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Color name
HEX #C17E52

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C17E52 it is the complementary color #3E81AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C17E52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C17E52 shade: #C67E4D, #D79060, #E8A273, #F9B486 and #FFC699

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C17E52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C17E52 shade: #C17E52, #B06C3F, #9F5A2C, #8E4819 and #7D3606

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C17E52 shade: #C07E52, #C06052 and #C05252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C17E52 shade: #C07E52, #C09C52, #C0B952, #AAC052 and #8CC052

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C17E52 shade matches the following richer shades: #C07E52, #D37A3F, #E6762C and #F97219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C17E52 shade: #C07E52, #AD8265, #9A8678, #878A8B and #748E9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C17E52 shade: #C05263, #C05F52, #C07C52, #C09A52 and #C0B752

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C17E52 shade: #8D5733, #AC693E, #C07E52, #CB9470 and #D6AB8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C17E52 shade: #C17E52, #80C052 and #5254C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C17E52 shade: #C17E52, #52C07C and #7C52C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C17E52 shade: #C17E52, #80C052, #5296C0 and #9252C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C17E52 shade: #C17E52, #5FC052, #5296C0 and #B352C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 58 / 24

HEX #C17E52

RGB 193 126 82

HSL 23.78, 0.47%, 0.54%

LAB 58.85, 21.45, 34.42

 

Complementary color

CMYK 64 / 25 / 0 / 32

HEX #3E81AD

RGB 62 129 173

HSL 203.78, 0.47%, 0.46%

LAB 51.54, -7.34, -29.63

 

CMYK 0 / 36 / 61 / 22

HEX #C67E4D

RGB 198 126 77

HSL 24.3, 0.51%, 0.54%

LAB 59.4, 23.15, 37.91

 

CMYK 0 / 33 / 55 / 16

HEX #D79060

RGB 215 144 96

HSL 24.2, 0.6%, 0.61%

LAB 65.93, 21.87, 36.27

 

CMYK 0 / 30 / 50 / 9

HEX #E8A273

RGB 232 162 115

HSL 24.1, 0.72%, 0.68%

LAB 72.38, 20.75, 34.75

 

CMYK 0 / 28 / 46 / 2

HEX #F9B486

RGB 249 180 134

HSL 24, 0.91%, 0.75%

LAB 78.75, 19.76, 33.33

 

CMYK 0 / 22 / 40 / 0

HEX #FFC699

RGB 255 198 153

HSL 26.47, 1%, 0.8%

LAB 83.94, 14.62, 30.35

 

CMYK 0 / 35 / 58 / 24

HEX #C17E52

RGB 193 126 82

HSL 23.78, 0.47%, 0.54%

LAB 58.85, 21.45, 34.42

 

CMYK 0 / 39 / 64 / 31

HEX #B06C3F

RGB 176 108 63

HSL 23.89, 0.47%, 0.47%

LAB 52.19, 22.82, 36.14

 

CMYK 0 / 43 / 72 / 38

HEX #9F5A2C

RGB 159 90 44

HSL 24, 0.57%, 0.4%

LAB 45.45, 24.42, 37.93

 

CMYK 0 / 49 / 82 / 44

HEX #8E4819

RGB 142 72 25

HSL 24.1, 0.7%, 0.33%

LAB 38.65, 26.28, 39.6

 

CMYK 0 / 57 / 95 / 51

HEX #7D3606

RGB 125 54 6

HSL 24.2, 0.91%, 0.26%

LAB 31.83, 28.36, 40.47

 

CMYK 0 / 34 / 57 / 25

HEX #C07E52

RGB 192 126 82

HSL 24, 0.47%, 0.54%

LAB 58.73, 21.03, 34.24

 

CMYK 0 / 50 / 57 / 25

HEX #C06052

RGB 192 96 82

HSL 7.64, 0.47%, 0.54%

LAB 52.04, 37.19, 25.8

 

