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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1D770 it is the complementary color #3E288F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1D770. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1D770 shade: #C6D76B, #D7E97E, #E8FB91, #F9FFA4 and #FFFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1D770. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1D770 shade: #C1D770, #B0C55D, #9FB34A, #8EA137 and #7D8F24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1D770 shade: #C0D66F, #D6D06F, #D6B56F, #D6996F and #D67D6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1D770 shade: #C0D66F, #A4D66F, #89D66F, #6FD672 and #6FD68D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1D770 shade matches the following richer shades: #C0D66F, #C9E560 and #D1F452

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1D770 shade: #C0D66F, #B8C77E, #AFB88D, #A7AA9C and #9E9BAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1D770 shade: #D6B46F, #D6CF6F, #C2D66F, #A6D66F and #8BD66F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1D770 shade: #A1BE35, #B2CD4F, #C0D66F, #CEDF8F and #DCE8B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1D770 shade: #C1D770, #6FD698 and #C26FD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1D770 shade: #C1D770, #6FC2D6 and #D66FC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1D770 shade: #C1D770, #6FD698, #846FD6 and #D66FAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1D770 shade: #C1D770, #6FD6B7, #846FD6 and #D66F8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 48 / 16

HEX #C1D770

RGB 193 215 112

HSL 72.82, 0.56%, 0.64%

LAB 82.44, -22.79, 48.02

 

Complementary color

CMYK 57 / 72 / 0 / 44

HEX #3E288F

RGB 62 40 143

HSL 252.82, 0.56%, 0.36%

LAB 25.34, 38.21, -53.53

 

CMYK 8 / 0 / 50 / 16

HEX #C6D76B

RGB 198 215 107

HSL 69.44, 0.57%, 0.63%

LAB 82.74, -21.31, 50.84

 

CMYK 8 / 0 / 46 / 9

HEX #D7E97E

RGB 215 233 126

HSL 70.09, 0.71%, 0.7%

LAB 89.03, -21.6, 49.72

 

CMYK 8 / 0 / 42 / 2

HEX #E8FB91

RGB 232 251 145

HSL 70.75, 0.93%, 0.78%

LAB 95.24, -21.84, 48.59

 

CMYK 2 / 0 / 36 / 0

HEX #F9FFA4

RGB 249 255 164

HSL 63.96, 1%, 0.82%

LAB 97.77, -15.31, 42.85

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 10 / 0 / 48 / 16

HEX #C1D770

RGB 193 215 112

HSL 72.82, 0.56%, 0.64%

LAB 82.44, -22.79, 48.02

 

CMYK 11 / 0 / 53 / 23

HEX #B0C55D

RGB 176 197 93

HSL 72.12, 0.47%, 0.57%

LAB 76.04, -22.51, 49.13

 

CMYK 11 / 0 / 59 / 30

HEX #9FB34A

RGB 159 179 74

HSL 71.43, 0.42%, 0.5%

LAB 69.54, -22.15, 50.15

 

CMYK 12 / 0 / 66 / 37

HEX #8EA137

RGB 142 161 55

HSL 70.75, 0.49%, 0.42%

LAB 62.94, -21.67, 50.96

 

CMYK 13 / 0 / 75 / 44

HEX #7D8F24

RGB 125 143 36

HSL 70.09, 0.6%, 0.35%

LAB 56.22, -21.01, 51.28

 

CMYK 10 / 0 / 48 / 16

HEX #C0D66F

RGB 192 214 111

HSL 72.82, 0.56%, 0.64%

LAB 82.08, -22.79, 48.05

 

CMYK 0 / 3 / 48 / 16

HEX #D6D06F

RGB 214 208 111

HSL 56.5, 0.56%, 0.64%

LAB 82.14, -11.07, 48.52

 

CMYK 0 / 15 / 48 / 16

HEX #D6B56F

RGB 214 181 111

HSL 40.78, 0.56%, 0.64%

LAB 75.13, 2.92, 39.92

 

