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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C19696 it is the complementary color #3E6969. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C19696. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C19696 shade: #C69691, #D7A8A4, #E8BAB7, #F9CCCA and #FFDEDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C19696. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C19696 shade: #C19696, #B08483, #9F7270, #8E605D and #7D4E4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C19696 shade: #C09494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C19696 shade: #C09494, #C0A094, #C0AC94, #C0B894 and #BDC094

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C19696 shade matches the following richer shades: #C09494, #CE8787, #DB7979, #E96C6C and #F75E5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C19696 shade: #C09494, #B3A2A2, #A5B0B0, #97BDBD and #8ACBCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C19696 shade: #C094AC, #C094A0, #C09494, #C0A094 and #C0AC94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C19696 shade: #A26060, #B17A7A, #C09494, #CFAEAE and #DFC8C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C19696 shade: #C19696, #B7C094 and #94A6C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C19696 shade: #C19696, #94C094 and #9494C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C19696 shade: #C19696, #B7C094, #94C0C0 and #9D94C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C19696 shade: #C19696, #AAC094, #94C0C0 and #AA94C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 22 / 24

HEX #C19696

RGB 193 150 150

HSL 0, 0.26%, 0.67%

LAB 66.02, 16.1, 6.19

 

Complementary color

CMYK 41 / 0 / 0 / 59

HEX #3E6969

RGB 62 105 105

HSL 180, 0.26%, 0.33%

LAB 41.45, -14.87, -4.71

 

CMYK 0 / 24 / 27 / 22

HEX #C69691

RGB 198 150 145

HSL 5.66, 0.32%, 0.67%

LAB 66.41, 17.28, 9.63

 

CMYK 0 / 22 / 24 / 16

HEX #D7A8A4

RGB 215 168 164

HSL 4.71, 0.39%, 0.74%

LAB 72.98, 16.64, 8.68

 

CMYK 0 / 20 / 21 / 9

HEX #E8BAB7

RGB 232 186 183

HSL 3.67, 0.52%, 0.81%

LAB 79.44, 16.07, 7.8

 

CMYK 0 / 18 / 19 / 2

HEX #F9CCCA

RGB 249 204 202

HSL 2.55, 0.8%, 0.88%

LAB 85.8, 15.56, 6.97

 

CMYK 0 / 13 / 13 / 0

HEX #FFDEDD

RGB 255 222 221

HSL 1.76, 1%, 0.93%

LAB 91.11, 11.22, 4.68

 

CMYK 0 / 22 / 22 / 24

HEX #C19696

RGB 193 150 150

HSL 0, 0.26%, 0.67%

LAB 66.02, 16.1, 6.19

 

CMYK 0 / 25 / 26 / 31

HEX #B08483

RGB 176 132 131

HSL 1.33, 0.22%, 0.6%

LAB 59.32, 16.74, 7.12

 

CMYK 0 / 28 / 30 / 38

HEX #9F7270

RGB 159 114 112

HSL 2.55, 0.2%, 0.53%

LAB 52.48, 17.48, 8.15

 

CMYK 0 / 32 / 35 / 44

HEX #8E605D

RGB 142 96 93

HSL 3.67, 0.21%, 0.46%

LAB 45.51, 18.32, 9.31

 

CMYK 0 / 38 / 41 / 51

HEX #7D4E4A

RGB 125 78 74

HSL 4.71, 0.26%, 0.39%

LAB 38.38, 19.31, 10.65

 

CMYK 0 / 23 / 23 / 25

HEX #C09494

RGB 192 148 148

HSL 0, 0.26%, 0.67%

LAB 65.38, 16.52, 6.38

 

CMYK 0 / 23 / 23 / 25

HEX #C09494

RGB 192 148 148

HSL 0, 0.26%, 0.67%

LAB 65.38, 16.52, 6.38

 

CMYK 0 / 17 / 23 / 25

HEX #C0A094

RGB 192 160 148

HSL 16.36, 0.26%, 0.67%

LAB 68.38, 9.92, 10.65

 

CMYK 0 / 10 / 23 / 25

HEX #C0AC94

RGB 192 172 148

HSL 32.73, 0.26%, 0.67%

LAB 71.45, 3.39, 14.98

 

CMYK 0 / 4 / 23 / 25

HEX #C0B894

RGB 192 184 148

HSL 49.09, 0.26%, 0.67%

LAB 74.59, -3.02, 19.34

 

CMYK 2 / 0 / 23 / 25

HEX #BDC094

RGB 189 192 148

HSL 64.09, 0.26%, 0.67%

LAB 76.47, -8.36, 21.89

 

CMYK 0 / 23 / 23 / 25

HEX #C09494

RGB 192 148 148

HSL 0, 0.26%, 0.67%

LAB 65.38, 16.52, 6.38

 

CMYK 0 / 34 / 34 / 19

HEX #CE8787

RGB 206 135 135

HSL 0, 0.42%, 0.67%

LAB 63.51, 27.22, 11.26

 

CMYK 0 / 45 / 45 / 14

HEX #DB7979

RGB 219 121 121

HSL 0, 0.58%, 0.67%

LAB 61.75, 37.99, 17.02

 

CMYK 0 / 54 / 54 / 9

HEX #E96C6C

RGB 233 108 108

HSL 0, 0.74%, 0.67%

LAB 60.9, 48.39, 23.61

 

CMYK 0 / 62 / 62 / 3

HEX #F75E5E

RGB 247 94 94

HSL 0, 0.91%, 0.67%

LAB 60.42, 58.52, 31.37

 

