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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1AD65 it is the complementary color #3E529A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1AD65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1AD65 shade: #C6AD60, #D7BF73, #E8D186, #F9E399 and #FFF5AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1AD65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1AD65 shade: #C1AD65, #B09B52, #9F893F, #8E772C and #7D6519

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1AD65 shade: #C1AD65, #C19565, #C17C65 and #C16565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1AD65 shade: #C1AD65, #BDC165, #A4C165, #8BC165 and #72C165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1AD65 shade matches the following richer shades: #C1AD65, #D3B754, #E4C143 and #F5CB31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1AD65 shade: #C1AD65, #B0A477, #9F9A88, #8D9099 and #7C86AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1AD65 shade: #C17B65, #C19365, #C1AC65, #BEC165 and #A6C165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1AD65 shade: #98843C, #B59E48, #C1AD65, #CDBD83 and #D9CDA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1AD65 shade: #C1AD65, #68C165 and #8765C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1AD65 shade: #C1AD65, #65C1AC and #AC65C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1AD65 shade: #C1AD65, #68C165, #657BC1 and #BE65C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1AD65 shade: #C1AD65, #65C17E, #657BC1 and #C165A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 48 / 24

HEX #C1AD65

RGB 193 173 101

HSL 46.96, 0.43%, 0.58%

LAB 70.98, -2.48, 39.44

 

Complementary color

CMYK 60 / 47 / 0 / 40

HEX #3E529A

RGB 62 82 154

HSL 226.96, 0.43%, 0.42%

LAB 36.73, 15.17, -41.8

 

CMYK 0 / 13 / 52 / 22

HEX #C6AD60

RGB 198 173 96

HSL 45.29, 0.47%, 0.58%

LAB 71.38, -0.86, 42.56

 

CMYK 0 / 11 / 47 / 16

HEX #D7BF73

RGB 215 191 115

HSL 45.6, 0.56%, 0.65%

LAB 77.84, -1.54, 41.29

 

CMYK 0 / 10 / 42 / 9

HEX #E8D186

RGB 232 209 134

HSL 45.92, 0.68%, 0.72%

LAB 84.21, -2.13, 40.06

 

CMYK 0 / 9 / 39 / 2

HEX #F9E399

RGB 249 227 153

HSL 46.25, 0.89%, 0.79%

LAB 90.5, -2.64, 38.88

 

CMYK 0 / 4 / 33 / 0

HEX #FFF5AC

RGB 255 245 172

HSL 52.77, 1%, 0.84%

LAB 95.81, -7.22, 36.41

 

CMYK 0 / 10 / 48 / 24

HEX #C1AD65

RGB 193 173 101

HSL 46.96, 0.43%, 0.58%

LAB 70.98, -2.48, 39.44

 

CMYK 0 / 12 / 53 / 31

HEX #B09B52

RGB 176 155 82

HSL 46.6, 0.37%, 0.51%

LAB 64.39, -1.78, 40.72

 

CMYK 0 / 14 / 60 / 38

HEX #9F893F

RGB 159 137 63

HSL 46.25, 0.43%, 0.44%

LAB 57.68, -0.92, 41.97

 

CMYK 0 / 16 / 69 / 44

HEX #8E772C

RGB 142 119 44

HSL 45.92, 0.53%, 0.36%

LAB 50.83, 0.15, 43.07

 

CMYK 0 / 19 / 80 / 51

HEX #7D6519

RGB 125 101 25

HSL 45.6, 0.67%, 0.29%

LAB 43.85, 1.5, 43.67

 

CMYK 0 / 10 / 48 / 24

HEX #C1AD65

RGB 193 173 101

HSL 46.96, 0.43%, 0.58%

LAB 70.98, -2.48, 39.44

 

CMYK 0 / 23 / 48 / 24

HEX #C19565

RGB 193 149 101

HSL 31.3, 0.43%, 0.58%

LAB 64.78, 10.49, 31.62

 

