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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1AD80 it is the complementary color #3E527F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1AD80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1AD80 shade: #C6AD7B, #D7BF8E, #E8D1A1, #F9E3B4 and #FFF5C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1AD80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1AD80 shade: #C1AD80, #B09B6D, #9F895A, #8E7747 and #7D6534

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1AD80 shade: #C0AC80, #C09B80, #C08A80 and #C08080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1AD80 shade: #C0AC80, #C0BE80, #B1C080, #A0C080 and #8FC080

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1AD80 shade matches the following richer shades: #C0AC80, #CFB271, #DFB862, #EEBE52 and #FDC443

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1AD80 shade: #C0AC80, #B1A78F, #A2A19F, #929BAE and #8395BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1AD80 shade: #C08A80, #C09B80, #C0AC80, #C0BD80 and #B2C080

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1AD80 shade: #9F874E, #B39B64, #C0AC80, #CEBE9C and #DBD0B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1AD80 shade: #C1AD80, #88C080 and #9280C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1AD80 shade: #C1AD80, #80C0AC and #AC80C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1AD80 shade: #C1AD80, #88C080, #8094C0 and #B980C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1AD80 shade: #C1AD80, #80C08C, #8094C0 and #C080B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 34 / 24

HEX #C1AD80

RGB 193 173 128

HSL 41.54, 0.34%, 0.63%

LAB 71.41, 0.52, 25.79

 

Complementary color

CMYK 51 / 35 / 0 / 50

HEX #3E527F

RGB 62 82 127

HSL 221.54, 0.34%, 0.37%

LAB 35.18, 5.87, -27.8

 

CMYK 0 / 13 / 38 / 22

HEX #C6AD7B

RGB 198 173 123

HSL 40, 0.4%, 0.63%

LAB 71.77, 1.92, 29.03

 

CMYK 0 / 11 / 34 / 16

HEX #D7BF8E

RGB 215 191 142

HSL 40.27, 0.48%, 0.7%

LAB 78.26, 1.41, 27.87

 

CMYK 0 / 10 / 31 / 9

HEX #E8D1A1

RGB 232 209 161

HSL 40.56, 0.61%, 0.77%

LAB 84.65, 0.97, 26.77

 

CMYK 0 / 9 / 28 / 2

HEX #F9E3B4

RGB 249 227 180

HSL 40.87, 0.85%, 0.84%

LAB 90.95, 0.58, 25.73

 

CMYK 0 / 4 / 22 / 0

HEX #FFF5C7

RGB 255 245 199

HSL 49.29, 1%, 0.89%

LAB 96.28, -3.76, 23.39

 

CMYK 0 / 10 / 34 / 24

HEX #C1AD80

RGB 193 173 128

HSL 41.54, 0.34%, 0.63%

LAB 71.41, 0.52, 25.79

 

CMYK 0 / 12 / 38 / 31

HEX #B09B6D

RGB 176 155 109

HSL 41.19, 0.3%, 0.56%

LAB 64.79, 1.02, 26.97

 

CMYK 0 / 14 / 43 / 38

HEX #9F895A

RGB 159 137 90

HSL 40.87, 0.28%, 0.49%

LAB 58.04, 1.61, 28.25

 

CMYK 0 / 16 / 50 / 44

HEX #8E7747

RGB 142 119 71

HSL 40.56, 0.33%, 0.42%

LAB 51.15, 2.34, 29.6

 

CMYK 0 / 19 / 58 / 51

HEX #7D6534

RGB 125 101 52

HSL 40.27, 0.41%, 0.35%

LAB 44.11, 3.26, 31.03

 

CMYK 0 / 10 / 33 / 25

HEX #C0AC80

RGB 192 172 128

HSL 41.25, 0.34%, 0.63%

LAB 71.06, 0.65, 25.3

 

CMYK 0 / 19 / 33 / 25

HEX #C09B80

RGB 192 155 128

HSL 25.31, 0.34%, 0.63%

LAB 66.68, 9.88, 19.36

 

CMYK 0 / 28 / 33 / 25

HEX #C08A80

RGB 192 138 128

HSL 9.37, 0.34%, 0.63%

LAB 62.46, 19.25, 13.52

 

