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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1702E it is the complementary color #3E8FD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1702E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1702E shade: #C67029, #D7823C, #E8944F, #F9A662 and #FFB875

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1702E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1702E shade: #C1702E, #B05E1B, #9F4C08, #8E3A00 and #7D2800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1702E shade: #C2702D, #C2482D and #C22D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1702E shade: #C2702D, #C2982D, #C2C02D, #9BC22D and #73C22D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1702E shade matches the following richer shades: #C2702D, #D56E1A and #E86C06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1702E shade: #C2702D, #AE7240, #9B7454, #877667 and #74787B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1702E shade: #C22D3C, #C2462D, #C26D2D, #C2952D and #C2BD2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1702E shade: #7F491D, #A05C25, #C2702D, #D38545 and #DB9B66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1702E shade: #C1702E, #64C22D and #322DC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1702E shade: #C1702E, #2DC26D and #6D2DC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1702E shade: #C1702E, #64C22D, #2D81C2 and #8B2DC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1702E shade: #C1702E, #37C22D, #2D81C2 and #B82DC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 76 / 24

HEX #C1702E

RGB 193 112 46

HSL 26.94, 0.62%, 0.47%

LAB 55.2, 26.9, 48.57

 

Complementary color

CMYK 70 / 32 / 0 / 18

HEX #3E8FD1

RGB 62 143 209

HSL 206.94, 0.62%, 0.53%

LAB 57.34, -3.11, -41.06

 

CMYK 0 / 43 / 79 / 22

HEX #C67029

RGB 198 112 41

HSL 27.13, 0.66%, 0.47%

LAB 55.84, 28.81, 51.63

 

CMYK 0 / 40 / 72 / 16

HEX #D7823C

RGB 215 130 60

HSL 27.1, 0.66%, 0.54%

LAB 62.29, 27.06, 50.29

 

CMYK 0 / 36 / 66 / 9

HEX #E8944F

RGB 232 148 79

HSL 27.06, 0.77%, 0.61%

LAB 68.68, 25.51, 48.75

 

CMYK 0 / 33 / 61 / 2

HEX #F9A662

RGB 249 166 98

HSL 27.02, 0.93%, 0.68%

LAB 75.01, 24.14, 47.18

 

CMYK 0 / 28 / 54 / 0

HEX #FFB875

RGB 255 184 117

HSL 29.13, 1%, 0.73%

LAB 80.08, 18.53, 43.93

 

CMYK 0 / 42 / 76 / 24

HEX #C1702E

RGB 193 112 46

HSL 26.94, 0.62%, 0.47%

LAB 55.2, 26.9, 48.57

 

CMYK 0 / 47 / 85 / 31

HEX #B05E1B

RGB 176 94 27

HSL 26.98, 0.73%, 0.4%

LAB 48.65, 28.8, 49.66

 

CMYK 0 / 52 / 95 / 38

HEX #9F4C08

RGB 159 76 8

HSL 27.02, 0.9%, 0.33%

LAB 42.09, 30.92, 49.57

 

CMYK 0 / 59 / 100 / 44

HEX #8E3A00

RGB 142 58 0

HSL 24.51, 1%, 0.28%

LAB 35.55, 33.2, 46.63

 

CMYK 0 / 68 / 100 / 51

HEX #7D2800

RGB 125 40 0

HSL 19.2, 1%, 0.25%

LAB 29.1, 35.3, 40.9

 

CMYK 0 / 42 / 77 / 24

HEX #C2702D

RGB 194 112 45

HSL 26.98, 0.62%, 0.47%

LAB 55.33, 27.28, 49.19

 

CMYK 0 / 63 / 77 / 24

HEX #C2482D

RGB 194 72 45

HSL 10.87, 0.62%, 0.47%

LAB 47.36, 47.43, 41.09

 

CMYK 0 / 77 / 77 / 24

HEX #C22D2D

RGB 194 45 45

HSL 0, 0.62%, 0.47%

LAB 43.56, 57.81, 37.05

 

CMYK 0 / 42 / 77 / 24

HEX #C2702D

RGB 194 112 45

HSL 26.98, 0.62%, 0.47%

LAB 55.33, 27.28, 49.19

 

CMYK 0 / 22 / 77 / 24

HEX #C2982D

RGB 194 152 45

HSL 43.09, 0.62%, 0.47%

LAB 65.05, 5.39, 58.58

 

CMYK 0 / 1 / 77 / 24

HEX #C2C02D

RGB 194 192 45

HSL 59.19, 0.62%, 0.47%

LAB 75.67, -15.61, 68.37

 

CMYK 20 / 0 / 77 / 24

HEX #9BC22D

RGB 155 194 45

HSL 75.7, 0.62%, 0.47%

LAB 73.38, -32.82, 65.22

 

CMYK 41 / 0 / 77 / 24

HEX #73C22D

RGB 115 194 45

HSL 91.81, 0.62%, 0.47%

LAB 71.16, -47.67, 62.33

 

CMYK 0 / 42 / 77 / 24

HEX #C2702D

RGB 194 112 45

HSL 26.98, 0.62%, 0.47%

LAB 55.33, 27.28, 49.19

 

CMYK 0 / 48 / 88 / 16

HEX #D56E1A

RGB 213 110 26

HSL 26.95, 0.78%, 0.47%

LAB 57.44, 35.6, 59.45

 

CMYK 0 / 53 / 97 / 9

HEX #E86C06

RGB 232 108 6

HSL 27.08, 0.95%, 0.47%

LAB 59.79, 43.81, 66.98

 

CMYK 0 / 42 / 77 / 24

HEX #C2702D

RGB 194 112 45

HSL 26.98, 0.62%, 0.47%

LAB 55.33, 27.28, 49.19

 

