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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1737F it is the complementary color #3E8C80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1737F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1737F shade: #C6737A, #D7858D, #E897A0, #F9A9B3 and #FFBBC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1737F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1737F shade: #C1737F, #B0616C, #9F4F59, #8E3D46 and #7D2B33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1737F shade: #C0717D and #C07171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1737F shade: #C0717D, #C07192, #C071A8, #C071BD and #AE71C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1737F shade matches the following richer shades: #C0717D, #D16072, #E15066 and #F23F5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1737F shade: #C0717D, #B08188, #9F9294, #8FA29F and #7EB3AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1737F shade: #C071A8, #C07193, #C0717E, #C07971 and #C08E71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1737F shade: #9B4451, #B45463, #C0717D, #CD8D97 and #D9AAB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1737F shade: #C1737F, #BEC071 and #719EC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1737F shade: #C1737F, #7EC071 and #717EC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1737F shade: #C1737F, #BEC071, #71C0B3 and #7371C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1737F shade: #C1737F, #A6C071, #71C0B3 and #8B71C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 34 / 24

HEX #C1737F

RGB 193 115 127

HSL 350.77, 0.39%, 0.6%

LAB 57.2, 32.14, 6.68

 

Complementary color

CMYK 56 / 0 / 9 / 45

HEX #3E8C80

RGB 62 140 128

HSL 170.77, 0.39%, 0.4%

LAB 53.32, -27.03, -0.85

 

CMYK 0 / 42 / 38 / 22

HEX #C6737A

RGB 198 115 122

HSL 354.94, 0.42%, 0.61%

LAB 57.72, 33.4, 10.41

 

CMYK 0 / 38 / 34 / 16

HEX #D7858D

RGB 215 133 141

HSL 354.15, 0.51%, 0.68%

LAB 64.28, 32.44, 9.11

 

CMYK 0 / 35 / 31 / 9

HEX #E897A0

RGB 232 151 160

HSL 353.33, 0.64%, 0.75%

LAB 70.75, 31.55, 7.95

 

CMYK 0 / 32 / 28 / 2

HEX #F9A9B3

RGB 249 169 179

HSL 352.5, 0.87%, 0.82%

LAB 77.14, 30.73, 6.91

 

CMYK 0 / 27 / 22 / 0

HEX #FFBBC6

RGB 255 187 198

HSL 350.29, 1%, 0.87%

LAB 82.31, 26.05, 4.16

 

CMYK 0 / 40 / 34 / 24

HEX #C1737F

RGB 193 115 127

HSL 350.77, 0.39%, 0.6%

LAB 57.2, 32.14, 6.68

 

CMYK 0 / 45 / 39 / 31

HEX #B0616C

RGB 176 97 108

HSL 351.65, 0.33%, 0.54%

LAB 50.53, 33.12, 8.04

 

CMYK 0 / 50 / 44 / 38

HEX #9F4F59

RGB 159 79 89

HSL 352.5, 0.34%, 0.47%

LAB 43.78, 34.17, 9.64

 

CMYK 0 / 57 / 51 / 44

HEX #8E3D46

RGB 142 61 70

HSL 353.33, 0.4%, 0.4%

LAB 36.99, 35.23, 11.62

 

CMYK 0 / 66 / 59 / 51

HEX #7D2B33

RGB 125 43 51

HSL 354.15, 0.49%, 0.33%

LAB 30.22, 36.17, 14.16

 

CMYK 0 / 41 / 35 / 25

HEX #C0717D

RGB 192 113 125

HSL 350.89, 0.39%, 0.6%

LAB 56.58, 32.59, 6.94

 

CMYK 0 / 41 / 41 / 25

HEX #C07171

RGB 192 113 113

HSL 0, 0.39%, 0.6%

LAB 56.3, 31.15, 13.51

 

CMYK 0 / 41 / 35 / 25

HEX #C0717D

RGB 192 113 125

HSL 350.89, 0.39%, 0.6%

LAB 56.58, 32.59, 6.94

 

CMYK 0 / 41 / 24 / 25

HEX #C07192

RGB 192 113 146

HSL 334.94, 0.39%, 0.6%

LAB 57.16, 35.46, -4.44

 

CMYK 0 / 41 / 13 / 25

HEX #C071A8

RGB 192 113 168

HSL 318.23, 0.39%, 0.6%

LAB 57.89, 38.91, -16.09

 

CMYK 0 / 41 / 2 / 25

HEX #C071BD

RGB 192 113 189

HSL 302.28, 0.39%, 0.6%

LAB 58.69, 42.59, -26.91

 

CMYK 9 / 41 / 0 / 25

HEX #AE71C0

RGB 174 113 192

HSL 286.33, 0.39%, 0.6%

LAB 56.7, 37.62, -31.87

 

CMYK 0 / 41 / 35 / 25

HEX #C0717D

RGB 192 113 125

HSL 350.89, 0.39%, 0.6%

LAB 56.58, 32.59, 6.94

 

CMYK 0 / 54 / 45 / 18

HEX #D16072

RGB 209 96 114

HSL 350.44, 0.55%, 0.6%

LAB 55.21, 46.29, 11.77

 

CMYK 0 / 64 / 55 / 12

HEX #E15066

RGB 225 80 102

HSL 350.9, 0.71%, 0.6%

LAB 54.77, 57.8, 18.63

 

CMYK 0 / 74 / 62 / 5

HEX #F23F5B

RGB 242 63 91

HSL 350.61, 0.87%, 0.6%

LAB 55.27, 68.4, 26.32

 

CMYK 0 / 41 / 35 / 25

HEX #C0717D

RGB 192 113 125

HSL 350.89, 0.39%, 0.6%

LAB 56.58, 32.59, 6.94

 

