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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C17A24 it is the complementary color #3E85DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C17A24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C17A24 shade: #C67A1F, #D78C32, #E89E45, #F9B058 and #FFC26B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C17A24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C17A24 shade: #C17A24, #B06811, #9F5600, #8E4400 and #7D3200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C17A24 shade: #C17A23, #C14F23, #C12423 and #C12323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C17A24 shade: #C17A23, #C1A523, #B4C123, #89C123 and #5EC123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C17A24 shade matches the following richer shades: #C17A23 and #D47C11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C17A24 shade: #C17A23, #AF7836, #9C7648, #8A745B and #77736D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C17A24 shade: #C12323, #C14D23, #C17823, #C1A223 and #B7C123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C17A24 shade: #7C4E16, #9F641D, #C17A23, #D98F34 and #E0A257

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C17A24 shade: #C17A24, #4DC123 and #3823C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C17A24 shade: #C17A24, #23C178 and #7823C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C17A24 shade: #C17A24, #4DC123, #236DC1 and #9723C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C17A24 shade: #C17A24, #23C128, #236DC1 and #C123BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 81 / 24

HEX #C17A24

RGB 193 122 36

HSL 32.87, 0.69%, 0.45%

LAB 57.45, 21.07, 54.89

 

Complementary color

CMYK 72 / 39 / 0 / 14

HEX #3E85DB

RGB 62 133 219

HSL 212.87, 0.69%, 0.55%

LAB 54.98, 6.34, -50.41

 

CMYK 0 / 38 / 84 / 22

HEX #C67A1F

RGB 198 122 31

HSL 32.69, 0.73%, 0.45%

LAB 58.06, 23.07, 57.47

 

CMYK 0 / 35 / 77 / 16

HEX #D78C32

RGB 215 140 50

HSL 32.73, 0.67%, 0.52%

LAB 64.51, 21.24, 56.94

 

CMYK 0 / 32 / 70 / 9

HEX #E89E45

RGB 232 158 69

HSL 32.76, 0.78%, 0.59%

LAB 70.9, 19.65, 55.87

 

CMYK 0 / 29 / 65 / 2

HEX #F9B058

RGB 249 176 88

HSL 32.8, 0.93%, 0.66%

LAB 77.22, 18.25, 54.57

 

CMYK 0 / 24 / 58 / 0

HEX #FFC26B

RGB 255 194 107

HSL 35.27, 1%, 0.71%

LAB 82.33, 12.55, 51.58

 

CMYK 0 / 37 / 81 / 24

HEX #C17A24

RGB 193 122 36

HSL 32.87, 0.69%, 0.45%

LAB 57.45, 21.07, 54.89

 

CMYK 0 / 41 / 90 / 31

HEX #B06811

RGB 176 104 17

HSL 32.83, 0.82%, 0.38%

LAB 50.89, 23.07, 54.78

 

CMYK 0 / 46 / 100 / 38

HEX #9F5600

RGB 159 86 0

HSL 32.45, 1%, 0.31%

LAB 44.27, 25.34, 53.17

 

CMYK 0 / 52 / 100 / 44

HEX #8E4400

RGB 142 68 0

HSL 28.73, 1%, 0.28%

LAB 37.64, 27.89, 47.83

 

CMYK 0 / 60 / 100 / 51

HEX #7D3200

RGB 125 50 0

HSL 24, 1%, 0.25%

LAB 30.98, 30.36, 42.31

 

CMYK 0 / 37 / 82 / 24

HEX #C17A23

RGB 193 122 35

HSL 33.04, 0.69%, 0.45%

LAB 57.44, 21.03, 55.26

 

CMYK 0 / 59 / 82 / 24

HEX #C14F23

RGB 193 79 35

HSL 16.71, 0.69%, 0.45%

LAB 48.32, 43.49, 46.96

 

CMYK 0 / 81 / 82 / 24

HEX #C12423

RGB 193 36 35

HSL 0.38, 0.69%, 0.45%

LAB 42.34, 59.78, 41.29

 

CMYK 0 / 82 / 82 / 24

HEX #C12323

RGB 193 35 35

HSL 0, 0.69%, 0.45%

LAB 42.25, 60.04, 41.2

 

CMYK 0 / 37 / 82 / 24

HEX #C17A23

RGB 193 122 35

HSL 33.04, 0.69%, 0.45%

LAB 57.44, 21.03, 55.26

 

CMYK 0 / 15 / 82 / 24

HEX #C1A523

RGB 193 165 35

HSL 49.37, 0.69%, 0.45%

LAB 68.29, -2.4, 64.79

 

CMYK 7 / 0 / 82 / 24

HEX #B4C123

RGB 180 193 35

HSL 64.94, 0.69%, 0.45%

LAB 74.8, -22.42, 69.97

 

CMYK 29 / 0 / 82 / 24

HEX #89C123

RGB 137 193 35

HSL 81.27, 0.69%, 0.45%

LAB 71.95, -39.83, 66.37

 

CMYK 51 / 0 / 82 / 24

HEX #5EC123

RGB 94 193 35

HSL 97.59, 0.69%, 0.45%

LAB 69.92, -54.38, 63.79

 

CMYK 0 / 37 / 82 / 24

HEX #C17A23

RGB 193 122 35

HSL 33.04, 0.69%, 0.45%

LAB 57.44, 21.03, 55.26

 

CMYK 0 / 42 / 92 / 17

HEX #D47C11

RGB 212 124 17

HSL 32.92, 0.85%, 0.45%

LAB 60.3, 27.67, 63.94

 

CMYK 0 / 37 / 82 / 24

HEX #C17A23

RGB 193 122 35

HSL 33.04, 0.69%, 0.45%

LAB 57.44, 21.03, 55.26

 

