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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1968A it is the complementary color #3E6975. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1968A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1968A shade: #C69685, #D7A898, #E8BAAB, #F9CCBE and #FFDED1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1968A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1968A shade: #C1968A, #B08477, #9F7264, #8E6051 and #7D4E3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1968A shade: #C1968A and #C18A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1968A shade: #C1968A, #C1A58A, #C1B38A, #BFC18A and #B0C18A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1968A shade matches the following richer shades: #C1968A, #CF8E7B, #DE856D, #EC7D5E and #FB7550

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1968A shade: #C1968A, #B29E98, #A4A6A6, #96AEB5 and #87B6C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1968A shade: #C18A9B, #C18A8C, #C1968A, #C1A48A and #C1B38A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1968A shade: #A36655, #B37D6F, #C1968A, #CFAEA5 and #DDC6C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1968A shade: #C1968A, #AAC18A and #8A94C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1968A shade: #C1968A, #8AC196 and #968AC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1968A shade: #C1968A, #AAC18A, #8AB5C1 and #A18AC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1968A shade: #C1968A, #99C18A, #8AB5C1 and #B18AC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 28 / 24

HEX #C1968A

RGB 193 150 138

HSL 13.09, 0.31%, 0.65%

LAB 65.74, 14.36, 12.51

 

Complementary color

CMYK 47 / 10 / 0 / 54

HEX #3E6975

RGB 62 105 117

HSL 193.09, 0.31%, 0.35%

LAB 41.86, -11.42, -11.38

 

CMYK 0 / 24 / 33 / 22

HEX #C69685

RGB 198 150 133

HSL 15.69, 0.36%, 0.65%

LAB 66.15, 15.65, 15.95

 

CMYK 0 / 22 / 29 / 16

HEX #D7A898

RGB 215 168 152

HSL 15.24, 0.44%, 0.72%

LAB 72.71, 14.97, 14.87

 

CMYK 0 / 20 / 26 / 9

HEX #E8BAAB

RGB 232 186 171

HSL 14.75, 0.57%, 0.79%

LAB 79.16, 14.37, 13.88

 

CMYK 0 / 18 / 24 / 2

HEX #F9CCBE

RGB 249 204 190

HSL 14.24, 0.83%, 0.86%

LAB 85.53, 13.82, 12.95

 

CMYK 0 / 13 / 18 / 0

HEX #FFDED1

RGB 255 222 209

HSL 16.96, 1%, 0.91%

LAB 90.83, 9.39, 10.56

 

CMYK 0 / 22 / 28 / 24

HEX #C1968A

RGB 193 150 138

HSL 13.09, 0.31%, 0.65%

LAB 65.74, 14.36, 12.51

 

CMYK 0 / 25 / 32 / 31

HEX #B08477

RGB 176 132 119

HSL 13.68, 0.27%, 0.58%

LAB 59.03, 15.05, 13.59

 

CMYK 0 / 28 / 37 / 38

HEX #9F7264

RGB 159 114 100

HSL 14.24, 0.24%, 0.51%

LAB 52.2, 15.85, 14.79

 

CMYK 0 / 32 / 43 / 44

HEX #8E6051

RGB 142 96 81

HSL 14.75, 0.27%, 0.44%

LAB 45.24, 16.79, 16.14

 

CMYK 0 / 38 / 50 / 51

HEX #7D4E3E

RGB 125 78 62

HSL 15.24, 0.34%, 0.37%

LAB 38.12, 17.91, 17.71

 

CMYK 0 / 22 / 28 / 24

HEX #C1968A

RGB 193 150 138

HSL 13.09, 0.31%, 0.65%

LAB 65.74, 14.36, 12.51

 

CMYK 0 / 28 / 28 / 24

HEX #C18A8A

RGB 193 138 138

HSL 0, 0.31%, 0.65%

LAB 62.8, 20.99, 8.36

 

