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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1D198 it is the complementary color #3E2E67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1D198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1D198 shade: #C6D193, #D7E3A6, #E8F5B9, #F9FFCC and #FFFFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1D198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1D198 shade: #C1D198, #B0BF85, #9FAD72, #8E9B5F and #7D894C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1D198 shade: #C1D198, #D0D198, #D1C298, #D1B398 and #D1A498

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1D198 shade: #C1D198, #B2D198, #A3D198, #98D19D and #98D1AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1D198 shade matches the following richer shades: #C1D198, #C6DD8C, #CBE981 and #D1F575

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1D198 shade: #C1D198, #BCC5A4, #B6B9B0, #B1ADBC and #ACA1C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1D198 shade: #D1C298, #D1D198, #C2D198, #B3D198 and #A4D198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1D198 shade: #9EB760, #B0C47C, #C1D198, #D2DDB5 and #E3EAD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1D198 shade: #C1D198, #98D1B3 and #C998D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1D198 shade: #C1D198, #98C2D1 and #D198C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1D198 shade: #C1D198, #98D1B3, #A798D1 and #D198B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1D198 shade: #C1D198, #98D1C4, #A798D1 and #D198A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 27 / 18

HEX #C1D198

RGB 193 209 152

HSL 76.84, 0.38%, 0.71%

LAB 81.4, -14.98, 26.54

 

Complementary color

CMYK 40 / 55 / 0 / 60

HEX #3E2E67

RGB 62 46 103

HSL 256.84, 0.38%, 0.29%

LAB 23.53, 21.97, -31.1

 

CMYK 5 / 0 / 30 / 18

HEX #C6D193

RGB 198 209 147

HSL 70.65, 0.4%, 0.7%

LAB 81.68, -13.8, 29.58

 

CMYK 5 / 0 / 27 / 11

HEX #D7E3A6

RGB 215 227 166

HSL 71.8, 0.52%, 0.77%

LAB 88.04, -13.92, 28.53

 

CMYK 5 / 0 / 24 / 4

HEX #E8F5B9

RGB 232 245 185

HSL 73, 0.75%, 0.84%

LAB 94.3, -14.02, 27.53

 

CMYK 2 / 0 / 20 / 0

HEX #F9FFCC

RGB 249 255 204

HSL 67.06, 1%, 0.9%

LAB 98.44, -10.19, 23.76

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 8 / 0 / 27 / 18

HEX #C1D198

RGB 193 209 152

HSL 76.84, 0.38%, 0.71%

LAB 81.4, -14.98, 26.54

 

CMYK 8 / 0 / 30 / 25

HEX #B0BF85

RGB 176 191 133

HSL 75.52, 0.31%, 0.64%

LAB 74.94, -14.91, 27.61

 

CMYK 8 / 0 / 34 / 32

HEX #9FAD72

RGB 159 173 114

HSL 74.24, 0.26%, 0.56%

LAB 68.37, -14.81, 28.74

 

CMYK 8 / 0 / 39 / 39

HEX #8E9B5F

RGB 142 155 95

HSL 73, 0.24%, 0.49%

LAB 61.67, -14.68, 29.92

 

CMYK 9 / 0 / 45 / 46

HEX #7D894C

RGB 125 137 76

HSL 71.8, 0.29%, 0.42%

LAB 54.84, -14.49, 31.16

 

CMYK 8 / 0 / 27 / 18

HEX #C1D198

RGB 193 209 152

HSL 76.84, 0.38%, 0.71%

LAB 81.4, -14.98, 26.54

 

CMYK 0 / 0 / 27 / 18

HEX #D0D198

RGB 208 209 152

HSL 61.05, 0.38%, 0.71%

LAB 82.53, -9.35, 28.25

 

CMYK 0 / 7 / 27 / 18

HEX #D1C298

RGB 209 194 152

HSL 44.21, 0.38%, 0.71%

LAB 78.7, -1.21, 23.07

 

