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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C19551 it is the complementary color #3E6AAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C19551. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C19551 shade: #C6954C, #D7A75F, #E8B972, #F9CB85 and #FFDD98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C19551. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C19551 shade: #C19551, #B0833E, #9F712B, #8E5F18 and #7D4D05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C19551 shade: #C09552, #C07752, #C05A52 and #C05252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C19551 shade: #C09552, #C0B352, #B0C052, #92C052 and #75C052

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C19551 shade matches the following richer shades: #C09552, #D3993F, #E69D2C and #F9A119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C19551 shade: #C09552, #AD9165, #9A8D78, #87898B and #74859E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C19551 shade: #C05952, #C07752, #C09452, #C0B252 and #B2C052

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C19551 shade: #8D6A33, #AC803E, #C09552, #CBA870 and #D6BA8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C19551 shade: #C19551, #68C052 and #6852C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C19551 shade: #C19551, #52C094 and #9452C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C19551 shade: #C19551, #68C052, #527EC0 and #AA52C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C19551 shade: #C19551, #52C05D, #527EC0 and #C052B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 58 / 24

HEX #C19551

RGB 193 149 81

HSL 36.43, 0.47%, 0.54%

LAB 64.5, 8.71, 41.77

 

Complementary color

CMYK 64 / 39 / 0 / 32

HEX #3E6AAE

RGB 62 106 174

HSL 216.43, 0.47%, 0.46%

LAB 44.78, 6.88, -40.84

 

CMYK 0 / 25 / 62 / 22

HEX #C6954C

RGB 198 149 76

HSL 35.9, 0.52%, 0.54%

LAB 64.98, 10.49, 44.97

 

CMYK 0 / 22 / 56 / 16

HEX #D7A75F

RGB 215 167 95

HSL 36, 0.6%, 0.61%

LAB 71.49, 9.39, 43.59

 

CMYK 0 / 20 / 51 / 9

HEX #E8B972

RGB 232 185 114

HSL 36.1, 0.72%, 0.68%

LAB 77.92, 8.45, 42.24

 

CMYK 0 / 18 / 47 / 2

HEX #F9CB85

RGB 249 203 133

HSL 36.21, 0.91%, 0.75%

LAB 84.25, 7.63, 40.93

 

CMYK 0 / 13 / 40 / 0

HEX #FFDD98

RGB 255 221 152

HSL 40.19, 1%, 0.8%

LAB 89.51, 2.64, 38.2

 

CMYK 0 / 23 / 58 / 24

HEX #C19551

RGB 193 149 81

HSL 36.43, 0.47%, 0.54%

LAB 64.5, 8.71, 41.77

 

CMYK 0 / 26 / 65 / 31

HEX #B0833E

RGB 176 131 62

HSL 36.32, 0.48%, 0.47%

LAB 57.86, 9.89, 43.15

 

CMYK 0 / 29 / 73 / 38

HEX #9F712B

RGB 159 113 43

HSL 36.21, 0.57%, 0.4%

LAB 51.1, 11.3, 44.39

 

CMYK 0 / 33 / 83 / 44

HEX #8E5F18

RGB 142 95 24

HSL 36.1, 0.71%, 0.33%

LAB 44.23, 13.02, 45.14

 

CMYK 0 / 38 / 96 / 51

HEX #7D4D05

RGB 125 77 5

HSL 36, 0.92%, 0.25%

LAB 37.26, 15.12, 44.7

 

CMYK 0 / 22 / 57 / 25

HEX #C09552

RGB 192 149 82

HSL 36.55, 0.47%, 0.54%

LAB 64.41, 8.36, 41.13

 

CMYK 0 / 38 / 57 / 25

HEX #C07752

RGB 192 119 82

HSL 20.18, 0.47%, 0.54%

LAB 57.08, 24.88, 32.2

 

