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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1B450 it is the complementary color #3E4BAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1B450. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1B450 shade: #C6B44B, #D7C65E, #E8D871, #F9EA84 and #FFFC97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1B450. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1B450 shade: #C1B450, #B0A23D, #9F902A, #8E7E17 and #7D6C04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1B450 shade: #C2B551, #C29651, #C27851, #C25951 and #C25151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1B450 shade: #C2B551, #B0C251, #92C251, #73C251 and #55C251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1B450 shade matches the following richer shades: #C2B551, #D4C33E, #E7D22B and #FAE018

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1B450 shade: #C2B551, #AFA664, #9C9777, #89898A and #767A9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1B450 shade: #C27851, #C29651, #C2B451, #B1C251 and #93C251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1B450 shade: #8E8432, #ADA03C, #C2B551, #CCC26F and #D7CF8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1B450 shade: #C1B450, #51C25A and #8751C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1B450 shade: #C1B450, #51C2B4 and #B451C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1B450 shade: #C1B450, #51C25A, #515EC2 and #C251B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1B450 shade: #C1B450, #51C27C, #515EC2 and #C25196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 59 / 24

HEX #C1B450

RGB 193 180 80

HSL 53.1, 0.48%, 0.54%

LAB 72.6, -7.95, 51.59

 

Complementary color

CMYK 65 / 57 / 0 / 31

HEX #3E4BAF

RGB 62 75 175

HSL 233.1, 0.48%, 0.46%

LAB 36.27, 27.18, -55.09

 

CMYK 0 / 9 / 62 / 22

HEX #C6B44B

RGB 198 180 75

HSL 51.22, 0.52%, 0.54%

LAB 72.99, -6.18, 54.41

 

CMYK 0 / 8 / 56 / 16

HEX #D7C65E

RGB 215 198 94

HSL 51.57, 0.6%, 0.61%

LAB 79.41, -6.98, 53.37

 

CMYK 0 / 7 / 51 / 9

HEX #E8D871

RGB 232 216 113

HSL 51.93, 0.72%, 0.68%

LAB 85.74, -7.66, 52.23

 

CMYK 0 / 6 / 47 / 2

HEX #F9EA84

RGB 249 234 132

HSL 52.31, 0.91%, 0.75%

LAB 91.98, -8.24, 51.06

 

CMYK 0 / 1 / 41 / 0

HEX #FFFC97

RGB 255 252 151

HSL 58.27, 1%, 0.8%

LAB 97.27, -12.97, 48.62

 

CMYK 0 / 7 / 59 / 24

HEX #C1B450

RGB 193 180 80

HSL 53.1, 0.48%, 0.54%

LAB 72.6, -7.95, 51.59

 

CMYK 0 / 8 / 65 / 31

HEX #B0A23D

RGB 176 162 61

HSL 52.7, 0.49%, 0.46%

LAB 66.06, -7.1, 52.54

 

CMYK 0 / 9 / 74 / 38

HEX #9F902A

RGB 159 144 42

HSL 52.31, 0.58%, 0.39%

LAB 59.42, -6.06, 53.11

 

CMYK 0 / 11 / 84 / 44

HEX #8E7E17

RGB 142 126 23

HSL 51.93, 0.72%, 0.32%

LAB 52.66, -4.76, 52.88

 

CMYK 0 / 14 / 97 / 51

HEX #7D6C04

RGB 125 108 4

HSL 51.57, 0.94%, 0.25%

LAB 45.76, -3.16, 51.21

 

CMYK 0 / 7 / 58 / 24

HEX #C2B551

RGB 194 181 81

HSL 53.1, 0.48%, 0.54%

LAB 72.97, -7.97, 51.56

 

CMYK 0 / 23 / 58 / 24

HEX #C29651

RGB 194 150 81

HSL 36.64, 0.48%, 0.54%

LAB 64.86, 8.6, 42.22

 

CMYK 0 / 38 / 58 / 24

HEX #C27851

RGB 194 120 81

HSL 20.71, 0.48%, 0.54%

LAB 57.56, 25.07, 33.39

 

