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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C19581 it is the complementary color #3E6A7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C19581. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C19581 shade: #C6957C, #D7A78F, #E8B9A2, #F9CBB5 and #FFDDC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C19581. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C19581 shade: #C19581, #B0836E, #9F715B, #8E5F48 and #7D4D35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C19581 shade: #C09480, #C08380 and #C08080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C19581 shade: #C09480, #C0A580, #C0B780, #B8C080 and #A7C080

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C19581 shade matches the following richer shades: #C09480, #CF8E71, #DF8962, #EE8352 and #FD7D43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C19581 shade: #C09480, #B19A8F, #A2A09F, #92A5AE and #83ABBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C19581 shade: #C0808F, #C08280, #C09380, #C0A480 and #C0B680

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C19581 shade: #9F684E, #B37D64, #C09480, #CEAB9C and #DBC3B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C19581 shade: #C19581, #A0C080 and #8086C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C19581 shade: #C19581, #80C093 and #9380C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C19581 shade: #C19581, #A0C080, #80ADC0 and #A080C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C19581 shade: #C19581, #8DC080, #80ADC0 and #B380C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 33 / 24

HEX #C19581

RGB 193 149 129

HSL 18.75, 0.34%, 0.63%

LAB 65.29, 13.7, 16.92

 

Complementary color

CMYK 51 / 16 / 0 / 51

HEX #3E6A7E

RGB 62 106 126

HSL 198.75, 0.34%, 0.37%

LAB 42.52, -9.27, -15.82

 

CMYK 0 / 25 / 37 / 22

HEX #C6957C

RGB 198 149 124

HSL 20.27, 0.39%, 0.63%

LAB 65.71, 15.07, 20.36

 

CMYK 0 / 22 / 33 / 16

HEX #D7A78F

RGB 215 167 143

HSL 20, 0.47%, 0.7%

LAB 72.27, 14.34, 19.19

 

CMYK 0 / 20 / 30 / 9

HEX #E8B9A2

RGB 232 185 162

HSL 19.71, 0.6%, 0.77%

LAB 78.73, 13.69, 18.11

 

CMYK 0 / 18 / 27 / 2

HEX #F9CBB5

RGB 249 203 181

HSL 19.41, 0.85%, 0.84%

LAB 85.09, 13.12, 17.1

 

CMYK 0 / 13 / 22 / 0

HEX #FFDDC8

RGB 255 221 200

HSL 22.91, 1%, 0.89%

LAB 90.39, 8.59, 14.64

 

CMYK 0 / 23 / 33 / 24

HEX #C19581

RGB 193 149 129

HSL 18.75, 0.34%, 0.63%

LAB 65.29, 13.7, 16.92

 

CMYK 0 / 26 / 38 / 31

HEX #B0836E

RGB 176 131 110

HSL 19.09, 0.29%, 0.56%

LAB 58.59, 14.45, 18.1

 

CMYK 0 / 29 / 43 / 38

HEX #9F715B

RGB 159 113 91

HSL 19.41, 0.27%, 0.49%

LAB 51.77, 15.33, 19.42

 

CMYK 0 / 33 / 49 / 44

HEX #8E5F48

RGB 142 95 72

HSL 19.71, 0.33%, 0.42%

LAB 44.81, 16.36, 20.91

 

CMYK 0 / 38 / 58 / 51

HEX #7D4D35

RGB 125 77 53

HSL 20, 0.4%, 0.35%

LAB 37.71, 17.61, 22.62

 

CMYK 0 / 23 / 33 / 25

HEX #C09480

RGB 192 148 128

HSL 18.75, 0.34%, 0.63%

LAB 64.92, 13.73, 16.94

 

CMYK 0 / 32 / 33 / 25

HEX #C08380

RGB 192 131 128

HSL 2.81, 0.34%, 0.63%

LAB 60.78, 23.12, 11.16

 

