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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C18DDC it is the complementary color #3E7223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C18DDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C18DDC shade: #C68DD7, #D79FEA, #E8B1FD, #F9C3FF and #FFD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C18DDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C18DDC shade: #C18DDC, #B07BC9, #9F69B6, #8E57A3 and #7D4590

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C18DDC shade: #C18DDC, #D68DDC, #DC8DCC, #DC8DB7 and #DC8DA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C18DDC shade: #C18DDC, #AC8DDC, #978DDC and #8D8DDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C18DDC shade matches the following richer shades: #C18DDC, #C581E8 and #C975F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C18DDC shade: #C18DDC, #BD99D0, #B9A5C4, #B6B1B8 and #B2BDAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C18DDC shade: #978DDC, #AB8DDC, #C08DDC, #D58DDC and #DC8DCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C18DDC shade: #9F4EC8, #B06ED2, #C18DDC, #D2ADE5 and #E3CCEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C18DDC shade: #C18DDC, #DC8D99 and #8DDCA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C18DDC shade: #C18DDC, #DCC08D and #8DDCC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C18DDC shade: #C18DDC, #DC8D99, #A9DC8D and #8DDCD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C18DDC shade: #C18DDC, #DC998D, #A9DC8D and #8DD0DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 36 / 0 / 14

HEX #C18DDC

RGB 193 141 220

HSL 279.49, 0.53%, 0.71%

LAB 66.18, 33.85, -32.74

 

Complementary color

CMYK 46 / 0 / 69 / 55

HEX #3E7223

RGB 62 114 35

HSL 99.49, 0.53%, 0.29%

LAB 43.03, -32.56, 37.02

 

CMYK 8 / 34 / 0 / 16

HEX #C68DD7

RGB 198 141 215

HSL 286.22, 0.48%, 0.7%

LAB 66.49, 34.36, -29.44

 

CMYK 8 / 32 / 0 / 8

HEX #D79FEA

RGB 215 159 234

HSL 284.8, 0.64%, 0.77%

LAB 73.01, 33.67, -29.7

 

CMYK 8 / 30 / 0 / 1

HEX #E8B1FD

RGB 232 177 253

HSL 283.42, 0.95%, 0.84%

LAB 79.44, 33.02, -29.96

 

CMYK 2 / 24 / 0 / 0

HEX #F9C3FF

RGB 249 195 255

HSL 294, 1%, 0.88%

LAB 85.19, 29.18, -22.1

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 12 / 36 / 0 / 14

HEX #C18DDC

RGB 193 141 220

HSL 279.49, 0.53%, 0.71%

LAB 66.18, 33.85, -32.74

 

CMYK 12 / 39 / 0 / 21

HEX #B07BC9

RGB 176 123 201

HSL 280.77, 0.42%, 0.64%

LAB 59.54, 34.59, -32.55

 

CMYK 13 / 42 / 0 / 29

HEX #9F69B6

RGB 159 105 182

HSL 282.08, 0.35%, 0.56%

LAB 52.79, 35.38, -32.36

 

CMYK 13 / 47 / 0 / 36

HEX #8E57A3

RGB 142 87 163

HSL 283.42, 0.3%, 0.49%

LAB 45.92, 36.2, -32.13

 

CMYK 13 / 52 / 0 / 44

HEX #7D4590

RGB 125 69 144

HSL 284.8, 0.35%, 0.42%

LAB 38.95, 37.02, -31.85

 

CMYK 12 / 36 / 0 / 14

HEX #C18DDC

RGB 193 141 220

HSL 279.49, 0.53%, 0.71%

LAB 66.18, 33.85, -32.74

 

CMYK 3 / 36 / 0 / 14

HEX #D68DDC

RGB 214 141 220

HSL 295.44, 0.53%, 0.71%

LAB 68.4, 40.32, -29.13

 