CMYK 0 / 33 / 33 / 25

HEX #C08080

RGB 192 128 128

HSL 0, 0.34%, 0.63%

LAB 60.07, 24.78, 10.16

 

CMYK 0 / 10 / 33 / 25

HEX #C0AC80

RGB 192 172 128

HSL 41.25, 0.34%, 0.63%

LAB 71.06, 0.65, 25.3

 

CMYK 0 / 1 / 33 / 25

HEX #C0BE80

RGB 192 190 128

HSL 58.13, 0.34%, 0.63%

LAB 75.82, -8.84, 31.62

 

CMYK 8 / 0 / 33 / 25

HEX #B1C080

RGB 177 192 128

HSL 74.06, 0.34%, 0.63%

LAB 75.2, -15.71, 30.6

 

CMYK 17 / 0 / 33 / 25

HEX #A0C080

RGB 160 192 128

HSL 90, 0.34%, 0.63%

LAB 74.02, -22.13, 28.81

 

CMYK 26 / 0 / 33 / 25

HEX #8FC080

RGB 143 192 128

HSL 105.94, 0.34%, 0.63%

LAB 72.96, -28.24, 27.21

 

CMYK 0 / 10 / 33 / 25

HEX #C0AC80

RGB 192 172 128

HSL 41.25, 0.34%, 0.63%

LAB 71.06, 0.65, 25.3

 

CMYK 0 / 14 / 45 / 19

HEX #CFB271

RGB 207 178 113

HSL 41.49, 0.49%, 0.63%

LAB 73.74, 1.83, 37

 

CMYK 0 / 17 / 56 / 13

HEX #DFB862

RGB 223 184 98

HSL 41.28, 0.66%, 0.63%

LAB 76.59, 3.94, 48.37

 

CMYK 0 / 20 / 66 / 7

HEX #EEBE52

RGB 238 190 82

HSL 41.54, 0.82%, 0.63%

LAB 79.39, 5.97, 59.36

 

CMYK 0 / 23 / 74 / 1

HEX #FDC443

RGB 253 196 67

HSL 41.61, 0.98%, 0.63%

LAB 82.25, 8.39, 68.91

 

CMYK 0 / 10 / 33 / 25

HEX #C0AC80

RGB 192 172 128

HSL 41.25, 0.34%, 0.63%

LAB 71.06, 0.65, 25.3

 

CMYK 0 / 6 / 19 / 31

HEX #B1A78F

RGB 177 167 143

HSL 42.35, 0.18%, 0.63%

LAB 68.73, -0.43, 13.72

 

CMYK 0 / 1 / 2 / 36

HEX #A2A19F

RGB 162 161 159

HSL 40, 0.02%, 0.63%

LAB 66.27, -0.01, 1.16

 

CMYK 16 / 11 / 0 / 32

HEX #929BAE

RGB 146 155 174

HSL 220.71, 0.15%, 0.63%

LAB 63.84, 0.82, -10.97

 

CMYK 31 / 21 / 0 / 26

HEX #8395BD

RGB 131 149 189

HSL 221.38, 0.31%, 0.63%

LAB 61.65, 3.04, -22.84

 

CMYK 0 / 28 / 33 / 25

HEX #C08A80

RGB 192 138 128

HSL 9.37, 0.34%, 0.63%

LAB 62.46, 19.25, 13.52

 

CMYK 0 / 19 / 33 / 25

HEX #C09B80

RGB 192 155 128

HSL 25.31, 0.34%, 0.63%

LAB 66.68, 9.88, 19.36

 

CMYK 0 / 10 / 33 / 25

HEX #C0AC80

RGB 192 172 128

HSL 41.25, 0.34%, 0.63%

LAB 71.06, 0.65, 25.3

 

CMYK 0 / 2 / 33 / 25

HEX #C0BD80

RGB 192 189 128

HSL 57.19, 0.34%, 0.63%

LAB 75.55, -8.32, 31.27

 