CMYK 0 / 53 / 57 / 25

HEX #C05A52

RGB 192 90 82

HSL 4.36, 0.47%, 0.54%

LAB 50.84, 40.26, 24.24

 

CMYK 0 / 57 / 57 / 25

HEX #C05252

RGB 192 82 82

HSL 0, 0.47%, 0.54%

LAB 49.31, 44.2, 22.25

 

CMYK 0 / 22 / 57 / 25

HEX #C09552

RGB 192 149 82

HSL 36.55, 0.47%, 0.54%

LAB 64.41, 8.36, 41.13

 

CMYK 0 / 7 / 57 / 25

HEX #C0B352

RGB 192 179 82

HSL 52.91, 0.47%, 0.54%

LAB 72.27, -7.7, 50.26

 

CMYK 8 / 0 / 57 / 25

HEX #B0C052

RGB 176 192 82

HSL 68.73, 0.47%, 0.54%

LAB 74.53, -20.99, 52.47

 

CMYK 24 / 0 / 57 / 25

HEX #92C052

RGB 146 192 82

HSL 85.09, 0.47%, 0.54%

LAB 72.51, -32.85, 49.63

 

CMYK 39 / 0 / 57 / 25

HEX #75C052

RGB 117 192 82

HSL 100.91, 0.47%, 0.54%

LAB 70.93, -43.18, 47.41

 

CMYK 0 / 22 / 57 / 25

HEX #C09552

RGB 192 149 82

HSL 36.55, 0.47%, 0.54%

LAB 64.41, 8.36, 41.13

 

CMYK 0 / 27 / 70 / 17

HEX #D3993F

RGB 211 153 63

HSL 36.49, 0.63%, 0.54%

LAB 67.27, 13.11, 54

 

CMYK 0 / 32 / 81 / 10

HEX #E69D2C

RGB 230 157 44

HSL 36.45, 0.79%, 0.54%

LAB 70.26, 18.31, 65.16

 

CMYK 0 / 35 / 90 / 2

HEX #F9A119

RGB 249 161 25

HSL 36.43, 0.95%, 0.54%

LAB 73.35, 23.78, 73.93

 

CMYK 0 / 22 / 57 / 25

HEX #C09552

RGB 192 149 82

HSL 36.55, 0.47%, 0.54%

LAB 64.41, 8.36, 41.13

 

CMYK 0 / 16 / 42 / 32

HEX #AD9165

RGB 173 145 101

HSL 36.67, 0.31%, 0.54%

LAB 61.72, 4.33, 27.26

 

CMYK 0 / 8 / 22 / 40

HEX #9A8D78

RGB 154 141 120

HSL 37.06, 0.14%, 0.54%

LAB 59.23, 1.31, 12.97

 

CMYK 3 / 1 / 0 / 45

HEX #87898B

RGB 135 137 139

HSL 210, 0.02%, 0.54%

LAB 56.98, -0.33, -1.33

 

CMYK 27 / 16 / 0 / 38

HEX #74859E

RGB 116 133 158

HSL 215.71, 0.18%, 0.54%

LAB 55.03, -0.27, -15.36

 

CMYK 0 / 54 / 57 / 25

HEX #C05952

RGB 192 89 82

HSL 3.82, 0.47%, 0.54%

LAB 50.64, 40.76, 23.98

 

CMYK 0 / 38 / 57 / 25

HEX #C07752

RGB 192 119 82

HSL 20.18, 0.47%, 0.54%

LAB 57.08, 24.88, 32.2

 

CMYK 0 / 23 / 57 / 25

HEX #C09452

RGB 192 148 82

HSL 36, 0.47%, 0.54%

LAB 64.16, 8.91, 40.83

 

CMYK 0 / 7 / 57 / 25

HEX #C0B252

RGB 192 178 82

HSL 52.36, 0.47%, 0.54%

LAB 72, -7.18, 49.96

 