CMYK 0 / 14 / 27 / 18

HEX #D1B398

RGB 209 179 152

HSL 28.42, 0.38%, 0.71%

LAB 74.86, 6.74, 17.79

 

CMYK 0 / 22 / 27 / 18

HEX #D1A498

RGB 209 164 152

HSL 12.63, 0.38%, 0.71%

LAB 71.13, 14.83, 12.57

 

CMYK 8 / 0 / 27 / 18

HEX #C1D198

RGB 193 209 152

HSL 76.84, 0.38%, 0.71%

LAB 81.4, -14.98, 26.54

 

CMYK 15 / 0 / 27 / 18

HEX #B2D198

RGB 178 209 152

HSL 92.63, 0.38%, 0.71%

LAB 80.37, -20.47, 24.96

 

CMYK 22 / 0 / 27 / 18

HEX #A3D198

RGB 163 209 152

HSL 108.42, 0.38%, 0.71%

LAB 79.42, -25.75, 23.51

 

CMYK 27 / 0 / 25 / 18

HEX #98D19D

RGB 152 209 157

HSL 125.26, 0.38%, 0.71%

LAB 78.87, -28.6, 20.03

 

CMYK 27 / 0 / 17 / 18

HEX #98D1AD

RGB 152 209 173

HSL 142.11, 0.38%, 0.71%

LAB 79.21, -25.68, 12.02

 

CMYK 8 / 0 / 27 / 18

HEX #C1D198

RGB 193 209 152

HSL 76.84, 0.38%, 0.71%

LAB 81.4, -14.98, 26.54

 

CMYK 10 / 0 / 37 / 13

HEX #C6DD8C

RGB 198 221 140

HSL 77.04, 0.54%, 0.71%

LAB 84.8, -20.67, 37.26

 

CMYK 13 / 0 / 45 / 9

HEX #CBE981

RGB 203 233 129

HSL 77.31, 0.7%, 0.71%

LAB 88.24, -25.86, 47.12

 

CMYK 15 / 0 / 52 / 4

HEX #D1F575

RGB 209 245 117

HSL 76.88, 0.86%, 0.71%

LAB 91.75, -30.44, 57.06

 

CMYK 8 / 0 / 27 / 18

HEX #C1D198

RGB 193 209 152

HSL 76.84, 0.38%, 0.71%

LAB 81.4, -14.98, 26.54

 

CMYK 5 / 0 / 17 / 23

HEX #BCC5A4

RGB 188 197 164

HSL 76.36, 0.22%, 0.71%

LAB 78.05, -8.88, 15.53

 

CMYK 2 / 0 / 5 / 27

HEX #B6B9B0

RGB 182 185 176

HSL 80, 0.06%, 0.71%

LAB 74.68, -2.7, 4.19

 

CMYK 6 / 8 / 0 / 26

HEX #B1ADBC

RGB 177 173 188

HSL 256, 0.1%, 0.71%

LAB 71.46, 4.3, -7.15

 

CMYK 14 / 20 / 0 / 22

HEX #ACA1C8

RGB 172 161 200

HSL 256.92, 0.26%, 0.71%

LAB 68.34, 11.75, -18.51

 

CMYK 0 / 7 / 27 / 18

HEX #D1C298

RGB 209 194 152

HSL 44.21, 0.38%, 0.71%

LAB 78.7, -1.21, 23.07

 

CMYK 0 / 0 / 27 / 18

HEX #D1D198

RGB 209 209 152

HSL 60, 0.38%, 0.71%

LAB 82.61, -8.97, 28.37

 

CMYK 7 / 0 / 27 / 18

HEX #C2D198

RGB 194 209 152

HSL 75.79, 0.38%, 0.71%

LAB 81.48, -14.61, 26.65

 

CMYK 14 / 0 / 27 / 18

HEX #B3D198

RGB 179 209 152

HSL 91.58, 0.38%, 0.71%

LAB 80.43, -20.11, 25.06

 