CMYK 0 / 22 / 28 / 24

HEX #C1968A

RGB 193 150 138

HSL 13.09, 0.31%, 0.65%

LAB 65.74, 14.36, 12.51

 

CMYK 0 / 15 / 28 / 24

HEX #C1A58A

RGB 193 165 138

HSL 29.45, 0.31%, 0.65%

LAB 69.53, 6.15, 17.8

 

CMYK 0 / 7 / 28 / 24

HEX #C1B38A

RGB 193 179 138

HSL 44.73, 0.31%, 0.65%

LAB 73.16, -1.38, 22.78

 

CMYK 1 / 0 / 28 / 24

HEX #BFC18A

RGB 191 193 138

HSL 62.18, 0.31%, 0.65%

LAB 76.71, -9.5, 27.54

 

CMYK 9 / 0 / 28 / 24

HEX #B0C18A

RGB 176 193 138

HSL 78.55, 0.31%, 0.65%

LAB 75.58, -15.23, 25.83

 

CMYK 0 / 22 / 28 / 24

HEX #C1968A

RGB 193 150 138

HSL 13.09, 0.31%, 0.65%

LAB 65.74, 14.36, 12.51

 

CMYK 0 / 31 / 41 / 19

HEX #CF8E7B

RGB 207 142 123

HSL 13.57, 0.47%, 0.65%

LAB 65, 22.36, 20.1

 

CMYK 0 / 40 / 51 / 13

HEX #DE856D

RGB 222 133 109

HSL 12.74, 0.63%, 0.65%

LAB 64.49, 31.68, 27.52

 

CMYK 0 / 47 / 60 / 7

HEX #EC7D5E

RGB 236 125 94

HSL 13.1, 0.79%, 0.65%

LAB 64.41, 40.04, 36.03

 

CMYK 0 / 53 / 68 / 2

HEX #FB7550

RGB 251 117 80

HSL 12.98, 0.96%, 0.65%

LAB 64.81, 48.71, 44.5

 

CMYK 0 / 22 / 28 / 24

HEX #C1968A

RGB 193 150 138

HSL 13.09, 0.31%, 0.65%

LAB 65.74, 14.36, 12.51

 

CMYK 0 / 11 / 15 / 30

HEX #B29E98

RGB 178 158 152

HSL 13.85, 0.14%, 0.65%

LAB 66.66, 6.31, 5.8

 

CMYK 1 / 0 / 0 / 35

HEX #A4A6A6

RGB 164 166 166

HSL 180, 0.01%, 0.65%

LAB 67.96, -0.71, -0.26

 

CMYK 17 / 4 / 0 / 29

HEX #96AEB5

RGB 150 174 181

HSL 193.55, 0.17%, 0.65%

LAB 69.54, -6.74, -6.37

 

CMYK 31 / 7 / 0 / 24

HEX #87B6C3

RGB 135 182 195

HSL 193, 0.33%, 0.65%

LAB 71.25, -12.4, -11.62

 

CMYK 0 / 28 / 20 / 24

HEX #C18A9B

RGB 193 138 155

HSL 341.45, 0.31%, 0.65%

LAB 63.24, 23.5, -0.65

 

CMYK 0 / 28 / 27 / 24

HEX #C18A8C

RGB 193 138 140

HSL 357.82, 0.31%, 0.65%

LAB 62.85, 21.27, 7.29

 

CMYK 0 / 22 / 28 / 24

HEX #C1968A

RGB 193 150 138

HSL 13.09, 0.31%, 0.65%

LAB 65.74, 14.36, 12.51

 

CMYK 0 / 15 / 28 / 24

HEX #C1A48A

RGB 193 164 138

HSL 28.36, 0.31%, 0.65%

LAB 69.27, 6.69, 17.44

 

CMYK 0 / 7 / 28 / 24

HEX #C1B38A

RGB 193 179 138

HSL 44.73, 0.31%, 0.65%

LAB 73.16, -1.38, 22.78

 

