82.35, -10.46, 12.05

 

CMYK 3 / 0 / 5 / 22

HEX #C3C8BF

RGB 195 200 191

HSL 93.33, 0.08%, 0.77%

LAB 79.99, -3.36, 3.89

 

CMYK 2 / 5 / 0 / 21

HEX #C5BFC9

RGB 197 191 201

HSL 276, 0.08%, 0.77%

LAB 78.08, 3.94, -4.28

 

CMYK 6 / 14 / 0 / 18

HEX #C6B5D2

RGB 198 181 210

HSL 275.17, 0.24%, 0.77%

LAB 75.89, 11.41, -12.4

 

CMYK 0 / 0 / 21 / 14

HEX #DADBAC

RGB 218 219 172

HSL 61.28, 0.39%, 0.77%

LAB 86.28, -7.95, 23.07

 

CMYK 6 / 0 / 21 / 14

HEX #CDDBAC

RGB 205 219 172

HSL 77.87, 0.39%, 0.77%

LAB 85.31, -12.7, 21.58

 

CMYK 12 / 0 / 21 / 14

HEX #C1DBAC

RGB 193 219 172

HSL 93.19, 0.39%, 0.77%

LAB 84.47, -17, 20.29

 

CMYK 18 / 0 / 21 / 14

HEX #B4DBAC

RGB 180 219 172

HSL 109.79, 0.39%, 0.77%

LAB 83.62, -21.52, 18.98

 

CMYK 21 / 0 / 19 / 14

HEX #ACDBB1

RGB 172 219 177

HSL 126.38, 0.39%, 0.77%

LAB 83.24, -23.36, 15.74

 

CMYK 24 / 0 / 41 / 24

HEX #95C373

RGB 149 195 115

HSL 94.5, 0.4%, 0.61%

LAB 73.97, -29.41, 35.36

 

CMYK 18 / 0 / 30 / 19

HEX #AACF90

RGB 170 207 144

HSL 95.24, 0.4%, 0.69%

LAB 79.15, -23.55, 27.41

 

CMYK 12 / 0 / 21 / 14

HEX #C0DBAC

RGB 192 219 172

HSL 94.47, 0.39%, 0.77%

LAB 84.41, -17.35, 20.19

 

CMYK 8 / 0 / 13 / 9

HEX #D6E8C9

RGB 214 232 201

HSL 94.84, 0.4%, 0.85%

LAB 89.96, -11.47, 13.07

 

CMYK 3 / 0 / 6 / 4

HEX #ECF4E6

RGB 236 244 230

HSL 94.29, 0.39%, 0.93%

LAB 95.27, -5.11, 5.81

 

CMYK 12 / 0 / 21 / 14

HEX #C1DCAD

RGB 193 220 173

HSL 94.47, 0.4%, 0.77%

LAB 84.76, -17.34, 20.17

 

CMYK 21 / 0 / 5 / 14

HEX #ACDBD0

RGB 172 219 208

HSL 165.96, 0.39%, 0.77%

LAB 83.96, -17.44, 0.4

 

CMYK 0 / 21 / 4 / 14

HEX #DBACD3

RGB 219 172 211

HSL 310.21, 0.39%, 0.77%

LAB 75.62, 23.57, -13.16

 

CMYK 12 / 0 / 21 / 14

HEX #C1DCAD

RGB 193 220 173

HSL 94.47, 0.4%, 0.77%

LAB 84.76, -17.34, 20.17

 

CMYK 21 / 12 / 0 / 14

HEX #ACC1DB

RGB 172 193 219

HSL 213.19, 0.39%, 0.77%

LAB 77.3, -1.58, -15.37

 

CMYK 0 / 21 / 12 / 14

HEX #DBACC1

RGB 219 172 193

HSL 333.19, 0.39%, 0.77%

LAB 75.09, 20.46, -4.12

 

CMYK 12 / 0 / 21 / 14

HEX #C1DCAD

RGB 193 220 173

HSL 94.47, 0.4%, 0.77%

LAB 84.76, -17.34, 20.17

 

CMYK 21 / 0 / 5 / 14

HEX #ACDBD0

RGB 172 219 208

HSL 165.96, 0.39%, 0.77%

LAB 83.96, -17.44, 0.4

 

CMYK 9 / 21 / 0 / 14

HEX #C7ACDB

RGB 199 172 219

HSL 274.47, 0.39%, 0.77%

LAB 74.04, 18.45, -20.09

 

CMYK 0 / 21 / 16 / 14

HEX #DBACB7

RGB 219 172 183

HSL 345.96, 0.39%, 0.77%

LAB 74.81, 18.84, 0.96

 

CMYK 12 / 0 / 21 / 14

HEX #C1DCAD

RGB 193 220 173

HSL 94.47, 0.4%, 0.77%

LAB 84.76, -17.34, 20.17

 

CMYK 21 / 1 / 0 / 14

HEX #ACD8DB

RGB 172 216 219

HSL 183.83, 0.39%, 0.77%

LAB 83.44, -13.6, -6.2

 

CMYK 9 / 21 / 0 / 14

HEX #C7ACDB

RGB 199 172 219

HSL 274.47, 0.39%, 0.77%

LAB 74.04, 18.45, -20.09

 

CMYK 0 / 20 / 21 / 14

HEX #DBB0AC

RGB 219 176 172

HSL 5.11, 0.39%, 0.77%

LAB 75.51, 15, 7.97

 

Description

Color code: HEX #C1DCAD | qconv.com Color code: HEX #C1DCAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 220 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 220 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 21 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 21% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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