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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1A7EB it is the complementary color #3E5814. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1A7EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1A7EB shade: #C6A7E6, #D7B9F9, #E8CBFF, #F9DDFF and #FFEFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1A7EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1A7EB shade: #C1A7EB, #B095D8, #9F83C5, #8E71B2 and #7D5F9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1A7EB shade: #C1A7EB, #D3A7EB, #E5A7EB, #EBA7DE and #EBA7CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1A7EB shade: #C1A7EB, #AFA7EB and #A7A7EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1A7EB shade matches the following richer shades: #C1A7EB, #BF9FF3 and #BD96FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1A7EB shade: #C1A7EB, #C3B0E2, #C5B9D9, #C7C1D1 and #C9CAC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1A7EB shade: #A7B2EB, #AEA7EB, #C0A7EB, #D2A7EB and #E4A7EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1A7EB shade: #9264DB, #A986E3, #C1A7EB, #D9C9F2 and #F0EAFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1A7EB shade: #C1A7EB, #EBA7C4 and #A9EBA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1A7EB shade: #C1A7EB, #EBC0A7 and #A7EBC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1A7EB shade: #C1A7EB, #EBA7C4, #D2EBA7 and #A7EBCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1A7EB shade: #C1A7EB, #EBA7B0, #D2EBA7 and #A7EBE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 29 / 0 / 8

HEX #C1A7EB

RGB 193 167 235

HSL 262.94, 0.63%, 0.79%

LAB 72.87, 22.71, -30.63

 

Complementary color

CMYK 30 / 0 / 77 / 65

HEX #3E5814

RGB 62 88 20

HSL 82.94, 0.63%, 0.21%

LAB 34.1, -21.34, 34.3

 

CMYK 14 / 27 / 0 / 10

HEX #C6A7E6

RGB 198 167 230

HSL 269.52, 0.56%, 0.78%

LAB 73.13, 23.17, -27.49

 

CMYK 14 / 26 / 0 / 2

HEX #D7B9F9

RGB 215 185 249

HSL 268.13, 0.84%, 0.85%

LAB 79.61, 22.64, -27.7

 

CMYK 9 / 20 / 0 / 0

HEX #E8CBFF

RGB 232 203 255

HSL 273.46, 1%, 0.9%

LAB 85.55, 19.53, -21.71

 

CMYK 2 / 13 / 0 / 0

HEX #F9DDFF

RGB 249 221 255

HSL 289.41, 1%, 0.93%

LAB 91.27, 15.5, -12.96

 

CMYK 0 / 6 / 0 / 0

HEX #FFEFFF

RGB 255 239 255

HSL 300, 1%, 0.97%

LAB 96.09, 8.15, -5.76

 

CMYK 18 / 29 / 0 / 8

HEX #C1A7EB

RGB 193 167 235

HSL 262.94, 0.63%, 0.79%

LAB 72.87, 22.71, -30.63

 

CMYK 19 / 31 / 0 / 15

HEX #B095D8

RGB 176 149 216

HSL 264.18, 0.46%, 0.72%

LAB 66.28, 23.29, -30.5

 

CMYK 19 / 34 / 0 / 23

HEX #9F83C5

RGB 159 131 197

HSL 265.45, 0.36%, 0.64%

LAB 59.56, 23.93, -30.39

 

CMYK 20 / 37 / 0 / 30

HEX #8E71B2

RGB 142 113 178

HSL 266.77, 0.3%, 0.57%

LAB 52.7, 24.64, -30.31

 

CMYK 21 / 40 / 0 / 38

HEX #7D5F9F

RGB 125 95 159

HSL 268.13, 0.25%, 0.5%

LAB 45.7, 25.42, -30.25

 

CMYK 18 / 29 / 0 / 8

HEX #C1A7EB

RGB 193 167 235

HSL 262.94, 0.63%, 0.79%

LAB 72.87, 22.71, -30.63

 