CMYK 0 / 37 / 48 / 36

HEX #A36655

RGB 163 102 85

HSL 13.08, 0.31%, 0.49%

LAB 49.43, 22.61, 19.87

 

CMYK 0 / 30 / 38 / 30

HEX #B37D6F

RGB 179 125 111

HSL 12.35, 0.31%, 0.57%

LAB 57.46, 19.16, 16.04

 

CMYK 0 / 22 / 28 / 24

HEX #C1968A

RGB 193 150 138

HSL 13.09, 0.31%, 0.65%

LAB 65.74, 14.36, 12.51

 

CMYK 0 / 16 / 20 / 19

HEX #CFAEA5

RGB 207 174 165

HSL 12.86, 0.3%, 0.73%

LAB 73.71, 10.55, 9.07

 

CMYK 0 / 10 / 13 / 13

HEX #DDC6C0

RGB 221 198 192

HSL 12.41, 0.3%, 0.81%

LAB 81.6, 7.09, 5.94

 

CMYK 0 / 22 / 28 / 24

HEX #C1968A

RGB 193 150 138

HSL 13.09, 0.31%, 0.65%

LAB 65.74, 14.36, 12.51

 

CMYK 12 / 0 / 28 / 24

HEX #AAC18A

RGB 170 193 138

HSL 85.09, 0.31%, 0.65%

LAB 75.15, -17.47, 25.18

 

CMYK 28 / 23 / 0 / 24

HEX #8A94C1

RGB 138 148 193

HSL 229.09, 0.31%, 0.65%

LAB 62.03, 6.73, -24.47

 

CMYK 0 / 22 / 28 / 24

HEX #C1968A

RGB 193 150 138

HSL 13.09, 0.31%, 0.65%

LAB 65.74, 14.36, 12.51

 

CMYK 28 / 0 / 22 / 24

HEX #8AC196

RGB 138 193 150

HSL 133.09, 0.31%, 0.65%

LAB 73.38, -26.68, 16.02

 

CMYK 22 / 28 / 0 / 24

HEX #968AC1

RGB 150 138 193

HSL 253.09, 0.31%, 0.65%

LAB 60.35, 16.16, -26.97

 

CMYK 0 / 22 / 28 / 24

HEX #C1968A

RGB 193 150 138

HSL 13.09, 0.31%, 0.65%

LAB 65.74, 14.36, 12.51

 

CMYK 12 / 0 / 28 / 24

HEX #AAC18A

RGB 170 193 138

HSL 85.09, 0.31%, 0.65%

LAB 75.15, -17.47, 25.18

 

CMYK 28 / 6 / 0 / 24

HEX #8AB5C1

RGB 138 181 193

HSL 193.09, 0.31%, 0.65%

LAB 71.08, -11.47, -10.76

 

CMYK 17 / 28 / 0 / 24

HEX #A18AC1

RGB 161 138 193

HSL 265.09, 0.31%, 0.65%

LAB 61.31, 19.64, -25.41

 

CMYK 0 / 22 / 28 / 24

HEX #C1968A

RGB 193 150 138

HSL 13.09, 0.31%, 0.65%

LAB 65.74, 14.36, 12.51

 

CMYK 21 / 0 / 28 / 24

HEX #99C18A

RGB 153 193 138

HSL 103.64, 0.31%, 0.65%

LAB 74.03, -23.65, 23.47

 

CMYK 28 / 6 / 0 / 24

HEX #8AB5C1

RGB 138 181 193

HSL 193.09, 0.31%, 0.65%

LAB 71.08, -11.47, -10.76

 

CMYK 8 / 28 / 0 / 24

HEX #B18AC1

RGB 177 138 193

HSL 282.55, 0.31%, 0.65%

LAB 62.82, 24.82, -22.96

 

Description

Color code: HEX #C1968A | qconv.com Color code: HEX #C1968A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 150 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 150 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 28 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 28% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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