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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C18794 it is the complementary color #3E786B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C18794. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C18794 shade: #C6878F, #D799A2, #E8ABB5, #F9BDC8 and #FFCFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C18794. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C18794 shade: #C18794, #B07581, #9F636E, #8E515B and #7D3F48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C18794 shade: #C08592 and #C08585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C18794 shade: #C08592, #C085A2, #C085B2, #BE85C0 and #AE85C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C18794 shade matches the following richer shades: #C08592, #CF768A, #DE6882, #ED597A and #FB4A72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C18794 shade: #C08592, #B1949B, #A2A3A3, #94B2AB and #85C1B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C18794 shade: #C085B2, #C085A3, #C08593, #C08785 and #C09785

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C18794 shade: #A05264, #B26A7A, #C08592, #CEA1AB and #DCBCC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C18794 shade: #C18794, #C0BE85 and #85ABC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C18794 shade: #C18794, #93C085 and #8593C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C18794 shade: #C18794, #C0BE85, #85C0B2 and #8587C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C18794 shade: #C18794, #B0C085, #85C0B2 and #9585C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 23 / 24

HEX #C18794

RGB 193 135 148

HSL 346.55, 0.32%, 0.64%

LAB 62.34, 24.09, 2.01

 

Complementary color

CMYK 48 / 0 / 11 / 53

HEX #3E786B

RGB 62 120 107

HSL 166.55, 0.32%, 0.36%

LAB 46.34, -22.42, 1.27

 

CMYK 0 / 32 / 28 / 22

HEX #C6878F

RGB 198 135 143

HSL 352.38, 0.36%, 0.65%

LAB 62.77, 25.24, 5.55

 

CMYK 0 / 29 / 25 / 16

HEX #D799A2

RGB 215 153 162

HSL 351.29, 0.44%, 0.72%

LAB 69.35, 24.48, 4.58

 

CMYK 0 / 26 / 22 / 9

HEX #E8ABB5

RGB 232 171 181

HSL 350.16, 0.57%, 0.79%

LAB 75.83, 23.78, 3.69

 

CMYK 0 / 24 / 20 / 2

HEX #F9BDC8

RGB 249 189 200

HSL 349, 0.83%, 0.86%

LAB 82.22, 23.15, 2.87

 

CMYK 0 / 19 / 14 / 0

HEX #FFCFDB

RGB 255 207 219

HSL 345, 1%, 0.91%

LAB 87.49, 18.72, 0.47

 

CMYK 0 / 30 / 23 / 24

HEX #C18794

RGB 193 135 148

HSL 346.55, 0.32%, 0.64%

LAB 62.34, 24.09, 2.01

 

CMYK 0 / 34 / 27 / 31

HEX #B07581

RGB 176 117 129

HSL 347.8, 0.27%, 0.57%

LAB 55.62, 24.88, 2.97

 

CMYK 0 / 38 / 31 / 38

HEX #9F636E

RGB 159 99 110

HSL 349, 0.24%, 0.51%

LAB 48.79, 25.75, 4.05

 

CMYK 0 / 43 / 36 / 44

HEX #8E515B

RGB 142 81 91

HSL 350.16, 0.27%, 0.44%

LAB 41.83, 26.73, 5.32

 

CMYK 0 / 50 / 42 / 51

HEX #7D3F48

RGB 125 63 72

HSL 351.29, 0.33%, 0.37%

LAB 34.77, 27.79, 6.85

 

CMYK 0 / 31 / 24 / 25

HEX #C08592

RGB 192 133 146

HSL 346.78, 0.32%, 0.64%

LAB 61.7, 24.52, 2.21

 

CMYK 0 / 31 / 31 / 25

HEX #C08585

RGB 192 133 133

HSL 0, 0.32%, 0.64%

LAB 61.37, 22.68, 9.15

 

CMYK 0 / 31 / 24 / 25

HEX #C08592

RGB 192 133 146

HSL 346.78, 0.32%, 0.64%

LAB 61.7, 24.52, 2.21

 

CMYK 0 / 31 / 16 / 25

HEX #C085A2

RGB 192 133 162

HSL 330.51, 0.32%, 0.64%

LAB 62.16, 27.02, -6.24

 

CMYK 0 / 31 / 7 / 25

HEX #C085B2

RGB 192 133 178

HSL 314.24, 0.32%, 0.64%

LAB 62.67, 29.76, -14.57

 

CMYK 1 / 31 / 0 / 25

HEX #BE85C0

RGB 190 133 192

HSL 297.97, 0.32%, 0.64%

LAB 62.95, 31.68, -22.08

 

CMYK 9 / 31 / 0 / 25

HEX #AE85C0

RGB 174 133 192

HSL 281.69, 0.32%, 0.64%

LAB 61.29, 26.45, -24.77

 

CMYK 0 / 31 / 24 / 25

HEX #C08592

RGB 192 133 146

HSL 346.78, 0.32%, 0.64%

LAB 61.7, 24.52, 2.21

 

CMYK 0 / 43 / 33 / 19

HEX #CF768A

RGB 207 118 138

HSL 346.52, 0.48%, 0.64%

LAB 59.94, 37.09, 4.48

 

CMYK 0 / 53 / 41 / 13

HEX #DE6882

RGB 222 104 130

HSL 346.78, 0.64%, 0.64%

LAB 59.01, 48.54, 8.06

 

CMYK 0 / 62 / 49 / 7

HEX #ED597A

RGB 237 89 122

HSL 346.62, 0.8%, 0.64%

LAB 58.56, 59.49, 12.41

 

CMYK 0 / 71 / 55 / 2

HEX #FB4A72

RGB 251 74 114

HSL 346.44, 0.96%, 0.64%

LAB 58.62, 68.83, 17.54

 