CMYK 0 / 36 / 48 / 24

HEX #C17C65

RGB 193 124 101

HSL 15, 0.43%, 0.58%

LAB 58.69, 24.26, 23.67

 

CMYK 0 / 48 / 48 / 24

HEX #C16565

RGB 193 101 101

HSL 0, 0.43%, 0.58%

LAB 53.58, 36.66, 16.79

 

CMYK 0 / 10 / 48 / 24

HEX #C1AD65

RGB 193 173 101

HSL 46.96, 0.43%, 0.58%

LAB 70.98, -2.48, 39.44

 

CMYK 2 / 0 / 48 / 24

HEX #BDC165

RGB 189 193 101

HSL 62.61, 0.43%, 0.58%

LAB 76.01, -14.52, 45.5

 

CMYK 15 / 0 / 48 / 24

HEX #A4C165

RGB 164 193 101

HSL 78.91, 0.43%, 0.58%

LAB 74.17, -24.48, 42.85

 

CMYK 28 / 0 / 48 / 24

HEX #8BC165

RGB 139 193 101

HSL 95.22, 0.43%, 0.58%

LAB 72.61, -33.85, 40.57

 

CMYK 41 / 0 / 48 / 24

HEX #72C165

RGB 114 193 101

HSL 111.52, 0.43%, 0.58%

LAB 71.32, -42.28, 38.69

 

CMYK 0 / 10 / 48 / 24

HEX #C1AD65

RGB 193 173 101

HSL 46.96, 0.43%, 0.58%

LAB 70.98, -2.48, 39.44

 

CMYK 0 / 13 / 60 / 17

HEX #D3B754

RGB 211 183 84

HSL 46.77, 0.59%, 0.58%

LAB 75.05, -1.61, 52.94

 

CMYK 0 / 15 / 71 / 11

HEX #E4C143

RGB 228 193 67

HSL 46.96, 0.75%, 0.58%

LAB 79.06, -0.61, 64.95

 

CMYK 0 / 17 / 80 / 4

HEX #F5CB31

RGB 245 203 49

HSL 47.14, 0.91%, 0.58%

LAB 83.1, 0.74, 75.5

 

CMYK 0 / 10 / 48 / 24

HEX #C1AD65

RGB 193 173 101

HSL 46.96, 0.43%, 0.58%

LAB 70.98, -2.48, 39.44

 

CMYK 0 / 7 / 32 / 31

HEX #B0A477

RGB 176 164 119

HSL 47.37, 0.27%, 0.58%

LAB 67.36, -2.62, 24.97

 

CMYK 0 / 3 / 14 / 38

HEX #9F9A88

RGB 159 154 136

HSL 46.96, 0.11%, 0.58%

LAB 63.56, -1.36, 10.1

 

CMYK 8 / 6 / 0 / 40

HEX #8D9099

RGB 141 144 153

HSL 225, 0.06%, 0.58%

LAB 59.81, 0.74, -5.14

 

CMYK 27 / 22 / 0 / 33

HEX #7C86AB

RGB 124 134 171

HSL 227.23, 0.22%, 0.58%

LAB 56.36, 4.94, -20.75

 

CMYK 0 / 36 / 48 / 24

HEX #C17B65

RGB 193 123 101

HSL 14.35, 0.43%, 0.58%

LAB 58.46, 24.81, 23.36

 

CMYK 0 / 24 / 48 / 24

HEX #C19365

RGB 193 147 101

HSL 30, 0.43%, 0.58%

LAB 64.28, 11.59, 30.98

 

CMYK 0 / 11 / 48 / 24

HEX #C1AC65

RGB 193 172 101

HSL 46.3, 0.43%, 0.58%

LAB 70.72, -1.95, 39.11

 

CMYK 2 / 0 / 48 / 24

HEX #BEC165

RGB 190 193 101

HSL 61.96, 0.43%, 0.58%

LAB 76.09, -14.12, 45.61

 

CMYK 14 / 0 / 48 / 24

HEX #A6C165

RGB 166 193 101

HSL 77.61, 0.43%, 0.58%

LAB 74.31, -23.7, 43.04

 