CMYK 0 / 34 / 63 / 32

HEX #AE7240

RGB 174 114 64

HSL 27.27, 0.46%, 0.47%

LAB 53.39, 18.68, 36.94

 

CMYK 0 / 25 / 46 / 39

HEX #9B7454

RGB 155 116 84

HSL 27.04, 0.3%, 0.47%

LAB 51.95, 11.12, 23.61

 

CMYK 0 / 13 / 24 / 47

HEX #877667

RGB 135 118 103

HSL 28.13, 0.13%, 0.47%

LAB 50.79, 4.05, 10.68

 

CMYK 6 / 2 / 0 / 52

HEX #74787B

RGB 116 120 123

HSL 205.71, 0.03%, 0.47%

LAB 50.19, -0.87, -2.17

 

CMYK 0 / 77 / 69 / 24

HEX #C22D3C

RGB 194 45 60

HSL 353.96, 0.62%, 0.47%

LAB 43.76, 58.46, 28.44

 

CMYK 0 / 64 / 77 / 24

HEX #C2462D

RGB 194 70 45

HSL 10.07, 0.62%, 0.47%

LAB 47.03, 48.32, 40.74

 

CMYK 0 / 44 / 77 / 24

HEX #C26D2D

RGB 194 109 45

HSL 25.77, 0.62%, 0.47%

LAB 54.65, 28.9, 48.53

 

CMYK 0 / 23 / 77 / 24

HEX #C2952D

RGB 194 149 45

HSL 41.88, 0.62%, 0.47%

LAB 64.29, 7.02, 57.86

 

CMYK 0 / 3 / 77 / 24

HEX #C2BD2D

RGB 194 189 45

HSL 57.99, 0.62%, 0.47%

LAB 74.86, -14.09, 67.63

 

CMYK 0 / 43 / 77 / 50

HEX #7F491D

RGB 127 73 29

HSL 26.94, 0.63%, 0.31%

LAB 36.68, 19.2, 34.97

 

CMYK 0 / 43 / 77 / 37

HEX #A05C25

RGB 160 92 37

HSL 26.83, 0.62%, 0.39%

LAB 45.99, 23.39, 42.03

 

CMYK 0 / 42 / 77 / 24

HEX #C2702D

RGB 194 112 45

HSL 26.98, 0.62%, 0.47%

LAB 55.33, 27.28, 49.19

 

CMYK 0 / 37 / 67 / 17

HEX #D38545

RGB 211 133 69

HSL 27.04, 0.62%, 0.55%

LAB 62.55, 24.26, 46.08

 

CMYK 0 / 29 / 53 / 14

HEX #DB9B66

RGB 219 155 102

HSL 27.18, 0.62%, 0.63%

LAB 69.08, 18.08, 37.13

 

CMYK 0 / 42 / 76 / 24

HEX #C1702E

RGB 193 112 46

HSL 26.94, 0.62%, 0.47%

LAB 55.2, 26.9, 48.57

 

CMYK 48 / 0 / 77 / 24

HEX #64C22D

RGB 100 194 45

HSL 97.85, 0.62%, 0.47%

LAB 70.51, -52.45, 61.49

 

CMYK 74 / 77 / 0 / 24

HEX #322DC2

RGB 50 45 194

HSL 242.01, 0.62%, 0.47%

LAB 30.52, 50.25, -75.77

 

CMYK 0 / 42 / 76 / 24

HEX #C1702E

RGB 193 112 46

HSL 26.94, 0.62%, 0.47%

LAB 55.2, 26.9, 48.57

 

CMYK 77 / 0 / 44 / 24

HEX #2DC26D

RGB 45 194 109

HSL 145.77, 0.62%, 0.47%

LAB 69.64, -56.97, 32.08

 

CMYK 44 / 77 / 0 / 24

HEX #6D2DC2

RGB 109 45 194

HSL 265.77, 0.62%, 0.47%

LAB 36.03, 57.36, -66.51

 

CMYK 0 / 42 / 76 / 24

HEX #C1702E

RGB 193 112 46

HSL 26.94, 0.62%, 0.47%

LAB 55.2, 26.9, 48.57

 

CMYK 48 / 0 / 77 / 24

HEX #64C22D

RGB 100 194 45

HSL 97.85, 0.62%, 0.47%

LAB 70.51, -52.45, 61.49

 

CMYK 77 / 34 / 0 / 24

HEX #2D81C2

RGB 45 129 194

HSL 206.17, 0.62%, 0.47%

LAB 52.01, -2.5, -41

 

CMYK 28 / 77 / 0 / 24

HEX #8B2DC2

RGB 139 45 194

HSL 277.85, 0.62%, 0.47%

LAB 40.02, 62.37, -59.84

 

CMYK 0 / 42 / 76 / 24

HEX #C1702E

RGB 193 112 46

HSL 26.94, 0.62%, 0.47%

LAB 55.2, 26.9, 48.57

 

CMYK 72 / 0 / 77 / 24

HEX #37C22D

RGB 55 194 45

HSL 115.97, 0.62%, 0.47%

LAB 69.17, -63.23, 59.73

 

CMYK 77 / 34 / 0 / 24

HEX #2D81C2

RGB 45 129 194

HSL 206.17, 0.62%, 0.47%

LAB 52.01, -2.5, -41

 

CMYK 5 / 77 / 0 / 24

HEX #B82DC2

RGB 184 45 194

HSL 295.97, 0.62%, 0.47%

LAB 46.92, 70.87, -48.35

 

Description

Color code: HEX #C1702E | qconv.com Color code: HEX #C1702E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 112 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 112 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 76 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 76% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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