CMYK 0 / 57 / 57 / 25

HEX #C05252

RGB 192 82 82

HSL 0, 0.47%, 0.54%

LAB 49.31, 44.2, 22.25

 

CMYK 0 / 34 / 57 / 25

HEX #C07E52

RGB 192 126 82

HSL 24, 0.47%, 0.54%

LAB 58.73, 21.03, 34.24

 

CMYK 0 / 19 / 57 / 25

HEX #C09C52

RGB 192 156 82

HSL 40.36, 0.47%, 0.54%

LAB 66.21, 4.55, 43.25

 

CMYK 0 / 4 / 57 / 25

HEX #C0B952

RGB 192 185 82

HSL 56.18, 0.47%, 0.54%

LAB 73.88, -10.81, 52.08

 

CMYK 11 / 0 / 57 / 25

HEX #AAC052

RGB 170 192 82

HSL 72, 0.47%, 0.54%

LAB 74.1, -23.43, 51.86

 

CMYK 27 / 0 / 57 / 25

HEX #8CC052

RGB 140 192 82

HSL 88.36, 0.47%, 0.54%

LAB 72.15, -35.09, 49.13

 

CMYK 0 / 34 / 57 / 25

HEX #C07E52

RGB 192 126 82

HSL 24, 0.47%, 0.54%

LAB 58.73, 21.03, 34.24

 

CMYK 0 / 42 / 70 / 17

HEX #D37A3F

RGB 211 122 63

HSL 23.92, 0.63%, 0.54%

LAB 60, 29.83, 46.23

 

CMYK 0 / 49 / 81 / 10

HEX #E6762C

RGB 230 118 44

HSL 23.87, 0.79%, 0.54%

LAB 61.62, 38.76, 57.38

 

CMYK 0 / 54 / 90 / 2

HEX #F97219

RGB 249 114 25

HSL 23.84, 0.95%, 0.54%

LAB 63.54, 47.58, 66.7

 

CMYK 0 / 34 / 57 / 25

HEX #C07E52

RGB 192 126 82

HSL 24, 0.47%, 0.54%

LAB 58.73, 21.03, 34.24

 

CMYK 0 / 25 / 42 / 32

HEX #AD8265

RGB 173 130 101

HSL 24.17, 0.31%, 0.54%

LAB 57.84, 12.7, 22.12

 

CMYK 0 / 13 / 22 / 40

HEX #9A8678

RGB 154 134 120

HSL 24.71, 0.14%, 0.54%

LAB 57.34, 5.25, 10.32

 

CMYK 3 / 1 / 0 / 45

HEX #878A8B

RGB 135 138 139

HSL 195, 0.02%, 0.54%

LAB 57.26, -0.9, -0.93

 

CMYK 27 / 10 / 0 / 38

HEX #748E9E

RGB 116 142 158

HSL 202.86, 0.18%, 0.54%

LAB 57.59, -5.39, -11.5

 

CMYK 0 / 57 / 48 / 25

HEX #C05263

RGB 192 82 99

HSL 350.73, 0.47%, 0.54%

LAB 49.67, 45.66, 12.56

 

CMYK 0 / 51 / 57 / 25

HEX #C05F52

RGB 192 95 82

HSL 7.09, 0.47%, 0.54%

LAB 51.84, 37.71, 25.53

 

CMYK 0 / 35 / 57 / 25

HEX #C07C52

RGB 192 124 82

HSL 22.91, 0.47%, 0.54%

LAB 58.26, 22.13, 33.65

 

CMYK 0 / 20 / 57 / 25

HEX #C09A52

RGB 192 154 82

HSL 39.27, 0.47%, 0.54%

LAB 65.69, 5.64, 42.65

 

CMYK 0 / 5 / 57 / 25

HEX #C0B752

RGB 192 183 82

HSL 55.09, 0.47%, 0.54%

LAB 73.34, -9.78, 51.47

 

