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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1947F it is the complementary color #3E6B80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1947F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1947F shade: #C6947A, #D7A68D, #E8B8A0, #F9CAB3 and #FFDCC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1947F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1947F shade: #C1947F, #B0826C, #9F7059, #8E5E46 and #7D4C33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1947F shade: #C1947F, #C1827F and #C17F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1947F shade: #C1947F, #C1A67F, #C1B87F, #B9C17F and #A7C17F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1947F shade matches the following richer shades: #C1947F, #D08F70, #E08961, #EF8351 and #FE7E42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1947F shade: #C1947F, #B29A8E, #A39F9E, #93A5AD and #84AABC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1947F shade: #C17F8D, #C1827F, #C1947F, #C1A67F and #C1B77F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1947F shade: #A1684D, #B47D63, #C1947F, #CFAB9B and #DCC3B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1947F shade: #C1947F, #9FC17F and #7F85C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1947F shade: #C1947F, #7FC194 and #947FC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1947F shade: #C1947F, #9FC17F, #7FACC1 and #A17FC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1947F shade: #C1947F, #8BC17F, #7FACC1 and #B57FC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 34 / 24

HEX #C1947F

RGB 193 148 127

HSL 19.09, 0.35%, 0.63%

LAB 65, 14, 17.63

 

Complementary color

CMYK 52 / 16 / 0 / 50

HEX #3E6B80

RGB 62 107 128

HSL 199.09, 0.35%, 0.37%

LAB 42.91, -9.23, -16.43

 

CMYK 0 / 25 / 38 / 22

HEX #C6947A

RGB 198 148 122

HSL 20.53, 0.4%, 0.63%

LAB 65.43, 15.38, 21.08

 

CMYK 0 / 23 / 34 / 16

HEX #D7A68D

RGB 215 166 141

HSL 20.27, 0.48%, 0.7%

LAB 71.99, 14.63, 19.89

 

CMYK 0 / 21 / 31 / 9

HEX #E8B8A0

RGB 232 184 160

HSL 20, 0.61%, 0.77%

LAB 78.45, 13.97, 18.79

 

CMYK 0 / 19 / 28 / 2

HEX #F9CAB3

RGB 249 202 179

HSL 19.71, 0.85%, 0.84%

LAB 84.81, 13.37, 17.77

 

CMYK 0 / 14 / 22 / 0

HEX #FFDCC6

RGB 255 220 198

HSL 23.16, 1%, 0.89%

LAB 90.1, 8.83, 15.28

 

CMYK 0 / 23 / 34 / 24

HEX #C1947F

RGB 193 148 127

HSL 19.09, 0.35%, 0.63%

LAB 65, 14, 17.63

 

CMYK 0 / 26 / 39 / 31

HEX #B0826C

RGB 176 130 108

HSL 19.41, 0.3%, 0.56%

LAB 58.3, 14.77, 18.84

 

CMYK 0 / 30 / 44 / 38

HEX #9F7059

RGB 159 112 89

HSL 19.71, 0.28%, 0.49%

LAB 51.47, 15.67, 20.19

 

CMYK 0 / 34 / 51 / 44

HEX #8E5E46

RGB 142 94 70

HSL 20, 0.34%, 0.42%

LAB 44.52, 16.74, 21.71

 

CMYK 0 / 39 / 59 / 51

HEX #7D4C33

RGB 125 76 51

HSL 20.27, 0.42%, 0.35%

LAB 37.42, 18.03, 23.46

 

CMYK 0 / 23 / 34 / 24

HEX #C1947F

RGB 193 148 127

HSL 19.09, 0.35%, 0.63%

LAB 65, 14, 17.63

 

CMYK 0 / 33 / 34 / 24

HEX #C1827F

RGB 193 130 127

HSL 2.73, 0.35%, 0.63%

LAB 60.64, 23.93, 11.55

 