CMYK 7 / 0 / 33 / 25

HEX #B2C080

RGB 178 192 128

HSL 73.13, 0.34%, 0.63%

LAB 75.28, -15.33, 30.71

 

CMYK 0 / 15 / 51 / 38

HEX #9F874E

RGB 159 135 78

HSL 42.22, 0.34%, 0.46%

LAB 57.32, 1.48, 33.83

 

CMYK 0 / 13 / 44 / 30

HEX #B39B64

RGB 179 155 100

HSL 41.77, 0.34%, 0.55%

LAB 64.92, 1.25, 32.06

 

CMYK 0 / 10 / 33 / 25

HEX #C0AC80

RGB 192 172 128

HSL 41.25, 0.34%, 0.63%

LAB 71.06, 0.65, 25.3

 

CMYK 0 / 8 / 24 / 19

HEX #CEBE9C

RGB 206 190 156

HSL 40.8, 0.34%, 0.71%

LAB 77.49, 0.3, 19.24

 

CMYK 0 / 5 / 16 / 14

HEX #DBD0B7

RGB 219 208 183

HSL 41.67, 0.33%, 0.79%

LAB 83.75, -0.3, 13.78

 

CMYK 0 / 10 / 34 / 24

HEX #C1AD80

RGB 193 173 128

HSL 41.54, 0.34%, 0.63%

LAB 71.41, 0.52, 25.79

 

CMYK 29 / 0 / 33 / 25

HEX #88C080

RGB 136 192 128

HSL 112.5, 0.34%, 0.63%

LAB 72.56, -30.64, 26.61

 

CMYK 24 / 33 / 0 / 25

HEX #9280C0

RGB 146 128 192

HSL 256.88, 0.34%, 0.63%

LAB 57.42, 20.48, -30.97

 

CMYK 0 / 10 / 34 / 24

HEX #C1AD80

RGB 193 173 128

HSL 41.54, 0.34%, 0.63%

LAB 71.41, 0.52, 25.79

 

CMYK 33 / 0 / 10 / 25

HEX #80C0AC

RGB 128 192 172

HSL 161.25, 0.34%, 0.63%

LAB 73.07, -24.85, 3.59

 

CMYK 10 / 33 / 0 / 25

HEX #AC80C0

RGB 172 128 192

HSL 281.25, 0.34%, 0.63%

LAB 59.9, 28.63, -26.93

 

CMYK 0 / 10 / 34 / 24

HEX #C1AD80

RGB 193 173 128

HSL 41.54, 0.34%, 0.63%

LAB 71.41, 0.52, 25.79

 

CMYK 29 / 0 / 33 / 25

HEX #88C080

RGB 136 192 128

HSL 112.5, 0.34%, 0.63%

LAB 72.56, -30.64, 26.61

 

CMYK 33 / 23 / 0 / 25

HEX #8094C0

RGB 128 148 192

HSL 221.25, 0.34%, 0.63%

LAB 61.29, 3.5, -25.11

 

CMYK 4 / 33 / 0 / 25

HEX #B980C0

RGB 185 128 192

HSL 293.44, 0.34%, 0.63%

LAB 61.27, 32.81, -24.7

 

CMYK 0 / 10 / 34 / 24

HEX #C1AD80

RGB 193 173 128

HSL 41.54, 0.34%, 0.63%

LAB 71.41, 0.52, 25.79

 

CMYK 33 / 0 / 27 / 25

HEX #80C08C

RGB 128 192 140

HSL 131.25, 0.34%, 0.63%

LAB 72.35, -31.23, 19.87

 

CMYK 33 / 23 / 0 / 25

HEX #8094C0

RGB 128 148 192

HSL 221.25, 0.34%, 0.63%

LAB 61.29, 3.5, -25.11

 

CMYK 0 / 33 / 6 / 25

HEX #C080B4

RGB 192 128 180

HSL 311.25, 0.34%, 0.63%

LAB 61.6, 32.86, -17.32

 

Description

Color code: HEX #C1AD80 | qconv.com Color code: HEX #C1AD80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 173 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 173 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 34 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 34% 24% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - Haigh's Chocolat...
Link: http://www.haighschocolates.com.au

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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