CMYK 0 / 31 / 24 / 25

HEX #C08592

RGB 192 133 146

HSL 346.78, 0.32%, 0.64%

LAB 61.7, 24.52, 2.21

 

CMYK 0 / 16 / 12 / 31

HEX #B1949B

RGB 177 148 155

HSL 345.52, 0.16%, 0.64%

LAB 64.07, 11.99, 0.36

 

CMYK 1 / 0 / 0 / 36

HEX #A2A3A3

RGB 162 163 163

HSL 180, 0.01%, 0.64%

LAB 66.92, -0.35, -0.13

 

CMYK 17 / 0 / 4 / 30

HEX #94B2AB

RGB 148 178 171

HSL 166, 0.16%, 0.64%

LAB 70.23, -11.65, 0.15

 

CMYK 31 / 0 / 7 / 24

HEX #85C1B3

RGB 133 193 179

HSL 166, 0.33%, 0.64%

LAB 73.79, -22.35, 0.87

 

CMYK 0 / 31 / 7 / 25

HEX #C085B2

RGB 192 133 178

HSL 314.24, 0.32%, 0.64%

LAB 62.67, 29.76, -14.57

 

CMYK 0 / 31 / 15 / 25

HEX #C085A3

RGB 192 133 163

HSL 329.49, 0.32%, 0.64%

LAB 62.19, 27.19, -6.77

 

CMYK 0 / 31 / 23 / 25

HEX #C08593

RGB 192 133 147

HSL 345.76, 0.32%, 0.64%

LAB 61.73, 24.67, 1.68

 

CMYK 0 / 30 / 31 / 25

HEX #C08785

RGB 192 135 133

HSL 2.03, 0.32%, 0.64%

LAB 61.85, 21.57, 9.83

 

CMYK 0 / 21 / 31 / 25

HEX #C09785

RGB 192 151 133

HSL 18.31, 0.32%, 0.64%

LAB 65.77, 12.73, 15.34

 

CMYK 0 / 49 / 38 / 37

HEX #A05264

RGB 160 82 100

HSL 346.15, 0.32%, 0.47%

LAB 44.84, 34.23, 4.44

 

CMYK 0 / 40 / 31 / 30

HEX #B26A7A

RGB 178 106 122

HSL 346.67, 0.32%, 0.56%

LAB 53.14, 30.76, 3.52

 

CMYK 0 / 31 / 24 / 25

HEX #C08592

RGB 192 133 146

HSL 346.78, 0.32%, 0.64%

LAB 61.7, 24.52, 2.21

 

CMYK 0 / 22 / 17 / 19

HEX #CEA1AB

RGB 206 161 171

HSL 346.67, 0.31%, 0.72%

LAB 70.56, 18.17, 1.21

 

CMYK 0 / 15 / 11 / 14

HEX #DCBCC3

RGB 220 188 195

HSL 346.88, 0.31%, 0.8%

LAB 79.11, 12.54, 0.71

 

CMYK 0 / 30 / 23 / 24

HEX #C18794

RGB 193 135 148

HSL 346.55, 0.32%, 0.64%

LAB 62.34, 24.09, 2.01

 

CMYK 0 / 1 / 31 / 25

HEX #C0BE85

RGB 192 190 133

HSL 57.97, 0.32%, 0.64%

LAB 75.9, -8.21, 29.11

 

CMYK 31 / 11 / 0 / 25

HEX #85ABC0

RGB 133 171 192

HSL 201.36, 0.32%, 0.64%

LAB 67.96, -7.83, -14.92

 

CMYK 0 / 30 / 23 / 24

HEX #C18794

RGB 193 135 148

HSL 346.55, 0.32%, 0.64%

LAB 62.34, 24.09, 2.01

 

CMYK 23 / 0 / 31 / 25

HEX #93C085

RGB 147 192 133

HSL 105.76, 0.32%, 0.64%

LAB 73.28, -26.06, 25.05

 

CMYK 31 / 23 / 0 / 25

HEX #8593C0

RGB 133 147 192

HSL 225.76, 0.32%, 0.64%

LAB 61.36, 5.55, -24.96

 

CMYK 0 / 30 / 23 / 24

HEX #C18794

RGB 193 135 148

HSL 346.55, 0.32%, 0.64%

LAB 62.34, 24.09, 2.01

 

CMYK 0 / 1 / 31 / 25

HEX #C0BE85

RGB 192 190 133

HSL 57.97, 0.32%, 0.64%

LAB 75.9, -8.21, 29.11

 

CMYK 31 / 0 / 7 / 25

HEX #85C0B2

RGB 133 192 178

HSL 165.76, 0.32%, 0.64%

LAB 73.48, -22.07, 0.96

 

CMYK 31 / 30 / 0 / 25

HEX #8587C0

RGB 133 135 192

HSL 237.97, 0.32%, 0.64%

LAB 58.15, 12.49, -29.92

 

CMYK 0 / 30 / 23 / 24

HEX #C18794

RGB 193 135 148

HSL 346.55, 0.32%, 0.64%

LAB 62.34, 24.09, 2.01

 

CMYK 8 / 0 / 31 / 25

HEX #B0C085

RGB 176 192 133

HSL 76.27, 0.32%, 0.64%

LAB 75.22, -15.42, 27.98

 

CMYK 31 / 0 / 7 / 25

HEX #85C0B2

RGB 133 192 178

HSL 165.76, 0.32%, 0.64%

LAB 73.48, -22.07, 0.96

 

CMYK 22 / 31 / 0 / 25

HEX #9585C0

RGB 149 133 192

HSL 256.27, 0.32%, 0.64%

LAB 58.95, 18.5, -28.58

 

Description

Color code: HEX #C18794 | qconv.com Color code: HEX #C18794 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 135 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 135 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 23 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 23% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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