CMYK 0 / 54 / 58 / 24

HEX #C25951

RGB 194 89 81

HSL 4.25, 0.48%, 0.54%

LAB 50.93, 41.43, 25

 

CMYK 0 / 58 / 58 / 24

HEX #C25151

RGB 194 81 81

HSL 0, 0.48%, 0.54%

LAB 49.43, 45.32, 23.06

 

CMYK 0 / 7 / 58 / 24

HEX #C2B551

RGB 194 181 81

HSL 53.1, 0.48%, 0.54%

LAB 72.97, -7.97, 51.56

 

CMYK 9 / 0 / 58 / 24

HEX #B0C251

RGB 176 194 81

HSL 69.56, 0.48%, 0.54%

LAB 75.08, -22.06, 53.54

 

CMYK 25 / 0 / 58 / 24

HEX #92C251

RGB 146 194 81

HSL 85.49, 0.48%, 0.54%

LAB 73.08, -33.87, 50.74

 

CMYK 41 / 0 / 58 / 24

HEX #73C251

RGB 115 194 81

HSL 101.95, 0.48%, 0.54%

LAB 71.43, -44.79, 48.42

 

CMYK 56 / 0 / 58 / 24

HEX #55C251

RGB 85 194 81

HSL 117.88, 0.48%, 0.54%

LAB 70.25, -53.47, 46.75

 

CMYK 0 / 7 / 58 / 24

HEX #C2B551

RGB 194 181 81

HSL 53.1, 0.48%, 0.54%

LAB 72.97, -7.97, 51.56

 

CMYK 0 / 8 / 71 / 17

HEX #D4C33E

RGB 212 195 62

HSL 53.2, 0.64%, 0.54%

LAB 78.1, -8.7, 65.41

 

CMYK 0 / 9 / 81 / 9

HEX #E7D22B

RGB 231 210 43

HSL 53.3, 0.8%, 0.54%

LAB 83.58, -8.96, 77.09

 

CMYK 0 / 10 / 90 / 2

HEX #FAE018

RGB 250 224 24

HSL 53.1, 0.96%, 0.54%

LAB 88.78, -8.33, 85.85

 

CMYK 0 / 7 / 58 / 24

HEX #C2B551

RGB 194 181 81

HSL 53.1, 0.48%, 0.54%

LAB 72.97, -7.97, 51.56

 

CMYK 0 / 5 / 43 / 31

HEX #AFA664

RGB 175 166 100

HSL 52.8, 0.32%, 0.54%

LAB 67.51, -6.35, 35.27

 

CMYK 0 / 3 / 24 / 39

HEX #9C9777

RGB 156 151 119

HSL 51.89, 0.16%, 0.54%

LAB 62.11, -3.57, 17.56

 

CMYK 1 / 1 / 0 / 46

HEX #89898A

RGB 137 137 138

HSL 240, 0%, 0.54%

LAB 57.12, 0.2, -0.54

 

CMYK 25 / 22 / 0 / 38

HEX #767A9D

RGB 118 122 157

HSL 233.85, 0.17%, 0.54%

LAB 52.07, 6.54, -19.27

 

CMYK 0 / 38 / 58 / 24

HEX #C27851

RGB 194 120 81

HSL 20.71, 0.48%, 0.54%

LAB 57.56, 25.07, 33.39

 

CMYK 0 / 23 / 58 / 24

HEX #C29651

RGB 194 150 81

HSL 36.64, 0.48%, 0.54%

LAB 64.86, 8.6, 42.22

 

CMYK 0 / 7 / 58 / 24

HEX #C2B451

RGB 194 180 81

HSL 52.57, 0.48%, 0.54%

LAB 72.7, -7.45, 51.26

 

CMYK 9 / 0 / 58 / 24

HEX #B1C251

RGB 177 194 81

HSL 69.03, 0.48%, 0.54%

LAB 75.15, -21.65, 53.64

 