CMYK 0 / 33 / 33 / 25

HEX #C08080

RGB 192 128 128

HSL 0, 0.34%, 0.63%

LAB 60.07, 24.78, 10.16

 

CMYK 0 / 23 / 33 / 25

HEX #C09480

RGB 192 148 128

HSL 18.75, 0.34%, 0.63%

LAB 64.92, 13.73, 16.94

 

CMYK 0 / 14 / 33 / 25

HEX #C0A580

RGB 192 165 128

HSL 34.69, 0.34%, 0.63%

LAB 69.24, 4.43, 22.85

 

CMYK 0 / 5 / 33 / 25

HEX #C0B780

RGB 192 183 128

HSL 51.56, 0.34%, 0.63%

LAB 73.95, -5.18, 29.16

 

CMYK 4 / 0 / 33 / 25

HEX #B8C080

RGB 184 192 128

HSL 67.5, 0.34%, 0.63%

LAB 75.73, -13, 31.39

 

CMYK 13 / 0 / 33 / 25

HEX #A7C080

RGB 167 192 128

HSL 83.44, 0.34%, 0.63%

LAB 74.49, -19.52, 29.53

 

CMYK 0 / 23 / 33 / 25

HEX #C09480

RGB 192 148 128

HSL 18.75, 0.34%, 0.63%

LAB 64.92, 13.73, 16.94

 

CMYK 0 / 31 / 45 / 19

HEX #CF8E71

RGB 207 142 113

HSL 18.51, 0.49%, 0.63%

LAB 64.81, 21.28, 25.4

 

CMYK 0 / 39 / 56 / 13

HEX #DF8962

RGB 223 137 98

HSL 18.72, 0.66%, 0.63%

LAB 65.33, 29.02, 34.65

 

CMYK 0 / 45 / 66 / 7

HEX #EE8352

RGB 238 131 82

HSL 18.85, 0.82%, 0.63%

LAB 65.76, 36.98, 44.09

 

CMYK 0 / 51 / 74 / 1

HEX #FD7D43

RGB 253 125 67

HSL 18.71, 0.98%, 0.63%

LAB 66.49, 44.98, 52.97

 

CMYK 0 / 23 / 33 / 25

HEX #C09480

RGB 192 148 128

HSL 18.75, 0.34%, 0.63%

LAB 64.92, 13.73, 16.94

 

CMYK 0 / 13 / 19 / 31

HEX #B19A8F

RGB 177 154 143

HSL 19.41, 0.18%, 0.63%

LAB 65.31, 6.69, 8.89

 

CMYK 0 / 1 / 2 / 36

HEX #A2A09F

RGB 162 160 159

HSL 20, 0.02%, 0.63%

LAB 66, 0.53, 0.77

 

CMYK 16 / 5 / 0 / 32

HEX #92A5AE

RGB 146 165 174

HSL 199.29, 0.15%, 0.63%

LAB 66.58, -4.7, -6.9

 

CMYK 31 / 10 / 0 / 26

HEX #83ABBD

RGB 131 171 189

HSL 198.62, 0.31%, 0.63%

LAB 67.74, -9.16, -13.59

 

CMYK 0 / 33 / 26 / 25

HEX #C0808F

RGB 192 128 143

HSL 345.94, 0.34%, 0.63%

LAB 60.45, 26.84, 2.11

 

CMYK 0 / 32 / 33 / 25

HEX #C08280

RGB 192 130 128

HSL 1.87, 0.34%, 0.63%

LAB 60.54, 23.67, 10.83

 

CMYK 0 / 23 / 33 / 25

HEX #C09380

RGB 192 147 128

HSL 17.81, 0.34%, 0.63%

LAB 64.67, 14.28, 16.6

 

CMYK 0 / 15 / 33 / 25

HEX #C0A480

RGB 192 164 128

HSL 33.75, 0.34%, 0.63%

LAB 68.98, 4.97, 22.5

 

CMYK 0 / 5 / 33 / 25

HEX #C0B680

RGB 192 182 128

HSL 50.63, 0.34%, 0.63%

LAB 73.69, -4.66, 28.81

 

