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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1B838 it is the complementary color #3E47C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1B838. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1B838 shade: #C6B833, #D7CA46, #E8DC59, #F9EE6C and #FFFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1B838. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1B838 shade: #C1B838, #B0A625, #9F9412, #8E8200 and #7D7000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1B838 shade: #C1B838, #C19338, #C16E38, #C14938 and #C13838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1B838 shade: #C1B838, #A5C138, #80C138, #5BC138 and #38C13A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1B838 shade matches the following richer shades: #C1B838, #D5CA24 and #EADB0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1B838 shade: #C1B838, #ADA74C, #999560, #858374 and #707289

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1B838 shade: #C16F38, #C19338, #C1B838, #A6C138 and #81C138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1B838 shade: #817B25, #A19A2E, #C1B838, #CDC555 and #D7D075

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1B838 shade: #C1B838, #38C14A and #8138C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1B838 shade: #C1B838, #38C1B8 and #B838C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1B838 shade: #C1B838, #38C14A, #3841C1 and #C138AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1B838 shade: #C1B838, #38C173, #3841C1 and #C13886

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 71 / 24

HEX #C1B838

RGB 193 184 56

HSL 56.06, 0.55%, 0.49%

LAB 73.48, -11.49, 62.56

 

Complementary color

CMYK 69 / 64 / 0 / 22

HEX #3E47C7

RGB 62 71 199

HSL 236.06, 0.55%, 0.51%

LAB 37.21, 38.09, -67.66

 

CMYK 0 / 7 / 74 / 22

HEX #C6B833

RGB 198 184 51

HSL 54.29, 0.59%, 0.49%

LAB 73.89, -9.56, 64.89

 

CMYK 0 / 6 / 67 / 16

HEX #D7CA46

RGB 215 202 70

HSL 54.62, 0.64%, 0.56%

LAB 80.25, -10.58, 64.59

 

CMYK 0 / 5 / 62 / 9

HEX #E8DC59

RGB 232 220 89

HSL 54.97, 0.76%, 0.63%

LAB 86.54, -11.44, 63.89

 

CMYK 0 / 4 / 57 / 2

HEX #F9EE6C

RGB 249 238 108

HSL 55.32, 0.92%, 0.7%

LAB 92.74, -12.17, 62.97

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 5 / 71 / 24

HEX #C1B838

RGB 193 184 56

HSL 56.06, 0.55%, 0.49%

LAB 73.48, -11.49, 62.56

 

CMYK 0 / 6 / 79 / 31

HEX #B0A625

RGB 176 166 37

HSL 55.68, 0.65%, 0.42%

LAB 67, -10.39, 62.45

 

CMYK 0 / 7 / 89 / 38

HEX #9F9412

RGB 159 148 18

HSL 55.32, 0.8%, 0.35%

LAB 60.42, -9.06, 61.24

 

CMYK 0 / 8 / 100 / 44

HEX #8E8200

RGB 142 130 0

HSL 54.93, 1%, 0.28%

LAB 53.72, -7.48, 58.6

 

CMYK 0 / 10 / 100 / 51

HEX #7D7000

RGB 125 112 0

HSL 53.76, 1%, 0.25%

LAB 46.91, -5.52, 52.96

 

CMYK 0 / 5 / 71 / 24

HEX #C1B838

RGB 193 184 56

HSL 56.06, 0.55%, 0.49%

LAB 73.48, -11.49, 62.56

 

CMYK 0 / 24 / 71 / 24

HEX #C19338

RGB 193 147 56

HSL 39.85, 0.55%, 0.49%

LAB 63.75, 8.18, 52.81

 

CMYK 0 / 43 / 71 / 24

HEX #C16E38

RGB 193 110 56

HSL 23.65, 0.55%, 0.49%

LAB 54.84, 28.46, 43.39

 

CMYK 0 / 62 / 71 / 24

HEX #C14938

RGB 193 73 56

HSL 7.45, 0.55%, 0.49%

LAB 47.48, 47.12, 35.15

 

CMYK 0 / 71 / 71 / 24

HEX #C13838

RGB 193 56 56

HSL 0, 0.55%, 0.49%

LAB 44.87, 54.17, 32.12

 

CMYK 0 / 5 / 71 / 24

HEX #C1B838

RGB 193 184 56

HSL 56.06, 0.55%, 0.49%

LAB 73.48, -11.49, 62.56

 

CMYK 15 / 0 / 71 / 24

HEX #A5C138

RGB 165 193 56

HSL 72.26, 0.55%, 0.49%

LAB 73.82, -27.75, 62.16

 

CMYK 34 / 0 / 71 / 24

HEX #80C138

RGB 128 193 56

HSL 88.47, 0.55%, 0.49%

LAB 71.56, -42.05, 59.17

 

CMYK 53 / 0 / 71 / 24

HEX #5BC138

RGB 91 193 56

HSL 104.67, 0.55%, 0.49%

LAB 69.93, -53.93, 56.97

 

CMYK 71 / 0 / 70 / 24

HEX #38C13A

RGB 56 193 58

HSL 120.88, 0.55%, 0.49%

LAB 68.96, -61.71, 54.9

 

CMYK 0 / 5 / 71 / 24

HEX #C1B838

RGB 193 184 56

HSL 56.06, 0.55%, 0.49%

LAB 73.48, -11.49, 62.56

 

CMYK 0 / 5 / 83 / 16

HEX #D5CA24

RGB 213 202 36

HSL 56.27, 0.71%, 0.49%

LAB 79.91, -12.8, 75.12

 

CMYK 0 / 6 / 94 / 8

HEX #EADB0F

RGB 234 219 15

HSL 55.89, 0.88%, 0.49%

LAB 86.1, -12.73, 84.36

 