CMYK 7 / 0 / 57 / 25

HEX #B2C052

RGB 178 192 82

HSL 67.64, 0.47%, 0.54%

LAB 74.68, -20.18, 52.68

 

CMYK 0 / 25 / 64 / 45

HEX #8D6A33

RGB 141 106 51

HSL 36.67, 0.47%, 0.38%

LAB 47.25, 7.62, 35.67

 

CMYK 0 / 26 / 64 / 33

HEX #AC803E

RGB 172 128 62

HSL 36, 0.47%, 0.46%

LAB 56.64, 9.8, 41.66

 

CMYK 0 / 22 / 57 / 25

HEX #C09552

RGB 192 149 82

HSL 36.55, 0.47%, 0.54%

LAB 64.41, 8.36, 41.13

 

CMYK 0 / 17 / 45 / 20

HEX #CBA870

RGB 203 168 112

HSL 36.92, 0.47%, 0.62%

LAB 70.78, 5.43, 33.67

 

CMYK 0 / 13 / 33 / 16

HEX #D6BA8F

RGB 214 186 143

HSL 36.34, 0.46%, 0.7%

LAB 76.92, 3.78, 25.51

 

CMYK 0 / 23 / 58 / 24

HEX #C19551

RGB 193 149 81

HSL 36.43, 0.47%, 0.54%

LAB 64.5, 8.71, 41.77

 

CMYK 46 / 0 / 57 / 25

HEX #68C052

RGB 104 192 82

HSL 108, 0.47%, 0.54%

LAB 70.35, -47.29, 46.58

 

CMYK 46 / 57 / 0 / 25

HEX #6852C0

RGB 104 82 192

HSL 252, 0.47%, 0.54%

LAB 42.44, 36.53, -54.95

 

CMYK 0 / 23 / 58 / 24

HEX #C19551

RGB 193 149 81

HSL 36.43, 0.47%, 0.54%

LAB 64.5, 8.71, 41.77

 

CMYK 57 / 0 / 23 / 25

HEX #52C094

RGB 82 192 148

HSL 156, 0.47%, 0.54%

LAB 70.62, -41.95, 12.87

 

CMYK 23 / 57 / 0 / 25

HEX #9452C0

RGB 148 82 192

HSL 276, 0.47%, 0.54%

LAB 47.15, 47.05, -47.12

 

CMYK 0 / 23 / 58 / 24

HEX #C19551

RGB 193 149 81

HSL 36.43, 0.47%, 0.54%

LAB 64.5, 8.71, 41.77

 

CMYK 46 / 0 / 57 / 25

HEX #68C052

RGB 104 192 82

HSL 108, 0.47%, 0.54%

LAB 70.35, -47.29, 46.58

 

CMYK 57 / 34 / 0 / 25

HEX #527EC0

RGB 82 126 192

HSL 216, 0.47%, 0.54%

LAB 52.42, 4.71, -39.11

 

CMYK 11 / 57 / 0 / 25

HEX #AA52C0

RGB 170 82 192

HSL 288, 0.47%, 0.54%

LAB 49.96, 52.71, -42.49

 

CMYK 0 / 23 / 58 / 24

HEX #C19551

RGB 193 149 81

HSL 36.43, 0.47%, 0.54%

LAB 64.5, 8.71, 41.77

 

CMYK 57 / 0 / 52 / 25

HEX #52C05D

RGB 82 192 93

HSL 126, 0.47%, 0.54%

LAB 69.67, -51.91, 40.33

 

CMYK 57 / 34 / 0 / 25

HEX #527EC0

RGB 82 126 192

HSL 216, 0.47%, 0.54%

LAB 52.42, 4.71, -39.11

 

CMYK 0 / 57 / 6 / 25

HEX #C052B5

RGB 192 82 181

HSL 306, 0.47%, 0.54%

LAB 52.48, 56.57, -31.93

 

Description

Color code: HEX #C19551 | qconv.com Color code: HEX #C19551 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 149 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 149 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 58 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 58% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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