CMYK 0 / 35 / 51 / 38

HEX #9F684E

RGB 159 104 78

HSL 19.26, 0.34%, 0.46%

LAB 49.28, 19.08, 23.66

 

CMYK 0 / 30 / 44 / 30

HEX #B37D64

RGB 179 125 100

HSL 18.99, 0.34%, 0.55%

LAB 57.24, 17.88, 22.01

 

CMYK 0 / 23 / 33 / 25

HEX #C09480

RGB 192 148 128

HSL 18.75, 0.34%, 0.63%

LAB 64.92, 13.73, 16.94

 

CMYK 0 / 17 / 24 / 19

HEX #CEAB9C

RGB 206 171 156

HSL 18, 0.34%, 0.71%

LAB 72.66, 10.46, 12.49

 

CMYK 0 / 11 / 16 / 14

HEX #DBC3B7

RGB 219 195 183

HSL 20, 0.33%, 0.79%

LAB 80.47, 6.53, 9.11

 

CMYK 0 / 23 / 33 / 24

HEX #C19581

RGB 193 149 129

HSL 18.75, 0.34%, 0.63%

LAB 65.29, 13.7, 16.92

 

CMYK 17 / 0 / 33 / 25

HEX #A0C080

RGB 160 192 128

HSL 90, 0.34%, 0.63%

LAB 74.02, -22.13, 28.81

 

CMYK 33 / 30 / 0 / 25

HEX #8086C0

RGB 128 134 192

HSL 234.38, 0.34%, 0.63%

LAB 57.51, 11.61, -30.95

 

CMYK 0 / 23 / 33 / 24

HEX #C19581

RGB 193 149 129

HSL 18.75, 0.34%, 0.63%

LAB 65.29, 13.7, 16.92

 

CMYK 33 / 0 / 23 / 25

HEX #80C093

RGB 128 192 147

HSL 137.81, 0.34%, 0.63%

LAB 72.49, -29.94, 16.31

 

CMYK 23 / 33 / 0 / 25

HEX #9380C0

RGB 147 128 192

HSL 257.81, 0.34%, 0.63%

LAB 57.51, 20.79, -30.82

 

CMYK 0 / 23 / 33 / 24

HEX #C19581

RGB 193 149 129

HSL 18.75, 0.34%, 0.63%

LAB 65.29, 13.7, 16.92

 

CMYK 17 / 0 / 33 / 25

HEX #A0C080

RGB 160 192 128

HSL 90, 0.34%, 0.63%

LAB 74.02, -22.13, 28.81

 

CMYK 33 / 10 / 0 / 25

HEX #80ADC0

RGB 128 173 192

HSL 197.81, 0.34%, 0.63%

LAB 68.23, -10.36, -14.54

 

CMYK 17 / 33 / 0 / 25

HEX #A080C0

RGB 160 128 192

HSL 270, 0.34%, 0.63%

LAB 58.71, 24.82, -28.86

 

CMYK 0 / 23 / 33 / 24

HEX #C19581

RGB 193 149 129

HSL 18.75, 0.34%, 0.63%

LAB 65.29, 13.7, 16.92

 

CMYK 27 / 0 / 33 / 25

HEX #8DC080

RGB 141 192 128

HSL 107.81, 0.34%, 0.63%

LAB 72.84, -28.93, 27.03

 

CMYK 33 / 10 / 0 / 25

HEX #80ADC0

RGB 128 173 192

HSL 197.81, 0.34%, 0.63%

LAB 68.23, -10.36, -14.54

 

CMYK 7 / 33 / 0 / 25

HEX #B380C0

RGB 179 128 192

HSL 287.81, 0.34%, 0.63%

LAB 60.63, 30.87, -25.74

 

Description

Color code: HEX #C19581 | qconv.com Color code: HEX #C19581 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 149 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 149 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 33 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 33% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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