CMYK 22 / 0 / 27 / 18

HEX #A4D198

RGB 164 209 152

HSL 107.37, 0.38%, 0.71%

LAB 79.48, -25.4, 23.61

 

CMYK 14 / 0 / 48 / 28

HEX #9EB760

RGB 158 183 96

HSL 77.24, 0.38%, 0.55%

LAB 70.86, -22.45, 41.18

 

CMYK 10 / 0 / 37 / 23

HEX #B0C47C

RGB 176 196 124

HSL 76.67, 0.38%, 0.63%

LAB 76.17, -18.63, 33.93

 

CMYK 8 / 0 / 27 / 18

HEX #C1D198

RGB 193 209 152

HSL 76.84, 0.38%, 0.71%

LAB 81.4, -14.98, 26.54

 

CMYK 5 / 0 / 18 / 13

HEX #D2DDB5

RGB 210 221 181

HSL 76.5, 0.37%, 0.79%

LAB 86.38, -10.54, 18.42

 

CMYK 3 / 0 / 11 / 8

HEX #E3EAD1

RGB 227 234 209

HSL 76.8, 0.37%, 0.87%

LAB 91.59, -6.66, 11.34

 

CMYK 8 / 0 / 27 / 18

HEX #C1D198

RGB 193 209 152

HSL 76.84, 0.38%, 0.71%

LAB 81.4, -14.98, 26.54

 

CMYK 27 / 0 / 14 / 18

HEX #98D1B3

RGB 152 209 179

HSL 148.42, 0.38%, 0.71%

LAB 79.35, -24.52, 9.01

 

CMYK 4 / 27 / 0 / 18

HEX #C998D1

RGB 201 152 209

HSL 291.58, 0.38%, 0.71%

LAB 69.1, 28.1, -22.09

 

CMYK 8 / 0 / 27 / 18

HEX #C1D198

RGB 193 209 152

HSL 76.84, 0.38%, 0.71%

LAB 81.4, -14.98, 26.54

 

CMYK 27 / 7 / 0 / 18

HEX #98C2D1

RGB 152 194 209

HSL 195.79, 0.38%, 0.71%

LAB 75.98, -10.43, -12.06

 

CMYK 0 / 27 / 7 / 18

HEX #D198C2

RGB 209 152 194

HSL 315.79, 0.38%, 0.71%

LAB 69.4, 28, -13.23

 

CMYK 8 / 0 / 27 / 18

HEX #C1D198

RGB 193 209 152

HSL 76.84, 0.38%, 0.71%

LAB 81.4, -14.98, 26.54

 

CMYK 27 / 0 / 14 / 18

HEX #98D1B3

RGB 152 209 179

HSL 148.42, 0.38%, 0.71%

LAB 79.35, -24.52, 9.01

 

CMYK 20 / 27 / 0 / 18

HEX #A798D1

RGB 167 152 209

HSL 255.79, 0.38%, 0.71%

LAB 65.96, 17.22, -27.17

 

CMYK 0 / 27 / 13 / 18

HEX #D198B6

RGB 209 152 182

HSL 328.42, 0.38%, 0.71%

LAB 69.03, 25.95, -7.11

 

CMYK 8 / 0 / 27 / 18

HEX #C1D198

RGB 193 209 152

HSL 76.84, 0.38%, 0.71%

LAB 81.4, -14.98, 26.54

 

CMYK 27 / 0 / 6 / 18

HEX #98D1C4

RGB 152 209 196

HSL 166.32, 0.38%, 0.71%

LAB 79.76, -21.02, 0.53

 

CMYK 20 / 27 / 0 / 18

HEX #A798D1

RGB 167 152 209

HSL 255.79, 0.38%, 0.71%

LAB 65.96, 17.22, -27.17

 

CMYK 0 / 27 / 21 / 18

HEX #D198A6

RGB 209 152 166

HSL 345.26, 0.38%, 0.71%

LAB 68.58, 23.4, 1.15

 

Description

Color code: HEX #C1D198 | qconv.com Color code: HEX #C1D198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 209 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 209 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 27 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 27% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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