CMYK 10 / 29 / 0 / 8

HEX #D3A7EB

RGB 211 167 235

HSL 278.82, 0.63%, 0.79%

LAB 74.5, 28.28, -28

 

CMYK 3 / 29 / 0 / 8

HEX #E5A7EB

RGB 229 167 235

HSL 294.71, 0.63%, 0.79%

LAB 76.25, 33.96, -25.16

 

CMYK 0 / 29 / 6 / 8

HEX #EBA7DE

RGB 235 167 222

HSL 311.47, 0.63%, 0.79%

LAB 76.42, 33.55, -17.79

 

CMYK 0 / 29 / 13 / 8

HEX #EBA7CC

RGB 235 167 204

HSL 327.35, 0.63%, 0.79%

LAB 75.86, 30.52, -8.81

 

CMYK 18 / 29 / 0 / 8

HEX #C1A7EB

RGB 193 167 235

HSL 262.94, 0.63%, 0.79%

LAB 72.87, 22.71, -30.63

 

CMYK 26 / 29 / 0 / 8

HEX #AFA7EB

RGB 175 167 235

HSL 247.06, 0.63%, 0.79%

LAB 71.38, 17.3, -33.06

 

CMYK 29 / 29 / 0 / 8

HEX #A7A7EB

RGB 167 167 235

HSL 240, 0.63%, 0.79%

LAB 70.77, 14.98, -34.06

 

CMYK 18 / 29 / 0 / 8

HEX #C1A7EB

RGB 193 167 235

HSL 262.94, 0.63%, 0.79%

LAB 72.87, 22.71, -30.63

 

CMYK 21 / 35 / 0 / 5

HEX #BF9FF3

RGB 191 159 243

HSL 262.86, 0.78%, 0.79%

LAB 71.11, 28.33, -37.74

 

CMYK 25 / 40 / 0 / 1

HEX #BD96FC

RGB 189 150 252

HSL 262.94, 0.94%, 0.79%

LAB 69.23, 34.82, -45.59

 

CMYK 18 / 29 / 0 / 8

HEX #C1A7EB

RGB 193 167 235

HSL 262.94, 0.63%, 0.79%

LAB 72.87, 22.71, -30.63

 

CMYK 14 / 22 / 0 / 11

HEX #C3B0E2

RGB 195 176 226

HSL 262.8, 0.46%, 0.79%

LAB 74.92, 16.43, -22.6

 

CMYK 9 / 15 / 0 / 15

HEX #C5B9D9

RGB 197 185 217

HSL 262.5, 0.3%, 0.79%

LAB 77.03, 10.3, -14.5

 

CMYK 5 / 8 / 0 / 18

HEX #C7C1D1

RGB 199 193 209

HSL 262.5, 0.15%, 0.79%

LAB 78.98, 5.08, -7.26

 

CMYK 0 / 0 / 1 / 21

HEX #C9CAC8

RGB 201 202 200

HSL 90, 0.02%, 0.79%

LAB 81.2, -0.7, 0.87

 

CMYK 29 / 24 / 0 / 8

HEX #A7B2EB

RGB 167 178 235

HSL 230.29, 0.63%, 0.79%

LAB 73.58, 8.85, -29.72

 

CMYK 26 / 29 / 0 / 8

HEX #AEA7EB

RGB 174 167 235

HSL 246.18, 0.63%, 0.79%

LAB 71.31, 17.01, -33.18

 

CMYK 18 / 29 / 0 / 8

HEX #C0A7EB

RGB 192 167 235

HSL 262.06, 0.63%, 0.79%

LAB 72.79, 22.4, -30.77

 

CMYK 11 / 29 / 0 / 8

HEX #D2A7EB

RGB 210 167 235

HSL 277.94, 0.63%, 0.79%

LAB 74.4, 27.97, -28.15

 

CMYK 3 / 29 / 0 / 8

HEX #E4A7EB

RGB 228 167 235

HSL 293.82, 0.63%, 0.79%

LAB 76.15, 33.64, -25.33

 