CMYK 0 / 36 / 7 / 14

HEX #DC8DCC

RGB 220 141 204

HSL 312.15, 0.53%, 0.71%

LAB 68.48, 39.33, -20.07

 

CMYK 0 / 36 / 17 / 14

HEX #DC8DB7

RGB 220 141 183

HSL 328.1, 0.53%, 0.71%

LAB 67.79, 35.88, -9.39

 

CMYK 0 / 36 / 26 / 14

HEX #DC8DA2

RGB 220 141 162

HSL 344.05, 0.53%, 0.71%

LAB 67.18, 32.77, 1.51

 

CMYK 12 / 36 / 0 / 14

HEX #C18DDC

RGB 193 141 220

HSL 279.49, 0.53%, 0.71%

LAB 66.18, 33.85, -32.74

 

CMYK 22 / 36 / 0 / 14

HEX #AC8DDC

RGB 172 141 220

HSL 263.54, 0.53%, 0.71%

LAB 64.15, 27.51, -36.05

 

CMYK 31 / 36 / 0 / 14

HEX #978DDC

RGB 151 141 220

HSL 247.59, 0.53%, 0.71%

LAB 62.34, 21.43, -39.02

 

CMYK 36 / 36 / 0 / 14

HEX #8D8DDC

RGB 141 141 220

HSL 240, 0.53%, 0.71%

LAB 61.55, 18.66, -40.31

 

CMYK 12 / 36 / 0 / 14

HEX #C18DDC

RGB 193 141 220

HSL 279.49, 0.53%, 0.71%

LAB 66.18, 33.85, -32.74

 

CMYK 15 / 44 / 0 / 9

HEX #C581E8

RGB 197 129 232

HSL 279.61, 0.69%, 0.71%

LAB 64.48, 44.07, -42.01

 

CMYK 18 / 52 / 0 / 4

HEX #C975F4

RGB 201 117 244

HSL 279.69, 0.85%, 0.71%

LAB 63.07, 53.94, -50.84

 

CMYK 12 / 36 / 0 / 14

HEX #C18DDC

RGB 193 141 220

HSL 279.49, 0.53%, 0.71%

LAB 66.18, 33.85, -32.74

 

CMYK 9 / 26 / 0 / 18

HEX #BD99D0

RGB 189 153 208

HSL 279.27, 0.37%, 0.71%

LAB 68.13, 23.44, -23.11

 

CMYK 6 / 16 / 0 / 23

HEX #B9A5C4

RGB 185 165 196

HSL 278.71, 0.21%, 0.71%

LAB 70.32, 13.02, -13.19

 

CMYK 1 / 4 / 0 / 28

HEX #B6B1B8

RGB 182 177 184

HSL 282.86, 0.05%, 0.71%

LAB 72.79, 3.08, -2.94

 

CMYK 6 / 0 / 9 / 26

HEX #B2BDAC

RGB 178 189 172

HSL 98.82, 0.11%, 0.71%

LAB 75.35, -6.95, 7.28

 

CMYK 31 / 36 / 0 / 14

HEX #978DDC

RGB 151 141 220

HSL 247.59, 0.53%, 0.71%

LAB 62.34, 21.43, -39.02

 

CMYK 22 / 36 / 0 / 14

HEX #AB8DDC

RGB 171 141 220

HSL 262.78, 0.53%, 0.71%

LAB 64.06, 27.21, -36.2

 

CMYK 13 / 36 / 0 / 14

HEX #C08DDC

RGB 192 141 220

HSL 278.73, 0.53%, 0.71%

LAB 66.08, 33.54, -32.91

 

CMYK 3 / 36 / 0 / 14

HEX #D58DDC

RGB 213 141 220

HSL 294.68, 0.53%, 0.71%

LAB 68.29, 40.01, -29.31

 

CMYK 0 / 36 / 7 / 14

HEX #DC8DCD

RGB 220 141 205

HSL 311.39, 0.53%, 0.71%

LAB 68.51, 39.5, -20.58

 