CMYK 0 / 31 / 69 / 31

HEX #AF7836

RGB 175 120 54

HSL 32.73, 0.53%, 0.45%

LAB 54.88, 15.11, 43.75

 

CMYK 0 / 24 / 54 / 39

HEX #9C7648

RGB 156 118 72

HSL 32.86, 0.37%, 0.45%

LAB 52.39, 9.2, 30.92

 

CMYK 0 / 16 / 34 / 46

HEX #8A745B

RGB 138 116 91

HSL 31.91, 0.21%, 0.45%

LAB 50.27, 4.7, 17.02

 

CMYK 0 / 3 / 8 / 53

HEX #77736D

RGB 119 115 109

HSL 36, 0.04%, 0.45%

LAB 48.62, 0.38, 3.86

 

CMYK 0 / 82 / 82 / 24

HEX #C12323

RGB 193 35 35

HSL 0, 0.69%, 0.45%

LAB 42.25, 60.04, 41.2

 

CMYK 0 / 60 / 82 / 24

HEX #C14D23

RGB 193 77 35

HSL 15.95, 0.69%, 0.45%

LAB 47.96, 44.43, 46.62

 

CMYK 0 / 38 / 82 / 24

HEX #C17823

RGB 193 120 35

HSL 32.28, 0.69%, 0.45%

LAB 56.97, 22.13, 54.84

 

CMYK 0 / 16 / 82 / 24

HEX #C1A223

RGB 193 162 35

HSL 48.23, 0.69%, 0.45%

LAB 67.5, -0.8, 64.1

 

CMYK 5 / 0 / 82 / 24

HEX #B7C123

RGB 183 193 35

HSL 63.8, 0.69%, 0.45%

LAB 75.03, -21.14, 70.26

 

CMYK 0 / 37 / 82 / 51

HEX #7C4E16

RGB 124 78 22

HSL 32.94, 0.7%, 0.29%

LAB 37.47, 14.54, 38.89

 

CMYK 0 / 37 / 82 / 38

HEX #9F641D

RGB 159 100 29

HSL 32.77, 0.69%, 0.37%

LAB 47.72, 18.1, 47.15

 

CMYK 0 / 37 / 82 / 24

HEX #C17A23

RGB 193 122 35

HSL 33.04, 0.69%, 0.45%

LAB 57.44, 21.03, 55.26

 

CMYK 0 / 34 / 76 / 15

HEX #D98F34

RGB 217 143 52

HSL 33.09, 0.68%, 0.53%

LAB 65.47, 20.56, 57.13

 

CMYK 0 / 28 / 61 / 12

HEX #E0A257

RGB 224 162 87

HSL 32.85, 0.69%, 0.61%

LAB 71.13, 15.24, 47.38

 

CMYK 0 / 37 / 81 / 24

HEX #C17A24

RGB 193 122 36

HSL 32.87, 0.69%, 0.45%

LAB 57.45, 21.07, 54.89

 

CMYK 60 / 0 / 82 / 24

HEX #4DC123

RGB 77 193 35

HSL 104.05, 0.69%, 0.45%

LAB 69.35, -58.91, 63.06

 

CMYK 71 / 82 / 0 / 24

HEX #3823C1

RGB 56 35 193

HSL 247.97, 0.69%, 0.45%

LAB 29.14, 55.26, -77.46

 

CMYK 0 / 37 / 81 / 24

HEX #C17A24

RGB 193 122 36

HSL 32.87, 0.69%, 0.45%

LAB 57.45, 21.07, 54.89

 

CMYK 82 / 0 / 38 / 24

HEX #23C178

RGB 35 193 120

HSL 152.28, 0.69%, 0.45%

LAB 69.36, -55.68, 25.96

 

CMYK 38 / 82 / 0 / 24

HEX #7823C1

RGB 120 35 193

HSL 272.28, 0.69%, 0.45%

LAB 36.07, 62.54, -65.8

 

CMYK 0 / 37 / 81 / 24

HEX #C17A24

RGB 193 122 36

HSL 32.87, 0.69%, 0.45%

LAB 57.45, 21.07, 54.89

 

CMYK 60 / 0 / 82 / 24

HEX #4DC123

RGB 77 193 35

HSL 104.05, 0.69%, 0.45%

LAB 69.35, -58.91, 63.06

 

CMYK 82 / 44 / 0 / 24

HEX #236DC1

RGB 35 109 193

HSL 211.9, 0.69%, 0.45%

LAB 45.83, 8.33, -50.27

 

CMYK 22 / 82 / 0 / 24

HEX #9723C1

RGB 151 35 193

HSL 284.05, 0.69%, 0.45%

LAB 40.62, 67.46, -58.18

 

CMYK 0 / 37 / 81 / 24

HEX #C17A24

RGB 193 122 36

HSL 32.87, 0.69%, 0.45%

LAB 57.45, 21.07, 54.89

 

CMYK 82 / 0 / 79 / 24

HEX #23C128

RGB 35 193 40

HSL 121.9, 0.69%, 0.45%

LAB 68.5, -66.09, 60.52

 

CMYK 82 / 44 / 0 / 24

HEX #236DC1

RGB 35 109 193

HSL 211.9, 0.69%, 0.45%

LAB 45.83, 8.33, -50.27

 

CMYK 0 / 82 / 3 / 24

HEX #C123BC

RGB 193 35 188

HSL 301.9, 0.69%, 0.45%

LAB 47.2, 74.24, -44.33

 

Description

Color code: HEX #C17A24 | qconv.com Color code: HEX #C17A24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 122 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 122 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 81 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 81% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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