CMYK 33 / 54 / 0 / 14

HEX #9264DB

RGB 146 100 219

HSL 263.19, 0.62%, 0.63%

LAB 52.22, 43.32, -54.5

 

CMYK 26 / 41 / 0 / 11

HEX #A986E3

RGB 169 134 227

HSL 262.58, 0.62%, 0.71%

LAB 62.53, 32.25, -42.49

 

CMYK 18 / 29 / 0 / 8

HEX #C1A7EB

RGB 193 167 235

HSL 262.94, 0.63%, 0.79%

LAB 72.87, 22.71, -30.63

 

CMYK 10 / 17 / 0 / 5

HEX #D9C9F2

RGB 217 201 242

HSL 263.41, 0.61%, 0.87%

LAB 83.41, 13.22, -18.16

 

CMYK 4 / 6 / 0 / 2

HEX #F0EAFA

RGB 240 234 250

HSL 262.5, 0.62%, 0.95%

LAB 93.57, 4.89, -7.01

 

CMYK 18 / 29 / 0 / 8

HEX #C1A7EB

RGB 193 167 235

HSL 262.94, 0.63%, 0.79%

LAB 72.87, 22.71, -30.63

 

CMYK 0 / 29 / 17 / 8

HEX #EBA7C4

RGB 235 167 196

HSL 334.41, 0.63%, 0.79%

LAB 75.63, 29.25, -4.78

 

CMYK 28 / 0 / 29 / 8

HEX #A9EBA7

RGB 169 235 167

HSL 118.24, 0.63%, 0.79%

LAB 87.31, -33.64, 26.55

 

CMYK 18 / 29 / 0 / 8

HEX #C1A7EB

RGB 193 167 235

HSL 262.94, 0.63%, 0.79%

LAB 72.87, 22.71, -30.63

 

CMYK 0 / 18 / 29 / 8

HEX #EBC0A7

RGB 235 192 167

HSL 22.06, 0.63%, 0.79%

LAB 80.82, 11.78, 18.38

 

CMYK 29 / 0 / 18 / 8

HEX #A7EBC0

RGB 167 235 192

HSL 142.06, 0.63%, 0.79%

LAB 87.7, -29.91, 14.14

 

CMYK 18 / 29 / 0 / 8

HEX #C1A7EB

RGB 193 167 235

HSL 262.94, 0.63%, 0.79%

LAB 72.87, 22.71, -30.63

 

CMYK 0 / 29 / 17 / 8

HEX #EBA7C4

RGB 235 167 196

HSL 334.41, 0.63%, 0.79%

LAB 75.63, 29.25, -4.78

 

CMYK 11 / 0 / 29 / 8

HEX #D2EBA7

RGB 210 235 167

HSL 82.06, 0.63%, 0.79%

LAB 89.82, -19.55, 30.36

 

CMYK 29 / 0 / 13 / 8

HEX #A7EBCD

RGB 167 235 205

HSL 153.53, 0.63%, 0.79%

LAB 87.99, -27.41, 7.77

 

CMYK 18 / 29 / 0 / 8

HEX #C1A7EB

RGB 193 167 235

HSL 262.94, 0.63%, 0.79%

LAB 72.87, 22.71, -30.63

 

CMYK 0 / 29 / 25 / 8

HEX #EBA7B0

RGB 235 167 176

HSL 352.06, 0.63%, 0.79%

LAB 75.1, 26.29, 5.41

 

CMYK 11 / 0 / 29 / 8

HEX #D2EBA7

RGB 210 235 167

HSL 82.06, 0.63%, 0.79%

LAB 89.82, -19.55, 30.36

 

CMYK 29 / 0 / 4 / 8

HEX #A7EBE2

RGB 167 235 226

HSL 172.06, 0.63%, 0.79%

LAB 88.51, -23.04, -2.47

 

Description

Color code: HEX #C1A7EB | qconv.com Color code: HEX #C1A7EB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 167 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 167 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 29 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 29% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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