CMYK 21 / 61 / 0 / 22

HEX #9F4EC8

RGB 159 78 200

HSL 279.84, 0.53%, 0.55%

LAB 48.25, 53.56, -49.92

 

CMYK 16 / 48 / 0 / 18

HEX #B06ED2

RGB 176 110 210

HSL 279.6, 0.53%, 0.63%

LAB 57.11, 43.64, -41.44

 

CMYK 12 / 36 / 0 / 14

HEX #C18DDC

RGB 193 141 220

HSL 279.49, 0.53%, 0.71%

LAB 66.18, 33.85, -32.74

 

CMYK 8 / 24 / 0 / 10

HEX #D2ADE5

RGB 210 173 229

HSL 279.64, 0.52%, 0.79%

LAB 75.6, 23.48, -23.06

 

CMYK 5 / 15 / 0 / 6

HEX #E3CCEF

RGB 227 204 239

HSL 279.43, 0.52%, 0.87%

LAB 84.87, 14.27, -14.29

 

CMYK 12 / 36 / 0 / 14

HEX #C18DDC

RGB 193 141 220

HSL 279.49, 0.53%, 0.71%

LAB 66.18, 33.85, -32.74

 

CMYK 0 / 36 / 30 / 14

HEX #DC8D99

RGB 220 141 153

HSL 350.89, 0.53%, 0.71%

LAB 66.95, 31.55, 6.23

 

CMYK 36 / 0 / 27 / 14

HEX #8DDCA1

RGB 141 220 161

HSL 135.19, 0.53%, 0.71%

LAB 81.52, -36.49, 21.5

 

CMYK 12 / 36 / 0 / 14

HEX #C18DDC

RGB 193 141 220

HSL 279.49, 0.53%, 0.71%

LAB 66.18, 33.85, -32.74

 

CMYK 0 / 13 / 36 / 14

HEX #DCC08D

RGB 220 192 141

HSL 38.73, 0.53%, 0.71%

LAB 78.95, 2.73, 29.39

 

CMYK 36 / 0 / 13 / 14

HEX #8DDCC0

RGB 141 220 192

HSL 158.73, 0.53%, 0.71%

LAB 82.19, -30.42, 6.11

 

CMYK 12 / 36 / 0 / 14

HEX #C18DDC

RGB 193 141 220

HSL 279.49, 0.53%, 0.71%

LAB 66.18, 33.85, -32.74

 

CMYK 0 / 36 / 30 / 14

HEX #DC8D99

RGB 220 141 153

HSL 350.89, 0.53%, 0.71%

LAB 66.95, 31.55, 6.23

 

CMYK 23 / 0 / 36 / 14

HEX #A9DC8D

RGB 169 220 141

HSL 98.73, 0.53%, 0.71%

LAB 82.67, -30.58, 33.62

 

CMYK 36 / 0 / 5 / 14

HEX #8DDCD0

RGB 141 220 208

HSL 170.89, 0.53%, 0.71%

LAB 82.6, -26.91, -1.8

 

CMYK 12 / 36 / 0 / 14

HEX #C18DDC

RGB 193 141 220

HSL 279.49, 0.53%, 0.71%

LAB 66.18, 33.85, -32.74

 

CMYK 0 / 30 / 36 / 14

HEX #DC998D

RGB 220 153 141

HSL 9.11, 0.53%, 0.71%

LAB 69.41, 23.59, 16.41

 

CMYK 23 / 0 / 36 / 14

HEX #A9DC8D

RGB 169 220 141

HSL 98.73, 0.53%, 0.71%

LAB 82.67, -30.58, 33.62

 

CMYK 36 / 5 / 0 / 14

HEX #8DD0DC

RGB 141 208 220

HSL 189.11, 0.53%, 0.71%

LAB 79.58, -18.12, -12.66

 

Description

Color code: HEX #C18DDC | qconv.com Color code: HEX #C18DDC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 141 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 141 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 36 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 36% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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