CMYK 24 / 0 / 58 / 24

HEX #93C251

RGB 147 194 81

HSL 84.96, 0.48%, 0.54%

LAB 73.14, -33.49, 50.83

 

CMYK 0 / 7 / 65 / 44

HEX #8E8432

RGB 142 132 50

HSL 53.48, 0.48%, 0.38%

LAB 54.54, -6.73, 44.24

 

CMYK 0 / 8 / 65 / 32

HEX #ADA03C

RGB 173 160 60

HSL 53.1, 0.48%, 0.46%

LAB 65.24, -7.42, 52.02

 

CMYK 0 / 7 / 58 / 24

HEX #C2B551

RGB 194 181 81

HSL 53.1, 0.48%, 0.54%

LAB 72.97, -7.97, 51.56

 

CMYK 0 / 5 / 46 / 20

HEX #CCC26F

RGB 204 194 111

HSL 53.55, 0.48%, 0.62%

LAB 77.62, -7.97, 42.81

 

CMYK 0 / 4 / 34 / 16

HEX #D7CF8E

RGB 215 207 142

HSL 53.42, 0.48%, 0.7%

LAB 82.39, -6.9, 33.35

 

CMYK 0 / 7 / 59 / 24

HEX #C1B450

RGB 193 180 80

HSL 53.1, 0.48%, 0.54%

LAB 72.6, -7.95, 51.59

 

CMYK 58 / 0 / 54 / 24

HEX #51C25A

RGB 81 194 90

HSL 124.78, 0.48%, 0.54%

LAB 70.23, -53.32, 42.45

 

CMYK 30 / 58 / 0 / 24

HEX #8751C2

RGB 135 81 194

HSL 268.67, 0.48%, 0.54%

LAB 45.54, 44.83, -50.95

 

CMYK 0 / 7 / 59 / 24

HEX #C1B450

RGB 193 180 80

HSL 53.1, 0.48%, 0.54%

LAB 72.6, -7.95, 51.59

 

CMYK 58 / 0 / 7 / 24

HEX #51C2B4

RGB 81 194 180

HSL 172.57, 0.48%, 0.54%

LAB 71.98, -35.33, -2.58

 

CMYK 7 / 58 / 0 / 24

HEX #B451C2

RGB 180 81 194

HSL 292.57, 0.48%, 0.54%

LAB 51.25, 56.16, -41.52

 

CMYK 0 / 7 / 59 / 24

HEX #C1B450

RGB 193 180 80

HSL 53.1, 0.48%, 0.54%

LAB 72.6, -7.95, 51.59

 

CMYK 58 / 0 / 54 / 24

HEX #51C25A

RGB 81 194 90

HSL 124.78, 0.48%, 0.54%

LAB 70.23, -53.32, 42.45

 

CMYK 58 / 52 / 0 / 24

HEX #515EC2

RGB 81 94 194

HSL 233.1, 0.48%, 0.54%

LAB 43.73, 25.01, -54.12

 

CMYK 0 / 58 / 5 / 24

HEX #C251B8

RGB 194 81 184

HSL 305.31, 0.48%, 0.54%

LAB 52.75, 58.07, -33.24

 

CMYK 0 / 7 / 59 / 24

HEX #C1B450

RGB 193 180 80

HSL 53.1, 0.48%, 0.54%

LAB 72.6, -7.95, 51.59

 

CMYK 58 / 0 / 36 / 24

HEX #51C27C

RGB 81 194 124

HSL 142.83, 0.48%, 0.54%

LAB 70.72, -47.9, 25.85

 

CMYK 58 / 52 / 0 / 24

HEX #515EC2

RGB 81 94 194

HSL 233.1, 0.48%, 0.54%

LAB 43.73, 25.01, -54.12

 

CMYK 0 / 58 / 23 / 24

HEX #C25196

RGB 194 81 150

HSL 323.36, 0.48%, 0.54%

LAB 51.33, 52.82, -15.5

 

Description

Color code: HEX #C1B450 | qconv.com Color code: HEX #C1B450 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 180 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 180 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 59 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 59% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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