CMYK 0 / 38 / 64 / 45

HEX #8D5733

RGB 141 87 51

HSL 24, 0.47%, 0.38%

LAB 42.34, 18.7, 29.94

 

CMYK 0 / 39 / 64 / 33

HEX #AC693E

RGB 172 105 62

HSL 23.45, 0.47%, 0.46%

LAB 50.95, 22.72, 35.08

 

CMYK 0 / 34 / 57 / 25

HEX #C07E52

RGB 192 126 82

HSL 24, 0.47%, 0.54%

LAB 58.73, 21.03, 34.24

 

CMYK 0 / 27 / 45 / 20

HEX #CB9470

RGB 203 148 112

HSL 23.74, 0.47%, 0.62%

LAB 65.78, 16.28, 27.16

 

CMYK 0 / 20 / 33 / 16

HEX #D6AB8F

RGB 214 171 143

HSL 23.66, 0.46%, 0.7%

LAB 73.16, 11.79, 20.39

 

CMYK 0 / 35 / 58 / 24

HEX #C17E52

RGB 193 126 82

HSL 23.78, 0.47%, 0.54%

LAB 58.85, 21.45, 34.42

 

CMYK 33 / 0 / 57 / 25

HEX #80C052

RGB 128 192 82

HSL 94.91, 0.47%, 0.54%

LAB 71.49, -39.43, 48.19

 

CMYK 57 / 56 / 0 / 25

HEX #5254C0

RGB 82 84 192

HSL 238.91, 0.47%, 0.54%

LAB 41.12, 30.81, -57.16

 

CMYK 0 / 35 / 58 / 24

HEX #C17E52

RGB 193 126 82

HSL 23.78, 0.47%, 0.54%

LAB 58.85, 21.45, 34.42

 

CMYK 57 / 0 / 35 / 25

HEX #52C07C

RGB 82 192 124

HSL 142.91, 0.47%, 0.54%

LAB 70.14, -46.85, 25.07

 

CMYK 35 / 57 / 0 / 25

HEX #7C52C0

RGB 124 82 192

HSL 262.91, 0.47%, 0.54%

LAB 44.41, 41.12, -51.67

 

CMYK 0 / 35 / 58 / 24

HEX #C17E52

RGB 193 126 82

HSL 23.78, 0.47%, 0.54%

LAB 58.85, 21.45, 34.42

 

CMYK 33 / 0 / 57 / 25

HEX #80C052

RGB 128 192 82

HSL 94.91, 0.47%, 0.54%

LAB 71.49, -39.43, 48.19

 

CMYK 57 / 22 / 0 / 25

HEX #5296C0

RGB 82 150 192

HSL 202.91, 0.47%, 0.54%

LAB 59.35, -9.21, -28.29

 

CMYK 24 / 57 / 0 / 25

HEX #9252C0

RGB 146 82 192

HSL 274.91, 0.47%, 0.54%

LAB 46.91, 46.55, -47.53

 

CMYK 0 / 35 / 58 / 24

HEX #C17E52

RGB 193 126 82

HSL 23.78, 0.47%, 0.54%

LAB 58.85, 21.45, 34.42

 

CMYK 51 / 0 / 57 / 25

HEX #5FC052

RGB 95 192 82

HSL 112.91, 0.47%, 0.54%

LAB 69.99, -49.91, 46.08

 

CMYK 57 / 22 / 0 / 25

HEX #5296C0

RGB 82 150 192

HSL 202.91, 0.47%, 0.54%

LAB 59.35, -9.21, -28.29

 

CMYK 7 / 57 / 0 / 25

HEX #B352C0

RGB 179 82 192

HSL 292.91, 0.47%, 0.54%

LAB 51.18, 55.06, -40.48

 

Description

Color code: HEX #C17E52 | qconv.com Color code: HEX #C17E52 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 126 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 126 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 58 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 58% 24% C M Y K

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Provide designers and agencies with accurate color values.

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