CMYK 0 / 29 / 48 / 16

HEX #D6996F

RGB 214 153 111

HSL 24.47, 0.56%, 0.64%

LAB 68.19, 17.94, 31.08

 

CMYK 0 / 42 / 48 / 16

HEX #D67D6F

RGB 214 125 111

HSL 8.16, 0.56%, 0.64%

LAB 61.75, 33, 22.58

 

CMYK 10 / 0 / 48 / 16

HEX #C0D66F

RGB 192 214 111

HSL 72.82, 0.56%, 0.64%

LAB 82.08, -22.79, 48.05

 

CMYK 23 / 0 / 48 / 16

HEX #A4D66F

RGB 164 214 111

HSL 89.13, 0.56%, 0.64%

LAB 80.25, -33.37, 45.41

 

CMYK 36 / 0 / 48 / 16

HEX #89D66F

RGB 137 214 111

HSL 104.85, 0.56%, 0.64%

LAB 78.79, -42.72, 43.27

 

CMYK 48 / 0 / 47 / 16

HEX #6FD672

RGB 111 214 114

HSL 121.75, 0.56%, 0.64%

LAB 77.69, -50.16, 40.19

 

CMYK 48 / 0 / 34 / 16

HEX #6FD68D

RGB 111 214 141

HSL 137.48, 0.56%, 0.64%

LAB 78.11, -45.86, 27.05

 

CMYK 10 / 0 / 48 / 16

HEX #C0D66F

RGB 192 214 111

HSL 72.82, 0.56%, 0.64%

LAB 82.08, -22.79, 48.05

 

CMYK 12 / 0 / 58 / 10

HEX #C9E560

RGB 201 229 96

HSL 72.63, 0.72%, 0.64%

LAB 86.65, -27.8, 60.37

 

CMYK 14 / 0 / 66 / 4

HEX #D1F452

RGB 209 244 82

HSL 72.96, 0.88%, 0.64%

LAB 91.17, -32.64, 71.03

 

CMYK 10 / 0 / 48 / 16

HEX #C0D66F

RGB 192 214 111

HSL 72.82, 0.56%, 0.64%

LAB 82.08, -22.79, 48.05

 

CMYK 8 / 0 / 37 / 22

HEX #B8C77E

RGB 184 199 126

HSL 72.33, 0.39%, 0.64%

LAB 77.6, -16.81, 34.87

 

CMYK 5 / 0 / 23 / 28

HEX #AFB88D

RGB 175 184 141

HSL 72.56, 0.23%, 0.64%

LAB 73.1, -10.53, 20.85

 

CMYK 2 / 0 / 8 / 33

HEX #A7AA9C

RGB 167 170 156

HSL 72.86, 0.08%, 0.64%

LAB 69.02, -3.64, 6.84

 

CMYK 8 / 9 / 0 / 33

HEX #9E9BAB

RGB 158 155 171

HSL 251.25, 0.09%, 0.64%

LAB 64.69, 4.25, -7.93

 

CMYK 0 / 16 / 48 / 16

HEX #D6B46F

RGB 214 180 111

HSL 40.19, 0.56%, 0.64%

LAB 74.88, 3.45, 39.6

 

CMYK 0 / 3 / 48 / 16

HEX #D6CF6F

RGB 214 207 111

HSL 55.92, 0.56%, 0.64%

LAB 81.88, -10.56, 48.2

 

CMYK 9 / 0 / 48 / 16

HEX #C2D66F

RGB 194 214 111

HSL 71.65, 0.56%, 0.64%

LAB 82.22, -22.01, 48.26

 

CMYK 22 / 0 / 48 / 16

HEX #A6D66F

RGB 166 214 111

HSL 87.96, 0.56%, 0.64%

LAB 80.37, -32.64, 45.58

 

CMYK 35 / 0 / 48 / 16

HEX #8BD66F

RGB 139 214 111

HSL 103.69, 0.56%, 0.64%

LAB 78.89, -42.06, 43.42

 