CMYK 0 / 34 / 34 / 24

HEX #C17F7F

RGB 193 127 127

HSL 0, 0.35%, 0.63%

LAB 59.93, 25.58, 10.56

 

CMYK 0 / 23 / 34 / 24

HEX #C1947F

RGB 193 148 127

HSL 19.09, 0.35%, 0.63%

LAB 65, 14, 17.63

 

CMYK 0 / 14 / 34 / 24

HEX #C1A67F

RGB 193 166 127

HSL 35.45, 0.35%, 0.63%

LAB 69.57, 4.16, 23.86

 

CMYK 0 / 5 / 34 / 24

HEX #C1B87F

RGB 193 184 127

HSL 51.82, 0.35%, 0.63%

LAB 74.29, -5.44, 30.15

 

CMYK 4 / 0 / 34 / 24

HEX #B9C17F

RGB 185 193 127

HSL 67.27, 0.35%, 0.63%

LAB 76.06, -13.25, 32.36

 

CMYK 13 / 0 / 34 / 24

HEX #A7C17F

RGB 167 193 127

HSL 83.64, 0.35%, 0.63%

LAB 74.75, -20.15, 30.4

 

CMYK 0 / 23 / 34 / 24

HEX #C1947F

RGB 193 148 127

HSL 19.09, 0.35%, 0.63%

LAB 65, 14, 17.63

 

CMYK 0 / 31 / 46 / 18

HEX #D08F70

RGB 208 143 112

HSL 19.38, 0.51%, 0.63%

LAB 65.14, 21.04, 26.41

 

CMYK 0 / 39 / 57 / 12

HEX #E08961

RGB 224 137 97

HSL 18.9, 0.67%, 0.63%

LAB 65.44, 29.34, 35.35

 

CMYK 0 / 45 / 66 / 6

HEX #EF8351

RGB 239 131 81

HSL 18.99, 0.83%, 0.63%

LAB 65.89, 37.31, 44.78

 

CMYK 0 / 50 / 74 / 0

HEX #FE7E42

RGB 254 126 66

HSL 19.15, 0.99%, 0.63%

LAB 66.81, 44.83, 53.83

 

CMYK 0 / 23 / 34 / 24

HEX #C1947F

RGB 193 148 127

HSL 19.09, 0.35%, 0.63%

LAB 65, 14, 17.63

 

CMYK 0 / 13 / 20 / 30

HEX #B29A8E

RGB 178 154 142

HSL 20, 0.19%, 0.63%

LAB 65.38, 6.91, 9.56

 

CMYK 0 / 2 / 3 / 36

HEX #A39F9E

RGB 163 159 158

HSL 12, 0.03%, 0.63%

LAB 65.79, 1.26, 1.03

 

CMYK 15 / 5 / 0 / 32

HEX #93A5AD

RGB 147 165 173

HSL 198.46, 0.14%, 0.63%

LAB 66.62, -4.59, -6.27

 

CMYK 30 / 10 / 0 / 26

HEX #84AABC

RGB 132 170 188

HSL 199.29, 0.29%, 0.63%

LAB 67.49, -8.57, -13.41

 

CMYK 0 / 34 / 27 / 24

HEX #C17F8D

RGB 193 127 141

HSL 347.27, 0.35%, 0.63%

LAB 60.28, 27.48, 3.03

 

CMYK 0 / 33 / 34 / 24

HEX #C1827F

RGB 193 130 127

HSL 2.73, 0.35%, 0.63%

LAB 60.64, 23.93, 11.55

 

CMYK 0 / 23 / 34 / 24

HEX #C1947F

RGB 193 148 127

HSL 19.09, 0.35%, 0.63%

LAB 65, 14, 17.63

 

CMYK 0 / 14 / 34 / 24

HEX #C1A67F

RGB 193 166 127

HSL 35.45, 0.35%, 0.63%

LAB 69.57, 4.16, 23.86

 

CMYK 0 / 5 / 34 / 24

HEX #C1B77F

RGB 193 183 127

HSL 50.91, 0.35%, 0.63%

LAB 74.02, -4.91, 29.8

 