CMYK 0 / 5 / 71 / 24

HEX #C1B838

RGB 193 184 56

HSL 56.06, 0.55%, 0.49%

LAB 73.48, -11.49, 62.56

 

CMYK 0 / 3 / 56 / 32

HEX #ADA74C

RGB 173 167 76

HSL 56.29, 0.39%, 0.49%

LAB 67.31, -9.97, 47

 

CMYK 0 / 3 / 37 / 40

HEX #999560

RGB 153 149 96

HSL 55.79, 0.23%, 0.49%

LAB 60.88, -6.82, 28.54

 

CMYK 0 / 2 / 13 / 48

HEX #858374

RGB 133 131 116

HSL 52.94, 0.07%, 0.49%

LAB 54.53, -2.03, 8.38

 

CMYK 18 / 17 / 0 / 46

HEX #707289

RGB 112 114 137

HSL 235.2, 0.1%, 0.49%

LAB 48.62, 4.37, -12.82

 

CMYK 0 / 42 / 71 / 24

HEX #C16F38

RGB 193 111 56

HSL 24.09, 0.55%, 0.49%

LAB 55.06, 27.92, 43.63

 

CMYK 0 / 24 / 71 / 24

HEX #C19338

RGB 193 147 56

HSL 39.85, 0.55%, 0.49%

LAB 63.75, 8.18, 52.81

 

CMYK 0 / 5 / 71 / 24

HEX #C1B838

RGB 193 184 56

HSL 56.06, 0.55%, 0.49%

LAB 73.48, -11.49, 62.56

 

CMYK 14 / 0 / 71 / 24

HEX #A6C138

RGB 166 193 56

HSL 71.82, 0.55%, 0.49%

LAB 73.89, -27.34, 62.26

 

CMYK 33 / 0 / 71 / 24

HEX #81C138

RGB 129 193 56

HSL 88.03, 0.55%, 0.49%

LAB 71.62, -41.69, 59.24

 

CMYK 0 / 5 / 71 / 49

HEX #817B25

RGB 129 123 37

HSL 56.09, 0.55%, 0.33%

LAB 50.65, -8.52, 45.54

 

CMYK 0 / 4 / 71 / 37

HEX #A19A2E

RGB 161 154 46

HSL 56.35, 0.56%, 0.41%

LAB 62.41, -10.33, 54.55

 

CMYK 0 / 5 / 71 / 24

HEX #C1B838

RGB 193 184 56

HSL 56.06, 0.55%, 0.49%

LAB 73.48, -11.49, 62.56

 

CMYK 0 / 4 / 59 / 20

HEX #CDC555

RGB 205 197 85

HSL 56, 0.55%, 0.57%

LAB 78.21, -11.3, 55.87

 

CMYK 0 / 3 / 46 / 16

HEX #D7D075

RGB 215 208 117

HSL 55.71, 0.55%, 0.65%

LAB 82.29, -10.1, 45.81

 

CMYK 0 / 5 / 71 / 24

HEX #C1B838

RGB 193 184 56

HSL 56.06, 0.55%, 0.49%

LAB 73.48, -11.49, 62.56

 

CMYK 71 / 0 / 62 / 24

HEX #38C14A

RGB 56 193 74

HSL 127.88, 0.55%, 0.49%

LAB 69.09, -60.08, 48.38

 

CMYK 33 / 71 / 0 / 24

HEX #8138C1

RGB 129 56 193

HSL 271.97, 0.55%, 0.49%

LAB 40.16, 55.8, -59.09

 

CMYK 0 / 5 / 71 / 24

HEX #C1B838

RGB 193 184 56

HSL 56.06, 0.55%, 0.49%

LAB 73.48, -11.49, 62.56

 

CMYK 71 / 0 / 5 / 24

HEX #38C1B8

RGB 56 193 184

HSL 176.06, 0.55%, 0.49%

LAB 71.17, -37.79, -6.02

 

CMYK 5 / 71 / 0 / 24

HEX #B838C1

RGB 184 56 193

HSL 296.06, 0.55%, 0.49%

LAB 48.09, 67.19, -45.91

 

CMYK 0 / 5 / 71 / 24

HEX #C1B838

RGB 193 184 56

HSL 56.06, 0.55%, 0.49%

LAB 73.48, -11.49, 62.56

 

CMYK 71 / 0 / 62 / 24

HEX #38C14A

RGB 56 193 74

HSL 127.88, 0.55%, 0.49%

LAB 69.09, -60.08, 48.38

 

CMYK 71 / 66 / 0 / 24

HEX #3841C1

RGB 56 65 193

HSL 236.06, 0.55%, 0.49%

LAB 34.95, 38.99, -67.88

 

CMYK 0 / 71 / 9 / 24

HEX #C138AF

RGB 193 56 175

HSL 307.88, 0.55%, 0.49%

LAB 48.59, 66.31, -34.52

 

CMYK 0 / 5 / 71 / 24

HEX #C1B838

RGB 193 184 56

HSL 56.06, 0.55%, 0.49%

LAB 73.48, -11.49, 62.56

 

CMYK 71 / 0 / 40 / 24

HEX #38C173

RGB 56 193 115

HSL 145.84, 0.55%, 0.49%

LAB 69.62, -53.94, 28.99

 

CMYK 71 / 66 / 0 / 24

HEX #3841C1

RGB 56 65 193

HSL 236.06, 0.55%, 0.49%

LAB 34.95, 38.99, -67.88

 

CMYK 0 / 71 / 31 / 24

HEX #C13886

RGB 193 56 134

HSL 325.84, 0.55%, 0.49%

LAB 46.83, 60.74, -12.76

 

Description

Color code: HEX #C1B838 | qconv.com Color code: HEX #C1B838 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 184 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 184 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 71 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 71% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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