CMYK 15 / 0 / 72 / 25

HEX #A1BE35

RGB 161 190 53

HSL 72.7, 0.56%, 0.48%

LAB 72.67, -28.11, 62.01

 

CMYK 13 / 0 / 61 / 20

HEX #B2CD4F

RGB 178 205 79

HSL 72.86, 0.56%, 0.56%

LAB 78.28, -26.75, 57.97

 

CMYK 10 / 0 / 48 / 16

HEX #C0D66F

RGB 192 214 111

HSL 72.82, 0.56%, 0.64%

LAB 82.08, -22.79, 48.05

 

CMYK 8 / 0 / 36 / 13

HEX #CEDF8F

RGB 206 223 143

HSL 72.75, 0.56%, 0.72%

LAB 85.95, -18.27, 37.35

 

CMYK 5 / 0 / 24 / 9

HEX #DCE8B0

RGB 220 232 176

HSL 72.86, 0.55%, 0.8%

LAB 89.89, -13.19, 25.97

 

CMYK 10 / 0 / 48 / 16

HEX #C1D770

RGB 193 215 112

HSL 72.82, 0.56%, 0.64%

LAB 82.44, -22.79, 48.02

 

CMYK 48 / 0 / 29 / 16

HEX #6FD698

RGB 111 214 152

HSL 143.88, 0.56%, 0.64%

LAB 78.31, -43.84, 21.59

 

CMYK 9 / 48 / 0 / 16

HEX #C26FD6

RGB 194 111 214

HSL 288.35, 0.56%, 0.64%

LAB 59.61, 49.01, -39.62

 

CMYK 10 / 0 / 48 / 16

HEX #C1D770

RGB 193 215 112

HSL 72.82, 0.56%, 0.64%

LAB 82.44, -22.79, 48.02

 

CMYK 48 / 9 / 0 / 16

HEX #6FC2D6

RGB 111 194 214

HSL 191.65, 0.56%, 0.64%

LAB 74.07, -19.95, -17.85

 

CMYK 0 / 48 / 9 / 16

HEX #D66FC2

RGB 214 111 194

HSL 311.65, 0.56%, 0.64%

LAB 61.27, 51.22, -25.54

 

CMYK 10 / 0 / 48 / 16

HEX #C1D770

RGB 193 215 112

HSL 72.82, 0.56%, 0.64%

LAB 82.44, -22.79, 48.02

 

CMYK 48 / 0 / 29 / 16

HEX #6FD698

RGB 111 214 152

HSL 143.88, 0.56%, 0.64%

LAB 78.31, -43.84, 21.59

 

CMYK 38 / 48 / 0 / 16

HEX #846FD6

RGB 132 111 214

HSL 252.23, 0.56%, 0.64%

LAB 53.09, 32.24, -50.36

 

CMYK 0 / 48 / 19 / 16

HEX #D66FAD

RGB 214 111 173

HSL 323.88, 0.56%, 0.64%

LAB 60.5, 47.92, -14.74

 

CMYK 10 / 0 / 48 / 16

HEX #C1D770

RGB 193 215 112

HSL 72.82, 0.56%, 0.64%

LAB 82.44, -22.79, 48.02

 

CMYK 48 / 0 / 14 / 16

HEX #6FD6B7

RGB 111 214 183

HSL 161.94, 0.56%, 0.64%

LAB 78.98, -37.37, 6.1

 

CMYK 38 / 48 / 0 / 16

HEX #846FD6

RGB 132 111 214

HSL 252.23, 0.56%, 0.64%

LAB 53.09, 32.24, -50.36

 

CMYK 0 / 48 / 34 / 16

HEX #D66F8E

RGB 214 111 142

HSL 341.94, 0.56%, 0.64%

LAB 59.54, 43.69, 1.71

 

Description

Color code: HEX #C1D770 | qconv.com Color code: HEX #C1D770 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 215 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 215 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 48 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 48% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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