CMYK 0 / 35 / 52 / 37

HEX #A1684D

RGB 161 104 77

HSL 19.29, 0.35%, 0.47%

LAB 49.51, 19.83, 24.58

 

CMYK 0 / 31 / 45 / 29

HEX #B47D63

RGB 180 125 99

HSL 19.26, 0.35%, 0.55%

LAB 57.34, 18.19, 22.73

 

CMYK 0 / 23 / 34 / 24

HEX #C1947F

RGB 193 148 127

HSL 19.09, 0.35%, 0.63%

LAB 65, 14, 17.63

 

CMYK 0 / 17 / 25 / 19

HEX #CFAB9B

RGB 207 171 155

HSL 18.46, 0.35%, 0.71%

LAB 72.73, 10.7, 13.15

 

CMYK 0 / 11 / 17 / 14

HEX #DCC3B7

RGB 220 195 183

HSL 19.46, 0.35%, 0.79%

LAB 80.55, 6.89, 9.25

 

CMYK 0 / 23 / 34 / 24

HEX #C1947F

RGB 193 148 127

HSL 19.09, 0.35%, 0.63%

LAB 65, 14, 17.63

 

CMYK 18 / 0 / 34 / 24

HEX #9FC17F

RGB 159 193 127

HSL 90.91, 0.35%, 0.63%

LAB 74.22, -23.13, 29.59

 

CMYK 34 / 31 / 0 / 24

HEX #7F85C1

RGB 127 133 193

HSL 234.55, 0.35%, 0.63%

LAB 57.21, 12.17, -31.98

 

CMYK 0 / 23 / 34 / 24

HEX #C1947F

RGB 193 148 127

HSL 19.09, 0.35%, 0.63%

LAB 65, 14, 17.63

 

CMYK 34 / 0 / 23 / 24

HEX #7FC194

RGB 127 193 148

HSL 139.09, 0.35%, 0.63%

LAB 72.75, -30.54, 16.13

 

CMYK 23 / 34 / 0 / 24

HEX #947FC1

RGB 148 127 193

HSL 259.09, 0.35%, 0.63%

LAB 57.39, 21.92, -31.57

 

CMYK 0 / 23 / 34 / 24

HEX #C1947F

RGB 193 148 127

HSL 19.09, 0.35%, 0.63%

LAB 65, 14, 17.63

 

CMYK 18 / 0 / 34 / 24

HEX #9FC17F

RGB 159 193 127

HSL 90.91, 0.35%, 0.63%

LAB 74.22, -23.13, 29.59

 

CMYK 34 / 11 / 0 / 24

HEX #7FACC1

RGB 127 172 193

HSL 199.09, 0.35%, 0.63%

LAB 67.92, -9.85, -15.56

 

CMYK 17 / 34 / 0 / 24

HEX #A17FC1

RGB 161 127 193

HSL 270.91, 0.35%, 0.63%

LAB 58.61, 25.93, -29.58

 

CMYK 0 / 23 / 34 / 24

HEX #C1947F

RGB 193 148 127

HSL 19.09, 0.35%, 0.63%

LAB 65, 14, 17.63

 

CMYK 28 / 0 / 34 / 24

HEX #8BC17F

RGB 139 193 127

HSL 109.09, 0.35%, 0.63%

LAB 73, -30.25, 27.75

 

CMYK 34 / 11 / 0 / 24

HEX #7FACC1

RGB 127 172 193

HSL 199.09, 0.35%, 0.63%

LAB 67.92, -9.85, -15.56

 

CMYK 6 / 34 / 0 / 24

HEX #B57FC1

RGB 181 127 193

HSL 289.09, 0.35%, 0.63%

LAB 60.65, 32.27, -26.26

 

Description

Color code: HEX #C1947F | qconv.com Color code: HEX #C1947F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 148 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 148 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 34 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 34% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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