CMYK 0 / 13 / 61 / 40

HEX #98843C

RGB 152 132 60

HSL 46.96, 0.43%, 0.42%

LAB 55.59, -1.5, 40.9

 

CMYK 0 / 13 / 60 / 29

HEX #B59E48

RGB 181 158 72

HSL 47.34, 0.43%, 0.5%

LAB 65.55, -2.04, 47.1

 

CMYK 0 / 10 / 48 / 24

HEX #C1AD65

RGB 193 173 101

HSL 46.96, 0.43%, 0.58%

LAB 70.98, -2.48, 39.44

 

CMYK 0 / 8 / 36 / 20

HEX #CDBD83

RGB 205 189 131

HSL 47.03, 0.43%, 0.66%

LAB 76.69, -2.81, 31.4

 

CMYK 0 / 6 / 26 / 15

HEX #D9CDA0

RGB 217 205 160

HSL 47.37, 0.43%, 0.74%

LAB 82.35, -2.8, 23.95

 

CMYK 0 / 10 / 48 / 24

HEX #C1AD65

RGB 193 173 101

HSL 46.96, 0.43%, 0.58%

LAB 70.98, -2.48, 39.44

 

CMYK 46 / 0 / 48 / 24

HEX #68C165

RGB 104 193 101

HSL 118.04, 0.43%, 0.58%

LAB 70.89, -45.31, 38.06

 

CMYK 30 / 48 / 0 / 24

HEX #8765C1

RGB 135 101 193

HSL 262.17, 0.43%, 0.58%

LAB 49.87, 33.3, -43.47

 

CMYK 0 / 10 / 48 / 24

HEX #C1AD65

RGB 193 173 101

HSL 46.96, 0.43%, 0.58%

LAB 70.98, -2.48, 39.44

 

CMYK 48 / 0 / 11 / 24

HEX #65C1AC

RGB 101 193 172

HSL 166.3, 0.43%, 0.58%

LAB 72.15, -32.55, 2.11

 

CMYK 11 / 48 / 0 / 24

HEX #AC65C1

RGB 172 101 193

HSL 286.3, 0.43%, 0.58%

LAB 53.95, 43.74, -36.76

 

CMYK 0 / 10 / 48 / 24

HEX #C1AD65

RGB 193 173 101

HSL 46.96, 0.43%, 0.58%

LAB 70.98, -2.48, 39.44

 

CMYK 46 / 0 / 48 / 24

HEX #68C165

RGB 104 193 101

HSL 118.04, 0.43%, 0.58%

LAB 70.89, -45.31, 38.06

 

CMYK 48 / 36 / 0 / 24

HEX #657BC1

RGB 101 123 193

HSL 225.65, 0.43%, 0.58%

LAB 52.71, 11.18, -39.16

 

CMYK 2 / 48 / 0 / 24

HEX #BE65C1

RGB 190 101 193

HSL 298.04, 0.43%, 0.58%

LAB 56.19, 48.96, -33.09

 

CMYK 0 / 10 / 48 / 24

HEX #C1AD65

RGB 193 173 101

HSL 46.96, 0.43%, 0.58%

LAB 70.98, -2.48, 39.44

 

CMYK 48 / 0 / 35 / 24

HEX #65C17E

RGB 101 193 126

HSL 136.3, 0.43%, 0.58%

LAB 71.15, -42.17, 25.49

 

CMYK 48 / 36 / 0 / 24

HEX #657BC1

RGB 101 123 193

HSL 225.65, 0.43%, 0.58%

LAB 52.71, 11.18, -39.16

 

CMYK 0 / 48 / 12 / 24

HEX #C165A9

RGB 193 101 169

HSL 315.65, 0.43%, 0.58%

LAB 55.59, 45.67, -20.15

 

Description

Color code: HEX #C1AD65 | qconv.com Color code: HEX #C1AD65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 173 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 173 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 48 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 48% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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