CMYK 0 / 23 / 23 / 25

HEX #C09494

RGB 192 148 148

HSL 0, 0.26%, 0.67%

LAB 65.38, 16.52, 6.38

 

CMYK 0 / 9 / 9 / 30

HEX #B3A2A2

RGB 179 162 162

HSL 0, 0.1%, 0.67%

LAB 68.04, 6.18, 2.24

 

CMYK 6 / 0 / 0 / 31

HEX #A5B0B0

RGB 165 176 176

HSL 180, 0.07%, 0.67%

LAB 71, -3.83, -1.33

 

CMYK 20 / 0 / 0 / 26

HEX #97BDBD

RGB 151 189 189

HSL 180, 0.22%, 0.67%

LAB 73.96, -12.63, -4.2

 

CMYK 32 / 0 / 0 / 20

HEX #8ACBCB

RGB 138 203 203

HSL 180, 0.38%, 0.67%

LAB 77.54, -20.48, -6.59

 

CMYK 0 / 23 / 10 / 25

HEX #C094AC

RGB 192 148 172

HSL 327.27, 0.26%, 0.67%

LAB 66.03, 20.4, -6.16

 

CMYK 0 / 23 / 17 / 25

HEX #C094A0

RGB 192 148 160

HSL 343.64, 0.26%, 0.67%

LAB 65.69, 18.39, 0.08

 

CMYK 0 / 23 / 23 / 25

HEX #C09494

RGB 192 148 148

HSL 0, 0.26%, 0.67%

LAB 65.38, 16.52, 6.38

 

CMYK 0 / 17 / 23 / 25

HEX #C0A094

RGB 192 160 148

HSL 16.36, 0.26%, 0.67%

LAB 68.38, 9.92, 10.65

 

CMYK 0 / 10 / 23 / 25

HEX #C0AC94

RGB 192 172 148

HSL 32.73, 0.26%, 0.67%

LAB 71.45, 3.39, 14.98

 

CMYK 0 / 41 / 41 / 36

HEX #A26060

RGB 162 96 96

HSL 0, 0.26%, 0.51%

LAB 48.12, 26.81, 11.55

 

CMYK 0 / 31 / 31 / 31

HEX #B17A7A

RGB 177 122 122

HSL 0, 0.26%, 0.59%

LAB 56.75, 21.47, 8.67

 

CMYK 0 / 23 / 23 / 25

HEX #C09494

RGB 192 148 148

HSL 0, 0.26%, 0.67%

LAB 65.38, 16.52, 6.38

 

CMYK 0 / 16 / 16 / 19

HEX #CFAEAE

RGB 207 174 174

HSL 0, 0.26%, 0.75%

LAB 73.93, 11.95, 4.46

 

CMYK 0 / 10 / 10 / 13

HEX #DFC8C8

RGB 223 200 200

HSL 0, 0.26%, 0.83%

LAB 82.47, 8.06, 2.93

 

CMYK 0 / 22 / 22 / 24

HEX #C19696

RGB 193 150 150

HSL 0, 0.26%, 0.67%

LAB 66.02, 16.1, 6.19

 

CMYK 5 / 0 / 23 / 25

HEX #B7C094

RGB 183 192 148

HSL 72.27, 0.26%, 0.67%

LAB 76.01, -10.62, 21.19

 

CMYK 23 / 14 / 0 / 25

HEX #94A6C0

RGB 148 166 192

HSL 215.45, 0.26%, 0.67%

LAB 67.56, -0.54, -15.43

 

CMYK 0 / 22 / 22 / 24

HEX #C19696

RGB 193 150 150

HSL 0, 0.26%, 0.67%

LAB 66.02, 16.1, 6.19

 

CMYK 23 / 0 / 23 / 25

HEX #94C094

RGB 148 192 148

HSL 120, 0.26%, 0.67%

LAB 73.63, -23.22, 17.53

 

CMYK 23 / 23 / 0 / 25

HEX #9494C0

RGB 148 148 192

HSL 240, 0.26%, 0.67%

LAB 62.74, 9.56, -22.74

 

CMYK 0 / 22 / 22 / 24

HEX #C19696

RGB 193 150 150

HSL 0, 0.26%, 0.67%

LAB 66.02, 16.1, 6.19

 

CMYK 5 / 0 / 23 / 25

HEX #B7C094

RGB 183 192 148

HSL 72.27, 0.26%, 0.67%

LAB 76.01, -10.62, 21.19

 

CMYK 23 / 0 / 0 / 25

HEX #94C0C0

RGB 148 192 192

HSL 180, 0.26%, 0.67%

LAB 74.7, -14.46, -4.77

 

CMYK 18 / 23 / 0 / 25

HEX #9D94C0

RGB 157 148 192

HSL 252.27, 0.26%, 0.67%

LAB 63.47, 12.43, -21.57

 

CMYK 0 / 22 / 22 / 24

HEX #C19696

RGB 193 150 150

HSL 0, 0.26%, 0.67%

LAB 66.02, 16.1, 6.19

 

CMYK 11 / 0 / 23 / 25

HEX #AAC094

RGB 170 192 148

HSL 90, 0.26%, 0.67%

LAB 75.07, -15.44, 19.74

 

CMYK 23 / 0 / 0 / 25

HEX #94C0C0

RGB 148 192 192

HSL 180, 0.26%, 0.67%

LAB 74.7, -14.46, -4.77

 

CMYK 11 / 23 / 0 / 25

HEX #AA94C0

RGB 170 148 192

HSL 270, 0.26%, 0.67%

LAB 64.59, 16.67, -19.76

 

Description

Color code: HEX #C19696 | qconv.com Color code: HEX #C19696 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 150 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 150 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 22 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 22% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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