CMYK 0 / 27 / 23 / 31

HEX #B08188

RGB 176 129 136

HSL 351.06, 0.23%, 0.6%

LAB 58.7, 19.19, 3.37

 

CMYK 0 / 8 / 7 / 38

HEX #9F9294

RGB 159 146 148

HSL 350.77, 0.06%, 0.6%

LAB 61.71, 5.17, 0.68

 

CMYK 12 / 0 / 2 / 36

HEX #8FA29F

RGB 143 162 159

HSL 170.53, 0.09%, 0.6%

LAB 65.11, -7.27, -0.71

 

CMYK 30 / 0 / 4 / 30

HEX #7EB3AB

RGB 126 179 171

HSL 170.94, 0.26%, 0.6%

LAB 69.2, -19.11, -1.52

 

CMYK 0 / 41 / 13 / 25

HEX #C071A8

RGB 192 113 168

HSL 318.23, 0.39%, 0.6%

LAB 57.89, 38.91, -16.09

 

CMYK 0 / 41 / 23 / 25

HEX #C07193

RGB 192 113 147

HSL 334.18, 0.39%, 0.6%

LAB 57.2, 35.6, -4.97

 

CMYK 0 / 41 / 34 / 25

HEX #C0717E

RGB 192 113 126

HSL 350.13, 0.39%, 0.6%

LAB 56.61, 32.72, 6.39

 

CMYK 0 / 37 / 41 / 25

HEX #C07971

RGB 192 121 113

HSL 6.08, 0.39%, 0.6%

LAB 58.11, 26.79, 16.02

 

CMYK 0 / 26 / 41 / 25

HEX #C08E71

RGB 192 142 113

HSL 22.03, 0.39%, 0.6%

LAB 63.13, 15.21, 22.86

 

CMYK 0 / 56 / 48 / 39

HEX #9B4451

RGB 155 68 81

HSL 351.03, 0.39%, 0.44%

LAB 40.73, 37.57, 10.23

 

CMYK 0 / 53 / 45 / 29

HEX #B45463

RGB 180 84 99

HSL 350.63, 0.39%, 0.52%

LAB 48.19, 40.42, 10.22

 

CMYK 0 / 41 / 35 / 25

HEX #C0717D

RGB 192 113 125

HSL 350.89, 0.39%, 0.6%

LAB 56.58, 32.59, 6.94

 

CMYK 0 / 31 / 26 / 20

HEX #CD8D97

RGB 205 141 151

HSL 350.63, 0.39%, 0.68%

LAB 65.17, 25.72, 4.57

 

CMYK 0 / 22 / 18 / 15

HEX #D9AAB1

RGB 217 170 177

HSL 351.06, 0.38%, 0.76%

LAB 73.98, 18.25, 3.01

 

CMYK 0 / 40 / 34 / 24

HEX #C1737F

RGB 193 115 127

HSL 350.77, 0.39%, 0.6%

LAB 57.2, 32.14, 6.68

 

CMYK 1 / 0 / 41 / 25

HEX #BEC071

RGB 190 192 113

HSL 61.52, 0.39%, 0.6%

LAB 75.97, -12.39, 39.5

 

CMYK 41 / 18 / 0 / 25

HEX #719EC0

RGB 113 158 192

HSL 205.82, 0.39%, 0.6%

LAB 63.15, -6.31, -22.32

 

CMYK 0 / 40 / 34 / 24

HEX #C1737F

RGB 193 115 127

HSL 350.77, 0.39%, 0.6%

LAB 57.2, 32.14, 6.68

 

CMYK 34 / 0 / 41 / 25

HEX #7EC071

RGB 126 192 113

HSL 110.13, 0.39%, 0.6%

LAB 71.78, -36.28, 33.3

 

CMYK 41 / 34 / 0 / 25

HEX #717EC0

RGB 113 126 192

HSL 230.13, 0.39%, 0.6%

LAB 54.28, 12.16, -36.06

 

CMYK 0 / 40 / 34 / 24

HEX #C1737F

RGB 193 115 127

HSL 350.77, 0.39%, 0.6%

LAB 57.2, 32.14, 6.68

 

CMYK 1 / 0 / 41 / 25

HEX #BEC071

RGB 190 192 113

HSL 61.52, 0.39%, 0.6%

LAB 75.97, -12.39, 39.5

 

CMYK 41 / 0 / 7 / 25

HEX #71C0B3

RGB 113 192 179

HSL 170.13, 0.39%, 0.6%

LAB 72.54, -27.4, -1.08

 

CMYK 40 / 41 / 0 / 25

HEX #7371C0

RGB 115 113 192

HSL 241.52, 0.39%, 0.6%

LAB 50.99, 20.5, -41.23

 

CMYK 0 / 40 / 34 / 24

HEX #C1737F

RGB 193 115 127

HSL 350.77, 0.39%, 0.6%

LAB 57.2, 32.14, 6.68

 

CMYK 14 / 0 / 41 / 25

HEX #A6C071

RGB 166 192 113

HSL 79.75, 0.39%, 0.6%

LAB 74.19, -21.84, 36.88

 

CMYK 41 / 0 / 7 / 25

HEX #71C0B3

RGB 113 192 179

HSL 170.13, 0.39%, 0.6%

LAB 72.54, -27.4, -1.08

 

CMYK 28 / 41 / 0 / 25

HEX #8B71C0

RGB 139 113 192

HSL 259.75, 0.39%, 0.6%

LAB 53.06, 27.16, -37.82

 

Description

Color code: HEX #C1737F | qconv.com Color code: HEX #C1737F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 115 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 115 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 34 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 34% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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